Music Trade Review

Issue: 1940 Vol. 99 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW, NOVEMBER, 1W0
gave a recital of famous classics on the Dyna-
Tone. This concert was reviewed for the Wash-
ington Herald, by the eminent music critic. Dr.
Glenn Dillard Gunn. In his review Dr. Gunn
stated "The Ansley DynaTone . . . proved to
be the most interesting and practical develop-
ment in the piano since Jonas Chickering pro-
duced the all-metal frame and the sostenuto
pedal in the first half of the last century."
Then followed still other articles in outstand-
ing publications, daily papers and papers in
other cities and a double page editorial presenta-
tion in Life Magazine.
When the DynaTone first made its bow in
Chicago, it was built only in a modern design.
A year later a companion design in 18th Cen-
tury period style made its debut. Both models
are distinctive in appearance and built of fine
mahogany or walnut. The Ansleys have made
special cabinet finishes a feature of the Dyna-
Tone. They also offer benches to match, either
period or modem design.
Special attention has always been given to
faithful reproduction of unexcelled tone-quality.
This has led to the construction of a new type
high-fidelity amplifier of fine qualities.
The piano is a full 88-note instrument with
regular frame, strings, action, pedals and tuning.
In place of the mechanical amplification of the
string tones, such as produced in ordinary pianos
by the soundboard, the DynaTone amplifies the
tone of the strings by means of an electric
amplifier.
The player may also adjust the volume of the
instrument to the size of the room, or play the
DynaTone without amplification for practice
purposes. When played in this manner, the
strings give forth a soft harpsichord-like tone
quality. The recent addition of a swell pedal to
the DynaTone has placed new tone colors and
interpretive effects at the command of the
artist.
Combined with this fine keyboard instrument,
and built into the DynaTone as integral parts.
19
there is a 13-tube high-fidelity radio, and a
record player.
Three of the DynaTones were used by Radio
Station WNYC. the Municipal Broadcasting
Station of the City of New York, at their World's
Fair Studios, where it was the official piano of
the station throughout the entire duration of
the Fair. Here an interesting experiment was
tried which proved so successful that it has been
adopted by other broadcasters and recording
studios. This consisted of feeding the output
of the strings pickups directly into the station
amplifier without using the microphone in the
studio. This makes possible a purity of tone
that has been almost impossible to obtain from
conventional methods of piano broadcasting
where the studio accoustics have proved such
a problem.
Trio-Art Piano Embodies 8 Features
The latest electronic instrument to be shown
is the Trio-Art piano which was displayed by
Louis Luberoff of Wyncote, Pa. at the Convention
this year in Chicago.
The "Trio-Art" resembles any other 5' 2" grand
piano, with the exception that it is a spinet to
which has been added the tail of a grand.
It embodies eight features which are namely,
natural piano, electronic piano, automatic turn
table, recorder, radio public address system, and
two knee levers. On the fall-board, or panel
board, are eleven switches and an automatic
tuner or radio. In brief, the "Trio-Art" contains
all the musical arts known to man, in one case.
The "Trio-Art" primarily is a piano, just as any
other, of fine quality and lasting durability. By
pressing a switch which admits the electrical
A. C. line into the instrument, it becomes an
electronic piano. With the electronic piano it
is possible to expand the tone in its natural
quality, thereby giving the pianist the added
volume he desires and at the same time pre-
serving the quality. The quality, whether natural
or electronic, is always pure piano tone. One
of the reasons for this, is that the sounding board,
which is so vital to any instrument, has not been
removed or altered.
The left knee lever which is located under
the key bed, directly over the damper pedal is
operated by the left knee and leaves the foot
free for pedaling normally. This lever gives the
performer a swell in tone dynamically, from
the very softest, to the loudest and all degrees
between. The corresponding lever for the right
knee controls dynamically any recording that
has ever been made, the result being a perfect
blend of piano and record when played together.
This lever is located under the key bed, directly
over the sustaining pedal and allows foot free-
dom for natural pedaling.
The automatic turn-table plays and changes
ten records so that a complete program may be
arranged before performance.
