Music Trade Review

Issue: 1928 Vol. 86 N. 7

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
18
The Music Trade Review
FEBRUARY 18, 1928
Robert Van Doren, Son of Well Known
Reed Maker, Visiting American Trade
Epiphone banjos and mandolins. Both mem-
bers of the firm belong to the Hartford local
of the musicians' union and arc well known in
musical circles of this vicinity.
Scion of Family Which Produces the Well-Known Van Doren Reed for Saxophone
and Clarinet Comes to Visit American Musical Merchandise Trade
Buescher Instruments
for Reisman Orchestra
T> OI5HRT VAN DOREN, son of Eugene Van
* ^ Doren, the celebrated French reed maker,
has been visiting the United States and is mak-
ing his headquarters
at the Woodwind Co.,
New York where he is
the guest of Eugene
Bercioux, manager of
the Woodwind Co.,
and an old friend of
his father. The Van
Dorens are manufac-
turers of the famous
Van Doren line of
reeds for saxophone
and clarinet which
are handled by all
leading jobbers and
dealers.
Young Van Doren
has been calling on
the wholesale trade
and making the ac-
Eugene Van Doren
quaintance of many friends of his father as
well as gaining a knowledge of American musi-
cal merchandise business methods. He marveled
at the tremendous amount of business done in
this country in musical instruments and com-
plimented American dealers on their methods.
In introducing Mr. Van Doren to the trade
Mr. Bercioux stated to The Review: "The Van
Doren house produces more reeds than the
next six largest manufacturers together, ship-
ping two and a half-million reeds yearly to
America on orders received for about four mil-
lions. Mr. Van Doren is the owner of large
cane fields in southern France, his last pur-
chase costing him a million francs.
"Although Mr. Van
Doren has amassed
a fortune he still con-
tinues his improve-
ments to the reeds
that have been the
source of his wealth.
He has sent his son
to America to study
conditions and cus-
tomer likes and dis-
likes. Y o u n g Van
Doren is only twen-
ty-four, but he is a
prize winner of the
P a r i s Conservatory
for the clarinet, and
has been initiated by
his father in all the
Robert Van Doren
s e c r e t s of r e e d m a k .
ing. He has been amazing customers at the
Woodwind Co. by picking out reeds for them,
not by trying them, but simply by looking at
them and feeling them."
New Store in Manchester
MANCHESTER, CONN., February
13.—Walter
Bradley and George J. Smith, two well-known
local musicians and teachers of the banjo and
saxophone, have opened a music store on Main
street. They will carry a full stock of musical
merchandise including Pan-American band in-
struments and Washburn, Weymann, Bacon and
Will Be Used Exclusively in Modern Jazz Con-
cert to Be Given in Symphony Hall, Boston,
Next Sunday, by That Organization
BOSTON, MASS., February 14.—Leo Reisman and
his exclusive Columbia recording orchestra
have gone Buescher. When this popular Bos-
ton combination appears at Symphony Hall,
next Sunday evening, February 19, for the first
of its series of concert engagements, it will be
equipped 100 per cent with Buescher True-tone
saxophones, trumpets and trombones. Reisman
is using an orchestra of forty-five musicians for
this concert.
His program will be illustrative of the de-
velopment of the jazz idiom by American and
European composers both in symphonic and
dance form, and will include several numbers
specially written for the event. Included among
the latter class is a work of outstanding in-
terest, "Clowns," by Charles Martin Loeffler,
one of America's best-known symphonic com-
posers. It is the first work of this noted musi-
cian to incorporate the jazz motif.
Ferdie Grofe is represented on the Reisman
program with his "Three Shades of Blue," and
"Mississippi Suite."
Rube Bloom, rolls and record artist, has been
signed as soloist, playing the piano part to his
"Soliloquy," and Johnny Dunn, negro hot
trumpet player is being brought from New
York for a blues specialty.
You have tried the rest
—Now use the BEST
Joseph Rogers' Son
OLIVER DITSON CQ
"XXX" and "STANDARD" Brand
Drum and Banjo Heads
BOSTON. >IASS
Made from Genuine Calfskin
Importers and Jebber* ef
1674
COVERED TAIL-
PIECE OF MERIT,
D U R A B L E AND
PRACTICAL.
