Music Trade Review

Issue: 1931 Vol. 90 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
MORE GENERAL SUPPORT
ESSENTIAL FOR MUSIC
INDUSTRY'S ORGANIZATIONS
By C. ALFRED WAGNER
President, Music Industries Chamber of Commerce
W
I T H I N a very few days
after this paper is in the
hands of its readers the
annual conventions of the
Music Industries Chamber of Commerce
and its affiliated organizations will be in
full swing in Chicago, and the attend-
ance at the sessions, together with the
general affectiveness of the various meet-
ings, will depend upon the rank and file
of those in the trade who have been con-
sistent supporters of association activities.
It is hardly necessary for me, as presi-
dent of the Chamber, to call attention to
the problems that are facing the industry
at the present time and which demand
at least some efforts towards solution.
These problems are too well known to
every manufacturer, wholesaler and
C. ALFRED
dealer, and I think I am warranted in
declaring that few, if any, of the members of the trade still
persist in the idea that they alone caii alter conditions or de-
velop effective means for meeting a situation that is national
in scope. They realize the need for concerted effort and
concerted thinking by the best minds of the trade if the in-
dustry is really to be benefited to a substantial degree.
There are those, recognized as the old guard in all trade
association movements, who have, over a period of a few
years or many, given freely of their time, energy and money
toward association activities with the view to benefiting the
industry as a whole. Full credit is due to this group, for
without it many of the trade activities would have been
discontinued long ago. It is unfortunate, however, that they
represent such a small proportion of the industry; that they
are representative of the minority rather than of the majority.
My message this year is to those members of the trade,
both manufacturers and retailers, who have remained in-
different to or aloof from Associations, who have been content
to enjoy the benefits that have been derived from organiza-
tion activities, but have not seen fit to join in them except
in a most casual way. This year, more than in any other
preceding year, it is essential that those who have been care-
less or indifferent in their association affiliations give
thought to more active participation, not only in the finan-
cial support of the various organizations, which should not
prove burdensome under any conditions, but in the active
support of what these various bodies are doing and planning
to do to arouse public interest in music and the personal
THE
MUSIC
TRADE
REVIEW,
June.
1931
performance of worth-while music.
It is my hope to see in Chicago many
new faces, not new to the trade, but new
at association gatherings. We may well
make use of the phrase that has been
pounded out by the student typist for a
generation or more, "Now is the time
for all good men to come to the aid of
the party." It may be trite but it is
distinctly pertinent, for without a more
generous and general support from the
industry at large, these organization ac-
tivities must be seriously curtailed. I am
not in any sense the dean of the industry,
but I have had sufficient number of years
of contact with the trade to realize that
if these organization activities are cur-
tailed, it is going to prove a serious blow
to the music trade and mean that the
WAGNER
work of building interest in music, indeed
sales of musical instruments, will be made much more difficult.
The meeting in Chicago will afford us an opportunity of
seeing just who have the interests of the industry at heart;
how many can put away selfish ideas and desires to devote
a little time and a little work to the benefit of the trade as a
whole. Certainly anything accomplished of a forward nature
is going to benefit everybody connected with musical in-
strument merchandising whether they belong to the associa-
tions or not, or whether they have contributed or not. Under
normal conditions a substantial number of broadminded in-
dividuals have seen fit to support and work for organization
movements regardless of the fact that the non-workers and
the non-members were in a position to benefit quite as much
as association members. The time has come, however, when
this generous spirit cannot prevail, when it becomes neces-
sary to have the support of the majority in order that the
burden may not overtax the few.
In Chicago we are going to tell what has been accom-
plished by the Chamber and its various affiliates during the
past year, and we are going to set forth the plans for the
coming twelve months, stating frankly that the success of
those future plans depends almost entirely upon a broader
recognition of their importance and a more general support
both financially and otherwise. It will well pay the music
tradesman who feels that he is in the business to stay to
attend the sessions and find out at first hand what is going
on, then he can see what his money is being spent for or can
at least find some incentive for contributing his share.
II
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
BROADENING the APPEAL
in Piano Advertising
By B. BRITTAIN WILSON
T has been demonstrated on numer-
ous occasions in the piano trade that
it is possible to produce advertising
copy that is logical, interesting and
devoid of the bromides that are all too
frequently seen in piano publicity. The
fact has been proven that the piano as
an instrument offers a number of sound
talking points, both in its construction
and its possible usages for the copywriter
who is genuinely interested in the prob-
lem at hand. In other words, prices and
terms and highfaluting phrases do not
comprise all the ammunition that is
available to the piano man in his bom-
bardment of the public.
But to simply turn a neat phrase at
long intervals and let it go at that is
not the answer, for it takes consistent
and persistent advertising to break down
public resistance. The prospect who is
mildly interested in one advertisement
is likely to let that interest cool unless
he is bombarded with other arguments
to drive him to the buying point. The
appeal must be made from every angle,
for a bachelor will not be interested in
an argument that is directed at parents,
nor will the austere maiden lady enthuse
over the fact that the piano is one oc-
casion of direct appeal to the man.
On occasion some piano house really
gets out of the rut and not only pub-
lishes attractive advertising, but adver-
tising that for its original character at-
tracts wide attention, although it is un-
fortunate that these instances are rare
and widely separated. A particularly
effective and unusual campaign, how-
ever, was carried on not long ago by
Kauffman's Music House, in Lewis-
town, Pa., and if it accomplished noth-
ing else it certainly showed piano mer-
chants in other localities what might be
done in getting out of the beaten path.
In this series it is difficult to find a
single angle of appeal that was over-
looked, as a glance at some of the phrases
emphasized in the advertisements will
indicate. Does the piano still find a
proper place in the good home? One of
the advertisements says yes and calls at-
tention to the fact that in magazine
12
We know a Local Banker
who's an Ace at the Keys
30s.
Every Service in a Rural
Church Has Been Exalted
Iwn'mjtes picked this
it's Not—wraMrouTd
.Can do with the Piano—
THE
MUSIC
stories "A piano is in the foreground
of each picture." "Has your piano be-
come a parlor 'dum-dora'?" is asked in
another advertisement, for the benefit of
those who have silent pianos. "We know
a local banker who's an ace at the keys,"
appears in an advertisement to interest
the business man, and in the extended
series there was copy designed to appeal
to the church, to the parents of boys
and girls, to those who seek style in
home equipment and to practically any-
one possessed of musical desires.
The advertisements which occupied
space averaging seven inches, two col-
umns, in the local newspapers, ran over
a period of several months, each an-
nouncement being built up around some
emphasized theme as for instance:
"Men are real musicians and the
piano is a man's instrument.
"Has you wife stopped playing the
home piano? Clever women today have
their grands—play them.
"No girl finds dateless nights 'pokey'
with a piano as company.
"You couldn't live with a piano so
good looking and not be tempted to
play it.
"Must she do her music lessons on a
time-worn hulk like this?"
Although the population of Lewis-
town is only a little over 13,000 this
particular music house found that this
well designed and consistent campaign
not only attracted wide attention
throughout the city and surrounding
territory, but actually brought in nu-
merous sales. Perhaps it was carrying
out the theory that constant pounding
will wear away stone, but nevertheless
the constant series of articles soundly
put broke down much sales resistance.
It is a type of campaign that is worthy
of the attention of those dealers who
continue to use copy that was popular
a decade or two ago and then wonder
why buyers do not flock into their stores.
T H E REVIEW will be glad to receive
and reproduce other examples of musical
instrument advertising that have some-
thing really new and constructive to
offer.
TRADE
REVIEW,
June, 1931

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