The radio is of high fidelity with automatic
tuning or dial if preferred. Again, the right
knee lever controls any radio program dynam-
ically, making possible the same arrangements
as with piano and recording.
New Association Bulletin
The National Music Merchants "News"
published by the National Association of
Music Merchants made its appearance in
October. It is a double fold 8 page bulle-
tin full of news, ideas and suggestions to
members of the Association with refer-
ences to all branches of the industry.
Feature article gives suggestions for "get-
ting school business.
0 ne
lYlobel
SPECIFICATIONS
Direct-Blow Key and Action Combination
Violin-Bridge
Full 88 Note Scale
Ivory Keys (Excellent Grade)
Imported Felt Hammers
Specially Selected Mahogany Veneer
Heavy Five Post Back
Adirondack Spruce Sounding Board
Moth-proofed and Damp-proofed Felts
Full Heavy Plate—well finished
Copper Wound Bass Strings
Three Pedals
Solid Brass Hardware
Trusses and all Moulding Solid Mahogany
Hand Rubbed Duco Finish
Height 37"
Width 57"
Depth 231/2"
PRICE FURNISHED ON REQUEST
Chippendale
ESTEY PIANO CORP.
B.
K. SETTERGREN
President
R. W. STEVENS
Vice-President
Factory and Executive Offices
BLUFFTON, INDIANA
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW, NOVEMBER, 1UO
20
now amplified electronically. Among these are
guitars, violins, cellos, double basses, clarinets,
(Continued from Page 17)
harmonicas, saxophones, music boxes, stringed
tone quality, and other arrangements were in- tympani, chimes, reed organs, etc.
At present he is working on a new construc-
stalled to control the inception and decline of
each tone, so that organ, piano and short dura- tion 'which not only comprises the electronic
tion tones could all be produced with variable principle, but also a simplified piano action for
colorings. This instrument was publicly dem- this type of instrument which eliminates innu-
onstrated for the first time on February 26. 1932 merable parts which are at present found in
before the American Institute of Electrical Engi- piano actions.
Mr. Miessner has now been steadily at work
neers in New York; WOR broadcast this dem-
onstration played by Hans Barth. He called this in this field of electronic musical instruments
instrument the Polyphon (many tone) and opened (ior music making as contrasted with music re-
a studio in Steinway Hall. New York, where it production) for 10 years. His issued patents on
was heard and played upon by many eminent pioneer inventions in this field will soon number
pianists, such as Hofmann, Bauer. Iturbi and fifty or more and practically all the commercial
others. Anton Rosisky was especially interested instruments now on the market use some of
in it and later played all the demonstration these inventions.
recitals.
FIRST ELECTRONIC PIANO AT 1936
CONVENTION
Later demonstrations were held at N. Y. Uni-
versity and Aeolian Hall, broadcasts were held
over CBS and NBC networks and an exhibit at
the National Electrical Exposition. On De-
The completely remodeled and rebuilt
cember 13th that year Mr. Miessner delivered his
first technical address on the instrument before Wurlitzer store a I 1509 Broadway. Detroit,
the Radio Club of America. Teachers College, Mich., styled "America's Most Complete
Columbia University. New York. The next year,
1934, he appeared before the American Guild Music Center", was opened on October
Organists in Rochester, N. Y., and the Acoustical 21st with a gala celebration.
Present to congratulate George R. Cal-
Society of America at the Bell Telephone Build-
ing, New York. In 1936, he addressed the Insti- lahan, local store manager, were all im-
tute of Radio Engineers. In the same year he portant Wurlitzer executives, as well as
first displayed and demonstrated the instrument
at the Annual Convention of the National Asso- leading officials and civic representatives
of the city of Detroit.
ciation of Music Merchants in Chicago.
Previous to this he had contracted piano man-
A comprehensive advertising and pub-
ufacturers several of whom had taken out license licity campaign drew thousands of people
agreements with him and at that convention to the store during the Grand Opening
there were displayed electronic pianos by Hard-
man Peck <& Co., Krakauer Bros., Story & Clark week. October 21st through October 26th.
