Music Trade Review

Issue: 1929 Vol. 88 N. 29

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
cTErade "Renew
Published Monthly
FEDERATED BUSINESS PUBLICATIONS, INC.
420 Lexington Ave.
New York
Music
Industry
Serving
the Entire
Vol. 88
December, 1929
No. 29
Single Copies
Twenty Cents
Annual Subscription
Two Dollars
ontact the Secret of
Tveproduc er Sellin
HE writer recently called at a beautiful
home and at the door was greeted by a
colored maid who was rather indifferent.
I inquired for Mrs. Doe and was told
that Mrs. Doe was resting but she would take*
my card in. I presented my card as requested,
and after a few minutes was invited in. Mrs.
Doe asked if I had waited very long, as the
bell was out of order. After chatting for a
while about various things, the conversation led
b?.ck again to the doorbell, and she made the
suggestion that the batteries were dead. I lo-
cated a portion of the wire and followed it to
the basement, where we found that the little
daughter had put up a swing on the beam and
disconnected the wires. I connected the loose
wire, and when we tested the doorbell, found
that it rang perfectly.
Now this only shows that contact is what we
need. The bell was there, the wires, and all
equipment—all T needed was to make contact.
T
Fred Colber, a Firm Champion of the Repro-
ducing Piano
By ALBERT E. LORNE
Manager, Oakland, Cal., Branch,
Sherman, Clay & Co.
On my last visit to New York I interviewed
a great many salesmen, not only in piano stores,
but in competitive lines. As a matter of fact,
I spent three days steadily talking with sales-
people, and from all sides the piano men were
asking that eternal question, "What is the mat-
ter with the reproducing piano business?" Sev-
eral of the men said that the reproducing busi-
ness was a complete ruin; that they never got
calls on the floor any more for reproducing
pianos. I asked these men if they ever thought
of going on the outside for reproducing busi-
ness, and the answer was, "What's the use 0
They don't w.ant them and won't buy them."
In my opinion it is ridiculous to think that a
fine healthy business has been so easily forgot-
ten and neglected. Let's stop feeling sorry for
ourselves, and go out and stir something up—
do something different—and make some new
contacts, just as the writer did with the door-
bell.
We have in the past two years enjoyed a
marvelous reproducing business, and especially
in the fine and beautiful custom-designed pianos;
but, true enough, we have to resort to some of
the things that the Frigidaire men do, the ori-
ental rug men, and the automobile salesmen;
that is, do a little hard work and create a
desire for their product. I recently went into
our Central National Bank Building and on the
fifteenth floor met a young man who has been
connected with a fine jewelry firm in this city
for some years. "Hello, Al," he said. "Hello,
Jimmie. What are you doing?" "I am in the
jewelry business for myself now." "Where is
your store?" I asked. "Right here. This is my
office, salesroom, etc." Just think of it! Away
up on the fifteenth floor is his office and store
- -and he is retailing silverware. Now this man
has no chance of any drop-ins; he does very
little advertising, just a small space in the news-
paper which probably costs him about $8.00 per
ad. He has no cut prices, but is doing a legiti-
mate business; but he is making contacts in
new and original ways. For instance, he hunts
Albert E. Lome
up the newlyweds, new homes, mothers' clubs,
etc., creating contact and making use of it, and
is enjoying a fine business. It is not a new
idea; it is just using old ideas.
Why can't it be done in the piano business? t
It can and it is, right here in our own home
town. We are making contacts in all sorts of
ways, going out after the people, not waiting
for them to come in and ask for pianos. And
when the connection is made, we keep the bell
ringing until the call is answered by a signature
on the dotted line!
This is the whole story of the up-to-date
music business; in fact, this is the entire story
of the music business since time immemorial—
contact, and what is done after the securing of
contact.
If nobody wants to get on the other side of
the street, that side of the street will be de-
serted. Speaking definitely of the reproducing
business, we hear the squawk from ocean to
ocean, "What's the matter with the reproducing
business?" The question should be, "What's
the matter with the people who should be
working in the Duo-Art and reproducing field?"
{Please turn to page 55)
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
iano
By B. BRITTAIN WILSON
larger stores must be attractive real value and importance of the well conducted
ind create the impression that music roll selling effort, The Review, this
the store owner feels that the month, is privileged to describe the manner in
matter is important enough to be which Miss A. Vera Day, manager of the record-
given the proper space and the ing department at Ampico Hall, New York, has
proper furnishing. Environment proven conclusively that such a record depart-
Miss A. Vera Day
has much to do with putting the ment can be turned into a friend and money-
customer in the proper frame of maker.
HY is it that in many music stores mind to buy and that is why the tiled, well-
As the writer was ushered in to Miss Day's
featuring reproducing pianos, the lighted and clean gas station gets the bulk of office recently she was just saying into the tele-
music roll department is treated as the motorists' business in competition with a phone, "You will take them all? I'll send them
a stepchild when, as a matter of fact, less orderly competitor. If appearances help up this afternoon. Thank you, Mrs. Sturtevant.
and as has been frequently illustrated, such a sell gas, why should they not help sell music Good-bye." This came at the end of a business-
department intelligently and properly handled rolls?
like but friendly telephone conversation, and,
can be made to prove almost invaluable. A
As to the personnel of those to whom this turning from the receiver, Miss Day said, "That
properly conducted music roll department case of reproducing piano owners is intrusted, was one of my best customers. I was telling
accomplishes three important things, first it pro- it should be carefully selected. The members her about the new Ampico recordings which
duces a worth-while profit on a substantial sales should not only be familiar with the rolls in have just come in. There were five I knew she
volume; secondly, it provides a direct means the catalog, but should have a general knowl- would like, and instead of coming down to hear
for maintaining regular contact with the cus- edge of all types of music which is most easily them, she says, 'Send them up.' That's a pleas-
tomer and keeping him satisfied and interested gained by attending local musical events of ent proof of confidence, isn't it?"
in his instrument; and thirdly, it produces, every kind, opera, musical shows and concerts.
"Have you many such customers?" I asked.
through this contact, a very substantial number
of prospects for reproducing and straight pianos
for the sales department to work on.
Not so long ago a prominent member of the
trade declared that his figures showed that over
80 per cant of sales in new reproducing pianos
were made to people who had become interested
through the conversation of friends owning such
instruments and had seen and heard them in op-
eration at the homes of friends. It is the con-
••«•••••••« «•
••••••••H»M
•••••?•
*" « • • • • « • • • | l » 3 »
stant supply of new music rolls or records that
,111111111 • • • • • • • • • • • • •
••••••••••••»•'
keeps the owner interested in his instrument
» #s , • • • • * • • « •
tfltMlltfl • • » • • • • •
' * ; • •••••••••WiiV
after the first excitement and thrill of posses-
• ! ; • • • • • • • • • • • • iiiinmu:
IIIHIII

