Music Trade Review

Issue: 1930 Vol. 89 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
NOVEMBER, 1930
Manila Conservatory
Uses Kimballs Exclusively
Much has been written about the Philippine
Ulands with a special emphasis on the indus-
trial progress made there since the American
The Music Trade Review
piano, because the climate of Manila is hot and
very damp and is especially trying on musical
instruments of all kinds.
From the good record that these Kimball
pianos in the Manila Conservatory of Music
have made, the W. W. Kimball Co. has been
able to trace a large number of sales in various
Pacific islands as well as in China and Japan.
27
Horace E. French, Jr., Uses
Airplane in Sales Work
The accompanying picture of an aviator and
aeroplane will interest many piano dealers be-
cause the central figure of the group, i.e., the
young man in flying costume with goggles, is
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Horace E. French, Jr., son of H. E. French,
president of the Jesse French & Sons Piano
Co. Mr. French, Jr., is an aviation enthusiast
and for some time past has been flying this
Jesse French plane throughout the Midwest.
In the near future he intends to use the plane
Kimball Pianos
for advertising sales work and has already taken
the necessary steps to obtain a commercial
in Use
pilot's license.
in Manila
The picture shows his arrival at the flying
field
in Montgomery, Ala., where he was greet-
Conservatory
ed by R. K. Woodruff, on the right. Mr.
of Music
French, Jr., is manager of the Montgomery
store and is now getting personally acquainted
with the retail sales activities of the Southern
branches of the house, so long and successfully
run by his father and grandfather.
The radio manufactured by the Jesse French
&• Sons Piano Co., at their Newcastle, Ind., fac-
tory, is becoming nationally known and the
occupation. Few, however, realize that the
sales are correspondingly increased. President H.
cultural and educational atmosphere is very well
Edgar French noted in a talk recently with
developed, especially in regard to instruction in
a representative of The Review that piano sales
music and musical instrumentation.
James H. Puntenney, formerly owner of the at present are not keeping up with the rapid
The largest institution of music in the Islands music store at Spring and High streets, Colum- progress of their radio division. He attributed
is the Conservatory of Music at the capital, bus, O., died at his home in that city on this to lack of perception of sales opportunities
Manila, and from this institution has been October 8. He was eighty-two years old and by piano dealers, many of whom, as he said,
graduated several thousand pupils, many of is survived by two daughters and a son.
seem to think they can inspire their local trade
whom are now teachers in other islands of the
to buy new pianos by exhibiting only a meager
group.
The ISirkel Music Co., Los Angeles, Cal., stock, often of second-hand instruments. If
It is a point of pride with the W. W. Kim- through its vice-president, Ed. Gessler, has pur- they would clean out their old stocks of sec-
ball Co. that the Manila Conservatory of Music chased the property at the southwest corner ond-hand instruments and carry enough new
uses Kimball pianos only, and at the present of Hollywood Boulevard and Fairfax avenue, pianos to excite the respect of prospects and
time has fifteen Kimball pianos in daily and upon which the company will erect a store inspire a desire for possession they would be
constant use, some of them for over twelve building.
surprised by the sales response.
years. Aside from tuning, none of these have
needed any repairs, which is an effective tribute
to the quality and durability of the Kimball
Death of J. H. Puntenney
FOR SALE
On account of (lie death of Mr. M. A. Malone,
proprietor of Malone's Music House at Columbia,
S. C, the executors of his estate offer for sale
in bulk tlie stock in trade of Malone's Music
House, which consists of pianos, piano players,
organs, etc., and also .-ill evidences of indebted-
ness, owing to said business, consisting of notes,
hills of sale, or otherwise, together with the
Kood will of said business and the right to
continue and advertise the business as "Successor
to Malone's Music House." This business has
been successfully conducted for fifty years, and
is located in a growing, progressive city.
Terms of Sale: Cash preferred but will sell
for one-half cash with the balance secured by
gilt edge security, payable on or before October
1, 1931.
Any one interested in this good proposition
will please communicate with the undersigned
promptly.
Julia Oglesby,
The National Loan & Exchange Hank
of Columbia, Executors,
Columbia, S. C.
October 7, 1930.
Columbia, South Carolina.

IHPI1HI
M
Horace E.
French,
mm IB at nf
•ii !«a! qtsa »
HIS 1
(left)
Arriving in
Montgomery,
Ala.
