Music Trade Review

Issue: 1928 Vol. 86 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
JUNE 2, 1928
15
The Music Trade Review
Tom Brown Music Co. Opens New Store
at 315 South Wabash Avenue, Chicago
Many Leading Artists of Dance and Orchestra Worlds on Hand at Formal Opening of
Store of Widely Known Master of the Saxophone
i^HICAGO, May 26.—Roy Dietrich, Gene Caf-
^ farelli, Benny Krueger, Frankie Masters,
Art Kahn, Wendell Hall, Del Lampe, Abe Ly-
man, Gus Edwards, Frank Westfall and many
other stars of the dance orchestra and radio
worlds were on hand last week to offer their
congratulations to Tom Brown, world-famous
saxophonist, on the opening of the Tom Brown
Music Co.'s new store at 315 South Wabash
avenue. The attractive new location marks an
important step in the company's growth. Start-
ing in small, modest quarters in the State-Lake
Building in 1921, this popular musical instru-
ment house has made such progress that loca-
tion in the heart of Chicago was a logical step.
H. J. Wallace, secretary of the firm, in an in-
terview, stated that the directors were greatly
pleased to be able to move at this time, since
they feel that the enviable reputation the firm
has gained in the seven years of existence
makes this move consonant with its needs for
larger space, as well as a more central location.
The amateur trade is catered to as well as the
professional and its new location will enable
iis patrons to reach the store with considerably
less trouble.
Tom Brown, president and leader of the fa-
mous Original Six Brown Brothers, while play-
ing Eastern time, cancelled his bookings long
enough to be on hand for the formal opening
and several days thereafter.
Tom Brown has done as much as anyone else
to popularize the saxophone and is one of the
pioneers in its demonstration. Born in Ottawa,
Canada, in 1881, he was one of eleven children.
His father was leader of the Governor-General's
Footguards Band of Ottawa and a fine musician.
Being the son of a musician, Tom was early in-
troduced to the study of the violin. His parents
caused him to switch over to the clarinet and
from then on his musical progress was fast.
At thirteen, he went out into the world to seek
his own fortune. He worked in an organ fac-
tory for a time and^ later joined a minstrel show
as clarinetist. In 1904 he joined Ringling Bros.
Circus as clarinet soloist, where he remained
five years. It was during this time that he
organized the Original Six Brown Brothers.
During the off-seasons in circus routine he
applied his time playing the moderate priced
vaudeville houses and it was from these that
he graduated into the better paying houses. His
big chance came at the Empire Theatre, Hobo-
ken, N. J., and as Tom has put it, "we were all
on edge to make the grade."
But things apparently were not ripe. The act
was cancelled after the first performance on
various pretexts. Greatly discouraged, Tom
went back to circus life, where he stayed until
1909. At that time he and the Six Brown
Brothers joined a burlesque show, "Curtin's
Broadway Gaiety Girls," with whom he made
a tremendous hit and from which he stepped
to the Keith and Orpheum Circuit—"big time"!
At last, the theatre managers discovered him
and from then on sailing was easy. After three
years in vaudeville he joined the famous Prim-
rose and Dockstadter Minstrels, with which he
stayed two years. At the end of this time he
toured the world with huge success. In Lon-
don, Tom Brown and his Original Six Brown
Brothers joined the famous team of Montgom-
ery & Stone, with whom they were connected
for nine years. He has traveled with Julian
Eltinge and has toured Australia since.
Success has not spoiled Tom Brown and his
intensely human and vivid personality is re-
flected in the store that bears his name and
which he visits when engagements bring him to
Chicago. As the cigarette ads say, "such popu-
larity must be deserved." The firm carries
Buescher band instruments and saxophones,
Selmer woodwinds, Paramount banjos and
Leedy drums.
BACON
AttractiYe. Specialties
Modern S e r v i c e
KALAMAZOO, MICH., May 26.—According to in-
corporation papers filed at the Secretary of
State's office, the capitalization of Gibson, Inc.,
manufacturers of Gibson fretted instruments,
was increased this week to $300,000.
Paul Moennig Returns
From Trip Aboard
Chicago Musical Merchandise Distributor Back
After Visiting European Buying Centers
CHICAGO, III., May 26.—Paul Moennig, head of
Tonk Bros. Co., Chicago, wholesale distributor
of musical merchandise, with headquarters at
t)23 South Wabash avenue, has returned from a
two months' buying trip abroad.
Mr. Moennig sailed on the steamship "Col-
umbus," accompanied by his wife and two chil-
dren and E. Holmes, buyer of the musical mer-
chandise department of Lyon & Healy.
Principal music centers in Germany, France,
and Czecho-Slovakia were visited. In Germany
Mr. Moennig and his party made their head-
quarters at Markneukirchen, where the three
brothers of Paul Moennig, Richard, Harold, and
Fritz reside and are in the music business. The
two former brothers are in the string business
and manufacture the well-known brand of
strings represented by Tonk Bros. Co., known
as the Beau Ideal and Elephant brand. Fritz
Moennig is the maker of high grade violins
made under his own name which are also
handled by the Chicago jobber.
You have tried the rest
—Now use the BEST
Joseph Rogers' Son
"XXX" and "STANDARD" Brand
Drum and Banjo Heads
Made from Genuine Calfskin
The Frederick Roger* Co.
17 Jackson Are.
Middletown, N. Y.
Black Diamond
Strings
THE WORLD'S BEST
National Musical String Co.
New Brunswick, N. J.
MR. DEALER — SELL?
