Music Trade Review

Issue: 1930 Vol. 89 N. 1

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
rtistry in
Piano Casings
Some Recent Steck Grand Period Creations of Unusual Character
1. Tuscan Design, Late Eighteenth Century English.
OIANO manufacturers who have given earn-
est attention to the development of period
cases along lines that have held to the dis-
tinctive characteristics of the periods repre-
sented, and have thereby produced really ar-
tistic creations, have found that not only did
these artistic case designs serve to break down
the sales resistance offered by the new buyer
but have proven strong letters in digging up
substantial replacement business. In this re-
spect, the period case really serves a double
purpose from a commercial standpoint as well
as providing an artistic covering for an ar-
tistic instrument.
The success that has been achieved by the
Aeolian Co. with the Steck grand, for instance,
has been due not only to sound salesmanship
but to the attractiveness of the line itself,
which possesses an eye value that represents
a distinct asset. The Steck grand pianos in
period styles have been developed with par-
ticular care in the modern factory in Neponset
and both artists and artisans of standing and
2. The Effect of the Harpsichord. 3. The Hepplewhite Influence. 4. After the Style of Louis XV.
ability have been engaged in the carrying out
of the design.
We have the privilege to present herewith
four of the new Steck period models which
give some idea of the variations that can be
made in piano case design to get away from
the severe and the commonplace. No. 1, known
as Style NA, is termed the Tuscan, and is
designed after the late 18th century English
school. The inlays on the music rack and leg-
heads give a particularly pleasing touch to the
model. The grand itself is five feet, one inch
long.
No. 2, known as the style VE, is particularly
interesting because it represents a clever mod-
ern adaptation of the Harpsichord. This model,
which is four feet, ten inches in length, is
finished in mahogany. The legs are turned
and reeded, the leghead and desk have fine
mahogany frets laid on maple burr grounds,
and attractiveness is added to the case by the
vertical grain of the desk rim.
No. 3, known as style VD, is only four feet,
six inches in length, and particularly well suited
for the small home or apartment. The design
is Hepplewhite, and the spirit of the original
designers of the style is shown in a clever use
of mahogany in conjunction with other rare
woods, providing a wonderful play of color,
light and shade.
No. 4, the style VC, offers an interesting ex-
ample of what can be done in the adaptation
of the characteristics of the Louis XV school
of design in a modern piano case, without ob-
taining simply an effect of flamboyancy. In
this instrument the carving is rich but not over-
done, and an outstanding feature is the per-
fectly proportioned legs. A slight variation of
color emphasizes all moldings and carved mem-
bers.
Instruments such as those designed in the
Steck factories will go far to give the public
a new conception of the piano as a decorative
as well as musical addition to the home fur-
nishings. That they have appeal has been
proven by sales.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
REVIEW
(Registered in the U. S. Patent Office)
Published on the First of the Month by
Federated Business Publications, Inc.
at 420 Lexington Avenue, New York
Publishers of Antiquarian, Automotive Electricity, India Rubber World, Materials
Handling & Distribution, Music Trade Review, Novelty News, Rug Profits, Sales Man-
agement, Soda Fountain, Talking Machine World & Radio-Music Merchant, Tires; and
operates in association with Building Investment, Draperies and Tire Rate-Book.
President, Raymond Bill; Vice-Presidents, J. B. Spillane, Randolph Brown; Secretary
and Treasurer, Edward Lyman Bill; Comptroller, T. J. Kelly; Assistant Treasurer,
Wm. A. Low.
B. BRITTAIN WILSON, Editor
CARLETON CHACE, Business Manager
F. L. AVERY, Circulation Manager
RAY BILL, Associate Editor
E. B. MUNCH, Eastern
Representative
WESTERN DIVISION: FRANK W. KIRK, Manager
333 No. Michigan Ave., Chicago. Telephone: State 1266
Telephone:
Lexington 1760-71
Cable:
Elbill New York
In order to insure proper attention all communications should
be addressed to the publication and not to individuals.
Vol. 89
O
January, 1930
1
What Retailers Think of 1930
N the opposite page is presented the results of a survey
of the retail music trade conducted by The Review for
the purpose of getting first-hand information regarding
the attitude of retailers as to the business of 1929, and the prospects
lor 1930. No attempt was made to reach every dealer in the coun-
Iry, but several hundred representative music merchants were
queried directly and a very substantial proportion of them took
occasion to give the desired information.
It was found that of the merchants replying, sixty-two per cent
had enjoyed a volume of sales for 1929 in excess of the 1928 figures.
This is not taken to indicate that there was any decided improve-
ment in the situation, but rather that these merchants were holding
their own and making some gains. In a goodly number of cases, of
course, the increase was in units and the total income was some-
what less than for the previous year. It is significant that changed
conditions were indicated in practically all departments. Even in
radio a number of dealers reported increases in unit sales, but de-
creases in total income. Sheet music sales appeared particularly
