Music Trade Review

Issue: 1928 Vol. 86 N. 26

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
IN THE WORLD OF MUSIC PUBLISHING
Conducted by Fred B. Diehl
The Elements That Make a Profitable
Business in Selling Sheet Music
Career of Louis Mack, of Portland, Ore., who Recently Opened a New Retail Sheet
Music Store at 363 Morrison Street, that City
D O R T L A N D , OKK., June 22.—T.ouis Mack,
Portland's "pioneer" sheet music dealer,
lias set up his own music establishment at 363
Morrison street, realizing an ambition of sev :
i-nteen .years. During this period, Mr. Mack
has been moving hither and thither, setting
up his sheet music department in most of the
leading music stores in the city, including the
Wiley B. Allen Co., Bush & Lane Piano Co.,
Kohler & Chase, Soule Bros., the MacDougall
Music Co., the McCormick Music Co., and
others. In spite of the leases and contracts
and no matter how well his department was
prospering, Mr. Mack never knew from one
day to another when his space would be needed.
At last he decided that this had gone on long
enough, so he took the bit in his mouth and
looked around for a location suitable for open-
ing his own store under his personal direction,
and a neat, attractive and completely equipped
exclusive sheet music store at 363 Morrison
street, on one of Portland's main thorough-
fares, is the result.
During all the years of prosperity and those
of depression, Mr. Mack has never deviated
from his path or his ideal, and he has carried
We Are The
Exclusive Distributors of
RUDY WIEDOEFT'S
Saxophone Method and Solos
and
HARRY RESER'S
Banjo Method and Solos
THE OUTSTANDING VIRTUOSI
OF THEIR INSTRUMENTS
ROBBINS Music CORPORATION
f
799 Seventh Avenue,New York
Dealers say —
It's the easiest thing
in the world to sell.
WORLD-FAMOUS
Me KIN LEY
MUSIC

on many times in spite of black clouds. In
doing so he has built up a wonderful musical
library and a knowledge of the sheet music
business which is unsurpassed.
The musical fraternity of this section of the
country looks to Mr. Mack for much help when
it comes to building up their repertories and in
fact he is their "Vade Mecum." He has built
up this reputation through his willingness to
help, and the most prominent teachers down to
the person just starting on a musical career,
come to Mr. Mack with their problems. This
young man docs not believe that all knowledge
is obtained at school or college, but is a great
believer in "knowledge by observation," and all
these years he has been storing up information
applicable to the sheet music business in this
manner.
When Mr. Mack locks up his place of busi-
ness at night he does not put his sheet music-
business out of his mind, but spends much of
his leisure time digesting the contents of the
scores of sheet music catalogs which he has
gathered from all parts of the world. He knows
them forward and backward, and for relaxation
memorizes the opuses of every budding com-
poser that comes on the musical horizon. By
this method he is not only familiar with the
standard works, but is up to date and familiar
with the newer publications.
That the training of the hands, instead of the
ears, of the nation is essential to the life and
growth of the music business is the belief of
Mr. Mack, and the music teachers and music
pupils are the backbone of the trade is the
theory upon which he works. They are to be
catered to, says Mr. Mack, for it is from them
that the business comes and they are the only
source from which the music dealer and the
music publisher can expect it to come. One of
Mr. Mack's pet slogans, and one which he ad-
vises all sheet music dealers to adopt is "En-
courage the amateur, the professional can take
care of himself."
It has not all been rosy during the seventeen
years of business, but through perseverance and
sticking to it through thick and thin, Mr. Mack-
landed on his feet with his head up ten years
ago, and since that time his business has been
steadily going up-grade.
With the Wonderful Catalog,
Fine Cabinet, Graded
Counter Portfolios,
Display Signs,
etc.,
IT SELLS
ITSELF!
Numbers of "George White's
Scandals" Announced
Music for Production Written by De Sylva,
Brown & Henderson and Published by That
Firm
Announcement was made this week by De
Sylva, Brown & Henderson, Inc., New York, of
the titles of the leading songs in the score of
the new "George White's Scandals," which will
have its premiere in Atlantic City shortly. The
music for this year's "Scandals" is written, as
in the past two years, by B. G. De Sylva, Lew
Brown and Ray Henderson, and will be pub-
lished by their own firm for the first time.
With a string of hits credited to these writers
both individually and as a team, one is not
apt to be far wrong in predicting at least seven
best sellers out of the fourteen songs in the pro-
duction.
