Music Trade Review

Issue: 1931 Vol. 90 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
EDITORIALLY
CONVENTION PLANS FOLLOW
LINE OF LEAST RESISTANCE
T
HE decision arrived at this month to hold the annual
conventions of the Music Industries Chamber of Com-
merce, the National Association of Music Merchants
and other affiliated music trade organizations in Chi-
cago during the same week that the Radio Trade Show and
the conventions of the radio trade associations will be held
in that city is regarded with favor generally.
It was realized by those in charge of the convention
arrangements that it would not be good policy to expect those
many music merchants who plan to attend the radio show
and meetings to remain in Chicago and away from their
businesses for nearly an extra week in order to meet with the
music trade bodies and that, therefore, the music convention
attendance would suffer accordingly. Those who have
considered exhibiting, too, appear to welcome a chance to
make their displays while the radio men are in the city on
the chance of thus increasing their number of outlets.
The selection of the Palmer House as convention head L
quarters for the music men is also an excellent one, for the
hostelry is centrally located, not too far from the other con-
ventions but sufficiently removed to enable the music men to
meet without interference. The problem of making conven-
tion plans on a basis likely to prove successful under existing
conditions has been a serious one and the solution offered
promises to prove thoroughly satisfactory.
ENCOURAGING SUPPORT FOR
PIANO BROADCAST PROGRAMS
A
CCORDING to the officials of the piano- manu-
facturers' and music merchants' associations the
response to the appeal for support for the piano
promotion campaign being carried on over the
radio by the National Broadcasting Co. is most encouraging.
That this is so reflects great credit on those who have in-
terested themselves in bringing the trade into line in back of
the movement, for they have had many problems to solve,
some of them, particularly financial, aggravated by existing
conditions.
Through painstaking study and careful adjustment the
assessment arrived at for each community of 25,000 population
or more within the great area covered by the broadcasting
programs is so modest that it represents only a few dollars
per dealer, a sum ridiculously small in view of the anticipated
and entirely possible results. Much ingenuity has been exer-
cised in the preparation of the lesson charts reproduced in
miniature elsewhere in this issue, and the cost of their prepara-
tion reduced so materially that the distribution of hundreds
of thousands will not prove a very heavy financial burden.
It is significant that although the broadcast programs are
confined to the piano, manufacturers and dealers in other
lines of musical instruments are thoroughly cognizant of the
importance of the movement and have arranged in various
ways to.tie-up with it, in the firm belief that they can profit
directly by the widespread interest thus aroused.
8
There is still considerable work to be done in various sec-
tions before a hundred per cent response by the trade can
be reported, and those dealers who have held back for one
reason or another from making their contributions must
realize that they are depended upon to make the great experi-
ment entirely successful. It is a great opportunity that must
not be neglected.
CREDIT INFORMATION
NOW MOST ESSENTIAL
U
NDER existing conditions the question of credits be-
comes of paramount importance, whether it has to
do with open book or instalment accounts, for it has
been found by experience that both wholesalers and
retailers, in an endeavor to build a volume of sales comparable
with the records of good years, are inclined to ignore sound
credit practices or at least to let down the bars, in an effort
to encourage more general buying.
The music trade has had some unpleasant experiences dur-
ing the past year or more and will undoubtedly have more,
a majority being due primarily to lack of accurate credit
information, carelessness in checking that information, or
mistaken leniency in the matter of extending credit, generally
through ignorance of actual conditions.
The move of the Musical Merchandise Manufacturers'
Association in establishing an interchange of credit informa-
tion and the success that has already attended that work
should therefore prove of great interest to all branches of the
industry. It is practically impossible for one concern alone
to judge the credit and financial standing of a customer, but
in comparing experiences with others in the same line facts
are brought to light that often put a very surprising com-
plexion on the situation. It has been found, for instance, that
wholesalers and retailers who have had only a few hundred
dollars in past due accounts with one or two manufacturers
will be found to be deeply in debt when the records of all
the manufacturers are combined as one item, while on the
other hand, a wholesaler or retailer, carried by one concern
because of the size of his account, may be found to have few
liabilities because most of the purchases were from that one
house.
All this shows up in the credit report and it is as important
to those whose credit standing is under inspection as it is to
those to whom they are indebted. Every failure of a whole-
saler or retailer places some financial burden on the balance
of the trade. The losses must be covered, and it is the dis-
tributors who remain in business on a sound basis who ulti-
mately pay the score.
HE'S PREPARING FOR THE
COMEBACK OF THE PIANO
A
P R O M I N E N T piano merchant of the West, who
during the past couple of years has side-tracked his
piano business to a certain degree in order to
feature radio and other products with a more rapid
