Music Trade Review

Issue: 1930 Vol. 89 N. 12

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
DECEMBER, 193()
Brambach Fall Campaign
Now in Use by Dealers
The Kohler-Brambach l'iano Co. recently
sent out to dealers the details of the Brambach
fall advertising campaign, which each year has
served to stimulate the sales of Brambach
grands just prior to the holidays. The new
portfolio, as usual, offers a large amount of
excellent advertising material for the use of
Brambach dealers in bringing prospects to the
buying point, and it is expected that, based on
results from other years, well over a hundred
retail stores will feature the campaign.
The outstanding feature of the campaign is
a series of seven impressive advertisements all
ready for use by the dealer in his local paper,
between November first and Christmas. Vari-
ous models of Brambach pianos are featured
in the advertisement, including the new parlor
grand recently added to the company's lines.
In addition to the advertisement there are
available for dealers' use special Brambach
booklets and catalogs, as well as the very
popular paper patterns which enable the dealer
to prove to the customer just how well a Bram-
bach small grand will fit into the home.
In the introduction to the campaign Mark
P. Campbell, president of the company, says,
in part:
"I suppose, for a thousand years, the in-
genious minds have endeavored to find ways
to lift themselves by their bootstraps.
The
fact that they have never succeeded has not
deterred the other agile minds from continu-
ing to speculate on this.
"Pick up your daily newspapers, or investi-
gate the pack of tricks used by some appar-
ently successful salesmen. An analysis of the
methods used will indicate that they are trying
to lift the sales volume by their bootstraps.
A little plain thinking shows you that the real
business that comes to your house is not the
result of specially constructed devices, but
comes from people who want to buy a piano
and are willing to pay for it.
"There is no better way to sell a piano than
to ask a number of people, point blank, 'Can
I sell you a piano?' And, if you ask enough
people, you will sell the piano you desire.
"It is this basic principle that we have en-
deavored to employ in the fall advertising in
ilie Brambach Piano Co. this year."
ucators of our country and by philanthropic
foundations interested in musical culture. The
well-known skepticism and the high purpose of
the experienced men having charge of educa-
tion and endowments in our country have been
won over by the splendid work heretofore ac-,
complished by the Bureau. If this were not a
fact and if these men did not recognize the
educational value of what has been ac-
complished and what it is still necessary to ac-
complish, they would not lend themselves, nor
their time nor their money, to furthering these
objects.
New Board of Control for
Advancement of Music Mason & Risch Mark
(Continued from page 5)
Fifty-third Anniversary
ments sponsoring and supporting the National
Bureau's work.
To this end the Board of Control passed a
resolution authorizing and instructing the
Chairman to create an Executive Committee of
three members, one from each of the three
groups composing the Board, to exercise at all
times constant supervision over the carrying
out of the administrative detail of the National
Bureau's work programs. This Executive Com-
mittee will consist of: Hermann Irion, Chair-
man, representing Music Industries; Dr. Hollis
Dann, representing Music Educators; Dr. John
Erskine, representing Philanthropic Organiza-
tions.
It is, of course, too early to predict the re-
sults that will be achieved by this reorganiza-
tion of the National Bureau or to foreshadow
the future outcome of the work. Nevertheless
from all sides has come recognition of the fact
that a splendid step has been taken.
An outstanding fact of the deepest signifi-
cance, and one which cannot be over-empha-
sized, is that the endeavors of our industry to
stimulate its business and engender its growth
is voluntary and strongly supported by the ed-
TORONTO, ONT.—There was recently celebrated
in this city the fifty-third anniversary of the
establishment of the business of Mason &
Risch, pioneer manufacturers of pianos in a
big way in the Dominion. The celebration was
made the occasion for a six-page supplement
in the Mail and Empire, Toronto, giving the
history of the house and its personnel, general
interesting items about music and carrying ad-
vertisements of well-known manufacturers. The
supplement was developed by Sanagan-Pepler,
Ltd., advertising agents of Toronto.
Massey Music Co. Quits
CHARLESTON, W. VA.—The Massey Music Co.
stockholders at a meeting here voted to dis-
continue business and to surrender their char-
ter to the State. It was also announced that
all the debts of the corporation have been as-
sumed by the Galperin Music Company of
Charleston and that there are no assets re-
maining to be distributed. S. H. Galperin is
president of the Massey Music Co.
New Style
No. 150
In this new number we
have endeavored to give the
trade something entirely dif-
ferent in the way of design.
This beautiful little piano is just four feet high—full bronzed plate—full 7 1/3 octave—
full copper bass. The pilasters and trusses—also the top and bottom frames have inset panels
—a variation from what you are acquainted with and very effective.
We are making a limited number to try them out. Are they attractive? We say em-
phatically YES! If attractive to you they will also appeal to your customers.
Two or three will not make or break either of us, so if you like this, order samples while
they are to be had—we believe you will want more.
A large photograph will be sent serious inquirers (we have no catalog of this).
£
JESSE FRENCH & SONS PIANO COMPANY
Newcastle, Indiana, U. S. A,
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
14
DECEMBER, 1930