During the rehearsals in New York, the pub-
lishers, who are a trifle more modest, have
selected five numbers out of the list as standing
out above the others. The titles of these songs
are as follows: "I'm on the Crest of a Wave,"
"American Tune," "Pickin' Cotton," "Alone
With Only Dreams" and "What D'Ya Say."
The first of these is a happy-go-lucky tune; the
second is on the order of the "Birth of the
Blues," from one of the earlier "Scandals,"
"Pickin' Cotton" shows promise of being an-
other dance sensation; "Alone With Only
Dreams" has a winning melody, and "What
D'Ya Say" is expected to run away with indi-
vidual honors.
Weymann & Son Feature
"Speedy Boy" Display
PHII .AUKI IMI I A, PA., June 23.—Capitalizing on
the popularity of Harold Lloyd, motion picture
comedian, the music store or H. A. Weymann
& Son, of this city, devoted its entire show
window not long ago to a display of "Speedy
Boy," the theme song of the comedy film,
"Speedy." This effective window display was
appropriately dressed with snapshots of the
popular fi'm comedian and "stills" from his
latest picture.
"Speedy Boy" is published by the Robbins
Music Corp., New York, and was effectively
lied iiT> here with the Paramount release of the
Harold Lloyd celluloid feature. As with the
instance of the Victor records being released in
advance of the film comedy, in order to enable
music dealers to stock up in anticipation of the
rush, the enterprising Weymann store came in
•or its share of profit by the timely hook-up.
Outstanding Numbers in
Berlin Summer Catalog
The Summer catalog of Irving Berlin, Inc.,
New York, is in full swing and as usual several
"dark horses" have made their appearances as
unexpected hits. One of these is "Lonely Little
l>luebird" which has a wide professional follow-
ing already, and is selling well on sheet music
counters. "Hello Montreal," "What of It, We
Love I t " and Gene Austin's number, "Old Pals
Are the Best Pals After All," are likewise doing
well. "Get Out and Get Under the Moon," of
course, is close to the top of the list and is
gaining every day in sales and general popu-
larity. In addition, "Ups and Downs," "Be-
loved," "Sunshine," "I Can't Do Without You"
are among the best sellers.
24
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
JUNE 30, 1928
Songs Provide Themes
for Feature Films
'Sunrise and You" and "Mother Machree" Basis
of New Films Produced by the Fox Organ-
ization
The practice of motion picture producers
selecting the story of an old, familiar song for
the dramatic as well as the musical theme for
scenarios has opened up a new condition as
well as a new relationship between music pub-
lishers and picture makers. Instead of songs
being written around the.pictures, feature films
are being built around songs. Perhaps the most
notable of these was the Norma Talmadge pic-
turization of Jane Cowl's play, "Smilin'
Through," which in a very real sense made pic-
ture history.
Among the latest pictures to use song themes
for their motives are two Fox films. One is
"Sunrise," with Janet Gaynor and George
O'Brien, and the other "Mother Machree," fea-
turing Belle Bennett and 1'hilipe Delacy. The
former film had a great vogue at the Times
Square theatre, New York, and has just been
released for the country generally. Its music
theme is, naturally and appropriately, the mel-
ody of "Sunrise and You," a standard ballad
that has taken a permanent place among
America's favorite songs written, by the way,
by the composer of "Smilin' Through," Arthur
A. Penn. The atmosphere that permeates "Sun-
rise" is adequately reflected in the "Sunrise and
You" theme.
"Mother Machree" has just finished its metro-
politan run. Its story is based on the words of
the famous song written by Rida Johnson
Young, and its music theme is the melody of
"Mother Machree," composed by the late Ernest
R. Ball. The publishers of both "Mother Ma-
chree" and "Sunrise and You" happen to be M.
Witmark & Sons, New York. The publishers
and the William Fox organization have per-
fected a tie-up of both these feature films and
their corresponding songs, so that the demand
for both numbers is receiving a boost from
trade and public alike. To add to the features
of these two pictures, both are released with
Movietone accompaniment.
The Music Trade Review
25
some time, and a newcomer to the office is
Miss J. Ninde, who was formerly with the com-
pany in Chicago and who is well known to the
trade in the Middle West.
New Waltz by Rich
in Robbins Catalog
"That Wonderful Night and You" Scores Hit
in British and Continental Appearances of Its
Composer
Freddie Rich, who returned recently from
Europe with his Hotel Astor Orchestra, has
brought back a new waltz, "That Wonderful
Night and You," which he completed abroad
and which will be a feature of the catalog of
the Robbins Music Corp., New York, in the
Fall. Mr. Rich's success touring the British
and German variety circuits created a unique
situation in giving an American waltz hit, its
first exploitation in England and the Continent,
prior to its popularization in the United States.
