Music Trade Review

Issue: 1931 Vol. 90 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE WORLD OF RADIO
total unit sales. It had been estimated that
midget production in 1931 will exceed 50
per cent of the total.
Total radio sales, including sets, acces-
sories, tubes and other parts, aggregated
F. Arnold has been appointed manager of
$500,951,500, as against the industry's fig-
record sales; Walter W. Clark, formerly ure of $842,548,000 for the preceding year.
manager of the record department, has been
Console and midget receiver sales totaled
placed in charge of artists and repertoire; 3,672,400 units, valued at $298,010,000, for
E. M. Hartley is manager of the service de- 1930, as against 4,200,000 units, valued at
partment, and B. Aldridge and A. R. Beyer $525,000,000 for 1929. Radio-phonograph
have been placed in charge of distribution combinations totaled 155,400, valued at $34,-
188,000, as against 238,000 units of $67,068^-
000.
Radio tubes, including new installations
and replacements, totaled 52,000,000, which
realized $119,600,000 in 1930, as against 60,-
000,000 tubes, valued at $172,500,000, in
1929.
Speakers, excluding those already in re-
ceivers, sold during 1930 were valued at
$3,500,000, while those sold during the pre-
ceding year were valued at $16,000,000.
"A," "B" and "C" dry batteries sold dur-
ing 1930 were valued at $21,514,000, as
against $30,530,000, while other accessories
had a value of $6,700,000, as against $9,-
600,000. Parts sold at retail to other than
manufacturers were estimated at a value
of $6,000,000, as against $7,500,000.
The remainder of the industry's total was
made up by sales of automobile radio re-
ceivers to the extent of 34,500 units, valued
at $4,519,500.
The replacement business in tubes was
PIERRE BOUCHERON
considered disappointing by the industry.
order routine and general distributor contact. With 12,000,000 modern tube sets in homes
The new appointments mark the completion as of Jan. 1, 1931, there should have been,
according to the industry, replacements of
of a reorganization consolidating the Victor at least 30,000,000 tubes, whereas actually 24,-
and RCA Radiola Divisions of the RCA Vic- 000,000 were sold for this purpose.
tor Company. According to the announce-
THE FUTURE PROSPECTS
ment, realignment of the wholesale distri-
bution system of the two divisions has been
With respect to sales possibilities for the
practically completed, and shipments of the current "radio year," the industry feels there
first product bearing the combined RCA should be as many radios in use as there
Victor trademarks, an 8-tube superheterodyne are passenger automobiles, and on that basis
receiver (with a new super-control tube) to figures there exists a future market for not
be known as the Superette, have begun.
less than 8,000,000 sets in private homes
alone, when replacements and "two sets in
the home" opportunities are considered.
Moreover, the farm or battery set field is
a large one, since less than 20 per cent of
the nation's unwired homes are equipped with
suitable reception apparatus.
PROMOTIONS AND APPOINTMENTS IN
EXECUTIVE STAFF OF RCA-VICTOR CO.
A
NNOUNCEMENT has been made of
the following promotions and ap-
pointments in the sales and adver-
tising staffs of the RCA Victor Company, in
Camden. E. A. Nicholas, formerly head of
the distributing company bearing his name,
has been appointed general sales manager
E. A. NICHOLAS
in charge of all sales excepting the for-
eign field, and succeeding H. C. Grubbs, re-
signed; Ernest H. Vogel, formerly manager
of Radiola sales, has been promoted to man-
ager of domestic sales; Pierre Boucheron,
who for eight years was advertising manager
of the Radio Corporation of America, and
later in charge of the Atlanta district office,
has been appointed manager of advertising
and sales promotion; L. W. Yule, formerly
Pacific Coast district manager, has been made
assistant manager of domestic sales; William
AVERAGE UNIT VALUE OF RADIO SALES
DURING YEAR 1930 WAS ONLY $87
F
IGURES compiled by the electric equip-
ment division of the Department of Com-
merce covering radio sales during 1930,
as compared with the previous year, indicate
that during the year there was a decrease of
nearly fourteen per cent in the number of
receiving sets sold and a decrease of forty-
four per cent in dollar volume, due to the
introduction of lower priced products.
The average list price of a radio receiv-
ing set in 1930 was estimated at $87, less
tubes, as against $133 in 1929, Mr. Way
stated. While the total unit sales of radio
receivers for 1930 exceeded the expectations
of the industry, Mr. Way asserted that the
industrial figures show a 44 per cent decrease
THE
MUSIC
TRADE
in dollar volume, due to the advent of the
midget set, price-cutting, general business
conditions and heightened sales resistance re-
sulting from growing saturation. The dollar
volume for the year w r as placed at $332,198,-
000, as against $592,000,000 for 1929.
Unit sales of receiving sets and radio-pho-
nograph combinations, according to the indus-
try's figures, were 3,828,000, as compared
with 4,438,000 for 1929.
SMALL SETS ARE POPULAR
Although the midget trend did not become
a real factor in the industry until the Fall
of last year, some 1,130,000 units were sold
prior to Jan. 1, 1931, on 30 per cent of the
REVIEW,
May,
1931
COMMERCIAL TELEVISION
STILL FAR IN FUTURE
"Nothing has been exaggerated as much as
the advance publicity about television," Dr.
John D. Ball, vice-president of the Wiscon-
sin School of Engineering, believes.
"I have heard business men say that they
were putting off the purchase of a new radio
set for a couple of months," he added, "as
they wanted to wait for a television set.
They will have a long wait; even the most
optimistic engineers believe a workable house-
hold television set will not be ready in less
than five years."
