Music Trade Review

Issue: 1929 Vol. 88 N. 26

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
T
H E trends in window shopping have
changed. People no longer amble by,
pause on the sidewalk to admire the
window displays and take their own
good time about looking in at the windows for
the jostling crowds soon remind them to move-
on. In this modern age passersby are spending
but eleven seconds of their precious minutes at
the most in looking in at your store front or
gazing at your window displays. And so the
store f r o n t of
y e s t e rday no
longer lends it-
self to modern
m e r chandising
methods, for in
its place have
stepped
the
island window
display, the unit
system, the ar-
cade lobby, and
the ensemble of
today.
T h e musical
m e r e handiser,
therefore, who
is not up-to-
date in this re-
spect is not pro-
d u c i n g
the
m a x i m u m
amount of sales
through
his
w i n d o w dis-
p l a y s by en-
couraging more
window shopping. The crowds elbow by with-
out stopping in. This is an age of speed and
the old days of rambling and promenading
have disappeared.
People are hurrying as never before. It is
therefore becoming increasingly important that
your store front should not only stop passersby,
but that your window displays should do a
quick job of selling in the allotted eleven
seconds. Modern store fronts with new, more
novel and unique window displays are required
to speed up selling and to keep in step with the
laws of speed. As a net result good selling
windows are no longer a hodge-podge or con-
glomeration of everything that the store has
for sale but they are concentrated flashes of
highly concentrated merchandise, which tell a
quick selling story in a concise and gripping
manner.
Since window shopping is being done less
leisurely it naturally follows that the musical
merchandiser who would get the utmost value
out of his window displays must keep in step
with the demands of the modern age in which
we live. He must recognize that the efficiency
of the old forms of advertising and selling have
passed out of the picture. Here is a new era
of merchandising—
the kind that steps
up with the movies,
the a i r p l a n e , the
radio and the auto-
mobile to catch the
public eye by con-
forming to this age
of speed.
Good store fronts
catch the eye and
fetching
window
displays bring them
in where your sales-
men can do the rest.
Good s t o r e fronts
pull the crowds just
as much as good movie fronts and good pic-
tures will pull them in. People are like moths
—they constantly seek the light. The people
who constitute the endless throngs that pass by
stores in the various shopping centers of our
cities and towns are all potential buyers, and
the law of human averages tells the wide-awake
musical merchants that the value of his store
front and his window displays will largely de-
pend on whether they succeed in gaining the
attention of this throng and incite buying im-
pulses which not only actuate them to pause,
but during the moment of admiration and hesi-
tation influence them to buy then and there.
Bright and well-trimmed store windows na-
turally draw the crowds. They are beautiful
trade magnets. The touch of colorsome atmos-
phere and a colorful store front naturally cap-
tures and holds interest. They all help to fix
the store location more firmly in the minds of
as many people as it is possible to reach, who
pass and repass day in and day out, fifty-two
weeks in the year, and every one of them a
potential customer. Good store fronts and
bright
snappy
w i n d o w s na-
turally compete
s u c c e s s fully
with o t h e r or
similar lines of
business and in
doing so achieve
a larger share
in the spending
power of the
public purse.
The
desires
of people are
constantly
c h a n g ing and
the music mer-
chant who does
not keep in step
with style and
the demands of
youth will slow-
ly fade out of
the
picture
without grasp-
ing the cue. He
may be con-
cerned
with
trade falling off,
but not know
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
fronts
Hold the
rowds
By FRED E. KUNKEL
Color and style
are the dominant
selling appeal, and
so naturally modern
merchandising
de-
mands, as never be-
fore, a new kind of
stage setting. The
most s u c c e s s f u l
music merchants are
therefore
adopting
the new display re-
quirements for style
and color merchan-
the reason. It is because he has
not been keeping step with
changing merchandising condi-
tions, and his difficulty in main-
taining sales volume or in annex-
ing a bigger share of the public's
spending budget is largely his
own fault.
The modern merchandising age
is one of fast changing trends and
(me notable recent change is ob-
servable in the more modernized
store front which is being in-
augurated to increase the sales
power of the store location by
captivating the eye of the passer-
by diverting their footsteps, and
excii'ng their admiration to the
buying point.
A modern store front invar-
iably catches the attention of
passersby, while the old style
front compels no attention at all.
People will not even stop to look at them. The
new ornamental designs now available for store
fronts not only enhance the architectural beauty
of the store as an artistic frame to set off its
distinguishing features—the window displays,
but they also help to identify the music mer-
chant as being modern and up-to-snuff.
Smart bronze bulkheads, ornamental transom
bars and pilasters, combined with unique
methods of embellishing metal, make distinctive
store fronts to-day which grip the public eye
and naturally focus attention to the suggestions
thrown out in window displays to encourage
shopping within the music merchant's own
doors.
tendency in store fronts to-day is to have a
much shorter front and a greater depth, in
recognition of the human psychology that
people who are standing out in front on the
sidewalk, when jostled by passersby and are
otherwise annoyed by the passing traffic, will
naturally move on without drinking in the dis-
play, whereas by drawing them into your lobby
or aisle displays, and by getting them away
from the passing crowds, it is not only possible
to center their minds on what is being dis-
played in the windows, but also to appeal to
their spending proclivities, and by staging a
more successful window trim you can get them
to take more time to look in and take in every-
thing that is to be seen, thus working on their
sub-conscious minds and driving home a smash- ,
ing sales message without their being aware of
it—so efficiently docs the entire
staging work.
The island window, or battery
of island windows, is fast gain-
ing headway because with the
unit display system a small, com-
pact unit group of merchandise
of the same kind can be dis-
played by itself in one pattern or
at one price, or in one color, to
put over a more effective sales
story in more compact space, and
with far better results than when
mixed in with a long window dis-
play which caters to the custom-
er's attention in a variety of units.
The lobby idea, broad and deep
store fronts, with ample window
displays, is also gaining headway,
and much of the store space
{Continued
dising in keeping
with the spirit of
t h e s e changing
t i m e s for good
store fronts and
good window dis-
plays are s i l e n t
salesmen, because
they c a t c h the
eye of passersby
and flash a quick
selling story in
colorful and fas-
cinating pictures.
One noticeable
on fuge 41)

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