Music Trade Review

Issue: 1930 Vol. 89 N. 9

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
OWEN OF PASADENA
THINKS PIANOS
AND SELLS THEM
LIVER P. OWEN moved his Crown
Music Co. into a larger home early
this year for the simple reason that
he needed more space for his grow-
ing piano business!
"Pianos are still selling, and selling well, in
spite of all arguments to the contrary," says
Mr. Owen, "and I am not prepared to say
that the radio, the automobile, and the danc-
ing school have put the good old ivory key-
board out of the picture. We are selling pianos
with as much enthusiasm as ever, and, when
we are persistent in our sales effort, and use
the correct appeal, we always pet results.
Getting the Leads
"I assume that the first thing to discuss when
discussing modern methods of selling pianos i 1 -
the securing of the leads. No grown person
ever enters our store for any kind of a pur-
chase or service without our seeking for leads
through inquiry. No one escapes. The con-
versation is brought around to it in a diplo-
matic way. If we know the customer has chil-
dren we are apt to ask how the children are
getting along in music. We ask if the piano
needs tuning, and, finally, if she (or lie) in
her list of personal friends dors not know of
one or more contemplating the purchase of a
piano in order to start a child in on music.
"This system supplies us with a great many
leads. A large number arc also secured from
other business men. 1 am always thinking of
leads when making purchases in other stores.
The other day in a clothing store I tactfully
brought up the matter when talking with a
salesman. 'Well,' said he, '1 know of no better
prospect than myself; 1 have a little daughter
whom I wish to start in on piano lessons soon!'
I sold that man a piano the following day and
a radio set as well.
"We conduct the largest piano rental busi-
ness in Pasadena, I feel sure of that, and
every third rental results in a sale! I regard
every person seeking a rental as a prospect for
a sale, and let me remark that a very large
percentage of those coming to the store to
inquire about rentals conclude their visit by
buying rather than renting. We have scores
of pianos rented at all times, and, while the
rental business will stand on its own feet, nev-
ertheless, I must say that our chief interest
in it is that it furnishes us with an immense
number of prospects for sales. We have pianos
to rent at reasonable rentals, and yet, if when
the prospective renter comes to the store, we
conclude that buying is a better proposition
for that person, w r e present the facts to him,
or her, and, in a great many cases, the person
sees the light.
Other Leads From Rental Customers
"The rental plan brings a great many people
to the office window once each month to pay
rentals. We never fail to lead the conversa-
tion around and ask for leads. Ninety-nine
times out of a hundred a prospective buyer is
suggested! Seldom does anyone pay a month's
rent on a. piano without suggesting to us a
prospective buyer.
"I wish'also to add to the above the thought
that the rentals are serving to keep people
'piano minded' in Pasadena,!
O
"So much for the securing of leads, now for
the methods of selling.
Appeal Through the Children Still Effective
"The appeal that indicates interest in chil-
dren still works! It is today as formerly the
strongest appeal that can be made to the par-
ent. The real conscientious piano salesman
Oliver P. Owen
must show the parent that the child will bene-
fit from the purchase of a piano. Bear that
in mind.
"Our leads are followed up religiously. I
try my best to go to all homes suggested my-
self. I never try to enter a home in a brusque
manner, for that shows too keen a, desire to
sell and not sufficient desire to render service
for service's sake. Of course in the matter
of the approach circumstances must always gov-
ern methods, but ordinarily I begin the con-
versation with the statement that I have heard
that the little daughter is interested in music,
and the mother is led into conversation before
the fact that I am a piano salesman is made
known. I must say that diplomacy must be
used right here. It is in most cases a mistake
to blurt out immediately that you are a sales-
man, and, on the other hand, a noticeable effort
to conceal that information for any length of
time is also apt to be fatal. Common sense
must dictate the proper balance here.
