Music Trade Review

Issue: 1932 Vol. 91 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC
TRADE
REVIEW,
individual communities, supporting them in
every possible way, advertising for them,
lending them assistance and putting all the
prestige of the association behind each one.
I can understand that this policy might suc-
ceed admirably in a densely populated ter-
ritory of relatively small size such as Great
Britain is. In this country it might be an
organized policy in this way for each sepa-
rate State. And this leads me to say that
perhaps the only possible solution to the prob-
lem of the future organization of the tuning
art, as a matter both of protection to the in-
dividual and of preservation of technical
standards, may lie in the development of
State associations grouped into a loose fed-
eration. We might take a leaf out of the
Russian book and conceive an organization
along the lines of a series of Soviets. This
would involve the idea of local groups in
each State federated into a State group. Then,
of course, all the State groups should send
delegates to a central national council, meet-
ing, say, once in three years, and limited in
size to one or two delegates from each State.
I should prefer one from each State, making
a total of forty-eight members of the central
council, who, in turn, should delegate their
powers in between meetings to a small board
of directors.
The idea of all this would be to give the
utmost latitude to the local groups and to
narrow down the powers of the State and of
the central bodies to the consideration of
broad questions of policy, binding, indeed, on
all members but not designed to cramp indi-
vidual initiative or to dictate for local un-
familiar conditions.
Here, as least, is something to think about.
I suppose that no interested person will deny
either that the tuners are facing a real crisis
or that, on the other hand, they are ill-pre-
pared to meet it with any organization at
present available to them. For myself 1
think that a new lineup is both desirable and
possible. This does not mean that the old
lineup ought to be destroyed. It does mean
that the old lineup needs to be re-oriented to
new conditions and new facts.
June-July, 1932
19
RESPONSIBILITY FOR MEMBERS
A CALL TO ACTION
The Pianoforte Tuners' Association in
Great Britain has adopted the policy of regis-
tration. As 1 understand it, this means that
to each member is given a card of member-
ship good for a definite term only, the pos-
session of which in effect is a sign that the '
association guarantees and stands behind its
holder. Powers are reserved to the associa-
tion to withdraw a card in case of a mem-
ber's misconduct or failure to maintain pro-
fessional standards. Something of the same
kind has been accomplished in this country
by the N.A.P.T. through its system of mem-
bership cards, which likewise, 1 believe, can
be withdrawn by the issuing authority. The
difficulty in this country, however, is not so
much the matter of illegitimate competition
by untrained or even fraudulent tuners, al-
though the evil exists and has to be attacked
from time to time in various communities. In
this country, unhappily, the basal difficulty
is deeper. It lies in public ignorance and
indifference to the tuner's work. In a word,
so long as the pianoforte is losing its place in
the household and the demand for tuning is
falling off, the problem is not primarily to
get rid of fraudulent competition, for this
must, in the nature of the case, rapidly perish
for lack of nourishment. The problem that
confronts the legitimate American tuner is
rather the problem of finding enough work
to do. This again means that if the demand
for tuning cannot be stimulated once more,
the professional tuner will die out. An
alternative then is likely to be the emergence
of the musician tuner, as I have pointed out
above, and a consequent complete change in
the outlook and organization of the craft.
It is because of all this that I once mort*
bring to the attention of American tuners
the position in which their art now stands.
1 believe in the N.A.P.T., but 1 do not be-
lieve that it is the duty of anyone to keep
silent in times of danger. I believe that the
art of tuning must be preserved in some
organized satisfactory form if music is to
recover from its present state of weakness and
djbiiity. I believe, too, that if out of all this
a new lineup and a new organization are to
come, it would be foolish not to prepare now
for the change. Let me add a final word. I
have just had a most sympathetic and inter-
esting letter from C. D. Bond, of the Weaver
Piano Co., who for long has been and still
is acknowledged to be among piano manu-
facturers preeminently the one entitled to be
called the tuners' friend. The Weaver Piano
Co. has gone to an immense amount of trou-
ble to study tuners' problems, especially in
their economic aspect, and is in a position to
advise and to suggest in all cases and at all
times. I am happy to find Mr. Bond among
those who agree with me as to the imminent
necessity for thought and action in that which
concerns the future of tuning in this country.
I should welcome correspondence on these
matters. May it not be that from among
ourselves will have to come a movement of
renaissance, to restore scientific training to
the art, to build up a new race of competent
tuners—perhaps among the musicians them-
selves—and to deal with the economics of
the craft from a new standpoint? And is
it not essentially necessary to rid ourselves
once- and forever of the persistent workman
cimiplcx ?
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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
SHEET MUSIC and BOOKS
SUCCESSFUL CONVENTION OF NATIONAL
ASSOCIATION OF SHEET MUSIC DEALERS
T
OTHER PAPERS PRESENTED
HE National Association of Sheet Music
Dealers enjoys the distinction of being
one of the associations in the industry
that did not permit conditions to interfere
with the holding of the regular annual
convention of the organization and for three
days, beginning June 6, the dealers were
in session at the Hotel McAIpin, New York,
and accomplished much of benefit to the
trade.
THE CODE OF ETHICS
What was considered by the majority as
the outstanding accomplishment of the con-
vention was the final adoption of the Code
of Ethics both by the dealers and by the
publishers who met the same week. The
Code is designed to bring about a closer
spirit of cooperation between the two sections
of the trade and to eliminate a number of
evils that have crept into the field, particu-
larly those having to do with competition
between publishers and retailers. The Code
of Ethics was first presented several years
ago and has been under discussion frequently,
its final adoption representing a distinct
tribute to those who have worked so hard
to put it into effect. Music dealers may
obtain copies of the Code from Thomas J.
