Music Trade Review

Issue: 1932 Vol. 91 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
SHEET MUSIC and BOOKS
SUCCESSFUL CONVENTION OF NATIONAL
ASSOCIATION OF SHEET MUSIC DEALERS
T
OTHER PAPERS PRESENTED
HE National Association of Sheet Music
Dealers enjoys the distinction of being
one of the associations in the industry
that did not permit conditions to interfere
with the holding of the regular annual
convention of the organization and for three
days, beginning June 6, the dealers were
in session at the Hotel McAIpin, New York,
and accomplished much of benefit to the
trade.
THE CODE OF ETHICS
What was considered by the majority as
the outstanding accomplishment of the con-
vention was the final adoption of the Code
of Ethics both by the dealers and by the
publishers who met the same week. The
Code is designed to bring about a closer
spirit of cooperation between the two sections
of the trade and to eliminate a number of
evils that have crept into the field, particu-
larly those having to do with competition
between publishers and retailers. The Code
of Ethics was first presented several years
ago and has been under discussion frequently,
its final adoption representing a distinct
tribute to those who have worked so hard
to put it into effect. Music dealers may
obtain copies of the Code from Thomas J.
Donlon, secretary-treasurer of the National
Association of Sheet Music Dealers, 325 West
Seventy-fifth street, New York.
Following the adoption of the Code of
Ethics a very definite move was made to
bring about an agreement between publishers
and dealers as to the territorial rights of
the latter. The publishers adopted a resolu-
tion pledging themselves as agreeing in
principle to the protection of dealers in the
matter of sales within the latter's immediate
territories and a committee consisting of
Harold Flammer, R. A. Ostbing, E. L. Gun-
ther, Michael Keane and VV. Kretschmer,
representing the publishers, and John Harden,
Elmer Harvey and Robert Schmitt for the
dealers held a conference that was successful
in defining the representation to which a pub-
lisher was entitled in return for the protec-
tion given the dealer against direct selling
in his own territory.
General conditions were discussed at great
length and the consensus of opinion was that
although sheet music sales were naturally
substandard they had kept up much better
than sales of many other commodities and
that the future of the industry held much
promise for those willing to work hard, in-
telligently and with confidence.
In his opening address President Harden
told the dealers that they could not exist
on past achievements but must adjust them-
selves to changed conditions. New fields
have been opened to the sheet music dealers
within the past two years, particularly among
schools, colleges and choral societies. New
fields must be found, however, and when
they are discovered they must be served
20
close hand before ordering and to save cus-
tomers much of the time consumed when
orders must be sent to distant points and
filled by mail.
JOHN HARDEN
Re-elected President
sanely. He again condemned the practices
of publishers in developing long-time con-
signment business and declared that if left
alone such houses would sink under their
own burdens.
DISCUSS CONSIGNMENT EVIL
In this connection several papers were read
by members of the association. Henry F.
Mutschler of Newark, N. J., declared that
long-time consignments were nothing more
than loans offering no profit to the dealer
and the publisher. However, the practice is
so strongly established that it must be fol-
lowed by those dealing with teachers and
professional people until some better method
can be found, as these professionals insist
upon studying the music in the quiet of their
own studios. The evil can be mitigated,
declared Mr. Mutschler, if both publishers
and dealers will fix a definite limit of thirty
days on all music sent out for inspection
purposes. In talking on the same subject
Ruth Hunt condemned the publishers for
sending music on consignment to unrated,
unknown and irresponsible teachers and pro-
fessionals.
DECLARE DEALERS ARE NECESSARY
Addie Zoll Ott of the A. Grossett Music
House, Jackson, Mich., and W. Deane Pres-
ton, Jr., of the B. F. Wood Music Co.,
Boston, both read papers on the subje«,
"Can the Music Industry Survive Without
Retail Distributors?" Both agreed that the
retailer was essential for the proper conduct
of the business for most of the work of
developing new fields and holding old ones
depended upon personal contact. The carry-
ing of stocks by retailers makes it possible
for customers to see and study the music at
THE
MUSIC
Other papers read at the convention in-
cluded one on "Minority Dictation in the
Sheet Music Business," by Karl K. Lorenz
of the Lorenz Publishing Co., Dayton, O.,
who declared that publishers were foolish
to allow the actions of a small minority to
influence them, particularly when such actions
were unsound from a business standpoint.
Several prominent dealers discussed in their
papers the question, "What Needs to be Done
for the Benefit of Sheet Music Retailers?"