A Telling Argument
"A long time ago, I read that most suc-
cessful professional men have musical tenden-
cies, nearly everyone of them being able to
play some instrument. I have made a study
of that situation in Pasadena, and I have found
that practically every successful professional
man entering my store is musical and can play
an instrument of some kind. I have the fig-
ures on this, and they ma,ke a telling argu-
ment. I also have at my fingers' end state-
ments of educators that pupils who are tak-
ing or have taken some musical instruction
are more amenable to discipline, more com-
panionable, more alert mentally than those who
have taken no music. I stress without over-
doing it the value of musical instruction in
the building of human character as well as the
social value of it.
Concerning the Radio
"I do not wish to be understood as knock-
ing radio sales, for our store is decidedly in
the radio business, but I must emphasize the
fact that it is part of my business to urge the
buying of pianos first and radios second. Of
course I meet on every hand this argument,
'Our next purchase will be a radio, not a piano.
We wish something that everyone in the house
can enjoy!' What am I to say in such a case?
1 must resort to the age-old argument that
the latent talents of the daughter must not
be neglected. 'A piano,' I tell the customer,
'will bring out your child's talent. It is ed-
ucational. If you get a radio first, ten chances
to one your daughter's own musical talent will
never find expression. Do not deny your fam-
ily the pleasures and educational advantages of
radio, but let the piano and your daughter's
musical education come first. Do you not
realize that if every family in the land should
buy a radio and never buy a piano twenty years
from now there would be no musicians to
furnish music for radio broadcast?' The ap-
peal is always for the education and the de-
velopment of the child. Always! It was in the
old day when pianos were easy to sell, and it
must be today.
"The fond father and mother interested in
Margaret's musical education are not relics of
the past. They still exist in numbers just as
great as ever. It is folly to think parents have
lost interest in such matters. From the stand-
point of the piano salesman, however, here is
one big difference. There was a time when
the piano salesman could do all the directing
of the customer's mind. He could in the old
days show the way and all the way, tell the
customer how to finance the proposition, and
assume the initiative nearly one hundred per
cent. In the new day with the present re-
sistance and with the present competition the
salesman must let his mind run along with the
customer's mind to a greater extent. He needs
more diplomacy, more tact, more personal con-
sideration. He must advance his front line
trenches with a, little more caution.
"The great law of averages has never been
taken from the statute books of salesmanship,
however, and the fact remains that the sales-
man who makes a large number of contacts
today, as in the old day, must sell a large
number of pianos. He has to in the very na-
ture of things if he is a salesman at all and
meets modern conditions as they fa,ce him.
Using the Music Teacher
"Of course in securing leads we use the
teacher of piano. We have a number who
are loyal to us. I know that these must be
picked cautiously for many of them are not
loyal to any one dealer. In securing their
co-operation I lay down the law very firmly at
the beginning. I tell them that we cannot put
in our time in following up leads unless we are
being furnished with those leads exclusively.
Starting correctly in such a matter is half of
the success of it.
(Please turn to page 21)
. '
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
Some of the
rospects
Are Old Customers
A
S we all know, the
player piano sales have
dropped off, and we
are back in the period
of selling uprights and grands
to customers who are giving
their children music lessons,
which is the most sound basis
for piano business to be built
on, as fads and fancies do not
effect piano playing in any way.
We have taken a list of all
pianos sold by the firm in the
last twenty years, using this
list as our most important
prospect list, and giving each one of our out-
side salesmen ten names to call on each day,
plus their regular day of canvass from hou.se
to house with the following canvass: (Mrs.
Doe, "I am from the Service Department of
the John Doe Piano Co., and I wonder if we
can service your piano in the way of tuning or
regulating"). This immediately obtains for the
salesman the information as to whether they
own a piano or not. Our salesmen are in-
structed to get the name, the initials, and the
address, of all people who own pianos, plus the
name and the age of the piano; also whether
or not there are any children in the family.
They are instructed not to try to sell pianos
on this canvass. The most important thing
of this whole canvass is that these salesmen
have never sold pianos before in their lives.
