Music Trade Review

Issue: 1932 Vol. 91 N. 2

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
20
THE
MUSIC
TRADE
REVIEW,
February, 1932
DONALD V. STEGER
TO RUN FOR SENATE
CHAS. FREDERICK STEIN
UPRIGHTS PLEASE DEALERS
DRIVE TO PROMOTE
RADIO IN SCHOOLS
A recent political item interested many
members of the local trade. It was the an-
nouncement by Donald V. Steger that he
would be a candidate for election to the
State Senate from the Thirty-first Senatorial
District, with the backing of the regular Re-
publican organization.
Mr. Steger is the son of Chris G. Steger
and the grandson of the late John V. Steger.
He is an attorney and a member of the firm
of Enright, Steger & Enright. He is an able
speaker and debater, and quite popular i:i
his district, so success for his ambition seems
to be reasonably certain.
The great Steger piano plant at Steger,
111., is idle, but much interest has been excited
here by the report that Chris G. Steger con-
templated its use again as a piano factory.
The report at the moment seems premature,
as no plans are yet made, and Mr. Steger
himself was not willing to discuss it.
Charles Frederick Stein's new uprights
continue to make a great impression upon all
who test them, either dealer or customer. A
certain dealer in Northeastern Maine ordered
one of the Stein Style 1 colored uprights,
reasoning that it would prove as impressive
as the Stein grands which he has handled.
January 1+ Mr. Stein received from that
dealer a letter as follows: "Well, the little
upright, Style I, arrived January 11 at
2 P. M. I got it on the floor and at 6 P. M.
I sold it to a customer I had been after for
years, but who thought that nothing but a
would do. But he would not pay
the
price so your little style I did
the trick.
"•Needless to say I am delighted with it
and want my order put in at once for another
one, immediate shipment, in mahogany."
The Federal Bureau of Education and the
Radio Manufacturers' Association have ar-
ranged to cooperate in a plan to promote
education by radio and equipment of schools
with radio and sound apparatus. In co-
operation with Dr. C. M. Koon, in charge
of radio for the Bureau of Education, under
the U. S. Department of Interior, plans are
being developed by the RMA to stimulate
installation in schools of radio and sound
equipment.
At the Cleveland meeting of the RMA
board of directors on November 19 a special
committee to work with the federal educa-
tional authorities was authorized. President
Coit of the Association appointed as chair-
man of the special committee Mr. A. C.
Kleckner of Racine, Wis.
FOLDER PRESENTS NEW
HOWARD PIANO LINE
The Baldwin Piano Co., Cincinnati, O.,
has just issued an imposing folder containing
some brief descriptive matter and excellent
photographic illustrations of the new line of
Howard pianos. The folder, of modernistic
design in light green and black, has, inside,
a pocket in the form of a piano keyboard in
which are found the piano illustrations, each
on a separate sheet. The instruments fea-
tured in the new line include four five-foot
grands and three four-foot-seven-inch grands,
in a pleasing variety of case designs, together
with a small upright, only three feet ten
inches high. The folder makes a most val-
uable addition to Baldwin Co. literature.
BUSH TEMPLE OF MUSIC
IN DALLAS IS BURNED
The Bush Temple of Music at Dallas, Tex.
was destroyed by fire on January 22. This
building had been the center of musical
activities in Dallas for the past 25 years,
during which time (up to last November)
it had been the headquarters of the Bush &
Gerts Piano Co. of Texas, the lease having
been executed by William L. Bush, as presi-
dent of the Texas company.
Billings Enters New Field
One of the well-known Cable representa-
tives, Earl Billings, has now left that service
to take on the Kansas City, Mo., representa-
tion of Chil-Aire. This is a portable cooling
system which has already demonstrated its
usefulness in homes and institutions, and Mr.
Billings anticipates great success in his new
field. He is a Cable Piano Co. veteran, hav-
ing been in the wholesale department as a
traveling man; also a Cable representative in
Florida and Minnesota.
The Rudolph Wurlitzer Co., Cincinnati,
O., is this year celebrating the seventy-fifth
anniversary of the establishment of the busi-
ness, the occasion being marked by dinners
and other celebrations at the headquarters of
the company and its branches throughout the
country.