M.\ Rich's foreign tour was acclaimed and it
was only his prior American contract with the
Hotel Astor in New York which demanded his
early return. "That Wonderful Night and You"
is now receiving an intensive radio plug on tin-
National Broadcasting Co.'s chain by Freddie
Rich and his augmented orchestra, which re-
cently opened its Summer season atop the Hotel
Astor Roof Garden. Along with "That Won-
derful Night and You," the Robbins Music
Corp. has added two feature numbers to its
catalog, "Just a Little Bit O' Driftwood," the
melody fox-trot by Abe Lyman and Benny
Davis, and "Sweet Ella May," by J. Russell
Robinson, writer of "Mary Lou. 1 '
"He's Our Al" Fine
Campaign Song Smash
Song Used by Eastern Democratic Delegates
on Way to Houston—Sung in Vaudeville
With the Democratic National Convention at
Houston held this week, Will Von Tilzer, head
of the Broadway Music Corp., New York, an-
nounced that the firm's number, "He's Our Al,"
is looming up bigger and better as a campaign
song possibility. Freeman & Lynn have been
using the song during the past week at Loew's
State Theatre, New York, Young's Restaurant
Proof that the new Century edition of novelty has been featuring it as part of the regular
fox-trots is meeting with popular favor has been after-theatre show, the Luna Park Band, Coney
received daily by the Century Music Publish- Island, has been playing it in its concerts twice
ing Co., New York, since the first release of a day, to mention only a few of the places it
the dance numbers a few weeks ago. Dealers is being heard in and around New York.
Jules Von Tilzer, of the firm, successfully re-
have found a ready market for the Century fox-
hearsed
the ship orchestra and song leader on
trots and are reordering regularly. In addi-
tion, many large Eastern dance orchestras have board the steamship "Shawnec," so that the
commenced to use the Century dance arrange- Democratic gathering sailing to Houston were
ments in. their broadcast programs. Bern able to learn the "He's Our Al" en route. In
Jacobs and his Pennsylvania Yellow Jackets, of addition, Will Von Tilzer has been receiving
Wilkes-Barre, Pa., for one, have become admir- letters from orchestra leaders in all parts of
ers of the Century numbers, and are featuring the country, notably the South, who are pleased
"Lisztonia" and "With You My Own" on all with the song and are using it regularly.
their programs.
A Real Hit?/
YOU RE
A R.EAL,
SWEETHEART
ki Irving Ceasar aCliff Friend
Uewi Novell and Nifty/
.
i y GUS KAHN
S-TED F1OFUTO
A Ballad That's Different!
*UST NIGHT
I DREAMED,
YOU KISSED ME
%y
GusKahn & Carmen Lombardo
1
Cute/ Cleder/ CaccJtyf
New Century Fox-trots
Being Widely Played
Forster Numbers Moving
Well, Is Report
NED WtttEFLe CHESTER COHN
• That Great Harmony Ballad/
I TORE U P
YOUR PICTURE
WHEN YOU SAID
GOOD BYE*
l y DOILY MORSE & AN DREW DONNEU.Y
"You're a Real Sweetheart"
The Summer hit, that seems destined to fol-
low "Ramona" as leader in the Feist catalog, is
"You're a Real Sweetheart," which has com-
Lon Mooney, manager of the Eastern pro- menced to show up both professionally and
fessional offices-of the Forster Music Publisher, commercially in a big way. The song was writ-
Inc., Chicago, which were opened a few months ten by Irving Ceasar and Cliff Friend. Cliff
ago in Room 403A, 745 Seventh avenue, New Friend's melody is of the type that one remem-
York, reports splendid activity of the firm's bers and likes. Leo Feist, Inc., New York, in
catalog since its entrance into the Eastern field. realizing that "You're a Real Sweetheart" is
"Tomorrow" and "Just Across the Street From of the best seller variety, is starting a campaign
Heaven" continue as the firm's leaders and behind the number, the first step of which is a
three new numbers are showing up well. "Don't folder describing the song and sent out to the
Wait Till Lights Are Low" and "Loving You trade this week.
Like I Do" are adapted to Summer demands
and a new comedy number, called "The Prune
Consult the Universal Want Directory of
Song" is also taking hold. Eddie Woods has The Review. In it advertisements are inserted
been acting as assistant to Mr. Mooney for free of charge for men who desire positions.
MA5EL
WAYNB
LEO. FEIST INC
23lw.4O th ST.
N.YC.

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