Music Trade Review

Issue: 1930 Vol. 89 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
vertising d(aughs
Bring Sales Smiles
for
An Interview With
FLINT WILSON
of Philip Werlein, Ltd., New Orleans, La.
By JULIA WATTS
WERLEIN ROUND OP
QF61D RADIOS PIANO*.
PMQNOCRAPH6
mlMsmim*rs-
arrriw* Bi&OER E V E R Y D A \
. tjn ,..
T*AO€ IN VOU* OLD RADIO on INSTRUMENT Af(/W
«T * 616 EXTRA, ALLOWANCE -
/ p A R O - I NEVER
ANYTHING LIKe IT SINCE
"THE BIO YUKON HUSH
LOOKS LIKE
is WHAT THEY A U ,
B6EA* LOOKIM POP?
T
O the question, "Does humor in ad-
vertising pay?" Flint Wilson, adver-
tising manager of Philip Werlein, Ltd.,
a firm which, as its slogan affirms,
"has been selling New Orleans everything
musical since 1842," stands ready to answer,
"Yes, in a great big way!"—thereby adding
his voice to an affirmative chorus of hundreds
of advertising men who have obtained en-
thusiastic consumer-response by the cartoon
route.
A striking demonstration of the pulling
power of humor in advertising was staged by
Werlein's during January and a part of Feb-
ruary when the music house conducted its
"round-up" of old radios, pianos, phonographs
and instruments, advertising that an extra
allowance would be given on such articles
traded in for a new radio or instrument. Be-
ginning on January 4, and lasting six weeks,
the campaign began to show results soon
after insertion of the first advertisement.
From that time on fine results continued with
a steady increase in sales right up to the
closing day.
When results were tabulated, it was found
that January sales had come very close to
December sales, Werlein's probably being
one of the few stores in New Orleans to hang
up such a post-holiday record. Radios, es-
pecially, moved with astounding rapidity,
with pianos making a good second.
IVVhat was responsible for the phenomen-
al success of this trade-in sale? The
way it was advertised, of course.
As to those advertisements: "Their
success was based on humor," said Mr.
Wilson. "The round-up idea isn't origi-
nal. I've used it before myself on
several occasions. But so far as 1
know, the use of cartoons in this
connection is new. And results seem to prove
that once again a touch of humor has succeeded
in gaining and holding the attention of the
consumer."
I h e persistency and consistency of the cam-
paign also helped make it a success, in his
opinion, Mr. Wilson declared. No Sunday ad-
vertisements were used, but insertions were
made twice a week in two of the city's daily
papers. These insertions consisted of six-col-
umn and quarter-page ads and also of small two-
column ads scattered throughout the paper. The
humorous cowboy and policeman drawings are
Mr. Wilson's work.
To keep interest going, real cowboys were
imported during the latter days of the campaign
to entertain with roping stunts in the Canal
street show window of the firm. The pictur-
esque costumes of the performers against a des-
ert setting used in the window—were most ef-
fective and received commendation from many
customers, according to the salesmen.
The single cartoon which had the most "it"
or in other words, pulling power, judging from
the response it brought, was the stagecoach ad,
depicting a' typical western holdup melodrama
from the Werlein sale angle. Also, many cus-
tomers expressed their satisfaction with the
speechmaking cowboy who declared, "Folks,
I've got a few words to say—," and with the in-
terested-looking little eowpony which accompa-
nied him.
As several of the firm's correspondents poirt-
cd out in congratulatory letters to Philip Wer-
lein, head of the company, the advertisement-;
owed their effectiveness to the fact that several
elements in them are elements known to appeal
to large numbers of people. The popularity of
the Old West is something that is being dem-
onstrated every day by the Wild West maga-
(Plcase turn to page 19)
DEAD OR DYING
OLD AHO USED- FOROOTTEA/ on
DtSCARDED
FOLKS!
PIAK1OS -
RADIOS
P M O M O G R A P H S A H O INSTRUMENTS
iVe GOTA
A FEW WOR0
TO S A Y -
EXTRA ALLOWANCE
IF CAPTURED A#O TRADED
A/O
W
WERC6IN ROUNDUP
iNMYdayslbeenaridin'fool. A tegular tip-roarin', dust ealin' mustang
1 master, a punchin' mngy Hem from the Cheyenne Pass to the Platte Rivet
Divide.
HURRY!
HURRY! HURRY! HURRY! HURRY
C*t Rid or Your Old Radio or W r u m . n t Now Whih You Can Get the Mo.1 lor It
DON'T WAIT!
DONT
WAIT!
DON'T WAIT!
DON'T WAIT!
DON'T
WERLEIN ROUND-UP
WAIT
"I been a saddk livin' man willi a appetite for fast ropin". Acomin' and a
join' to every cow frolic and round-up that waa.any nze bigger than a doodls
hill, but I wun'l tecin' r x * W till I got m y * * in thk B I G W E R L E I N
ROUND-UP of OLD PIANOS. RADIOS, PHONOGRAPHS and
B A N D I N S T R U M E N T S and here I been atawin' my rope in the biggest
thing I seen since the Montana gunpede of 'AQ.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
d
Piano »« Child
Linked ««• Radio
over
by
A. B. Clinton Go.
Sterling V. Couch
A RE the radio listeners sufficiently interested
in the broadcasting by children at regular
intervals to make such a feature a desirable and
profitable one? Can the sponsoring of broad-
cast programs by youthful musicians be capital-
ized by music merchants to the development of
a greater interest in the training of children in
musical instrument playing and the increased
sales of instruments resulting therefrom?
According to the experience of the A. B. Clin-
ton Co., the prominent music merchant of New
Haven, Conn., extending over a period of two
years, broadcasting can be used to excellent ad-
vantage in that very important promotion move-
ment for the training of youth in music and its