Present and future problems and oppor-
tunities to be met by the dealer were out-
lined by Gladys Alwes of Indianapolis, Emil
A. Arendt of the O. K. Houck Piano Co.,
Memphis, Term., and S. Ernest Philpitt of
Miami, Fla. Other phases of the retail sheet
music business, including advertising, dis-
counts, etc., were also discussed at length.
Near the close of the convention John
Harden, of the Harden Music Co., Inc.,
Springfield, Mass., was elected to serve his
third consecutive term as president, and
Thomas J. Donlan of New York was named
secretary-treasurer for the eleventh time,
while Robert A. Schmitt of Minneapolis was
re-elected vice-president.
The following new directors were elected:
F.dgar P. Hangen, Hangeii's Music House,
Reading, Pa.; Emil B. Stock, Carl Fischer,
Inc., New York; S. Dallas Tucker, S. Ernest
Philpitt & Son, Washington; Will A. Young,
Fort Wayne, Ind.
Other directors, continuing in office, are:
Harold B. Adams, Adams Sheet Music Shop,
Lima, O.; John Y. Blaetz, Theodore Presser
Co., Philadelphia; E. Grant Ege, J. W.
Jenkins Sons Music Co., Kansas City, Mo.;
Edward Fitzmaurice, Lyon & Mealy, Inc.,
Chicago; William M. Gamble, Gamble
Hinged Music Co., Chicago; J. Elmer Har-
vey, Grinnell Bros., Detroit; Charles W.
Homeyer, Charles W. Homeyer & Co., Bos-
ton; William Jacobs, New York; William
H. Levis, Levis Music Store, Rochester, N.
Y.; Edward P. Little, Sherman, Clay & Co.,
San Francisco; S. Ernest Philpitt, S. Ernest
Philpitt & Son, Miami; Joseph M. Praulx,
G. Schirmer, Inc., New York; Paul A.
Schmitt, Paul A. Schmitt Music Co., Min-
neapolis; Otto P. Schroeder, D. L. Schroeder,
Flushing, N. Y.; Oliver Shattinger, Shat-
tinger Piano and Music Co., St. Louis.
During the convention the members of the
New York trade entertained the visiting
dealers at a dinner, followed by a theatre
party.
Robert Teller Sons & Doraer
MIMIC Engravers
and Printer*
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311 West 43rd St.
TRADE
REVIEW,
June-July, 1932
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC
TRADE
REVIEW,
June-July, 1932
21
CODE OF ETHICS A GREAT FORWARD STEP
W
I T H O U T question the outstanding accomplish-
ment of the entire series of music trade conven-
tions this year was the final adoption of the Code
of Ethics jointly by the Music Publishers Asso-
ciation of the United States and the National Association of
Sheet Music Dealers, which, in itself, represents the culmina-
tion of several years of earnest efforts on the part of the
leaders of both associations and the development of a notable
spirit of understanding and cooperation between those who
publish music and those who sell it.
The publishers, for their part, have strongly subscribed to
the fact that the retail music dealer is essential to their busi-
ness, that without his local efforts and contacts the sale of
the better class of sheet music would show a marked deprecia-
tion and that which was sold direct would be at almost pro-
hibitive cost. With the adoption of this premise negotiations
between the publishers and the dealers were much simplified,
but for the dealer to be regarded as a vital necessity in the
sheet music business is not enough, for he himself has very
definite responsibilities. To win and hold the support of the
publishers and to avoid direct competition in his field he
must provide the sort of representation that will prove accept-
able to the publisher. For instance, he must carry an ade-
quate stock sufficient to meet normal demand without rush
orders; must employ a staff of competent sales people 1 who can
guide and cooperate with artists, teachers and students intelli-
gently and must be willing to put forth proper effort in con-
tacting every worth-while factor in this field. In other words,
unless the dealer really regards his business seriously and
acts accordingly he cannot expect the publisher to leave his
territory in an unproductive state.
It is to be admitted that a number of the publishers did
not come into the conference with clean hands, but in most
cases their excuse was that the dealers' indifference forced
them to resort to direct promotion and sales. If the dealer,
therefore, does his share in giving local representation this
excuse of the publisher will cease to hold water. Naturally
the methods long in vogue with some publishers cannot be
changed over night without serious consequences and loss, but
with a definite understanding between the tw r o trade divisions
finally arrived at publishers will be able to adjust their affairs
over a period of time to the lasting benefit of the retailer and
with a minimum loss for themselves.
