Music Trade Review

Issue: 1941 Vol. 100 N. 10

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
10
THE MUSIC TRADE REVIEW, OCTOBER, 1U1
Greater Tuner
Unity Needed
So says Arthur Berson, Chairman of Membership
Committee of National Association of Piano Tuners
At the recent convention of the Na-
tional Association of Piano Tuners, Arthur
Berson made an appeal for greater tuner
unity when he said: "Never before, in our
country/ has there been such a wide-
spread interest and activity in the various
fields of music as there is today. It is
known to all of us that schools and col-
leges have extended their musical cur-
ricula, innumerable amateur and profes-
sional musical ensembles have sprung
up everywhere and are still rapidly grow-
ing in number, countless musical clubs
and groups conduct courses in music ap-
preciation and history, while thousands
of beginners, child and adult, register
daily to begin the study of some musical
instrument or other.
"The old phonograph, regarded by
many as dead and gone, has experienced
a resurrection and come forth anew,
flanked on one side by various kinds of
home-recording devices and on the other
by electrical amplification and tone-con-
trol. Today, many American families are
no longer confined to regaling their
musical guests with choice arias or sym-
phonies recorded by artists or great
musical organizations, but can subject
them to a home-recorded fortissimo dis-
play of the limited or unrestrained instru-
mental or vocal talents of Johnnie or
Mary, solo or with orchestral or piano
accompaniment.
"Parallel with, and as part of these
developments has come a marked in-
crease in the manufacture and sale of
musical instruments of all kinds—particu-
larly the piano which, because of its uni-
versal role, stands out as the most im-
portant of all musical instruments.
PUBLIC BETTER ADVISED
"The second important fact is that
piano-owners and piano-students of 1941
understand more of piano construction
and piano quality than ever before, and
that it is an increasingly-occurring exper-
ience for tuners to have customers give
an intelligent description of what they
want to have done on their pianos—
whether it has to do with voicing, tuning,
pitch, or touch-regulation. This important
and encouraging fact is due in large
measure to the excellent piano teaching
to be found in many parts of the country,
where teachers understand how much
good playing depends on the proper
mechanical functioning of the piano. It is
also attributable in part to the nature of
reading material found in current com-
petitive piano advertising issued by the
more enterprising piano manufacturers. In
no small measure is it to be explained
also by the patient and painstaking edu-
cational efforts of our own individual
NAPT members.
"The third important fact—and the one
which will require the greatest amount of
attention on our part is that, with the
situation as favorable as it has been out-
lined thus far, we are now faced with a
general sky-rocketing of prices and a
possible curtailment of all kinds of ser-
vices. This economic tendency with all
its possible unfavorable effects may ex-
tend over a long period, and it will need
all the ingenuity and united effort that
tuners can muster for us to keep ourselves
on an even keel and continue functioning.
"The three facts I have enumerated
present us with separate problems and
obligations which must be understood
separately; yet they call for action which
must be carried on around them simul-
taneously.
products or services, our association has
taken the positive and dynamic stand
that we cannot afford to wait for things
to come our way, but must go out into
the competitive market and struggle for
our share of the nation's business.
"We must be on our guard against the
dangerous idea that in times of low pur-
chasing-power music becomes a luxury
and must go by the board to make way
for more essential things. Many of us are
prone to allow our competitors to sell us
this dangerous idea with the inevitable
result that we begin to regard ourselves
as non-essential, lose our sense of pro-
portion, our morale, and finally our in-
comes. Our problem and our obligation
as piano-tuners in this connection is to
begin an aggressive move forward under
the leadership of NAPT and all other mus-
ical agencies to give life and meaning to
the slogan of the trade, that in our coun-
try and especially at this time, "Music Is
Essential".
RAISE PIANO SERVICE STANDARDS
"Regarding the growing intelligence of
piano-owners and students on the matter
of what constitutes good piano service:
MORE ACTIVITY NEEDED
Here our problem and our obligation is
"As regards the first fact—the ever- at once obvious. It is that of raising our
increasing interest in music and its bene- piano-service standards to an even-higher
ficial effect on the use of pianos; our level. A more appreciative piano-owning
problem and our obligation here is to public, seeing the need of having more
see that the tempo of this increasing in- done on their pianos will be more ready
terest is maintained and accelerated, des- to pay for the needed work, provided they
pite the negative influence of the chang- have the fullest confidence in the men
ing economic situation. Our National they engage. If we wish to build and cul-
Association of Piano Tuners has time and tivate a larger market for ourselves, we
time again expressed its progressive must be prepared to answer all the de-
stand on this matter in a number of ways. mands of this market, and to serve it with
the highest degree of technical skill
"For example, it recently joined the possible. We dare not rest content with
National Music Council, a broad organ- what we have learned thus far, but must
ization composed of all the important continually improve ourselves and keep
agencies and enterprises connected with abreast of new developments through the
the advancement of music. Again at one fraternal exchange of our knowledge,
of its recent conventions, NAPT resolved
experience, and ideas. Here, too, NAPT
to urge tuners, for their own good and
for that of the industry and music-public, plays an indispensable role. It is the
to recommend the junking of pianos medium for bringing together the best
beyond repair and the purchase of new and most progressive-minded piano ser-
pianos. Thirdly, individual members of vice men of the country, with the result
NAPT are engaged throughout the coun- that the very name, "National Association
try in musical activities of various kinds of Piano Tuners" is, in the minds of grow-
as apart from piano servicing. And finally, ing numbers of people, synonymous with
on the question of competition between 'best in piano-service.'