to crack. In order to overcome this difficulty,
British manufacturers have adopted a system
of French polishing in addition to varnishing
which is reported to be vastly superior to the
varnish finish used largely by American manu-
facturers.
"Official production of pianos in Great
There have been many differences of opinion
Britain for the year 1929 was 85,556, compared regarding the tone of English, Continental and
with 87,577 for 1928 and 91,663 for 1927. Month- American-made pianos. However, this is a de-
ly figures for 1930 indicate that in January, batable point, and it would be unfair to state
5,909 pianos were manufactured compared with that the greater resonance of American-made
8,201 during the same period in 1929 and 5,670 pianos was a disadvantage to their sale. A
were produced in February, 1930, against 6,257 curious criticism of pianos made in the United
in February, 1929. These figures show a pro- States which comes from British distributors is
gressive decline. However, it is anticipated that they are too massive and strong. It
that the British production figures will show appears that the customer preference in Eng-
an increase in the next few months.
land is for a lighter build, and the demand is
"The piano trade is suffering not only from unquestionably for the smaller type of piano.
general trade depression, but also from very It is felt that American manufacturers would
active radio and phonograph competition. It do well to consider the development of the
is now conceded that the sound films and out- personal element in effecting distribution, and
door sports affect the demand for pianos ad- that the proper channel through which to work
versely. It is said that British manufacturers would be the trade. Further, that it would take
have introduced modern methods of piano a considerable expenditure on advertising
manufacturing since the imposition of the tariff, propaganda work to establish American pianos
resulting in increased productive capacity and more firmly on the British market before
lower retail prices. It is now estimated that manufacturers could hope to secure a wider
there is overproduction in the British piano distribution. American-made pianos now sold
industry, but this is not considered to be seri- on the British market are chiefly automatic
ous."
players. Several British manufacturers are en-
deavoring to incorporate this feature in their
American Participation in British Market
American piano manufacturers have been un- products.
able to compete effectively in the British mar-
Piano manufacturers in the United Kingdom
ket since the imposition of the 33 1-3 per cent enjoy a good market for pianos both home and
tariff. The principal obstacle is the tariff on abroad, exports to British colonies and domin-
imported makes, in addition to the heavy trans- ions in 1928 amounting to 2,838 instruments as
portation charges which they have to bear. Those compared to 6,238 in 1925, while exports to
in the trade state that even if the present duty other foreign countries in 1928 totaled 3,177
of 33 1-3 per cent were removed, the American- instruments in 1928 as compared to 6,594 in
made pianos would have great difficulty in 1925. The total value of exports in 1928
being sold. The chief reason is to be found amounted to 137,368 pounds, with an indication
in the smallness of the rooms in the average of a slight increase in 1929, for which year
British home built since the war. Another statistics are not yet available.
important factor is the British climate, which
Tn 1928 there were imported 2,426 pianos
makes necessary a varnish that has no tendency
(Continued on page 16)
Survey of British Piano Industry
Offers Some Interesting Comparisons
A PARTICULARLY interesting survey of
"^^ the British piano trade was recently issued
by the Department of Commerce in Washing-
ton, representing a report by Trade Commis-
sioner H. A. Burch in London, and American
manufacturers will no doubt get considerable
inspiration from comparing the status of the
trade in the United States with that of the
other great English-speaking nations. In his
report Mr. Burch says:
"The United Kingdom offered foreign manu-
facturers of pianos a good market prior to
the World War. In 1913 approximately 24,000
pianos, including player-pianos, were imported,
Germany supplying by far the greatest num-
ber, about 22,000. The production of British
pianos for the same year has been estimated
at approximately 110,000.
"At present the majority of the British
pianos produced are bought by persons with
relatively low incomes, who have not yet at-
tained the desire or the means for the owner-
ship of a motor car. It is understood that
the extreme depression existing in the mining,
cotton, woolen and shipbuilding industries has
seriously affected the sale of British pianos.
Furthermore, the reimposition on July 1, 1925,
of the McKenna Duties made it more difficult
for foreign pianos to compete in the United
Kingdom with those of domestic manufacture.
It is not surprising, therefore, that imports of
pianos have declined steadily each year.
Production of Pianos
"Piano production in the United Kingdom
has fallen just over 6 per cent during the last
two years. However, the industry is said to
be in a far better competitive position than
in most of the other piano manufacturing coun-
tries.
The
Winter Pianette
66 Notes
WITH A SCIENTIFICALLY
CENTERED SCALE
Playing range compared to
ordinary piano keyboard
scientifically centered scale of the
Winter Pianette permits a greater range
for playing. It is so centered that any
classical music may be played. All the
necessary notes are found in this scale.
' I 'HE construction of the Pianette is the
same as a full scale piano. The action
rests on ball bolts, fastened to bracket bolts.
A small piano with an exceptional volume
of tone.
The Winter Pianette
863 East 141st Street
NEW YORK, N. Y.

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