Music Trade Review

Issue: 1932 Vol. 91 N. 1

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC
TRADE
REVIEW,
January,
23
1932
BAUER-DILLER-QUAILE
COURSE
This young lady had had only four piano lessons
when this picture was taken, on October 23,
1931, at the Diller-Quaile School in New York.
She is a seven-year-old pupil of Sophie Pratt
Bostelmann, of the faculty of the school.
In talking to your customers about the Bauer-
Diller-Quaile Course, you don't need to claim
that every child will learn as quickly as this
young lady. The thing to stress is that every
child can learn the same sound principles, pre-
sented in the same direch, logical manner.
And for only 75c the customer can see for
himself (or herself)—try out the book—and be
convinced that it is the very best presentation
of the first piano lessons yet published.
Just before this picture was taken she played perfectly the reading
piece, "Hide and Seek," on page 39 of Book I, looking at her music.
Then she closed her book and took a five-minute lesson on the rote
piece, "In a Chinese Theatre," on page 43. This picture shows her
with her hands ready to play the first part of the piece.
G.
3 East 43rd Street
BOSTON MUSIC PUBLISHERS' ASSOCIATION
REFUSES SONC WRITERS' DEMANDS
HE December meeting of the Boston
Music Publishers' Association, held at
the Boston Art Club on December 8th,
was attended by a group that could be pleas-
antly accommodated around one large table.
President David Stevens presided and at the
conclusion of the dinner he appointed a com-
mittee of three to nominate officers to be
elected at the next meeting in February.
Most of the evening was given over to a
discussion of the newly organized Song
Writers' Protective Association with Presi-
dent Stevens and William Arms Fisher
presenting a wealth of information touching
this organization and its effect on the music
publishers. President Stevens read the text
of the contract as well as some correspond-
ence he had had on the matter; and similarly
Mr. Fisher, who has looked into the matter
most carefully, analyzed some of the con-
ditions and embargoes that were involved
in the constitution and by-laws of the organ-
ization.
It was the consensus of opinion that the
Boston Music Publishers' Association should
put itself on record as expressing its mind
on the proposition and the following reso-
lution was subsequently drawn up and
signed by all the members:
Whereas, the Song Writers' Protective As-
sociation has recently been organized in
New York City for the express purpose of
regulating and controlling the music pub-
lishing industry, dictating the form of their
T
SCHIRMER
royalty agreements with composers, the rates
of royalty to be paid, and the times and
manner of payment; forbidding their com-
poser-members from having any dealings
whatever with publishers that have not
signed up with the Association, and for-
bidding the publishers who sign up with
them from making any contracts whatever
with composers who are not members of the
Association; taking from both composer and
publisher the right of individual negotiation,
and also proposing to invest the sole control
and ownership of copyright in the composer
or author, thereby, in these and other par-
ticulars, limiting and circumscribing the
natural rights and functions of the music
publishers; therefore be it
Resolved, that the Boston Music Publisher's
Association in regular meeting assembled
declares that it will not be a party to any
such so-called "Minimum Basic Agreement"
as that printed and circulated privately and
more recently published in full in the Bill-
board of November 14th and 21st, 1931.
The above preamble and resolution was
unanimously adopted.
Robert Teller Sons & Dorner
Music Engravers and Printers
SEND MANUSCRIPT AND IDEA OF
TITLE FOR ESTIMATE
311 West 43rd St.
New York City
INCORPORATED
New York
SHEET MUSIC AND ITS
INFLUENCE ON SALES
(Continued from page 5)
partment are the small orchestras in the small
communities. We have helped to establish
orchestras largely for the purpose of educat-
ing the children to a knowledge of music
so that they may appreciate it. Of course
we sell many small instruments as a result,
but the main purpose is to increase musical
interest.
It has been evident that our policy is cor-
rect, for many times our friendly orchestra
instructors have been asked by their students
to bring them out this or that popular num-
ber the next time they come. In three
months time, it is indicated, the beginner
will be striving to play some of the popular
numbers he has heard. So, besides selling
the scores for the orchestra or solos for the
particular instruments, we sell in addition
some of the popular titles.
But referring again to the strict merchan-
dising of sheet music, much of our success
lies in the fact that we have a large stock
with the consequent reduction of the number
of times the customer will have to wait for
the number he wants while we order it.
We do a large mail order business, as a
result, and we send music on approval. The
customers keep much of it, but we don't get
angry if they send it all back. We have a
large mailing list and every so often we run
through it and pick out the names of those
who haven't bought anything recently and
write them letters. That helps to bring
them back to the fold, and sales result.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
MUSICAL MERCHANDISE
MILWAUKEE THEATRES TO
REINSTALL ORCHESTRAS
NEW KAYKRAFT INSTRUMENTS
WELL RECEIVED BY TRADE
F. A. HOLTZ HEADS MARTIN
BAND INSTRUMENT CO.
'Proof that music by living music is a
big drawing card in a theatre is seen in
the trend in Milwaukee theatres with an-
other one of the largest downtown theatres
