Music Trade Review

Issue: 1929 Vol. 88 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
F E B R U A R Y 2, 1929
Victor Prize Winner Welte-
Mignon (Licensee) Artist
Thomas Griselle, of Mount Vernon, N. Y.,
winner of the first prize of $10,000 in the recent
Victor Talking Machine Co. competition for the
best short jazz compositions "within the play-
Thomas Griselle
ing scope of the American jazz or popular con-
cert orchestra not hitherto published or per-
formed in public," is not a newcomer in the
world of accepted music.
Mr. Griselle has recorded exclusively for the
Welte-Mignon (Licensee) reproducing piano.
Among his recordings are one of his own com-
positions, entitled "Cubist" Welte-Mignon
(Licensee) No. 136639. Here is an intermezzo
fox-trot which its composer calls "An Innova-
tion in Modern Composition." It is a very clever
bit of writing in thoroughly modern style—a
good dance, and at the same time a good inter-
mezzo.
Another recording by Thomas Griselle for
the Welte-Mignon (Licensee) is "Gabrielle,"
No. B6637, by Gilbert. A pretty and melodious
concert waltz.
Mr. Griselle has also recorded the Gavotte
Intermezzo, by Louis Victor Saar, who is him-
self an exclusive Welte-Mignon (Licensee) art-
ist and with whom Mr. Griselle studied.
Wagner Piano in Buffalo
BUFFALO, N V., January 28.—The showing of
the famous "Parsifal" piano of Richard Wagner
by Denton, Cottier and Daniels of this city has
attracted the utmost attention. Philip Gordon
was heard in a lecture on music appreciation in
the new million-dollar museum of the Buffalo
Society of Natural Sciences, and presented sev-
eral numbers on the instrument which then was
placed in the company's showrooms, where it
was seen and admired by many hundreds of
Buffalonians.
Consult the Universal Want Directory of
The Review.
The Music Trade Review
Gulbransen Co. Introduces to Trade
Its Three New Models in 1929 Line
^ H1CAGO, ILL, January 28.—After more
VJ than a year's research and an exhaustive
survey made by the Gulbransen Co. to deter-
mine the needs of the piano business, particu-
The New "Home" Model Pianos Just Intro-
duced by the Gulbransen Co.
larly from the dealer's standpoint, the company
announces three new instruments, which repre-
sent probably the most outstanding trio of
pianos produced in the last five years.
While it is a readily admitted fact that the
greatest need of the piano business is more
creative salesmanship, the Gulbransen Co. states
that at the same time the dealers have indicated
that a modern line at still lower prices would
help materially in revitalizing the interest of
dealers and salesmen as well as the public.
In all industry the trend is for more quality
and lower price, and the piano industry, Presi-
dent A. G. Gulbransen thought, cannot afford to
stand apart. For many months the organization
has been working to bring about greater qual-
ity and lower price in the three types of pianos.
Known as the Home Series
The three new instruments have been desig-
nated as the "Home Series." The individual
models have been given names in keeping with
their character and function. The upright piano
which is known as the Home Study Model is
made available 'to the public at the national
selling price of $275; the registering piano which
has been designated as the Home Harmony
Model retails at $395, and the Grand as the
Home Culture Model sells for $495.
The line comes as a direct contribution to
the thousands of new piano students through
out the country, who have taken up the study
of this instrument. It is Mr. Gulbransen's hope
that by having a new modern instrument within
reach of the average home, additional thousands
of children may be encouraged to take up study
of the piano.
The line is produced in mahogany and walnut,
genuine du Pont Duco finishes. The Home
Study model upright is 4 feet 1 inch high, 5 feet
1 inch long, and 25 5/8 inches deep. The Home
Harmony MocTel registering piano is 4 feet 1
inch high, 5 feet 1 inch wide and 28 inches deep.
The Home Culture Model grand is 4 feet 6
inches long, 4 feet 7?4 inches wide, has hand-
some ornamental music rack and medallion de-
sign on the top of the leg.
In connection with the announcement of the
new Home Series line to the public, the com-
pany has prepared a complete line of selling
helps for the dealer. Four two-color folders
have been made available, one devoted to the
three models and individual pieces for the vari-
ous models.
Twelve newspaper advertisements have been
prepared of a modern unique character. One
of the foremost designers in the field of modern
handling of illustrations and type has created
this Gulbransen series which is made available
to the dealers without cost. The series are
striking, almost daring in their disregard of the
conventional.
With the first announcement to the dealer of
the Home Series, is included a "plan of action"
an eight-page booklet outlining a campaign in
all its details. Included are a special mailing
campaign, a newspaper advertising presentation
and a selling talk on the new series.
It is the hope and belief of Mr. Gulbransen
that this series of instruments will strike a
body-blow at the traffic in used pianos. With
a good upright piano, modern in design and
modern in finish, available at $275 there is no
excuse for purchasing a used, worn-out instru-
ment lacking musically.