Piano Co., Winter & Co., and others. Previous to Outstanding performers of radio and stage
this, in 1935, the Everett Orgatron and the Ham- entertained the crowds several times each
mond Organ, both electronic instruments, had day during the week.
been introduced. Both of these companies became
Highlighting the Grand Opening cel-
Miessner licensees.
In 1937. on January 19th. a concert was held ebration of the Detroit Wurlitzer Music
in Carnegie Hall, New York, in which Mr. Miess- Center, was the awarding of thousands
ner's electronic piano was featured.
of dollars worth of prizes to the public.
Thus came into being the electronic piano as Among the many free gifts dispensed were
it is known today. Besides the Piano, Mr.
Miessner has also applied his devices to numer- a Wurlitzer Spinette piano, a Wurlitzer
able strnged and other instruments which are Accordion, as well as many radio-phono-
Miessner
Wurlitzer Detroit
Store Modernized
graph combinations, band instruments,
phonograph record albums, etc.
The original Detroit Wurlitzer store was
a modest establishment carrying a small
line of pianos and musical instruments.
As business boomed in Detroit, the Wur-
litzer store kept pace. Soon they pur-
chased their own building at 1509 Broad-
way. Rebuilding and remodeling was be-
gun last Spring. It now comprises a spa-
cious new piano salon, tastefully deco-
rated in the modern manner, featuring the
Wurlitzer and other lines.
A radio department, taking up an entire
floor; a musical instrument department in-
cluding the largest collection of fine ac-
cordions in Detroit, as well as all brass,
woodwinds and string instruments, and
accessories; a record department with air-
conditioned, soundproof audition booths
as well as a large library of records.
Three entire floors are given to sound-
proofed music instruction studios, while
one entire floor is set aside for a beauti-
ful theatre auditorium.
The store is managed by George Calla-
han, who started as a salesman for a
small Wurlitzer store in Youngstown.
Colonial Musette
in Color Carpet Adv.
During the past few years the piano
has been prominently displayed in the
advertisements of various national adver-
tisers outside of the piano industry. One
at these
rug values
in Bigelow Beauvais Patterns!
A N S LEY
DYNATONE
the dealer's choke
PACE-SETTER in
the electronic-field,
stanuard ot ex.el-
for prestige . .
the DYNATONE remains
lence in amplified pianos.
for
r r r o a f o r \7A»lno BODY, SOUL and
jor
greater
vaiue
V O I C E ,
the
DYNATONE is the unified effort of skilled craft -
men of electronic and piano fame working to-
gether under one roof to produce a musLal instru-
ment of greater excellence and moderate price.
for n a t u r a l rlocirrn
ior n a i u r a i d e s i g n
N O T THREE
d' s
ii
r
instruments
sm> a
Carpet Adv. in Which Musette Is Used
assembled into one; but one skillfully designed
musical instrument with three thrilling voices - -
PIANO, RADIO, PHONOGRAPH.
RETAIL PRICE - - $595
for more features
in either mahogany period, or modern
walnut cabinet
nets, special finishes, matching benches — and
Radio's newest and most thrilling voice —
FREQUENCY MODULATION (Armstrong Sys-
tem) as optional equipment.
WF
WJL
TMVTT1T V f M T R
IJNVIIJCJ i U U l i
TMr^TTTRV
lJNV,JUlni
the complete line of ANSLEY-DYNAPHONE
side models and consoles.
write now for full details of the ANSLEY DYNATONE
franchise for your
territory, and detailed information of
y
radio-phonograph
combinations
,
portables, table-models, chair-
ANSLEY RADIO CORPORATION
4377 Bronx Boulevard, New York, N. Y.
of the most recent and striking examples
of this is the advertisement of the Bigelow
Sanford Carpet Co., which appeared in
six of the leading magazines in the
country and in which there appeared in
color a Colonial Musette piano manu-
factured by Winter & Co., New York. The
room setting was arranged by Mrs. Chris-
tine Holbrook editor of Better Homes and
Gardens. Winter poster, reproducing that part of the adver-
tisement in which the Musette is shown,
for use in dealers warerooms.

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