REAL VALUE
Waverly Musical Products Co., Inc.
18 Eleventh Street, Long Island City, N. Y.
Chicago Office: 14 East Jackson Blvd.
17 Jackson Ave.
RHTABLIIHID 1M4
DURRO
VIOLINS
BOWS
STRINGS
AND
BANJOS
MANDOLINS
GUITARS
Largest Wholesale
Musical Merchandise
House in America
BACON BANJO CO., Inc.
GROTON, CONN.
Black Diamond
Strings
THE WORLD'S BEST
National Musical String Co.
New Brunswick, N. J.
Buegeleisen & Jacobson
5-7-9 Union Square
NEW YORK
Banjo and Drum Heads
Genuine Rogers "Quality brands"
were given Medal and highest
awards over all others
Five grades to select from, cheapest
to the very best.
White calf in thin, medium and
heavy.
Played by Leading
Musicians and Orchestras
Sold by Representative
Muaic Merchants
Middletown, N. Y.
Attractive Specialties
Modern Service
STEWART
BACON
BANJOS
The Frederick Rogers Co.
MUSICAL
MERCHANDISE
MUSICAL INSTRUMENT
and SPECIALTY CASES
Joseph Rogers, Jr., & Son
Farmingdale, N. J.
Mfg. by
GEIB & SCHAEFER CO.
Est. 1899
1751-9 N. Central Park Ave.
Chicago, 111.
Consult the Universal Want Directory of
The Review. In it advertisements arc inserted
free of charge for men who desire positions.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
FEBRUARY 18, 1928
The Music Trade Review
Chicago Manufacturers
Discuss Promotion Work
General Campaign on Fretted Instruments to Be Conducted in
Co-operation With National Bureau for the Advancement
of Music, and Will Shortly Be Launched
HICAGO, ILL., February 11.—The Association of Musical Merchandise Manufacturers of
the Chicago zone held the regular monthly meeting on Thursday, February 9, at the Audi-
torium Hotel with the new president, A. E. Hunter, presiding.
The discussion centered around the proposed promotional campaign for fretted instruments
to be conducted by the National Bureau for the Advancement of Music and the Chicago local
went on record as highly favoring this plan which has also been endorsed by the Eastern Di-
vision.
~~~~
Wm. F. Ludwig, a member of the local as the meeting and spoke briefly on promotional
well as the National Association of Musical In- work and explained what the Chamber could
strument & Accessories Manufacturers, is chair- do for the advancement of the work of the
association.
man of the committee which has been working
on this campaign, and it is understood that fol-
Retiring officers Walter M. Gotsch, former
lowing his report to the National Bureau for president, and H. Kuhrmeyer, former secretary,
the Advancement of Music the campaign will
were presented with handsome leather bags by
the members of the Association as a token of
be launched immediately.
their appreciation for their work during their
Alfred L. Smith, secretary of the Music In-
term of office.
dustries Chamber of Commerce, was a guest at
"Vibrator reeds for saxophone and clarinet
are made from the best cane from the Var, in
France," stated Mr. Verville, this week, to a
representative of The Review. "When they
arrive at the New York factory they are put
through a special hand-finishing process which
gives them a series of parallel grooves as a
result of which the exposed fibers help to keep
the reed dry and light. Vibrator reeds are the
C
George Cloos, Inc., Issues New Catalog
Covering Complete Line of Instruments
New Volume Shows Range of Flutes, Piccolos, Fifes, Drumsticks and Batons, with
Special Section Devoted to the Care of Woodwind Instruments
latest catalog of George Cloos, Inc.,
T HE
1659 Stephen street, Ridgewood, Brooklyn,
N. Y., features a complete line of flutes, pic-
colos, fifes, drumsticks and batons for leaders
sufficient oil to give instruments a slight gloss."
The Cloos professional model flutes are sell-
ing well, according to George Cloos, head of
the company.
Vibrator Hand-Made
Reeds of H. Chiron Go.