It has been the plea of the publishers that there are too
few worth-while dealers, while the latter replied that direct
competition has prevented them from developing profitable
business. A mutual observance of the principles of the new
Code of Ethics could change all this by encouraging new
dealers to enter the field and those already in business to
expand and grow to a point where music selling will be done
almost exclusively by recognized dealers, with publishers con-
fining themselves to production problems.
Much credit is due to the executives of the Dealers Asso-
ciation for persisting in their endeavors until a satisfactory
result was accomplished and the association itself is worthy
of the support of every thinking dealer. It is the cooperative
effort that has made this final understanding between pub-
lisher and dealer possible and it is that same association that
can make the carrying out of the plan finally successful.
Every dealer who handles the better class of music should
write at once to Thomas J. Donlan, secretary of the National
Association of Sheet Music Dealers, 325 West Fifty-fifth
street. New York, for his copy of the Code. It is his Magna
Charta.
MUSIC PUBLISHERS ASSOCIATION HOLDS
LIVE ANNUAL CONVENTION IN NEW YORK
W
H A T is declared to have been one
of the most resultful conventions
ever held by the Music Publishers
Association of the I'nited States took place
at the Hotel Roosevelt on June 7, when a
definite and workable Code of Ethics, govern-
ing the relations between publisher and dealer
in the selling field, was adopted.
One of the outstanding talks at the morn-
ing session was that of Wm. W. Anns Fisher,
president of the Oliver Uitson Co., who de-
voted much of his attention to the copyright
situation and who declared that the drop off
in sales of good music reflected general con-
ditions and not a lowering of public taste
in music.
"That the gross sale of all kinds and types
of music has fallen off is a matter of com-
mon knowledge," Mr. Fisher said, "but it
no more indicates an incipient musical degen-
eracy than does the similar drop in the sale
of art books, paintings, etc., indicate an
alarming loss in our nation of the sense of
beauty and growing atrophy of taste."
Citing the copyright entries of the twenty
leading classical music publishers from the
records of the Register of Copyrights at
Washington, showing that classical music
copyright entries are now at their lowest point
in many years, Mr. Fisher declared.
"These figures at once suggest the infer-
ence that the demand for music of the better
type has declined alarmingly, while the
ephemeral output of 'Tinpan Alley' must
have increased in equal proportion—a super-
ficial deduction that is not warranted by the
facts."
C. M. Tremaine and Kenneth Clark, of the
National Bureau for the Advancement of
Music, also talked at the session and out-
lined that great progress that had been and
was being made in the teaching of the piano
in the schools of the country and in the en-
couragement of other musical activities
among the young.
The reading of various reports was fol-
lowed by a recess for luncheon.
The afternoon session was devoted chiefly
to a discussion of the Code of Ethics which
has been before the sheet music trade for
some time past. The publishers and the deal-
ers who met with them this year were in a
frame of mind to promote full cooperation.
Each realized the problems of the other and
the result was a frank and friendly discus-
sion, following the passage of a resolution by
the publishers that they agreed in principle
with the right of the dealer to freedom from
direct publisher competition in his immediate
territory. A committee of five publishers,
headed by Harold Flammer as chairman, met
with a committee of three members of the
National Association of Sheet Music Dealers,
headed by their president, John Harden, and
the result was the adoption of the code by
both sides. It indicated an appreciation by
the publishers of the importance of the dealers
as outlets for their music and at the same
time put on the shoulders of the dealers the
responsibility of giving the publishers proper
representation in their respective territories.
Copies of the Code of Ethics may be ob-
tained by dealers from Thomas Donlan, sec-
retary of the National Association of Sheet
Music Dealers, 325 West Fifty-seventh street,
New York.
During the course of the meeting G. Ri-
cordi & Co. and the Clayton F. Summy Co.
renewed their membership in the association.
All the officers were reelected by the pub-
lishers, as follows: President, W. Deane Pres-
ton, Jr., B. F. Wood Music Co., Boston; vice-
president, Harold Flammer, G. Schirmer, Inc.,
New York; treasurer, Carl T. Fischer, J.
Fischer & Bro., and secretary, Edwin L. Gun-
ther, Schroeder & Gunther, Inc., New York.
The board of directors also remains the same
with the single exception that John Seng-
stack, of Chicago, replaces Walter Jacobs.

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