« »
» -
» • • • • • • MNHtRft,
:
sion has somewhat cooled. It is the contact
" ••••. • • s m i i i i i i i i i
• • •••••••«•«;
'!







«


-i
•••••••!••!•
created by an intelligent person in charge of
selling music rolls that ofttimes brings to light
••••••••••••
• • • • • • • • • • • • • ; « " ""rs
•• • •
trivial and easily adjusted mechanical irregulari-
ties which, while they last, prevent the instru-
••••
•••••!-
ment from doing its best. In short, the music
,••'•.:••:
••••••
roll department is the friend producer for the
a
••••••••
••• •• M l l
house if given a fair chance to show what il
"•:..••
can do. It does not matter whether a dealer
•«.::::
has six or six thousand owners, personal atten-
tion to them brings results that richly repays
the effort.
Music rolls or records are not bought, but
must be sold in a great majority of cases. The
mailing of monthly bulletins and circulars is
not always sufficiently effective to produce
worth-while results. Too often the bulletin is
received and laid aside for attention at a more
convenient time, and that time not materializ-
The Record Stock Should Be Complete and Orderly
ing, the month passes without any new rolls
being ordered. It is the personal contact, either
by telephone or by a call at the home, that It is this knowledge which enables the sales
"Lots," came her answer, as prompt and busi-
promotes music roll buying, for there are many person to talk intelligently with the customer; nesslike as her telephone conversation. "You
to whom a title means little or nothing, but to discuss the concert of last evening or the see, I am lucky enough to have discovered their
who become enthusiastic when the piece itself music of the latest Broadway success, and to musical taste and many of them let me send
is demonstrated.
gauge the musical taste of the customer and what I know they will like, and the recordings
don't come back which means that I have sent
Intelligent service in the music roll depart- make suggestions accordingly.
ment, however, is not all. The quarters in our
For those who are still doubtful as to the them just the music they want."
W
3=:
wra
8

Download Page 7: PDF File | Image

Download Page 8 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.