Manufactured of Finest Cane From Var,
France, They Are Finished by Special Proc-
ess in New York Plant
George Cloos, Inc., Plant
and drum majors. The Cloos firm was founded
in 1862 and has been manufacturing these prod-
ucts continuously since that time with the re-
sult that it now has dealer connections in every
part of the country, doing a steady business in
Cloos instruments.
An important feature of the catalog is the
section devoted to the care and preservation
of * wood-wind instruments. "Wood instru-
ments," it reads, "if not properly cared for,
are very apt to check and crack. It is impos-
sible to warrant instruments against such crack-
ing, but a little attention given the instruments
will practically insure them against mishap and
save the owner considerable inconvenience.
Sudden changes of temperature should be
avoided as these are more apt to crack the in-
strument than any other single cause. After
use the instrument should be wiped thoroughly
dry, both inside and outside, and placed in a
flannel or velvet bag. If the instrument has
not been used for any length of time and is
very dry both inside and outside, it should be
oiled before using. Raw linseed oil is best
for this purpose. Be careful not to use too
much oil, simply moisten the cloth and rub in
One of the best-selling reeds of the present
day, according to many music dealers in many
parts of the country, is the Vibrator hand-
made reed put out by the H. Chiron Co., 800
Eighth avenue, New York. These reeds are im-
ported from France by the Chiron firm and
then finished by hand in the New York factory.
So great is the American demand for them that
the factory has been constantly behind in filling
orders for several months, according to A.
Verville, manager of the company.
TEN DIFFERENT NUMBERS
OF STRENGTH
result of a long period of patient experiment
both here and abroad.
"The reeds are real hand-made reeds and
each one is individually tested before it is
packed. They are made in ten different num-
bers of strength as shown by the card which
is furnished to dealers for display iii the stores."
Music Trades Round
Table Meets March 10
BOSTON, MASS., February 14.—The next meeting
of the Music Trades Round Table will be held
on March 10 at the music store of Charles W.
Homeyer & Co., 458 Boylston street. The
meetings of this informal organization are keep-
ing up very well, and there were twenty-two
at the meeting last week. Arrangements are
being made to have this group, made up of
dealers in musical instruments, have a joint
gathering with the Boston Music Publishers'
Association, probably some time next month.
New Store in Bayonne
Morris Sachs, who lias been identified with
the Marshall Music Shop, Bayonne, N. J., for
the past twelve years, has opened his own busi-
ness under the name of Sachs Melody Shop at
533 Broadway. He is handling musical mer-
chandise, sheet music, music rolls and radio
accessories.
Opens Branch in Perry
The
stores
Okla.,
where
Colby
McDowell Music Co., operating music
in illackwell, Pawhuska and Ponca City,
has moved its Enid branch to Perry,
it is occupying the former site of the
Department Store.
Consult the Universal Want Directory of
The Review.
Harry Perlberg Now in Sole Control
of Jobbing Firm of Perlberg & Halpin
Well-Known Wholesale Musical Merchandise Business at 890 Broadway, New York,
Now Under His Direction with Cal Davidson as Assistant
announced some time ago in these col-
A S umns,
Harry Perlberg has taken over the
wholesale musical merchandise business of
Perlberg & Halpin, 890 Broadway, New York,
and will continue to operate it under the firm
name, Harry Perlberg, successor to Perlberg
& Halpin. The former firm was established
seventeen years ago with Mr. Perlberg as one
of the original partners, and grew to such an
extent that at the time of its acquisition by
Mr. Perlberg it had become one of America's
leading mus'cal merchandise wholesalers, with
one of the most complete stocks of everything
in musical merchandise.
While Harry Perlberg will be the head of
the company he will have the able assistance
of Cal Davidson, who has been with the busi-
ness many years, as general manager. Among
the lines the concern will continue to carry are
E. Monheimer, Saxony violins, Alvon Lorentze
metal clarinets, Nonpareil ukuleles, banjo uku-
leles, Padova Italian violin strings and the
famous Beltone musical instruments and the
Beltone accessory cabinet.

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