One is a washing machine man, one a stock
and bond man, and the other a Fuller brush
man. All are used to canvassing, and we are
building up a very nice prospect list with this
mode of canvass. As you know, the majority
of successful piano salesmen in piano houses
get 75 per cent of their business from old
customers and an intelligent canvass.
By SIDNEY A. REARDIN
hand dealer, it would eventually
be fixed up by some tuner, and
would keep some ipiano dealer
from selling a new piano and
making a satisfied customer.
My experience has taught me
that 75 per cent of the custom-
ers who come in to see $35.00
to $75.00 used pianos and $395.00
new grand pianos, don't want
that type of instrument. They
really have in mind investing
from $600 to $800, as the buying
public know they can't get a
good grand piano for much less
than this amouit of money. The upright cus-
tomers, although they have been told by the
dealer that they can get pianos for $50.00 to
$75.00, good a,s new, really don't believe it.
I don't feel that the piano business is any
worse off than is the selling of many other
commodities. I do feel that an experienced
piano salesman with his present mental attitude
is licked before he starts. I think that if a
piano salesman, each time he approaches a. pros-
pect's house, and just before he rings the door
bell, would pretend that there are four other sales-
men at his elbow, the electric refrigerator man,
the vacuum cleaner man, the automobile man
and the radio man, each one after this cus-
tomer's $50.00, which is to go to one of these
five commodities as initial payment, he would
figure that it is just going to be a question of
who is the best salesman with the best canvass
or sales talk, and would get more piano busi-
ness than he does.
Consequently, I am hiring men who have
never sold pianos before and don't know that
pianos can't be sold. Upon investigating you
will find that the automobile man, as well as the
ice box "and vacuum cleaner dealers, etc., are
going out and getting men who have no previ-
ous experience in their lines.
Of course, these meihods will not apply to
dealers or salesmen who can't exist only on
wars and stock market booms. We must have
dealers and salesmen who can function in nor-
mal times, and both dealer and salesmen must
make plans for the future as well as the present
sales, which takes patience and patience and
patience, on the part of both the dealer and the
salesman, and incidentally the manufacturer.
Buyer and manager of the Piano Department
of Strawbridge & Clothier, Philadelphia, tells
how former patrons can be turned into new
customers—Some timely views on proper can-
vassing and the men to do it.
My experience has been very much diversi-
fied, namely, in locations, types of dealers and
types of merchandise handled. I have yet to
find an experienced piano salesman who will
consistently follow the above canvass. Not only
are we using this method but we have a list
of the convents in Philadelphia, and we are
making the same survey of the schools and
churches.
We will broadcast fifteen minutes a day over
our station starting next week, with an exclu-
sive piano number of light semi-classical pieces.
In conjunction with this, we are starting a
group class instruction, a combination of differ-
ent methods and charging fifty cents a lesson
for the pupils.
All of our canvassing is done in neighbor-
hoods who own homes of from $7,000 to $15,-
000, which I have found by experience to be
the best type of neighborhood, and the best
group of people to sell new studio model up-
rights and $600 to $800 grands.
The second-hand trade-in question is taken
care of by first selling the customer our piano
and our firm. The trade-in allowance is han-
dled as a secondary consideration. Unless a
piano sale is handled in this manner and you
allow the customer to sell you their old piano
regardless of what the new piano is you are
selling, then you will always have difficulty in
taking old pianos in trade at a price that you
can afford to junk 90 per cent of, as it is our
policy to allow only $25.00 to $50.00 for old
pianos. The majority of these instruments are
from 15 to 40 years old, and are absolutely not
musical instruments any more. After we get
a piano, on which we have allowed $30.00, and
spend two days' time on it, for which, if work-
ing outside, our tuner would get $12.00 a day,
and add this $24.00 or $25.00 to the allowance
of $30.00, it makes us have invested $55.00 in
this particular instrument. If we can't sell
this piano for $100 to $125 readily, rather than
invest any more money than the original $30.00,
we break this piano up so that it won't be used
as a musical instrument, in place of selling it
to some second-hand dealer for $5.00 or $10.(X).
We appreciate that if we sold it to a second-

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