Music Trade Review

Issue: 1940 Vol. 99 N. 12

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
As we look back upon the months of 1 9 4 0 . . .
months which have brought to this company a
volume of business generously ahead of that for
any similar period during the past decade . . . we feel we
should pause and pay tribute to the group of men whose
ingenuity and skill and hard work have made that record
possible . . . Everett Craftsmen!
The three men whose pictures appear on this page . . .
each at the head of a department playing an equally
important part in the creation of Everett products . . .
are representative of those craftsmen. In these men may
be found that rare combination . . . the ability to create
and the ability to produce. And so, to these men and to
every individual in Everett's production personnel we
say, "Well done!"
At the same time, we take this opportunity of extending
Season's Greetings from the entire Everett organization
to our dealers and to all members of the great Music
Industry.
4
Charles A. Johnson: Superintendent of Woodworking for pianos and
Orgatrons, Master Designer and Craftsman, 36 years with the company.
More than 207,000 pianos have been built in the present factory during
that period.
O
Victor I. Zuck: Co-inventor (with Frederick Albert Hoschke) of the
Orgatron, the world's finest electronic organ. Responsible for the Orga-
tron's present stage of perfection, and for maintaining, with expert
assistance, Orgatron production.
O
John A. Henns: Superintendent of Piano Department, Master Piano
Technician, creator of all Everett and Cable-Nelson scales used during
the past two decades, 21 years with the company.
EVERETT PIANO CO.
South Haven
Michigan
ENJOY THE ADVANTAGES OF THE N .A.M .M. — JO I N NOW!
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
MEDALS AWARDED THE. MUSIC TRADE REVIEW
Volume 99. Number 12
December y 1940
Established 1879. and published monthly by Henderson
Publications, Inc., at Radio City. 1270 Sixth Ave., New York,
U.S.A. 1 Year $2. Two Years $3. Carleton Chace. Executive
Editor. Also Publishers of Radio-Television Journal & The
Talking Machine World. "Musical Merchandise" and
"Parts" for wholesalers.
Only trade publication in the piano business.
Awarded five medals for "the best" in journalism.
2,732nd Issue
Sit tUi
I
ET'S congratulate each other upon
a good piano job for 1940 of
• 140,000 pianos which with the
' additional sale of 60,000 used
instruments makes 200,000 sales over
all. New ones averaging $300 times
140,000 is $42,000,000, plus 60,000
sh's at $80 is $4,800,000 — roughly
$47,000,000. This seems small, split
among 3,000 dealers, yet the number
of pianos—140,000—sounds sensale-
sational.
N
EW pianos put into arithme-
tic, averages 47 sales per
dealer per year, at $300,
giving $ 1 4 , 0 0 0 volume,
which at 20% net profit, is $2,800 or
$230 monthly. Here is the unique fact
of the industry doing but $42,000,000
in new sales (small in comparison to
radio, house furnishings, refrigerators,
jewelry, motor cars, etc.) but the in-
take and profit per dealer is one of the
highest in the U.S.
A
NOTHER 1,000 piano dealers
would not dilute much the
i per dealer sales or profit for
• 1941, for it wouldn't be sur-
prising that piano production, barring
a screwball incident, would hit 175,000.
This sounds a little high, in view of
labor, space, organization and supply
sources, but no one yet knows "who
buys pianos?" nor what annual income
bracket groups give us the most sales.

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