announcing it will install an orchestra and
stage show shortly after the first of the year.
This announcement was made for the new
Warner theatre recently completed here
which has been featuring moving pictures
and an organ accompaniment to community
singing.
A sixteen-piece orchestra is to be estab-
lished, according to this announcement.
Music dealers pointed out that the living
orchestra is a real drawing card and cited
the success of another large theatre with
its orchestral presentations which has be-
come such a popular feature that they are in
themselves a big drawing card.
An outstanding development of 1931 was
the introduction of the notable Kaykraft line
of fretted instruments, which made a highly
favorable impression immediately. So well
did the new Kaykraft instruments sell as
quality goods that it kept the Kay Musical
Instrument Co.'s factory going to capacity,
and the new year opened with many Kay-
kraft orders on the books, with the prospect
of some other makers, showing that "imitation
is the sincerest form of flattery."
Talking with THE REVIEW representative
about business, President H. Kay Kuhrmeyer
said: "We are greatly appreciative of the
trade enthusiasm about the Kay line and
are gratified to find that the trade as well
as professional musicians endorse our efforts
to build fretted instruments of the highest
tone quality, material and workmanship. To
me, a poorly made or weak-toned instru-
ment defeats its own purposes, for you can-
not get the interest or enthusiasm of the
public, which is our market, unless the tone
of the instruments, in beauty and volume,
keeps them in constant use.
"Look at the growth of fretted instru-
ment orchestras in schools, colleges, and
other groups. For orchestral groups we re-
cently added a Kaykraft Mandola and a
Mandola-Cello, making now seventeen in-
struments in this line, equipping a large
and well-balanced orchestra when wanted,
or a complete solo group.
"From the repeat orders we have and the
comments we receive, we know it does pay
to make quality goods, and that the Ameri-
can public will buy such goods when they
can be had."
I
In succession to the late O. P. Bassett, the
directors of the Martin Band Instrument Co.
have promoted Vice-President F. A. Holtz
to the position of president and general man-
ager of the company and its subsidiaries,
the Indiana Band Instrument Co. and H.
Pedlar & Co. He also becomes a member
of the board of directors. J. O. Thompson,
his assistant, now becomes sales manager of
the Martini Band Instrument Co. and Louis
H. Hombs continues in charge of the Pedlar
interests.
Mr. Holtz, the new president, is particu-
larly well qualified as a successor to Mr.
Bassett, having been associated with the late
head of the company since he secured con-
trol twelve years ago. For the past year,
during Mr. Bassett's illness, Mr. Holtz took
charge of the various company's details, ad-
hering closely to the policies laid down by
the head of the business, and carrying on
with great success.
PHILADELPHIA HARMONICA
BAND VISITS NEW YORK
The radio unit of the famous Philadelphia
Harmonica Band, made up of sixteen of the
more talented members of this organization,
visited New York early in September as the
guests of a prominent banker and gave a con-
cert at a special luncheon held at the Bankers'
Club and attended by a number of promi-
nent financiers. In the afternoon the band
played a short concert in one of the local
savings bank and in the evening presented
an elaborate program of twelve difficult
numbers in the Little Theatre of the West
Side Y. M. C. A.
THANK YOU
We wish all our jobbers
and distributors a prosperous
New Year, and we assure
the trade that the RICHTER
standard of quality will al-
ways be maintained, and will
be improved whenever pos-
sible.
RICHTER reputation for
prompt shipment as well as
quality will continue to be
our fixed purpose.
Richter Manufacturing Co.
GRATZ CO. TO FEATURE
WESTERMANN END PINS
The Win. Gratz Import Co., New York,
has recently taken the agency in the United
States for the Westerrnann End Pins for
violins, violas, double basses, guitars, etc. It
is plain that the pins, being hollow, form a
second exterior sound box for the instrument
and improve the tone. It has been endorsed
by prominent musicians and orchestra leaders
including William Mengelberg, Dr. Karl
Muck, Richard Strauss, and others.
The Stark Piano Co., Bellingham, Wash.,
originally arranged with a harmonica expert,
F. G. Kelley, to give free lessons on that
instrument in their store, and the offer at-
tracted wide attention and brought in a host
of kids. Kelley also went among the schools
of the counties giving lessons at the rate of
five cents per lesson per pupil. He has also
organized a harmonica band of 100 players
which broadcast over station KVOS regu-
larly. As a result of this harmonica interest,
the Stark Piano Co. sold over $150 worth
of harmonicas in a single month.
FINDS GROWING DEMAND
FOR MUSICAL MERCHANDISE
Samuel Buegeleisen, of Buegeleisen &
Jacobson, New York, reported that there was
some improvement noted in the demand for
musical merchandise and that an encouraging
volume of orders had been received from
dealers immediately after Christmas. The
orders were small but there was an increase
in their number.
We thank our jobbers and their dealers for their enthusi-
asm over our Kaykraft line of fretted instruments, which
have made 1931 one of our most prosperous years.
KAY MUSICAL INSTRUMENT CO.
316 Union Park Court
CHICAGO
2532 Irving Park Blvd.
CHICAGO
24
FREE HARMONICA LESSONS
HELP STIMULATE SALES
THE
MUSIC
TRADE
REVIEW,
January,
1932

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