Music Trade Review

Issue: 1932 Vol. 91 N. 7

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
14
THE
MUSIC
TRADE
MATHUSHEK SPINETCRAND N O W
AVAILABLE IN FINE PERIOD CASES
W
HEN the Mathushek SpinetGrand
was first introduced to the general
trade a little over a year ago it nat-
urally aroused wide interest and was most
favorably received, although there were
those who frankly regarded it as a novelty
of the moment rather than of permanence.
During the year, however, it has been
clearly indicated that the SpinetGrand repre-
sents a very substantial development, or it
may be better termed, perhaps, revival, in
sound piano construction with the result
that the manufacturers have been encouraged
to go ahead energetically in their efforts
to improve the instrument in every possible
way.
As was noted at the time of its introduc-
tion, the scale of the SpinetGrand is the same
as that designed by Frederick Mathushek some
half century ago, and although his general
structural designs in matters of action, plate
and sounding-board were followed in the
present instrument, constant experimenting
and a thorough study have developed numer-
ous new improvements that have materially
increased the value of the piano from a mu-
sical standpoint. In the matter of the action
alone, for instance, a new and modern type
of damper has been perfected at considerable
expense, that in itself has done much to mod-
ernize the instrument.
New or old, however, dealers were quick
to appreciate the advertising and sales value
of the SpinetGrand and one dealer remarked
that regardless of its sales value, which has
been well proven, the instrument itself was
worth many pages of newspaper advertising
as an attention-attracting window display.
been sufficient to keep a department of the
Mathushek factory busy constantly and it is
a noteworthy fact that many of the orders
received came from dealers who sell other
lines of instruments as a regular thing, but
were impressed with the particular display
and sales appeal of the SpinetGrand. It has
found its way into some of the finest homes
in the country, particularly where there was
a flair for the colonial, and has also made
a strong appeal to those in apartments and
homes with limited floor space. As has al-
ready been reported in THE REVIEW, Spinet-
Grands were selected as distinctly representa-
tive of the period when the Washington Bi-
Centennial Commission of New York City
decided upon the furnishings of the replica
of Mount Vernon in Brooklyn and the re-
production of Federal Hall in New York.
At the outset the SpinetGrand was offered
in straight Colonial style, but it was not
long before dealers began to appeal for mod-
els of other decorative designs more in keep-
ing with the furnishings of prospects' homes.
As a result of this demand prominent de-
signers w r ere called into consultation with
the Mathushek art department and several
It is significant that whenever one is shown
in a store window many passersby take the
time and trouble of entering the warerooms
to inquire about it, an interest that is rarely
developed by an ordinary display of grands
and uprights.
Since the time of its introduction the de-
mand from dealers for the SpinetGrand has
period cases evolved. Particularly effective
and one that has attracted unusual atten-
tion is the Duncan Phyfe model, which fol-
lows with great exactness the characteristics
of this prominent designer's work. There
were also developed other special period
cases including a late Jacobean and a typical
Spanish model. Although brought to the
REVIEW,
August-September,
1932
attention of dealers generally only recently
there have already been booked a number
of orders for these special models, most of
them coming from dealers who have become
fully aware of the sales possibilities of the
SpinetGrand.
It is believed that with the fall buying sea-
son the demand for these instruments will
show a marked increase. As one dealer re-
marked, every retailer of pianos should have
at least one of them on his wareroom floor
or preferably in his show windows for at-
tention-attracting purposes, where he would
then find that sales came almost auto-
matically.
NUMEROUS PIANO PROSPECTS
REPORTED IN IOWA
Business in Iowa piano circles is getting
better, and a number of Iowa dealers in
touch with Chicago makers say the outlook
is very encouraging. One of the most con-
servative dealers in Iowa, in telephoning an
order for immediate shipment to the Cable
Company, told Sales Manager C. E. Jackson,
"I am not guessing at or hoping, but I now
have on my books, and will convert into
actual sales within the next sixty days, more
piano prospects who really mean business
than I have had at any time within the last
SPINETSRAND
PERIOD MODELS
Top, Jacobean; Below,
left, Spanish; right Dun-
can Phyfe
ten years." Mr. Jackson made the comment
that many other dealers had practically the
same encouraging future ahead of them, for
they were only thinking of the people who
they were certain would buy. This is par-
ticularly true of the North, East and West
sections of the country and should mean an
active fall business.
STARR PIANOS
STARR ELECTRIC REFRIGERATORS
CHAMPION and GENNETT RECORDS
