Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
OCTOBER, 1930
The New CONCERTOLA
n
Hailed by Aeolian Dealers
as the most effective devel-
opment that has yet been
achieved for increasing
consumer interest in the
Fingertip Control of the
Reproducing Piano and the
Reproducing Organ.
DUO-ART PIANO
A
TOUCH of the button
beside the title of the selection desired, and
magically the Piano plays the music; or it may
be set to play the whole program and repeat
it any number of times. Additional Control
Tablets may be placed in various rooms.
The Piano may be in the next room—to
produce a musical program, the host or hostess
needs only the Control Tablet. Thus one may
have the interpretations of famous concert
artists such as Paderewski, Hofmann, Bauer
. .. sparkling dance tunes by Broadway's favorite
pianists . . . the latest songs. . . any combination
of music . . . all in one evening . . . without going
near the piano . . . without moving from the
chair! No more jumping up to change rolls
. . . no delay while new numbers are selected.
A
.(MOTHER page has been added
to the history of the most (amous of all reproducing pianos,
.the Duo-Art.
.
*
This important advancement has already done much to put
Duo-Art business on a new footing, and has greatly stimulated
Residence Pipe-Organ sales, for the new device has also been suc-
cessfully adapted to the Aeolian Duo-Art Reproducing Organ.
^
It has also been noted that the new interest aroused by the
AN ATTRACTIVE BROADSIDE HAS BEEN P
With the new Concertola, the recordings
need no longer be placed in the Duo-Art Piano,
An attractive cabinet is provided for this
purpose and may either become part of the
decorative scheme of a room, or be incon-
spicuously placed in a closet or hallway.
W e Extend a i
TO ALL PIAN<
TO VISIT AEOLIAN HALL AND SEE THE DU'
S^OLIA.'N
AEOLIAN HALL—689 Fifth >
LONDON
PARIS
.
.
.
MAD