Music Trade Review

Issue: 1929 Vol. 88 N. 3

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
IN THE WORLD OF MUSIC PUBLISHING
Conducted by Fred B. Diehl
Leo Feist Celebrates Thirtieth
Anniversary in Publishing Field
Well-known Concern, With Brilliant Business Record, Moves Its Professional De-
partment to Handsome New Quarters on Memorable Occasion
' P H E thirtieth anniversary of the music pub- in hearing the entire p r o g r a m at his home.
lishing firm of Leo Feist, Inc., New York,
T h e Feist firm has made itself famous in
was fittingly marked last week with the mov- sheet music circles with t h e sloiTin—''You
ing of the firm's professional offices to new,
handsome quarters at 1625 Broadway. This
department, under the able direction of Phil
Kornheiser, has for many years been located
at 711 Seventh avenue. The company's main
offices at 235 West Fortieth street, however,
will still be maintained for the business de-
partment of the firm, as in the past.
The new quarters are situated on the top
floor of a new four-story building at the south-
west corner of Fiftieth street and Broadway.
The space is considerably larger than that at
the former location and is divided into four-
teen individual rehearsal booths, surrounding
a large foyer. An attractive decorative scheme
has been worked out for the booths, each of
which has its walls tinted in some pastel shade,
including rose, robin's-egg blue, cream, lavender
and others. Fourteen pianos, including Beh-
ning uprights and several Sohmer grands, have
been installed in the new studios.
The Feist studios were the scene of much
excitement on the opening day, Wednesday,
January 9, when an informal reception drew
many hundreds of friends of the house to the
new quarters. Such celebrities as Paul White-
man, Vincent Lopez, Eddie Cantor, Van and
Schenck, Mayor James J. Walker and many
others were on hand for the occasion and took
part in the broadcast of a special program over
Station WMCA. Paul , Whiteman with his
Leo Feist
orchestra opened the program with "Smoky Can't Go Wrong With Any Feist Song,'' which
Mokes," the first Feist hit, published about has come to mean much to the retail dealer, due
thirty years ago. Mayor Walker, who has for to the able direction and ideals of the founder
years been a personal friend of Leo Feist, head of the house. In addition to being able to
of the concern, gave a short talk of tribute to "spot" a good song when he hears one, Mr.
him over the air. Mr. Feist, who was unable to Feist possesses another faculty: that of sur-
attend the opening personally, was fortunate rounding himself with executive assistants who
know every angle of the music publishing busi-
ness. Such men as Phil Kornheiser and Solly
Cohen in the professional department, F. F.
l'itrier, J. A. Decatur and Cliff Odoms are his
: AHEAD
AGAIN
While we are sorry to learn
many have gone back in their
1928 business, the publishers
of the
Century Edition
Sheet Music
are naturally pleased
to be able to report
that as u s u a l last
year's sales
f o r g e d ahead,
which means dealers
have enjoyed more
profit from the sales
of CENTURY EDI-
TION than ever be-
fore.
BUY YOUR MUSIC FROM
BOSTON
BOSTON
NEW YORK
Anticipate and Supply Every Requirement of Music
Dealers
ROBERT TELLER SONS & DORNER
Music Engravers and Printers
SEND MANUSCRIPT AND II>KA OF
TITLK FOR ESTIMATE
New York City
Century Music
Pub. Co.
235 W. 4Oth St.
New York
Irving Berlin, Inc.
Songs
ROSES OF YESTERDAY
By Irving Berlin
HOW ABOUT ME? (New),
By Irving Berlin
BELOVED
TEN LITTLE MILES FROM TOWN
I WONDER
1 STILL KEEP DREAMING OF YOU
GET OUT AND GET UNDER THE
MOON
I CANT DO WITHOUT YOU
'TAINT SO, HONEY, 'TAINT SO
THE WHOLE WORLD KNOWS I
LOVE YOU
I'LL GET BY
THE SPELL OF THE BLUES
OLD PALS ARE THE BEST PALS
AFTER ALL
REMEMBER ME TO MARY
LONELY LITTLE BLUEBIRD
JUST YOU AND ME
WHEN DREAMS COME TRUE
A SONG OF INDIANA
LITTLE ORPHAN ANNIE
WATCHA GONNA DO. DO NOW
Picture Theme Songs
THERE'S A RAINBOW 'ROUND MV
SHOULDER from "The Singing-
Fool"
I LOVED YOU THEN AS I LOVE
YOU
NOW from
"Dancing
Daughter*"
I'D RATHER BE BLUE OVER YOU
(Than Happy With Somebody Else)
from "My Man"
MARIE (By Irving Berlin) from "The
Awakening"
PALS, JUST PALS from "Submarine"
FLOWER OF LOVE from "White
Shadows in the South Seas"
IN A LITTLE HIDE AWAY from
"Excess Baggage"
LONESOME from "Lonesome"
GIVE AND TAKE from "Give and
Take"
LOVE CAN NEVER DIE from "Man,
Woman and Wife"
LOVE, ALL I WANT IS LOVE from
"The Godless Girl"
HEART O' MINE from "Noah's Ark"
JUST A SWEETHEART from "The
Battle of the Sexes"
I FOUND GOLD WHEN I FOUND
YOU, from "The Trail of *98"
LOVE BROUGHT THE SUNSHINE
from "Th« Wind"
Folios
UNIVBRSAL DANCE FOLIO
No. 16
PETERSON'S UKULELE METHOD
WORLD'S FAVORITE SONGS
Oliver Ditsoti Company
311 West 43rd Street
Songs that Sell
CANY PUBLISHER. OUR REFERENCE
<^» <~ WRITE FOR PRICES ~ ~~ ~
2 0 5 4 W.LAKE ST. CHICAGO. ILLi
17
IRVING BERLINim
1607Broadway New York City
$933,625 for Kern Works
Proof that there is plenty of money to be
derived from royalties of successful musical
comedies is established with the recent an-
nouncement in the New York press of the saje
<>f part of the library of Jerome Kern, com-
poser, for $933,625. Mr. Kern, who seems to
possess unerring skill in the matter of writing
scores for hit shows exclusively, has such suc-
cesses as "Very Good Eddie," "The Night
Boat," "Sunny," "Show Boat" and about a
dozen others to his credit.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
18
Mrs. Nannie Ball Dies
You CAN'T G O W R O N G
^
V WITH A N Y
SONS
N e
e A
wL Joe
p^.
(5
vM
6<> 7)
fujc K^
3fbP
tHLfe
ON ^ (
N
H^cfiL'
sei-
Mother of Late Composer Was the Inspiration
for Her Son's Famous "Mother Machree"
JANUARY 19, 1929
HERE IT IS!
The Song you've had so many calls for
and thought it was an old one.
BUT IT'S NOT—IT'S NEW
Mrs. Nannie Ball, mother of the renowned
and A NATURAL
composer, Ernest R. Ball, died suddenly at her
home in Beechhurst, L. I., on January 2, about
eighteen months after her son's passing.
Among those at the funeral were Julius P.
Witmark and Mrs. Witmark. The former was
one of the oldest friends of both mother and
son, besides being one of the principals of the
firm of M. Witmark & Sons, New York, which
published all of the composer's writings, several
hundred in number.
Some interesting facts regarding the strong
bonds between Ernest R. Ball and his mother
were disclosed this week by Mr. Witmark as
follows: "Mrs. Ball was a much-beloved woman
and possessed many sweet and gentle character-
istics. The unexpected death of Ernest Ball,
who was stricken in his dressing room in a
California theatre, where he was appearing at
the time in his famous singing act, was a
heartbreaking blow for Mrs. Ball, and she
never really recovered from the shock. Early
last year, anxious to see for herself the scene
of her son's passing, she journeyed to the.
Coast and there visited the theatre, the dress-
ing room, and spoke to the manager of the
house, who gave her all the details she desired
to learn.
"About the same time the now famous pic-
ture, 'Mother Machree,' was slated for release,
;ind Mrs. Ball hurried back East to be present
at the New York opening. This picture was
written around the immortal song composed by
Ernest R. Ball, a song that to-day is referred
U as just as sure of immortality as is 'Swanee
River.' Probably no ballad is more often sung
than this same 'Mother Machree.' Mrs. Ball
was its inspiration, just as she was for the
several other noteworthy 'Mother' songs that
flowed from her son's pen.
" 'Mother Machree' was first sung by Chaun-
cey Olcott in 1910 in a play called 'Barry of
liallymore.' Its. lyric is by Rida Johnson
Young, Who wrote that play. Soon after, the
song was made internationally famous by John
McCormack, who has been singing it ever
since in his inimitable way. Indeed, a McCor-
mack program without 'Mother Machree' is a
rarity. When Ernest Ball died 'Mother Mach-
ree' was sung at his funeral, and few news-
papers did not print appreciative editorials on
its vogue and appeal and the qualities of the
man who gave its music to an ever grateful
world."
To
RIGI
AR«