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THE REVIEW'S UNIVERSAL "WANT" DIRECTORY
NY member of the music trade may
forward to this office a "position
^wanted" advertisement intended
for this Department, to occupy four
lines agate measure, and it will be in-
serted free. Replies will also be for-
warded without cost. Additional space
charged at the rate of 25c per line. If
bold-faced type is desired, the cost for
same will be 25c a line, 7 words to a line.
"Help Wanted" advertisements will be
charged for at the rate of 25c per line.
Cash must accompany order.
Business Opportunities and For Sale
advertisements inserted as display space
only at $7.00 per single column inch.
All advertisements intended for this
department must be in hand on the Sat-
urday preceding date of issue.
A
POSITION WANTED — Tuner-technician,
thoroughly experienced, best references, sales
ability, wants to get in touch with dealer in
good town, who would co-operate in establish-
ing independent tuning business, and having
his own service work done. Prefer Pacific coast
or Middle West, but will go anywhere. Address
Box 3407, Music Trade Review, 420 Lexington
Avenue, New York.
WANTED—Experienced sales agent by im-
portant Czechoslovakian stringed instrument
factory (specialty violins). Thorough business
experience, good connections to warehouses,
dealers' importers in this line essential. Address
full details, Box 3403, Music Trade Review, 420
Lexington Avenue. New York City.
EXPERIENCED TUNER AND REPAIRER—desires
connection with reliable music house. Strictly sober and
reliable. Married. Also willing to work on very nominal
.salary. Address Box 3408, Music Trade Review, 420
Lexington Avenue, New York.
POSITION WANTED—Piano tuner, all around me-
chanic. Will go any place. South preferred. Address
Box 24, Music Trade Review, 333 N. Michigan Avenue,
Chicago, 111.
POSITION WANTED—As store manager or wholesale
salesman. Over 20 years' experience in piano and radio
business. References furnished on request. Address Box
3406, Music Trade Review, 420 l.vxitiRton Avenue, New
York.
POSITION WANTED-By young, experienced tuner
and repairman, member of the National Association of
Tuners. Best references. Address Box 3405, Music Trade
Review, 420 Lexington Avenue, New York.
POSITION WANTED—Tuner and player-man desires
permanent position with first class concern. Is reliable in
workmanship and character. Best references. Box 3404,
Music Trade Review, 420 Lexington Avenue, New York
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
WmBtaid White
Technical Editor
Comments on the Tuners' Convention
and the Future of the Profession
T F the recent convention of the tuners at
Toledo showed anything at all, it showed
that the fight is to the fighter. No one, of
course, could have expected this year, in the
circumstances, the great crowds that filled the
hotels at Chicago and New York in 1926 and
1927; but it would have been by no means
foolish, on the other hand, to have expected
that 1930 would witness a condition of affairs
like unto that which so unhappily characterized
the meeting of the M. I. C. C. at New York
this summer. In actual and happy fact, the
Tuners' Association is living on; and one may
properly ask, after tendering due congratula-
tions to the men whose devotion and courage
have thus been vindicated, what its members
are likely to accomplish during the next year
or so.
The Way of the Counselor
More than once I have been very sharply
citicized for venturing to utter warnings and
to tender advice in this field; but the way of
the counselor is proverbially as hard as that
of the transgressor, unless indeed it turns out
that his counsel comes to be both adopted and
successful. Usually he who ventures to warn
or to advise has to be satisfied with seeing his
warnings ignored and his advice spurned. Since,
however, I have been in the position of un-
official and altogether not suppressible adviser
to this interesting body, of which the fortunes
have always been so much a matter of interest
to me, its sire, I shall venture again a few-
words, promising to avoid, with such dexterity
as I possess, whatever missiles may be hurled
at me by indignant gentlemen in the way of
reprisal.
Any body of men who meet to consider grave
questions affecting their professional prospects
and even their immediate status as earners of
money are, necessarily, .as it were, caught
between two fires. On the one hand they havt
to think of the immediate and pressing need,
which is, of course, how to get more business
now, without delay. The- temptation is, there-
fore, great to sacrifice everything else to th<_
snlution of this ( >ne problem. So we hear oi
Badger Brand Plates
are far more than
merely good plates.
They are built cor-
rectly of the best
material and finish.
and are specified by builders of quality
pianos.