33
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
MUSICAL MERCHANDISE
SOME OF THE SPECIAL MUSIC N O W
AVAILABLE FOR FRETTED INSTRUMENTS
T several meetings recently of manu-
facturers, distributors and dealers in
the fretted instrument field, the gen-
eral subject of discussion has been the ques-
tion of a suitable supply of music written
or arranged for that type of instrument. It
has been claimed by the instrument men that
there is something of a dearth both of suitable
instruction books of a character to simplify
the process of learning to play fretted in-
struments and of standard and popular music
arranged especially for them.
It is a pertinent subject, for unquestionably
the appeal of any instrument lies in its play-
ing and to maintain the interest of the owner
and make him an enthusiast it is essential
that a sufficient supply of music be available
and at his command. Investigation indicates
that in principle the fretted instrument men
are right in bemoaning the scarcity, or rather
lack of variety, of teaching and playing
music especially arranged for their instru-
ments. Nevertheless, there is available a
very substantial amount of such material, al-
though generally it is not featured by the
publishers as widely as it might be. The
dealer who takes his fretted instrument busi-
ness seriously should be thoroughly ac-
quainted with the music for those instruments
and should have on hand for use and for
sale as great a variety as possible. Certainly
he cannot ask that the purchaser of a high-
class banjo, mandolin or guitar be content
with only a limited selection or otherwise
hunt out his own playing material; that is,
if the dealer has ideas of developing a sub-
stantial business for the future.
With a view to putting the fretted instru-
ment dealer in touch with such music for
those instruments as is at present available
both for study and general playing purposes,
The Review has communicated with a num-
ber of prominent publishers to ascertain just
what they had to offer. The supply of ma-
terial, though not as generous as some might
desire, nevertheless seems to be adequate for
A
ordinary teaching and playing purposes.
A short list of publishing houses who have
something special to offer for the fretted in-
strument student and player follows and
should prove interesting:
The Alfred Music Co., Inc., New York,
have several publications for fretted instru-
ments and particularly for the banjo. These
include Joe Tarto's arrangements of W. C.
Handy's famous blues, including "St. Louis
Blues" and "Beale Street Blues," as well as
Daley's system of improvising for banjo and
a study in jazz breaks for that instrument
by Frank Anderson.
Belwin, Inc., New York, are among the
publishing houses who have a very liberal
amount of material for the fretted instrument
player. The company's educational library
includes several teaching methods for the
tenor banjo, the ukulele and the guitar, as
well as collections of numbers for banjoes,
banjo duets, ukuleles, etc. A special feature
is the modern dance arrangement of many
selections for fretted instruments.
Carl Fischer, Inc., New York, issues a
comprehensive catalog of music for the man-
dolin, guitar, banjo, ukulele and practically
every type of fretted instrument, as well as
for the accordion, harmonica and ocarina, in-
cluding methods, studies and combinations.
It is a catalog that should be on file in every
dealer's store. In addition, this company,
together with Leo Feist, Inc.; Davis, Coots &
Engel and other concerns affiliated with the
Radio Music Corp., have adopted the "Mul-
ti-Part" method of publishing the popular
music of the day whereby with each piano
copy there are included arrangements for the
mandolin, tenor banjo, Hawaiian steel guitar
and other instruments.
Forster Music Publisher, Inc., Chicago,
comes to the fore with several impressive
methods for guitar, tenor banjo and plectrum
banjo. The methods are the work of Charles
McNeil, recognized authority, and each vol-
ume represents a thorough handling of the
subject; in fact, they are in general use.
The Sam Fox Publishing Co., Cleveland
and New York, also has a variety of pub-
lications for fretted instruments, including
a complete series of instruction books for
beginners for tenor and plectrum banjo,
Spanish and Hawaiian steel guitar, ukulele,
etc., which are offered at very modest list
prices. In addition, there are collections of
solos for the same instruments. Many of the
company's standard and popular publications
include arrangements for fretted instruments.
Walter Jacobs, Inc., Boston, Mass., is a
house that for many years has been noted
for its fretted instrument publications, in-
cluding methods, studies and collections for
practically all instruments in that class. Par-
ticularly interesting is the supply of music
for mandolin and guitar, orchestras and
banjo bands, as well as for small groups.
Mills Music, Inc., New York, publish sev-
eral instruction methods for the banjo as
well as a number of arrangements from the
regular catalog particularly suited for that
instrument.
Robbins Music Corp., New York, is par-
ticularly strong on instruction methods and
special arrangements for the tenor banjo.
These including manuals and methods by
such recognized authorities as Harry Reser,
Mike Pingitore, John Tait and Ralph C'o-
licchio designed for the use of both beginners
and advanced pupils. In addition there is
available in the company's catalog banjo ar-
rangement of popular, standard and novelty
numbers by Reser, Pingitore, Colicchio and
others.
G. Schirmer, Inc., New York, publish
music of the better class specially arranged
for mandolin and guitar and also for the
zither.
This list will give some general idea of
the music that is available and where and
there is no question but that other publishers
have things to offer along this line. It might
be well for the Musical Merchandise Manu-
facturers' Association or some other agency to
develop a composite catalog of fretted instru-
ment method books and general music
arrangements for the convenience of the trade.
The Factory that RICHTER Originality Built
This large, modern and perfectly
equipped plant of the RICHTER
MANUFACTURING CO., corner
of Irving Park Boulevard anj
Maplewood Ave., Chicago, is ad-
mitted to be a model of manufac-
turing efficiency.
The RICHTER ideal is Quality
first, and always based on RICH
TER originality, which has made
the RICHTER line of guitars.
ukes and other fretted instruments
a standard among dealers who
know that Quality pays, because
it is the basis on which an endur-
ing business is built..
Ask our distributors!
RICHTER MFG. CO.
Irving Park Blvd. and Maplewood Ave.
CHICAGO
34
THE
MUSIC
TRADE
REVIEW,
May,
1931

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