musical products or services and other
(Turn to Page 14, Col. 1)
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW, OCTOBER, 19Ul
11
How to Handle
Customers
Dealer adds interesting comments to those of
Dr. Daniel A. Laird who spoke at Convention
makes it easier for them to watch you,
also.
"The second group, the person who has
trouble deciding. There, it is better to
use a rifle and not a shotgun. Yesterday
afternoon a man from the Hartford Auto-
mobile Club called on me for a renewal.
He was a new man. I like to put salesmen
through their paces. I like to get into this
"No Sale" group for a while to make the
boys work. Some salesmen have life too
easy. I said, "No, I am not interested; I
have put out so much money and I
haven't anything for it at all except that
little thing to put on the front of my car
that looks like a Buck Roger's gun, and
that is all the good it has done me."
"I could tell he wasn't experienced.
They have about sixty different points. He
had them pretty well memorized. I said,
that's a shotgun; I am not interested.
"He said, 'Shotgun! Whose pulling a
gun on you.'
"I said, 'Use a rifle on me. My name is
Scotch. I am a Yankee living in New
England. What would you size up as be-
ing the point that might most likely sell
mel
"He said, l Well, at some of these filling
stations around here you get a ten per
cent discount on your oil and gas.'
"I said, sold.
"He took the one thing that I seemed
to be vulnerable on, hammered home on
that, and sold me, using a rifle instead
THE CUSTOMER WHO CAN'T MAKE
of a shotgun that scatters shot all over
UP HIS MIND
the lot.
Regarding the latter he stated:
"Under Rule 2, find the thing that
"Here are some simple rules, and briefly interests the person, and hammer on that.
I am going to give you two evenings' Don't talk about integrity of the make, the
lectures on sales training in a very few importation of the keys, or whatnot. Find
minutes, how to handle the customers out the things that this person seems to
who have trouble making up their minds. be most interested in and where he is
"Rule No. 1. Don't show too much mer- vulnerable, and shoot away on those.
chandise. Show them one thing at a time.
"Those are two vital points that inex-
If they don't like that, put it under the perienced sales people particularly fail in.
counter, out of sight Do not demonstrate And right now as each person repre-
three pianos or three radios in one room; sented here is beginning to feel the effects
have a separate cubicle for each one if of national defense and the loss of re-
you possibly can. When you go into placement of sales help, you have a job
Tiffany's to buy a diamond, do they get in training inexperienced sales help and
out a couple of million dollars' worth and training incapable sales help and making
throw them in front of you? No. It is not them capable. The first thing is to tell
because they are afraid you are going them two things; Don't show too much
to take them and run, even though you merchandise, use a rifle, not a shotgun."
look as though you might. You see one
Commenting on Dr. Laird's Analysis—
«t a time. It makes it easier to decide. Gene Redewill of the Redewill Music Co.,
NDEAVORING to get a
variety of suggestions
regarding the handling
of various types of cus-
tomers THE REVIEW has
asked dealers to com-
ment on the suggestions
which were made by
Dr. Daniel A. Laird in an
address which he made before the mem-
bers of the National Association of Music
Merchants at the annual convention which
was held in New York last July. Dr. Laird
took up separately several different types
which are familiar to piano merchants as
well as to merchants in other lines of busi-
ness.
His remarks were based on experiences
which he has had as Director of a Na-
tional Consumer Research organization in
which he made surveys from coast to
coast and answered complaints of about
2,000 consumers a week. He also stated
that he was familiar with musical instru-
ment merchandising due to the work he
did with an advertising agency in plan-
ning an advertising campaign for one of
the largest manufacturers of radio-phono-
graphs.
He discussed such customers as the one
who can't make up his mind, the "just
looking around" customer, the stubborn
customer, the poorly dressed customer,
the fastidious customer, the time waster,
the buck passer and several others.
In this issue the comments pertain to
Phoenix, Arizona has the following to say:
"Dr. Laird's suggestions on how to
break down a prospective customer who
cannot make up her mind seems to be
SOUND logic. However, in "Rule No. 1,"
we are forced to be the exception that
proves the rule.
"The presence of summer heat in
Arizona during five months of the year—
and which, strange to say, are our busiest
months—would make it difficult to steer
a prospect into a room and display a
single piano. Our one display room
shows everything—all on one floor—from
sixty to seventy five pianos. We find it im-
perative to keep the prospect comfortable
in body and particularly cool of head. Air
conditioning is paramount, and even the
five-and-tens offer comfort which the
shopper demands in this section—quite
unlike eastern and mid-west stores.
"We generally find it closer to the
dotted-line by stressing two or three in-
struments. In fact, the prospect often will
spot a couple of cases herself, and from
experience they "will sell themselves, if
the salesman will lay off sales talk, and
merely state a few reasonable facts of the
merits of each. "Never burn your
bridges" is our watchword. All talk must
be constructive without detriment in com-
parisons. You can never tell when a pros-
pect will switch back to the instrument
you may have knocked to build up the
one you think you can sell.
"To make the show room look more
trim, we never have the "bench to match"
on the floor, but keep it in the bench room
as a "card up the sleeve." After the pros-
pect shows interest in a certain instru-
ment, we ask: "Would you like to see the
bench to match this piano?" If she says
"yes," you know she is definitely inter-
ested, then we allow a little while for the
prospect to be alone and talk confiden-
tially with anyone who happens to be
with her # while bringing out the bench.
A good looking bench is a trump card
which generally closes the deal.
"To prevent being taken advantage of
by the prospect springing a trade-in,
when you are about ready to close, it is
advantageous to ask at the outset: "How
does this tone (or action) compare with
your present piano?" There's nothing ir-
regular about this for reason that a dealer
cannot sell a marked down, short profit
piano and make the trade-in allowance he
can afford on a new instrument.

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