Music Trade Review

Issue: 1940 Vol. 99 N. 3

REVIEW
THE
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
Volume 99. Number 3
March, 1940
Established 1879, and published monthly by Henderson
Publications. Inc., at Radio City, 1270 Sixth Ave., New York.
U.S.A. 1 Year $2, Two Years $3. Carleton Chace. Executive
Editor. Also Publishers of Radio-Television Journal & The
Talking Machine World. "Musical Merchandise" and
"Parts" for wholesalers.
Only trade publication in the piano business.
Awarded jive medals for "the best" in journalism.
MEOAL4 A W A R D E D T H E Mwstc TRADE REV/EW
The Everett Orgatron department at the John Wanamaker, New York. In the rear stands
Edward Luberoff, manager, talking with Herbert Wrozina, superintendent of installation.
In the foreground Miss Joyce Rickard plays an Orgatron for a customer.
I
AST year 400,000 homes were
built, this year, expectation of
• 450,000 homes seems assured.
• As a home without a piano is
only a house, owners of these new spots
should be our best piano prospects.
Local piano dealers will find it easy to
discover where the homes are being
erected. Only trouble with this type
of prospect is that they might have
bitten off too big a chew with no dough
left for piano payments (actually real
piano competition) altho there should
be enough to take the entire production
for 1940. Estimated last year that the
industry corraled but 5% of these new
homes, which is no selling job in any
language. So in 2 years, 850,000 new
homes go up versus piano production
of a possible 235,000 shows probabili-
ties of sales expansion when dealers
get ready to go after this business.
M
ACY'S opened its piano
department with distin-
guished ceremonies, han-
dling Baldwin, Gulbran-
sen and Story & Clark—all consoles
(no grands) embracing 47 different
models. Pianos are priced at list with
6% off for cash. Bamberger's, Newark,
opened a week later, handling Knabe,
Sohmer, Everett, Gulbransen, Story &
Clark pianos and Estey organs. Two
new outlets in a huge market will do
their share of the business, and aid in
the general piano development because
they can get twice the newspaper space
for the same money as any local dealer.
These stores smart enough to put real
piano men in charge of sales. Macy's
department in general charge of David
Davis, who runs radio, musical instru-
ments and sheet music. Latter is a
big department and so skillfully han-
dled that the turnover of stock is done
almost daily—amazing.
AN'T think of a piano mfr. who
now has a side line, so their
porterhouse steak and breast
of pheasant is secured only
from selling pianos. Next May sees
the promotion of Music Week, a laud-
able promotion but one in which
piano mfrs. support, taking their
C
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW, MARCH, 1U0
chances that dealers will do their part
in selling pianos. So many Weeks
abound that they are almost being
kidded, but the truth is that they pay.
Music Week for piano men, however,
lacks the specific appeal which is vital
for piano sales. The plan is "Eat more
Oranges Week" and not Eat More Fruit.
It is "Drink More Milk Week" and not
Drink More Beverages.
W
E see everything for Mu-
sic Week as such, but
there should be a Piano
Week proceeding it—Own
A Piano Now—Enjoy Music Week and
make every week musical . . . or some
better promotion phrase. To those who
say: "that's too much" they also can't
help but add: "and Music Week isn't
enough for pianos." There can come
no harm from having too much piano
promotion—look where the industry
went we didn't have enough, for as we
told you last month, $100 in sales to a
dealer can be on any musical product
and show the same profit. We also
added that there is no pride in the job
we've done as many other products
came up in similar percentages.
I
N fact, Music Week is so all-
embrasive that it can take in
everything from accordions to
zithers, including radio, combi-
nations, records, sheet music, books,
instruction and the whole gauntlet of
sound producing products. We like to
see all these products sold, but a piano
trade journal should promote piano
sales in self-defense. And we see
nothing of any interest to piano mfrs.
coming from anything but piano or-
ders. No one has yet proved that Music
Week boosts the sales of pianos, and
as we also think May is a poor piano
selling time. First week in October
is much better for SELLING. And so
is April. There is too damn much trade
custom and too many sacred cows
still in our midst, and piano selling
policies should be streamlined as have
been piano styling. The Piano is the
key instrument for the home—band in-
struments, etc. are individual articles
and rare sold and used as such. It
would be just terrible if the piano gets
labeled as anything other than "the
home instrument" and if the latter
phrase is ok to piano mfrs., that ad-
mission alone should prompt piano
promotion, first, last and always.
O
F minor importance to readers
is the fact that The Music
Trade Review in adopting its
policy of only piano informa-
tion for piano men, and which of
course is enjoyed by piano dealers and
managers, is the competitive advertis-
ing angle that the "book looks thin"
and thus must have a dubious adver-
tising value. Of course, no mention is
made of the percentage of visibility for
advertising, nor of the fact that we do
a whale of a job of advertising musical
instruments in an also exclusive type
of trade journal called "Musical Mer-
chandise." We would have a huge
book if we could put them together, but
it is a rare band instrument man who
cares a rap about pianos, and a rarer
piano man who thinks a flute is any-
thing but a stick of licorice. Many
dealers who handle both have a mana-
ger for each department and their
opinion of each other's lines are like-
wise sizzling. Our thought is that the
more pianos sold the more piano ad-
vertising we shall get, and some day
we hope to have "fat numbers" and
are willing to gamble in the meantime
on using one trade journal, alone, for
the promotion of pianos at the same
time tackling all comers who attempt
to prevent such a policy. Organs and
standard music are " i n " the piano
business. We would be gratified to
hear from piano men in any way they
believe as to the wisdom of our
having a trade journal devoted only to
pianos. Many thanks.
Y
OU noticed the paragraph on
Macy but did you hesitate on
reading the two words "no
grands?" Grands fell off a
half this past year, with dealers stating
that it is easier to get $400 for a con-
sole than to sell a grand for the same
money. It is now almost ten times as
easy to sell a console as a grand (based
on figures) still there must be a great
many more people who would buy a
GOOD GRAND if presented. Use of
the word "grand" in this paper is mis-
leading—in fact, the word "grand" has
been so abused with the making of

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