Now Controls Company
PHILADELPHIA, PA., January 27.—The Standard
Piano Co. is now entirely in the control of I.
Rosenfelt, who will continue the business at the
old address, 1033 W. Girard avenue, Mr. Rosen-
felt having taken over the interests of his former
associates. There also is a branch store in At-
lantic City. The radio department will be discon-
tinued.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
Out February 9
Monthly
Magazine Issue
of
REVIEW
REVIEW
(Regiatered in the U. S. Patent Office)
Published Every Saturday by
Federated Business Publications, Inc.
at 420 Lexington Avenue, New York
President, Raymond Bill; Vice-Presidents, J. B. Spilkne, Randolph Brown; Secre-
tary and Treasurer, Edward Lyman Bill; Assistant Secretary, L. B. McDonald;
Assistant Treasurer, Wm, A. Low.
B. BRITTAIN WILSON, Editor
CARLETON GHACE, Business Manager
W M . J. DOUGHERTY, Managing Editor
RAY BILL, Associate Editor
F. L. AVERY, Circulation Manager
E. B. MUNCH, Eastern Representative
WESTERN DIVISION:
FRANK W. KIKX, Manager
E. J. NBALY
Telephone:
What happens when dealers neglect to offer necessary
service to piano purchasers and salesmen are afraid to
emphasize the need of proper care, as described by a
prominent tuner who searched for the facts.
Musical Instrument Advertising
in the Modern Manner
What leading manufacturers and dealers are doing to
utilize advertising space to the best advantage described
in two articles that are of distinct value to the music
merchant with publicity problems.
Co-operation Amonfe Sales People in
Milwaukee Moves More Records
Milwaukee Record Girls' Club Helps Members Add to
Musical and sales knowledge through regular monthly
meetings where discussions are of a character that
arouses enthusiasm and maintains attendance.
How Legitimate Radio Dealers Are
Meeting the Problem of the "Gyp"
Co-operative advertising appeals to the sound judgment
of radio buyers has had the effect of keeping the Bulk
of the sales in the hands of representative retailers of
established reputation.
The Musical Merchandise Section
of the Review
The problem of the "talking movies" and how it may
be solved successfully by the band and orchestra instru-
ment dealer; "This Band Saves Lives and Money"
shows the industrial band in a new light; "If I Were
Behind Your Counter" wherein a prominent artist dis-
cusses fretted instrument selling from a new angle. And
that is not all.
IN ADDITION
A number of other merchandising articles covering every
side of the music merchant's merchandising activities, and
The Monthly Piano Technical Department, an exclusive
feature of The Review.
Out February 9
I
BOSTON OFFICK:
JOHN H. WILSON, 324 Washington St.
333 No. Michigan Are., Chicago
Telephone: State 1266
Vol. 88
How Lack of Care Ruined 725 Out
of 780 Pianos
FEBRUARY 2. 1929
Telephone: Main 6950
Lexington 1760-71
Cable:
Elbill New York
February 2, 1929
No. 5
Here s Your Slogan—Now Use It
N the phrase, "The Richest Child Is Poor Without Musical
Training," the music industries has the slogan for which its
members have long waited—a slogan selected by competent
judges as the best from among 120,000 submitted by the public
in all sections of the country, and considered worthy of the prize
of $1,000 offered by the Music Industries Chamber of Commerce.
The Review was among the first to advocate a trade slogan and
many leaders in the industry months, and even years ago, realized
the desirability of some phrase that could be used in all musical
instrument advertising to give the public a definite thought to tie
up with music and with musical instruments.
The Review has said, and still says, however, that the slogan,
whether it is worthy of a thousand dollar prize or a ten thousand
dollar prize, is not going to increase business unaided. The publica-
tion of a few words, no matter how carefully conceived, cannot
take the place of salesmanship. The slogan can, however, keep
the musical instrument-buying public in the proper frame of mind
and have a definite appeal for those who are as yet unsettled as to
their ideas of music's value.
It is unfortunate that of the thousands of entries there could not
be found one slogan that was less mouth-filling, regardless of its
unquestioned appeal. However, it puts over the message that the
whole trade has been presenting to the public consistently for
some time back, namely, that musical training is a heritage of
childhood. It is a good thought, for as the twig is bent so grows
the tree.
Every member of the music industry should see to it that this
official slogan is used in every piece of advertising copy, on letter-
heads and in every case where musical instruments are mentioned
in the printed word. It is only by this wholehearted co-operation
in the use of the slogan that it can be properly impressed on the
public mind in the same manner as are the other slogans with which
they are all so familiar.
The popularizing of this new slogan will not be accomplished
automatically nor will it come overnight. The selection of a suit-
able phrase is but the first step and the beginning of a campaign
that must be continuous and from which much is to be expected.
Its value lies entirely in its use, not simply in its phraseology.

Download Page 7: PDF File | Image

Download Page 8 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.