Louis Mack, sheet music dealer at 363 Mor-
rison street, Portland, Ore., and one of the
best-known dealers of musical merchandise in
the Pacific northwest, has returned to his store
after a three weeks' sickness. This will be
gratifying news to his many trade friends.
Ft'
Dealers say —
It's the easiest thing
in the world to sell.
WORLD-FAMOUS
McKINLEY
MUSIC
Q 1
to
LEO
FEIXT.NC
231 w.40 St, New York
th
Watch It Grow
M. WITMARK & SONS
165O BROADWAY
NEW YORK
Abe Schlager Now With
Richmond Music Supply Go.
The Richmond Music Supply Corp., New
York, has secured the services of Abe Schlager,
who was for many years identified with this
firm in the past. Mr. Schlager has resumed his
former duties in the standard department of the
Richmond concern, a field in which he is ad-
mirably suited in view of his lifelong connec-
tion with musical affairs. Another noteworthy
addition to the Richmond ranks is that of
Walter Snydecker, who will devote himself to
sates activities among his many friends in the
retail trade. Mr. Snydecker is making trips
through the trade by automobile, according to
the new Richmond policy of supplying sales-
men with cars. Max Mayer, treasurer of the
firm, states that the firm is enjoying a pros-
perous season and that the future looks bright.
Walter Cooke and Clarence Smith have
organized the Cooke & Smith Music & Candy
Co. in Durango, Col. They will feature phono-
graph records in a store in the Gem Theatre
1'uilding.
With the Wonderful Catalog,
Fine Cabinet, Graded
Counter Portfolios,
Display Signs,
etc.,
IT SELLS
ITSELF!

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