Weidelman Music Co. Moves
Edgar C. Smith
The Weidelman Music Co., Houghton,
Mich., has moved from 315 Fifth street to
One of the most widely known members of
the trade, Edgar C. Smith, died in the Wes- new quarters at Oak and Fifth streets, that
ley Memorial Hospital on January 20, fol- city, where increased facilities are available
for the display and sale of musical merchan-
lowing an operation.
Mr. Smith was 71 years of age, and had dise and pianos. A special music room for
resided at Long Beach, Ind., since his retire- the use of teachers and clubs is a feature of
ment from the W. W. Kimball Co., in whose the new store.
service he had spent more than fifty years.
For a long time he had been general man-
ager of the retail department of the Kimball
company and had also been a member of the
board of directors.
His passing was greatly regretted by his
old associates and other members of the in-
PIANO TRAVELER WANTED by
dustry, and he was highly respected for his
prominent Eastern manufacturer to
ability and general character. He is survived
cover New England and Eastern states.
by a widow.
Opportunity for energetic producer.
Give age, experience, etc. Box 3436,
Music Trade Review, 420 Lexington
PIANOS AGAIN COMING
Avenue, New York.
THE REVIEW'S
WANT DIRECTORY
INTO THEIR O W N IN BELGIUM
The following very interesting item from
Brussels, Belgium, appeared recently in the
New York Times, and, as various members
of the trade have remarked, it is to be hoped
that the new influence finds its way across the
ocean and has a similar effect here.
The .report read: Pianos of the old brand,
played by hand, are coming into fashion
again, after a bad slump. Merchants say they
are selling them easily, at good prices, in spite
of the competition of the mechanical piano,
radio and phonograph. Musicians, thrown out
of work by the new inventions, are taking
heart again, as this Winter's mode is old-
fashioned music, whether for dancing, con-
certs, in cafes or other kinds of entertain-
ment.
The slump in the demand for pianofortes,
a leading pianomaker says, was really due
to bad teaching. Instead of learning to inter-
pret the sentiments of the composers, begin-
ners simply regarded piano playing as a
mechanical exercise, something like writing
on a typewriter, and they were encouraged
in feats of endurance by their teachers. Hard
times have induced teachers and pupils to
take more pains.
The M. Earl Clark music store, Monroe,
Wis., is moving to a new location in the
Syndicate block, on Eleventh street, a block
west of the former store.
PIANO TRAVELER WANTED for
high-grade manufacturer.
Write and
state salary and experience. Address
Box 3433, Music Trade Review, 420 Lex-
ington Avenue, New York.
POSITION WANTED—Salesmanager; IS years'
retail experience with Aeolian, Steinway and
American Piano Companies' lines in N. Y. C.
Clean record. Highest recommendations. Now on
coast.
Will go anywhere.
Address Box 3434,
Music Trade Review, 420 Lexington Avenue, New
York.
RADIO SERVICEMAN, PIANO TUNER and
REPAIRER, will buy half interest or a tuning
route. Prefer Western States. Address Box 3435,
Music Trade Review, 420 Lexington Avenue, New
York.
WILL RENT space in our music store for a
sheet music department—only one other such de-
partment in city of 300,000.
Excellent oppor-
tunity. Address Box 3427, Music Trade Review,
420 Lexington Ave., New York.
POSITION WANTED—Wholesale Representa-
tive, by man of 35. Can produce. Willing to
accept compensation based on results. Employed
now but have excellent reasons for changing.
Address Box 3430, Music Trade Review, 420
Lexington Ave., New York.
POSITION WANTED^-Tuner, who can do
minor repairs for outside work in Yonkers, N. Y.
Steady work; state lowest salary, etc.
Address
Box 3428, Music Trade Review, 420 Lexington
Avenue. New York.
POSITION WANTED—Piano tuner, fully ex-
perienced. Age 42. Tuning, repairing, case re-
pairing and finishing. Pianist. Available now
anywhere.
Single.
