Music Trade Review

Issue: 1929 Vol. 88 N. 23

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
4uac1rade Review
Published Weekly
BUSINESS PUBLICATIONS, INC,
420 Lexington Ave.
New York
Magazine
Vol. 88
Number
June 8, 1929
No. 23
Single Copies
Ten Cents
Annual Subscription,
Two Dollars
How I Climbed
The
Saks Ladder
By ZONA F. BROWNE
Sales Manager, Heine Piano Co., San Francisco
CAME to San Francisco when I was only
eighteen, with my mother, and shortly after
I found it necessary to take up some kind
of occupation. My mother had been a
phenomenal saleslady so I naturally inclined to-
ward selling.
One day, soon after we arrived in San Fran-
cisco, we were walking down Stockton street
and saw a sign in the window of the Heine
Piano Co.: "Lady Wanted to Demonstrate
Pianos." As I had studied music most of my
life and at that time aspired to a grand opera
career, I thought that a piano store would be
as nearly perfect an environment as possible,
so I applied for the position, and
a few days later went to work at
a small salary with a very small
commission, and I mean "small"
as there were many salesmen em-
ployed at that time and there is
always a strong feeling of com-
petition.
I first started to work in the
sales manager's office doing a tele-
phone canvass, using the phone
book and calling one telephone
subscriber after another, some-
thing like this:
"Hello, Mrs. Jones! This is Miss
Browne, with the Heine Piano Co.,
a friend of yours informed me you
were interested in a piano."
I usually got an answer: "Oh,
no! I have a piano."
Then I would say: "Aren't you
thinking of exchanging it? Yours
is quite an old piano, isn't it? We
now have the agency for Such-and-
Such pianos, and I could make you
a good allowance on your old in-
strument. What piano have you?
etc."
I
Our sales manager was quite an elderly
gentleman, and naturally could not "get around"
so fast as I could. Our office was on the mez-
zanine floor, and from my desk I could see
members of the public coming into the store
before they reached the front door, so I'd run
down the steps, meet the customers and take
them to the piano floors. Our pianos were
displayed on the second and third floors. I
was supposed to entertain the customers until
a salesman could take them. As I had natural
sales ability, it did not take long to get into
the knack of selling pianos.
From the time our store opened in the morn-
Convention Reports
ing, till it closed at night, I was always "on
the job." I had fully decided to learn the piano
business and make good.
After four years on the floor of our main
store, I was given the management of one of
our local branch stores here in the Mission
district. This store was a success from the
start, and when our five-year lease expired I
took a six months' vacation, to continue my
vocal studies in Chicago and New York, before
returning as sales manager in our main store.
I am more interested in working with sales-
men who are new to the piano business, rather
than with experienced salesmen, as the begin-
ners show more enthusiasm. I
find that women, as a rule, are
more conscientious workers, but
it is much harder to teach them to
"close"; in fact, we have no other
piano women with us, at present.
One most important point is not
to "oversell" a customer. Many
salesmen do this, in order to make
a showing and swell their volume
of business, but I think a sales-
man should get acquainted with
the prospective buyers, find out
their financial condition as quickly
as possible and then sell them a
piano within their means. Later,
this could be exchanged for a bet-
ter one.
Quite often when we receive a
letter from an out-of-town pros-
pective customer, I jump into my
car, drive into the country and
close a deal from a catalog. I con-
sider this not only recreation, but
feel more satisfied with myself. I
am always at my desk at 9 a. m.,
and also make a point of being
(Concluded on page 21)
This issue of The Review carries the full
and complete account of the National
Music Industries Convention, including
the meetings of the Music Industries
Chamber of Commerce and affiliated
associations, held at the Drake Hotel,
Chicago, this week, as well as of the
Radio Trade Show and the meetings of
the Radio Manufacturers' Association
and other radio trade bodies, held at the
Hotel Stevens, Chicago.
.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
a Musical
Your Reta
an
Builds Up
By WILLIAM
Many Homes Like These Were Reached With Census Cards
O YOU KNOW?
(a)—How many musical instruments
there are in the community you serve?
(b)—How many per home?
(c)—How many homes have more than one
instrument?
(d)—Which is the most popular instrument?
(e)—How many children are studying some
musical instrument, and which is the most
popular?
(f)—Which instrument would the family pre-
fer to keep if all but one had to be disposed of?
(g)—How many members per family play a
musical instrument?
The foregoing are questions of an exceed-
ingly pertinent value to every music dealer the
country over. And every merchant would find,
without any question, that such information, at
his disposal, is exceptionally valuable to him
in doing business.
A well-known music stdre in the Southland
has given the trade an excellent example of this
modern method of laying a merchandising
foundation, through its very thorough musical
census of the community it serves.
"Esse Quam Videri."
It is the foregoing motto of the State of
North Carolina that inspired Charles S. An-
drews, head of the Andrews Music House in
Charlotte, one of the leading retail music stores
in the country, to apply the yardstick of an-
alysis to the territory his store serves and un-
cover a wealth of valuable information on "The
Musical Instrument in the Home."
"To Be Rather Than to Seem," is the official
slogan of all North Carolinans and Mr. An-
drews took this motto as the inspiration for a
definite probe into the musical situation of his
section.
He conceived it as his business duty not to
"seem" to know the music-buying potentialities
of the families in the community he serves with
" Everything in Music.' 1 Rather he went straight
to the heart of his market and dug out a detailed
analysis of the use of all musical instruments
by both the young and old of that section.
What Mr. Andrews uncovered in this new
musical census reveals some very interesting
as well as valuable information—the kind of
facts that every man in the music business
should have on his particular market.
D
As a result of his cleverly planned question-
naire system, Mr. Andrews reached into prac-
tically every home in the community and had
returned to his offices the very definite informa-
tion as to what musical instrument is most
popular in the homes of that section of North
Carolina. How many different instruments are
there to a home? How many children are there
I 'iano
Talking Machine
Violin
Guitar
If you had to dispose of all instruments
one which would you retain?
l'iano
Radio
Talking Machine
Violin
Harmonica
Which of the following instruments do
have in your home?
Radio
Piano
Talking Machine
Violin
Banjo
Saxophone
Guitar
Orchestra Bells
Cornet
Cello
Trombone
Clarinet
Ukulele
Flute
Mandolin
Organ
No instrument
58
41
3
1
but
91
84
26
5
1
you
163
153
159
43
20
3
25
1
7
2
3
5
5
1
2
2
11
H o w many children under 16—1.19 per home
Charles S. Andrews, Author of the Census
and how many play? How many homes with-
out a musical instrument?
And considerable other correlated statistics
were developed through this plan.
The Andrews Music House had as its primary
purpose in this questionnaire survey to ascer-
tain the status of the musical instrument in the
homes of that section, and this is what it found
out through its effective method:
What is the most popular instrument in your
home?
Radio
107
8
in 141 homes, or 57 per cent.
How many play an instrument—.64 per home
in 102 homes, or 41 per cent.
Through the Andrews survey it was estab-
lished that among the homes reporting only 11
or less than 8 per cent had no musical instru-
ments of any kind. If this proportion can be
accepted as holding good for the entire popula-
tion of Charlotte and vicinity, which was 46,338
according to the last Federal census, then there
would be only 3,707 homes in the district with-
out some kind of musical instrument. Even
granting that Mr. Andrews picked the cream of
the population, and that there might be a large
section of the community not so well supplied,
the showing is an interesting one and indicates
that musical interest in the section is alive and
worth cultivating.
Radio proved to be the most popular instru-
ment in the census, 107 reporting as against 58

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