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CENTURY MARK
KURTZMANN
Goodwill /
tano
eiovea irovn
(—Jenerahoii io
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HE sup "me test of a good name is the test of time . . . the
r
mature ve
the passing years.
c
QThe Ku
T848 attained . . . the Kurtzmann of
1928 maintains
_nc r^urtzmann of the future will retain
. . . the enduring GOODWILL of musician and music lover.
((Goodwill is never dormant . . . it grows . . . it influences. The
outspoken appreciation of Kurtzmann owners is a guide-post to
tomorrow's purchasers. And none are more alert to this good-
will than Kurtzmann dealers.
I H E Kurtzmann occupies a unique po-
sition in the vast world of music. Be it
studio, college or home, this instrument
is ever acknowledged a piano of sur-
passing tone and beauty. Yet Kurtz-
mann policy has never yielded to the
frills and furbelows of fancy price. Out-
standing value has been the goal—and
outstandingvaluehas been the achievement!
The best in materials, the best in de-
sign, the best in construction—these are
Kurtzmann standards—but more, the
lowest reasonable price possible! Little
wonder that artists, exacting in per-
formance, consider the Kurtzmann a
wise selection. Little wonder it is the
favorite in the school, the college, the
home.
The enduring qualities of a well-built
piano are endearing qualities. Crafts-
men who have spent their lives building
Kurtzmann pianos are building them
today, building them with skilled hands
and with hearts that take an honest
pride in the good name that has stood
the test of time.
BECAUSE the KURTZMANN is a joy to possess,
the KURTZMANN is a satisfaction to sell.
C. KURTZMANN
& COMPANY
BUFFALO, NEW YORK