Address Box 3426, Music
Trade Review. 420 Lrxineton Avenue, New York.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
PIANO FACTORY and
PIANO SERVICING
DR. W M . BRAID WHITE
Technical Editor
SCIENCE OF TUNINC
and the
FUTURE OF THE ART
of music, owing to the fact that the key-
board instruments which have come to domi-
nate the musical art are limited to twelve
tones in each octave. From this I have gone
on to describe the system of equal tempera-
ment which during more than a century has
prevailed over all other compromise systems
of tuning. I have shown how this works
out mathematically, and have then drawn up
tables showing the arithmetical ratios actu-
ally set up, with the individual frequencies
DR. WM. BRAID WHITE
for the standard pitch. Directions for ap-
plying these tables have been appended.
UITE a long time has elapsed since
It seems that some readers still find diffi-
my last talk in these columns on
any matter connected with the culty in understanding the demonstration.
noble art of tuning. I am re- Mr. Fink has read on page 77, 2nd edition,
minded of this rather insistently by two let- how it is that although twelve successive
ters which lie on my desk awaiting reply. ascending fifths coincide on the keyboard
with seven successive ascending octaves be-
One of them is from Robert A. Fink of
Cleveland, who evidently has been studying ginning from the same tone, they are not
Modern Piano Tuning. The question he equal in sound, but exceed the octaves in
asks is of considerable interest, if only be- the ratio 531441 to 524288. Parallel consid-
cause it suggests the possibility that others erations are shown to obtain in the fourths,
may have misunderstood my argument in the twelve of which successively ascending from
first chapters of that book. Those who have a given tone are equal in width but not
equal in sound to five octaves ascending suc-
studied Modern Piano Tuning will remember
that in it I have attempted to set forth a very cessively from the same tone. The differ-
ence is this time in favor of the octaves,
definite rule for laying the equal tempera-
and the ratio is 192:144; or conversely it
ment. I have done this by first investigat-
ing the musical scale in its origin and trac- may be said that the fourth series falls short
ing out the natural pure relations among its of the corresponding octave series in the
various steps. I have then shown how it is ratio 144 : 192. Mr. Fink then has turned
impossible to maintain these pure relations to the tables showing the rates of beats be-
in the practical composition and performance tween the members of intervals correctly
tuned in equal temperament and finds dis-
crepancies between what these tables con-
tain and the calculations just mentioned. He
wants an explanation. This I gladly give.
Q
Estate/
FORCE OF HABIT
I suppose the fact to be that we have all
/HANUFACTORER
WHERE CAN YOU GET
PLAYER ACTION
REPAIRS and SUPPLIES
BUCKSKIN.
The MOORE and FISHER Manufacturing Co,
Deep River, Conn.
1049—3rd St.
NORTH BERGEN, N. J.
Tel.: 7—4367
THE
become so thoroughly accustomed to taking
tempered intonation for granted as to forget
that the diatonic scale was originally con-
ceived, very naturally, in its obvious pure
relations. Everybody knows that if you have
a tuning fork giving 100 vibrations per sec-
ond (or cycles, as they are now more usually
called) and then another fork giving 150
vibrations per second, the two will sound ex-
actly a perfect fifth apart. Everybody knows
too that if these ratios, instead of being 100:
150, which is 2 : 3 or 1 : V/2, they were 100:
133.33, which is 3 :4 or 1 : 1J4 the two forks
would sound a perfect fourth apart. The
ratios between vibration speeds which would
give the other intervals of the scales are
equally familiar. What is overlooked so
often is that these pure intervals which are
so soothing and delightful to the ear are very
seldom realized in the actual practical art of
music, owing to the fact, which I have shown
in Modern Piano Tuning, that unless we
have more than twelve tones available in
each octave, we cannot maintain these pure
relations. It is to show that this is unfor-
tunately true that I have spoken of the dis-
crepancy in pitch between twelve successive
fifths and seven successive octaves taken from
the same tone, and between twelve fourths
and five octaves taken in the same way.
Simple arithmetic will demonstrate the cor-
rectness of my figures. Suppose we start at
the lowest C on the piano, (C 4 ) calling the
pitch 32.5 (which is exact enough). Let
us then multiply this pitch by 3/2, so as to
obtain the first fifth above in pure relation.
•Then let us continue until w T e have twelve
of these successive fifths piled up on top of
each other. Actually the key on the key-
board which we shall reach will be Css.
The pitch of this in round numbers is 4186
MUSIC
TRADE
REVIEW,
February, 1932
21

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