strong, which can be taken by the optimistic to indicate a growing
interest in piano playing, for sheet music is bought for use and not
for ornamentation.
The courage of the retail branch of the industry is particularly
manifest in the opinions offered as to prospects for the new year.
Perhaps the eighty-five per cent who see encouragement in the out-
look and expect improvement in sales mjay be wrong, but surely
they are sufficiently familiar with their local situations to have some
basis upon which to make their optimistic predictions. Optimism
alone will not sell goods, but it is certain that the merchant who has
confidence in the situation is much more likely to get results from
his sales efforts than js the man who starts out pessimistically and
is licked before he starts.
The Review presents this report of a thoroughly representative
cross-section of the trade in the belief that it should have a definite
value for manufacturers and wholesalers in the development of
their plans for the coming twelve months.
W
The American Piano Co. Situation
ITHIN a week after the announcement of the ap-
pointment of a receiver in equity for the American
Piano Co. and its subsidiaries, the matter had
ceased to be news because of the wide publicity given it in the daily
JANUARY, 1930
press—publicity that, based on surface indications, and without in-
formation regarding underlying conditions, is not calculated to help
the industry as a whole.
To those of the trade who followed the activities of the Ameri-
can Piano Co. under its banker management, and they were in the
majority, the receivership did not come as any great surprise, but
the action itself nevertheless created a distinct stir and led to numer-
ous conjectures on just what effect it would have on the business
as a whole.
Even before the receivership there was a movement under way
to take over the company's assets, and it is an open secret that
this miove has not yet been abandoned. Should it be successful, it
is likely that the trade will be saved from the unloading of a great
quantity of pianos at bankruptcy prices. Another encouraging factor
is the activities of the Creditors' Committee headed by William A.
Mennie, president of the Musical Supply Association, and of the
Standard Pneumatic Action Co. This committee is working directly
with the receiver in an effort to evolve some plan that will conserve
die assets and perhaps again put the business on a sound basis.
The move of the preferred stockholders of the company in organ-
izing a protective committee to look after their interests and de-
signed particularly to make an effort to bring about the reorganiza-
tion of the company is particularly interesting. Although there has
not yet been time for definite action to be taken on the plan, it is
nevertheless regarded as most desirable. It is recognized that the
men sponsoring the preferred stockholders committee, namely:
W. B. Armstrong and George G. Foster, are the same men who
were responsible for developing the company's business so success-
fully some years ago.
The attitude of the receiver is indicated in the move made to cut
down the payroll of the company by approximately half million
dollars a year, the announced intention of eliminating retail outlets
that are unprofitable, and in plans for effecting substantial savings
in other directions.
The whole matter is most regrettable, particularly in thai three of
the best known names in the piano world, Mason & llamlin, Knabe
and Chickering, are involved. In an industry where name values
are of such great importance, this in itself is serious. The situation
has also demonstrated that while pianos may be merchandise in
the strict sense of the word, their marketing calls for an under-
standing of the piano trade background and policies in addition to
the ordinary merchandising sense that is required in other lines of
business. It is significant that every previous effort to ignore name
values and trade principles in the handling of pianos has resulted in
failure.
It is very likely that should either general creditors committee or
the protective committee representing the preferred stockholders
present a plan that is acceptable to the receiver and thus take over
the business, a large part of the assets can be conserved to the
lasting benefit of the industry at large. Certainly the men making
up the committees include practical piano merchandisers who may
be expected to go back to what may be termed first principles in
piano selling. Those principles may not be entirely in accord with
what are regarded as the highiy efficient business methods of the
day, but at least they have been able to move pianos profitably.
E
What Los Angeles Is Doing
VERY member of the music trade who believes that the
A future development in the industry depends upon the
training of the youth of the country in personal musical
expression will do well to read carefully and study the annual report
of the musical activities of the Eos Angeles Department of Play-
ground and Recreation. Here is a municipality that takes its m,usi-
cal training work seriously, not alone for its cultural value, but
because it is regarded as representing one of the direct roads to
better citizenship. It is a movement that should be brought to the
attention of authorities in every city in the United States, and the
members of the music trade itself should be particularly well qual-
ified to see that this is done.

Download Page 7: PDF File | Image

Download Page 8 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.