turnover, has found a sufficient revival in piano interest in
THE
MUSIC
TRADE
REVIEW,
A p r i l , 1931
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
SPEAKING
his territory to make him again give earnest thought to the
line upon which his business was originally established.
This dealer had gone in strongly for sensational bargain
advertising following frequent purchases of distress merchan-
dise, but he feels that when he again devotes his major interest
to piano selling he wants to do it in a high class way. It
may be some months before he gets down to brass tacks but
it is significant that he is now, and has been for some time,
running fine advertisements of institutional and general
character in the interest of the piano, emphasizing its value
in the home, its importance in the education of the child,
and so on. In short he is building up mighty fine background
for the revival of his piano trade on a big scale. How many
other music merchants are showing such foresight?
MARKED IMPROVEMENT EVIDENT
IN PIANO TRADE GENERALLY
B
O T H in the East and the West there has been evident
a much more encouraging tone to the piano business
than has been the case for some time past and a
majority of the manufacturers report a growing num-
ber of inquiries and actual orders from dealers in various
sections. Although carload shipments are a rarity it is a fact
that many retailers who have apparently contented themselves
with trading chiefly in second-hand instruments during the
past year or so have resumed the buying of new pianos.
From the retailers, on the other hand, and this applies to
those in widely separated sections, there is evident a greater
interest in pianos on the part of the public made evident by
more frequent inquiries and actual sales. In a very sub-
stantial number of cases this public interest has stimulated
dealers to greater sales efforts with corresponding results,
and the more attention given pianos in preference to other
products which have been used to fill the sales gap recently,
the more definite will be the improvement in the situation.
This comeback of business has not arrived with a rush nor
has the demand for new instruments reached anywhere near
normal proportions but the improvement is sufficiently definite
and real to enliven the spirits of many members of the trade,
both retailers and manufacturers.
THE COPYRIGHT TANGLE
IS STILL TO BE UNRAVELED
O
NCE again the efforts of many interests, including
those in the music trade, to bring about radical
changes in the present copyright law, in order to
meet existing conditions more satisfactorily, have
come to nought, for the Vestal Bill after being changed,
amended and otherwise put into shape to represent a compro-
mise on copyright matters, if not a fully satisfactory solution,
failed of passage in the closing hours of the last Senate.
Undoubtedly many changes in the present copyright law
are necessary and desirable, for the situation as it is regarding
the mechanical reproduction of copyrighted music, for in-
stance, has changed mightily since the present law was en-
acted in 1909. Then, too, we have radio broadcasting, which
THE
MUSIC
TRADE
REVIEW,
A p r i l , 1931
has brought problems both to the copyright owner and those
who would use his works. It is unfortunate that matters
of so vital importance to many interests should have been
submerged in the stew of politics.
APPARENTLY THE PUBLIC
VALUES ITS OLD PIANOS
I
S the public so little interested in its old pianos and so
anxious to get rid of them as some of the pessimists in
the trade would have us believe? Evidently not, if the
experience of a prominent piano house in Chicago is to be
accepted as a criterion. Desiring to secure a number of used
grands to be utilized in a removal sale, the piano house carried
several good sized advertisements in classified columns of the
local newspapers offering cash for old grands and having the
name of the company signed to the advertisements to assure
good faith. Only fifteen replies were received as a result of
several days of advertising and in each case the owner de-
manded a price for his old piano that would compare with
the prices demanded for many new ones today. In short, not
an instrument was obtained. The head of the piano house
was naturally disappointed in the results while at the same
time feeling somewhat elated at the direct indication of the
piano owner's attitude.
INSTALMENT CREDITS
STAND UP SOLIDLY
A
CCORDING to records compiled by the United
States Bureau of Foreign and Domestic Commerce
the instalment credit situation during 1930 was
not affected to any serious degree by gen-
eral conditions. The Bureau shows that there was a drop of
only four-tenths of one per cent in 1930 in the ability
of the instalment purchaser to pay. In short, there were
only 2.9 per cent of bad instalment accounts last year as
compared with 2.5 per cent in 1929. During the same year
there was an increase of one-tenth of one per cent in bad
accounts on open credits.
In discussing the figures Edwin B. George, chief of the
division, said: "The report gives a new assurance of security
in credit and instalment selling as long as the selling conforms
to merchandising policy and the practice of the trade. To all
business men this spectacle of millions of consumers paying
their bills quietly and steadily through alternate years of
speculation and distress is of enormous cheer."
This 1930 record emphasizes the security of instalment
selling when conducted on the right basis, yet at the same
time Mr. George's words offer a warning to those who would
be careless in the matter of credit on instalment sales for the
purpose of building up big business volume. That type of
credit is safe so long as retailers keep it so.

Download Page 8: PDF File | Image

Download Page 9 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.