American Piano Plate Co.
Manufacturer! BADGER BRAND Grand and
Upright Piano Plates
Racine, Wisconsin
tuners going into other lines of work and com-
pletely dropping their tuning work. Others
again propose to cut their prices and thereby
to attract custom which they have been unable
to obtain in any other way. The temptation to
gain immediate results and to leave the future
to take care of itself is thus always very great;
nor must we be astonished if we find that there
is always a large number of even the best
tuners looking at their problems from this
point of view.
Nb one can afford to sneer at the conduct of
men who are facing a state of affairs like this;
yet every thinking man will agree that nothing
was ever gained yet by offering to perform
services at prices too low. Nothing can pos-
sibly be plainer than that what ails the tuning
business is neither a surplus of tuners nor a
lack of pianos. Everybody who has ever thought
twice about the matter knows that even in the
so-called palmy days of the piano business most
pianos went untuned from one year's end to
the other. It was always a very small minor-
ity which supported the tuners, even in the few
big cities which have boasted, and continue to
boast, a musical coterie. Certainly, if my own
experiences, backed up by years of contact with
the best masters of the craft, counts for any-
thing at all, the truth is that tuners have never
been able to make a good living out of the
masses from piano tuning and piano regulating
alone. The employed tuner has been in a some-
what different position, but even he has al-
ways had to work at low wages, simply be-
cause he has, with some justice from the busi
ness point of view, been regarded as a neces-
sary evil, as an addition to the overhead ex-
pense, and, therefore, to be kept down as much
as possible.
Tuners or Player Mechanics
1 am thus rather skeptical about the idea that
radio or anything else has killed the tuning
business. What has happened is that radio has
inflicted a very severe defeat of the player
business, which is quite a different matter. The
player business lias been very nearly killed,
without a doubt, but when tuners complain oi
having lost their customers, they really mean
that they are no longer loaded down with player
work, as they were until, say, three years ago.
Welte Mignon Experts
We install the original Welte-
Mignon Reproducing Actions
in all makes of pianos. Also
general renovating and re-
pairing of all types of player
actions.
WELTE-MIGNON PIANO CORP.
704 St. Ann's Ave.
28
New York
For the tuner had been becoming, during the
past twenty years, more and more a player
man and less and less a tuner. This was not
his fault. It was not the fault of anyone. It
was the result of a powerful movement in the
music industries of the country, brought about
by • the inventors of player mechanisms. This
movement enriched many manufacturers and
dealers. It did not enrich many of the in-
ventors; but that is the way of things in this
world. So long as this movement was meet-
ing no serious competition in the way of musi-
making devices entailing even less of effort or
intelligence to make them work, the player-pi-
ano was the favorite instrument of the masses.
Put the masses neither are nor ever were musi-
cal. I frankly confess to having made myself be-
lieve, during a good many years, that the player-
piano could be sold to the masses as a true
musical instrument; and I did my share to en-
courage tuners to become player men. At the
time, indeed, no advice could have been better.
Well, we have passed through that phase.
What now are the tuners to do?
Back to Music
Nothing, I suspect, save just' go back to tun-
ing pianos. Is it not true, after all, that the
good tuner has always had to depend, so far as
his piano work proper was concerned, upon the
small, intelligent, cultured minority, sometimes
professionally, more often amateurly musical,
whose pianos are the best, who have a sense of
tonal value, and who love music whether as a
life work or as a hobby. By no means all these
nice people are rich. Many of them are aca-
demic men and women on the usual small aca-
demic scale of pay. Others are the wealthy
leaders of local culture, women mostly, with
time, inclination and means to cultivate the
best in life. These are the persons who have
supported piano tuning proper; and these are
the persons who are supporting it now. They
will continue to support it. There need be no
apprehension on that score.
It may sound like a counsel of perfection,
but I am persuaded that both the present and
the future of the tuning business lie in cultivat-
ing the classes and leaving the masses alone.
Tlu- masses will support tuners just precisely
a- they have in the past, although doubtless
at a still slower rate. They will not do any
PFRIEMER HAMMERS
Always Found in Pianos
of the Highest Quality
Originators of the Re-enforced Tone
Producing Hammer
CHAS. PFRIEMER, INC.
Wales Ave. A 142nd St., New York
Lytton Bulldlne, Chicago

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