creation.
The results of broadcasting can be tested in
two ways, first indirectly by an increased de-
mand for the products advertised through radio
programs, and secondly by the direct contacts
with radio .listeners that are developed as a re-
sult of the program. Judged by both standards
the Clinton Co. work is successful, for business
has improved particularly in the sale of instru-
ments for the use of youngsters, and it is no
unusual thing to receive numerous telephone
messages both during and after the programs
indicative of more than usual interest. For
instance, not long ago the studio telephone
brought in a wee voice inquiring "Was that little
yirl who just played really only six years old?
liecause, if she is, Mother says I can take music
lessons. I'm six, too." And again, "Please,
could that little girl play again? I take music
lesso-ns and have that piece, too." or, "Please,
may I come up to the studio next Saturday
to see the children broadcast?" These are the
sort of messages that indicate more than pass-
ing interest.
The hour is sponsored by the A. B. Clinton
Co. for the purpose of giving very young music
students an opportunity to appear on the air,
and was mapped out in co-operation with Sterl-
ing V. Couch, musical director of broadcasting
station WDRC, of New Haven, by Ormus E.
Kellogg, of the Clinton Co.
When Mr. Couch assumed the musical direc-
torship of WDRC, he was impressed with the
effect on adult musicians of the city of New
Haven when appearing before the microphone,
there being, invariably, an apparent stimulation
to greater effort in music study.
Mr.
Couch came to the conclusion that if it were
possible to broadcast very'young students, it
would work in exactly the same manner and
that the broadcasting of a children's hour with,
budding musicians as the artists would have a
beneficial effect upon the interest in all classes
of music instruction among the young children
of the community. It was decided to invite one
of the prominent teachers to bring a group of
her pupils to the broadcasting studio and put
them on for a short program.
The plan worked admirably. More than oiu:
thousand children have played or sung before
the microphone at WDRC in a little over a
year and these pupils represent many of the
leading teachers of the city. Once a month a
diversified program is presented at which vari-
ous musical instruments are used, and also, at
which there are vocal numbers, but, on the other
Saturday mornings during the month, the pro-
grams are devoted exclusively to the piano. In
presenting these Saturday morning broadcasts,
Mr. Couch has had the co-operation of the Con-
necticut Child Welfare Association and one of
the features of the programs is a short talk
given by Miss Elsie Roberts, representing the
Welfare Association. In addition to holding the
important position of musical director of the
broadcasting station, Mr. Couch is a stockholder
in the A. B. Clinton Co.
The programs are set up in a most interesting
retail music merchant. It is obvious that it is
a plan which can be put in operation by any
retail merchant in any city where there is a
broadcasting station and it will, undoubtedly, be
especially easy to cany out a plan of this kind
in cities where there are comparatively small
broadcasting stations although it is quite prob-
able that many of the larger stations would be
very receptive to the idea of a Saturday morn-
ing program such as is being sent out by
WDRC. Everyone who is conversant with
broadcasting knows that the time on Saturday
mornings is not in very great demand for broad-
casting under commercial sponsorship. It is
quite possible that in some cases it would be
interesting to a broadcasting station to put on
programs of this kind as a sustaining feature
of the station. In other cases, the time might
be obtained by a local merchant at very nomi-
nal expense. Broadcasting has been used in
various ways by music merchants. The Hous-
ton, Texas, Piano Club recently put on a- very
A. B. Clinton Co.'s Youthful Broadcasters
1—At the piano. Julia Greco, six-year old student; sitting on instrument, Irene Boyles, seven, who will broadcast
shortly.
2—Group of young broadcasters to whom Clinton Co. gave class lessons about two years ago and who
have continued study.
3—Russell Butler, four, official A.B.C. Boy of Clinton Children's Hour.
manner. The first part of the hour is devoted,
usually, to beginners, that is, children from six
to ten years of age. Following this, there is
a short talk or a "true story" by Miss Roberts
and the latter part of the program is given over
to the more advanced students.
Two grand pianos have been donated for the
broadcasts, a Wurlitzer and a Krakauer, both
of these instruments being represented in New
Haven by the Clinton Company.
As far as records are available, apparently,
this is the first time that a promotional activity
of just this sort has been undertaken by any
effective series of talks over the local station
on two subjects, "The Richest Child Is Poor
Without Musical Training" and "The Piano Is
the Basic Instrument." This was handled in a
co-operative manner by the merchants joining
in covering the expense. Whether the broad-
casts of children's hours should be conducted
as a co-operative activity or whether it is some-
thing which one merchant in a locality can util-
ize to better advantage is something which the
merchants might take under consideration.
Delbert L. Loomis, executive secretary of the
{Please turn to page 19)

Download Page 8: PDF File | Image

Download Page 9 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.