Donlon, secretary-treasurer of the National
Association of Sheet Music Dealers, 325 West
Seventy-fifth street, New York.
Following the adoption of the Code of
Ethics a very definite move was made to
bring about an agreement between publishers
and dealers as to the territorial rights of
the latter. The publishers adopted a resolu-
tion pledging themselves as agreeing in
principle to the protection of dealers in the
matter of sales within the latter's immediate
territories and a committee consisting of
Harold Flammer, R. A. Ostbing, E. L. Gun-
ther, Michael Keane and VV. Kretschmer,
representing the publishers, and John Harden,
Elmer Harvey and Robert Schmitt for the
dealers held a conference that was successful
in defining the representation to which a pub-
lisher was entitled in return for the protec-
tion given the dealer against direct selling
in his own territory.
General conditions were discussed at great
length and the consensus of opinion was that
although sheet music sales were naturally
substandard they had kept up much better
than sales of many other commodities and
that the future of the industry held much
promise for those willing to work hard, in-
telligently and with confidence.
In his opening address President Harden
told the dealers that they could not exist
on past achievements but must adjust them-
selves to changed conditions. New fields
have been opened to the sheet music dealers
within the past two years, particularly among
schools, colleges and choral societies. New
fields must be found, however, and when
they are discovered they must be served
20
close hand before ordering and to save cus-
tomers much of the time consumed when
orders must be sent to distant points and
filled by mail.
JOHN HARDEN
Re-elected President
sanely. He again condemned the practices
of publishers in developing long-time con-
signment business and declared that if left
alone such houses would sink under their
own burdens.
DISCUSS CONSIGNMENT EVIL
In this connection several papers were read
by members of the association. Henry F.
Mutschler of Newark, N. J., declared that
long-time consignments were nothing more
than loans offering no profit to the dealer
and the publisher. However, the practice is
so strongly established that it must be fol-
lowed by those dealing with teachers and
professional people until some better method
can be found, as these professionals insist
upon studying the music in the quiet of their
own studios. The evil can be mitigated,
declared Mr. Mutschler, if both publishers
and dealers will fix a definite limit of thirty
days on all music sent out for inspection
purposes. In talking on the same subject
Ruth Hunt condemned the publishers for
sending music on consignment to unrated,
unknown and irresponsible teachers and pro-
fessionals.
DECLARE DEALERS ARE NECESSARY
Addie Zoll Ott of the A. Grossett Music
House, Jackson, Mich., and W. Deane Pres-
ton, Jr., of the B. F. Wood Music Co.,
Boston, both read papers on the subje«,
"Can the Music Industry Survive Without
Retail Distributors?" Both agreed that the
retailer was essential for the proper conduct
of the business for most of the work of
developing new fields and holding old ones
depended upon personal contact. The carry-
ing of stocks by retailers makes it possible
for customers to see and study the music at
THE
MUSIC
Other papers read at the convention in-
cluded one on "Minority Dictation in the
Sheet Music Business," by Karl K. Lorenz
of the Lorenz Publishing Co., Dayton, O.,
who declared that publishers were foolish
to allow the actions of a small minority to
influence them, particularly when such actions
were unsound from a business standpoint.
Several prominent dealers discussed in their
papers the question, "What Needs to be Done
for the Benefit of Sheet Music Retailers?"
Present and future problems and oppor-
tunities to be met by the dealer were out-
lined by Gladys Alwes of Indianapolis, Emil
A. Arendt of the O. K. Houck Piano Co.,
Memphis, Term., and S. Ernest Philpitt of
Miami, Fla. Other phases of the retail sheet
music business, including advertising, dis-
counts, etc., were also discussed at length.
Near the close of the convention John
Harden, of the Harden Music Co., Inc.,
Springfield, Mass., was elected to serve his
third consecutive term as president, and
Thomas J. Donlan of New York was named
secretary-treasurer for the eleventh time,
while Robert A. Schmitt of Minneapolis was
re-elected vice-president.
The following new directors were elected:
F.dgar P. Hangen, Hangeii's Music House,
Reading, Pa.; Emil B. Stock, Carl Fischer,
Inc., New York; S. Dallas Tucker, S. Ernest
Philpitt & Son, Washington; Will A. Young,
Fort Wayne, Ind.
Other directors, continuing in office, are:
Harold B. Adams, Adams Sheet Music Shop,
Lima, O.; John Y. Blaetz, Theodore Presser
Co., Philadelphia; E. Grant Ege, J. W.
Jenkins Sons Music Co., Kansas City, Mo.;
Edward Fitzmaurice, Lyon & Mealy, Inc.,
Chicago; William M. Gamble, Gamble
Hinged Music Co., Chicago; J. Elmer Har-
vey, Grinnell Bros., Detroit; Charles W.
Homeyer, Charles W. Homeyer & Co., Bos-
ton; William Jacobs, New York; William
H. Levis, Levis Music Store, Rochester, N.
Y.; Edward P. Little, Sherman, Clay & Co.,
San Francisco; S. Ernest Philpitt, S. Ernest
Philpitt & Son, Miami; Joseph M. Praulx,
G. Schirmer, Inc., New York; Paul A.
Schmitt, Paul A. Schmitt Music Co., Min-
neapolis; Otto P. Schroeder, D. L. Schroeder,
Flushing, N. Y.; Oliver Shattinger, Shat-
tinger Piano and Music Co., St. Louis.
During the convention the members of the
New York trade entertained the visiting
dealers at a dinner, followed by a theatre
party.
Robert Teller Sons & Doraer
MIMIC Engravers
and Printer*
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TRADE
REVIEW,
June-July, 1932

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