Music Trade Review

Issue: 1932 Vol. 91 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
PIANO FACTORY and
PIANO SERVICING
DR. W M . BRAID WHITE
Technical Editor
The Piano Tuner
and His Future
Business Possibilities
DR. WM. BRAID WHITE
SUPPOSE that my tuner friends, es-
pecially the older men, will profess them-
selves, at the least, astonished to hear that
actually there are young men taking up
the craft for the first time and positively
looking forward to making a living out of
it. I say that I expect such astonishment,
and this because I have become accustomed
to hearing, of late, only complaints about
the general collapse of everything connected
with the noble arts of tuning and of seTvic-
ing pianofortes. For a good many reasons
I have never quite believed all the tales of
woe; and now here comes Jesse Bowen, Jr.,
from Winston-Salem, down in North Caro-
lina, who says that he is actually taking up
the art and finding something to do at it.
He comes to me for some information; but
before I give him this I must let him tell
his story, for it is far too good to be omitted,
I assure you.
I
HIS OWN STORY
This young gentleman is 18 years old and
is a student at Guilford College. His
father is a veteran piano man well known
to the manufacturers and travelers of this
industry. Young Mr. Bowen devotes himself
to his studies and in his spare time practices
the tuning art. He says that last year he
did pretty well. He averaged $30 a week,
which certainly seems by no means bad for
a spare-time occupation. He goes on to say:
"I worked for myself, depending upon no
one. I made what money I did through hard,
honest work. The tuners around home are
all down and out and are very blue, saying
that there is no business. But I believe that
there is some tuning and some money to
be made in tuning, if it is done in the right
way. Some tuners I know have cut their
18
prices to three and four dollars. Thus far
I have held my price up to five dollars for
a good honest tuning. Do you think that it
would help my business if I should cut my
prices?
"Meanwhile, do you know any modern
methods of getting tuning jobs? This may
seem to you a most absurd question, but I
should like to know all the same. Is there
any other way besides canvassing and my
small amount of advertising which I could
use to get tuning jobs? So far I have not
advertised extensively. What do you think
about advertising for tuning?
"What do you think of the future piano
business? Has it any possibilities? I like
it very much and feel that 1 could make a
success of it if success be at all possible."
ANSWERING DIFFICULT QUESTIONS
I take genuine pleasure in answering this
letter, which its author will forgive me for
saying is naive but with a naivete alto-
gether attractive. The questions he brings
up are important and it is not likely that
I shall be able to propose answers to them
really decisive. I can, however, doubtless
furnish some useful hints, than which noth-
ing more need be expected, considering the
peculiar state of present affairs in the piano-
forte realm.
And so I shall say in the first place that
I do really believe in the future of the
pianoforte. I believe in its future because
I cannot see that any possible substitute for
it at present existing or in sight can take
its place. Of course this does not mean that
there is any likelihood of the piano indus-
try's again arriving at an annual production
' of three hundred thousands of instruments.
In all probability, social currents have set
for good in directions which forbid the
restoration of the pianoforte to its pristine
place as principal domestic decoration and
treasure. It seems to me that the furniture
phase of the pianoforte has passed away and
that we now enter, probably forever, a purely
musical phase during which it will be owned
only by persons who wish to play upon it
or to hear it played upon. In a word, a
pianoforte will be found henceforth, domes-
tically, only where one might as likely find
THE
MUSIC
a violin or a violoncello. It resumes its
place as a musical instrument pure and sim-
ple, the principal ornament and treasure of
the musical home.
Now, if what I anticipate does actually
occur, then obviously the day of the really
cheap pianoforte is past. The tendency now
must be towards instruments finer and finer,
with more beautiful tone quality, more deli-
cate action, more splendid sonority and
greater duration of sound. I do not think
that artificial means of prolonging the vibra-
tions of the strings are likely to afford the
proper direction along which the modern
evolution will take place. On the contrary,
for improvements in tone quality, tone dura-
tion and mechanical delicacy I look to more
perfect understanding of the functions of
string, soundboard and hammer, understand-
ing arising out of researches which are now-
going on in more than one laboratory and
experimental room. In a word, I believe that
the pianoforte will be developed during
future years along natural and not along
unnatural lines.
HOW ABOUT THE TUNER?
What effect, however, are new social facts
and commercial trends likely to have upon
the art of tuning and upon the tuners who
practice that art? It seems unquestionable
that the number of pianos found in homes
and in public places of the restaurant and
Estate*
d
MANUFACTURER
01'
BUCKSKIN.
1049—3rd St.
NORTH BERGEN. N. J.
Tel.: 7—4367
TRADE
REVIEW,
May,
1932
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC
TRADE
REVIEW,
candy store type will gradually become
smaller. It is even possible that the de-
velopment of broadcasting will affect the
number of the pianofortes used in concert
work. But: and here is to my mind the
gravamen of the whole question: I do not
believe for a moment that the number of
private pianofortes actually used, and there-
fore in need of periodic tuning, will decrease
at all.
Several years ago when speculations such
as these were not even thought of, the Na-
tional Association of Piano Tuners made a
survey of conditions in the tuning field.
