Music Trade Review

Issue: 1941 Vol. 100 N. 1

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW, JANUARY, 1U1
be right, being 14,000 for each of the
first 11 months of the 2 years. Grands
are holding their own, yet in percent-
age of all production, are falling
behind, so what could be the accurate
conclusions, to be used in the most
constructive manner for predictions of
1941? Much information abounds in
our industry that is correct for a tinc-
ture; inert for a syrup.
I
NASMUCH as it takes about 2
years for the process of develop-
ment of the first thought of buy-
ing a piano to its actual purchase,
isn't the advertising of pianos at any
time valuable? General plan now, es-
pecially on factory advertising to con-
sumers, is to bulge it at certain times,
especially during the fall. Would it be
better to advertise in the so termed
"dull" periods, letting the boom times
take care of themselves? At one time,
the bulk of food advertising appeared
on Saturday mornings; then they got
the hunch that Friday is the best day;
now some of the boys have pushed this
to Thursday.
D
ATA we would like to know is
on what day of the week, half
of the week's sales are made
— it might be Thursday or
Friday. What is the big day of the
week that generally turns in the most
sales? Belief is that half of the year's
sales are made during the last 4
months, but the new conditions for
1941 with the millions of pay to be
received by "labor" means that they
will be paid as much in May as in No-
vember, which is bound to change the
sales percentage figures of the different
months. So with the "new" outside
conditions of earning money, the ad-
vertising schedules can be studied for
a revision of copy placement to fit.
w
A
LSO there must be three major
reasons why people buy
{ pianos, but what are they?
' It is said that music teach-
ers are not the force in piano selling
that they were, and when they do in-
fluence a sale, it is diversion from one
brand to another and not a personally
developed sale which would not have
been made without the teacher submit-
ting the idea and then following it thru.
With so many sales by teachers merely
a shift, it explains why dealers do not
regard the teacher as a constructive
selling force. The tuner could be a good
replacement builder-upper, were he to
get a few shots of vitamin " S I " —
selling instinct.
W
HAT percent of piano sales
are made via the educa-
tional angle, i.e., music
lessons for children or a
child? What percent on the decorative
factor? What percent to those needing
pianos in their business; what percent,
either new or replacements, to the
group of amateur players? Were we
all to have these facts summarized, so
that principles of operation could be
correlated and then used on basic cam-
paigns, it would enable dealers to see
that they are working properly, or run-
ning around circles. Store layouts in
many lines now conform to these
"average" statistics of habits, and
there is no reason why piano men can't
get the facts of buying and work in line
with them.
F
OR instance, the super markets
know exactly what happens
when a person enters the store;
whether they turn to the right
or left; and they know where to dis-
play certain kinds of goods at certain
spots of the store. They know that red
labels on cans piled exactly four feet
high at the right hand side of the back
of the store gives them the most busi-
ness on that item; they know if the pile
is only 3 feet high that their sales drop;
and this analysis of store layout goes
on almost forever. It is scientific work,
hardly started in the music business.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW, JANUARY, 19U
OME of our dealers believe that
the record department should
be at the store entrance, some
advocate that it should be at the
back; others have it either on the right
or the left of the store. But where
should it be is not yet actually deter-
mined, altho the principle of one school
is that it should be near the entrance
for quick buying; the other school says
to let the store traffic see the entire dis-
play by walking thru to the back. There
must be one right way to insure getting
the most results. It might be a good
idea for piano dealers to find out
whether such products as refrigerators,
washers, etc. are worth while handling,
the plan back of these being that a
piano customer is a possibility for
something else. But isn't the buyer of
a refrigerator from someone else as
logical a prospect for your piano;
wouldn't the time spent chasing these
for pianos pay out better?
S
R
ADIO and refrigerators work
hand in hand with radio deal-
ers who do not sell pianos,
but a piano man being in a
"number" business would have to sell
more appliances in proportion to pianos
to net the same results. The theory
being different from the practice, would
piano men eliminate appliances, disre-
garding the so termed summer lull for
maintenance of volume and using that
time to increase the circle of piano
sales via proper preparation? If a
music store is to handle all musical in-
struments, isn't that enough of a job
to do right? Appliance mfrs. do not
want their lines handled in a perfunc-
tory manner, and while a dealer doing
$100,000 in total sales of all com-
modities might lose from $18,000 to
$20,000 by skipping appliances, he
would only have to do about $12,000
in music to offset the $20,000 lost from
giving up the appliances. We know of
piano dealers who are wasting time
with refrigerators, judging from their
net results on this item but they con-
tinue to handle them to "save their
face." This comment is general, and
does not apply to the specific cases
whereby a box man handles this dept.
without supervision and makes money.
P
IANO selling is a magnificent
business of quality character-
istics and its high level of dig-
nity and graciousness is at the
top of all retail work even if so much
retail copy is borax. The high class
piano salesman is likewise at the head
of all the public contacts. So the gen-
eral all 'round ensemble of piano store
appearance exceeds appliances, and
this is said without disparagement of
the latter. The difference is embraced
in the difference between the living
room and the kitchen, altho both are
vital to living. Few "exclusively piano
dealers" remain, and they do so well
that they are now setting an example of
efficiency that beckons the policy of
music only" for music dealers.
W
ITH a nation wide tradi-
tion of quality and service
becoming stream lined, as
the trade remembers the
recent emphasized promise for Lester
pianos, the result has been increased
business of sizeable volume. Inasmuch
as the success of all business starts at
the top, the great group of Lester deal-
ers feel proud of the leadership of G.
Laurence Miller.
Part of the "modernizing" was the
changing of the name of the retail divi-
sion to Lester Pianos Inc. This adop-
tion of a one name policy, creation of
new artistic retail headquarters, and a
rational, aggressive plan of retail sell-
ing has not only swelled- the retail
sales of Lester Pianos Inc., to a new
peak of leadership particularly in the
Philadelphia area, but has created an
example to other dealers for efficient
and modern wareroom business devel-
opment.
In other words, Lester is proving by
intent that profitable piano operations
are insured by linking the power of
tradition to the wheels of modern skill-
ful activity.

Download Page 4: PDF File | Image

Download Page 5 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.