ELECTRICAL TRANSCRIPTIONS for RADIO BROADCASTING
THE STARR PIANO COMPANY
ESTABLISHED 1872
RICHMOND, INDIANA
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
PIANO FACTORY and
PIANO SERVICING
DR. W M . BRAID WHITE
Technical Editor
Teaching the Pianist
to Know the Piano
The first job was to pull out the action and
thoroughly vacuum clean (with an Electro-
lux which is unusually convenient for work
of this kind) the action, keys, key bed,
strings, plate and soundboard, so far as these
could all be reached. Then I took a look at
the action and found (1) hammer stems
right down on the cushions, (2) hammer
heads almost flat and very deeply indented
throughout nearly the whole range, (3) keys
tight on the balance-rail pins and loose on
the front-rail pins, (4) a lot of other mis-
A PIANIST'S PIANO
cellaneous horrors.
In opening this month I should like to deal
Immediately I removed the action from the
first with an interesting and instructive mat- key frame, tacked a wooden strip across the
ter which came up before me a short time backs of the keys behind the back checks,
ago. A musician friend, one in fact whose lined up the keys on the balance rail,
pianistic talents have given her an interna- straightened a lot of balance-rail pins that
tional reputation, has taken a new house to were crooked and bent, opened up a few bal-
live in, and has been occupied in putting into ance-rail mortises that were really too tight,
shape a large room as workshop and studio. turned some front-rail pins where there was
In this room she has placed a very fine too much play, and roughened with a file
Mason & Hamlin grand of the size just be- the leather of the back checks.
low the BB. This instrument has been out of
Then, still keeping the action away from
her hands and on loan with friends for the the keys, I filed the hammers in the follow-
last two or three years. Going up to her ing manner: First with a rough No. 1J-4
place one day recently for a talk and to see sandpaper I filed upwards towards the center
the new arrangements, I ran my fingers over each hammer on one side from bass to treble.
the Mason & Hamlin and discovered not only
(Please turn to page 16)
that it needed tuning (to the man who has
once acquired the tuner's art, all pianos are
always out of tune), but also that there was
something all wrong with the touch and
with the tone, too. So I said, "What on earth
is the matter with your piano?" And the
answer came, "That is what I am trying to
find out. See, the touch is all wrong, it has
are far more
no depth, and I cannot get repetition or
than
merely
elasticity out of the keys. Besides, when I use
good p l a t e s .
the soft pedal the tone quality changes and
They are built
correctly of the
becomes twangy, and the hammer strokes
best material and finish and are spe-
seem to be all wrong." "Well," said I, "let
cified by builders of quality pianos.
me play around with it a bit and see what
I can do with it. Your piano is nice enough
American Piano Plate Co.
to tempt one into trying one's skill on it.
I'm sure it will respond—as all fine instru-
Manufacturers BADGER BRAND Grand
ments always do."
and Upright Piano Plates
Racine, Wisconsin
So, at any rate, I carted around some tools
a few days later and sat down to the thing.
against standing in tune. Lastly I have had
further correspondence with Mr. Stokes, the
able and efficient secretary of the Pianoforte
Tuners' Association of Great Britain, who
has furnished me with additional and very
interesting information as to the present and
future of the profession in England-
So, all in all, what with reading and an-
swering all these letters and doing some work
on soundboard research, heart-beat sound
photographing and so on, I have been busy.
DR. WM. BRAID WHITE
HE Summer vacation has given me a
good many things to think about and a
good many things to do. Much has hap-
pened since I last addressed my readers. The
general trend of business has seemed to be
improving. The N.A.P.T. has had its annual
convention and has honored itself by electing
once more to its presidency one of the ablest
of all who have served it.
Ubert Urquhart, one of the most skilled
and intelligent practitioners of the art in
that New York which possesses more of such
talent than does any other city in the land,
has communicated to me a new and inten-
sively interesting proposal for obtaining an
approximate equal temperament by methods
which do not involve the counting of beats.
F. W. Kringel, the Californian veteran, has
acquainted me with his invention of an im-
proved method of constructing the tuning pin
plate and of inserting the tuning pins, a
method calculated to prevent that bending,
slipping or giving of the pins under the
strain of playing which at present operates
T
The
Piano-Moth~e X
Method
Quickly—Positively doubles tuners' incomes.
Dealers—Tuners, write
THE 8CHALL LABOBATOBIKS
Madison Avenue
LaCrosse, Wis.
Service
Price
For
Quality
Reliability
THE
MUSIC
TRADE
BADGER BRAND
PLATES
Continuous Hinges
Grand Hinges
IN Pedals and Rods
Bearing Bars
Casters, etc., etc.
REVIEW,
CHAS. RAMSEY CORP.
August-September, 1932
KINGSTON, N. Y.
15

Download Page 14: PDF File | Image

Download Page 15 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.