They came to the conclusion that the prob-
able average elapsed time between tunings
was not less than three years among piano-
fortes of every kind, taking into consideration
all kinds both of instruments and of their
places. There never was, in all probability,
a golden age of piano tuning. There never
was a time when tuning could be had mere-
ly by putting out a sign and waiting for
it to come to one. It is true that twenty-five
years ago a tuner out in the country, who
had a whole county to himself, might in
favorable circumstances make a very good
living; but this fact was due far more to
the scarcity of good tuners than to the abun-
dance of pianoforte owners anxious to have
their instruments put and kept in tune and
good repair.
What, on the other hand, is quite certain
is that since the popularity of the player-
piano began definitely to wane, tuners have
been gradually losing what was their most
fruitful source of revenue. Earnings in
future will come from straight tuning, action
regulating, tone regulating and repairing 2
and not from the much simpler tasks of
putting player actions into order. In a word,
the tuner of the future will have to be an
artist, in tuning, in toning and in mechanics.
Therefore in all probability the supply of
tuners will tend to decrease, since all the
modern trend is away from the disagreeable
necessity of learning through hard application
and strenuous effort the technique of a dif-
ficult art of which the practice is not likely
BADGER BRAND
PLATES
May,
tune?" and the answer is distinctly uncon-
ventional, albeit strictly accurate. I believe
that this pamphlet, in which, by the way,
I have no pecuniary interest whatever, fur-
nishes a most useful piece of advertising
literature. Mr. Poarch can tell Mr. Bowen
all about that side of it. And he can give
him too some very useful and practical in-
formation on the business side of tuning,
which he thoroughly understands and has
mastered.
I believe in newspaper advertising and
in properly written personal letters. So lit-
tle is known by even the most intelligent
layman about the mechanism and construc-
tion of the piano that it is necessary to be
ADVERTISING
extremely elementary in talking about these
Mr. Bowen wants my advice on the matter matters. Moreover, tone quality and tone
of advertising. I am all for it; provided accord are often hopelessly mixed up in the
it be properly thought out and carried out. minds even of musical amateurs who love
In the first place the point must be made music sincerely and are devoted to the piano-
that the only fruitful appeal is to musicians forte. In this matter of educating the public
and to musical amateurs. None others need I think that C. M. Tremaine, director of
be considered any longer, save that occa- the National Bureau for the Advancement
sionally an owner of a player-piano or some- of Music, 45 West 45th street, New York,
one else of the kind will come to the net can also furnish valuable hints and helps
if one fishes often and persistently enough. to an aspiring tuner. The cooperation and
But the main appeal henceforth must be to friendship of the leading music teachers is
the musically intelligent. Persistent adver- usually highly desirable. I am reminded,
tising to this class will certainly bring busi- too, that Steinway & Sons, 109 West 57th
street, New York, have some very valuable
ness.
I should suggest Mr. Bowen's getting in and authoritative literature on the care of
touch with L. M. PoaTch, 42+1 Guilford the piano which they furnish, I believe, to
avenue, Indianapolis, Ind. Mr. Poarch has their dealers and to tuners who have Stein-
printed and distributed many tens of thou- way pianos to care for.
sands of copies of a little pamphlet which is
I congratulate Mr. Bowen on his courage
in effect a reprint of an article which I wrote and hope that he will from time to time
for THE REVIEW several years ago. It is let us know what he is doing and how he
called "That Question Answered." The is getting along in the profession he has
question is "why does a piano go out of selected.
to bring rapid and large returns comparable
to some other activities.
On the other hand, for those tuners who
do care to acquire the art, the prospects are
all favorable. There will be still fewer of
them, while the actual quantity of tuning
available to be done for pay is not likely
to be much if any less. I am speaking, it
will be observed, of tuning and not of
mechanical adjusting of player-pianos.
Tuning, real artistic tuning, toning and reg-
ulating are the arts to which I alone now
refer. For their future there is no reason
to fear. Nor do I see any necessity, speak-
ing generally, for cutting prices.
How These Dealers Avoided the Sheriff
I I I
| | I
American Piano Plate Co.
Manufacturers BADGER BRAND Grand
and Upright Piano Plates
Racine, Wisconsin
For
They concentrated their sales efforts and reduced overhead. One big
savings was effected in delivery and handling costs through the pur-
chase of
BUCKEYE SILL PIANO TRUCKS
are far more
than
merely
good p l a t e s .
They are built
correctly of the
best material and finish and are spe-
cified try builders of quality pianos.
Service
Price
Quality
Reliability
19
1932
Continuous Hinges
Grand Hinges
IN Pedals and Rods
Bearing Bars
Casters, etc., etc.
for sure, easy handling of upright's, baby grands and grands. They
positively eliminate scraping or marring of floors. The center wheel
construction allows balancing and turning without lifting.
Equipped with straps of 2 in. 3-ply webbing. Only $39. 4" rubber
tired center wheels with 1 y 8 " face. (Tires vulcanized Co wheels) $5
extra. Straps of 3 in. 4-ply webbing and buckles $6 extra.
Send for literature on our X-70
Refrigerator Trucks and piano
hoists and covers.
SELF-LIFTING
PIANO TRUCK CO.
F1NDLAY, OHIO
CHAS. RAMSEY CORP.
KINGSTON, N. Y.

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