RED ARROW PICKS
Importers mui tmhhmrm ef
MUSICAL
MERCHANDISE
(Better than Celluloid)
Our own make, thirty different picks for
Mandolin, Banjo, Guitar, etc. Each pick is
highly finished, supplied in light and medium-
heavy grades, made from our own special
stock.
Special price upon request.
ASK ABOUT OUR SPECIAL CABINET OFFER
NICOMEDE MUSIC CO., Altoona, Pa.
Manufacturers
Played by Leading
Musicians and Orchestras
Sold by Representative
Music Merchants
BACON BANJO CO., Inc.
GROTON, CONN.
DURRO
VIOLINS
BOWS
STRINGS
Gold Medal Strings
for musical instruments
Gold-plated Steel and
Wound Strings
AND
STEWART
BANJOS
MANDOLINS
GUITARS
Gibsoo Musical String Co.
for
Violin, Viola,
'Cello and Bass
Buegeleisen & Jacobson
NEW YORK
N # J HU
SEND FOR TRADE PRICE LIST OF
Largest Wholesale
Musical Merchandise
House in America
5-7-0 Union Seuar.
B#
MULLHI * KAPLAN
1S4 E u t Mtk St., N. Y.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
IN THE WORLD OF MUSIC PUBLISHING
Conducted by Fred B. Diehl
International Copyright
Conference Held in Rome
Congressman Sol Bloom, Representing the United States, Work-
ing With Other Delegates to Develop Draft of Law
That Will Meet Approval of This Country
T
HE draft of uniform copyright law to be submitted for ratification to all the parliaments of
the world, with a special effort being made to develop an agreement that will win the
approval of the United States, which has heretofore refused to subscribe to the Interna-
tional Copyright Union is now being discussed in Rome, Italy, by representatives of the lead-
ing nations. The United States is represented at the Conference by Representative Sol Bloom,
of New York, a recognized authority on copyright.
The basic idea of copyright approved by all
Mr. Bloom made a motion, which the con-
the representatives of all the nations at the con-
ference, including the American delegates, is ference approved, to the effect that the principle
radically different from the one obtaining in the of automatic copyright should hot necessarily
United States now. It is founded on the prin- exclude formalities, but that registration of the
ciple of "automatic copyright." This means products of men's brains should exist only as
that as soon as an author, writer, musician or a convenient method of establishing priority.
In all nations accepting the conclusions of
any other brain worker sets down his thoughts
on paper they are automatically copyrighted the Rome conference, therefore, all authors,
without the necessity of further formalities. In musicians and other creators will be automatic-
America it is now necessary to complete certain ally protected by copyright from the moment
they have written their thoughts down.
formalities before a copyright can be obtained.
Each nation may continue to have a special
office where the work may be registered as an
aid to establishing priority, but the authors will
enjoy full protection even if they do not com-
ply with any such formalities. If any question
arises, priority in setting down the thoughts on
paper will always take precedence over priority
fl
in registering at a copyright office.
One point in dispute was on the question of
ADVANCED
"oral" copyright, designated to extend copy-
right protection to the spoken word. Mr. Bloom
won out in his objection to this move by de-
claring it was contrary to the American Con-
FOR THE
stitution which provides such protection only
for "writings and inventions."
Another main point made by Mr. Bloom is
Volumes 1 and 2
that whatever conclusions are reached in Rome
List Price, $1.50
should state clearly that they are not retroac-
REGULAR DEALERS' DISCOUNTS
tive. In other words, they should state ex-
plicitly that no claims can be made by authors
ROBBINS
CORPORATION
in respect of works which hitherto have been
considered public property in the United
799 Seventh Avenue .New York
States.
This provision, Mr. Bloom advocated in or-
Announcement!
.
NOW READY
B RUDY WIEDOEFT'S
ETUDES and
STUDIES
SAXOPHONE
Music

McKINLEY
MUSIC
20^ A Copy to Dealers^ 7? A Copy
McKINLEY MUSIC CO. ^ >
CHICAGO,ILL
16
der to protect Americans, who make phono-
graph records, player-rolls and the like and
who would be hard hit if suddenly called upon
to pay royalties on works which have hitherto
been considered as public property but which
come within the scope of the proposed copy-
right law.
The conference has not yet given assurance
that it will accept this provision, but the Amer-
ican delegation trusts that it will be forthcom-
ing within a few days.
Broadcasting is the only remaining bone of
contention. Most of the European delegates
hold that broadcasting cannot be considered to
form a part of "performances for profit," and
therefore that no royalties are due to authors
when their works are broadcast.
Mr. Bloom has protested energetically against
this view, quoting the example of America,
where, he said, broadcasting companies willing-
ly paid authors for works included in their
programs.
He read a letter from the Radio Corp. of
America, which stated explicitly that the Radio
Corp. believed that authors should receive full
compensation for works broadcast.
As soon as all the delegates are agreed on
broadcasting, which is to be expected by the
end of this week, work of the conference will
be over. The resolutions approved here will
then be submitted to the Parliaments of all the'
nations for transformation into law.
"Fanette" Is Released
by Berlin Standard
Number is Characteristic Fox-Trot by Rube
Bloom, Composer of the Well Known "So-
liloquy"
The Irving Berlin Standard Music Corp., New
York, has just released a characteristic fox-trot,
entitled "Fanette," by Rube Bloom, composer
novelties. "Fanette' has a clever melody, as
have all of Mr. Bloom's pieces, and the pub-
lishers are confident that it will become one of
the outstanding instrumental hits of the year.
A special symphonic dance orchestration is
under preparation and will be ready for general
exploitation in a short time. This is one of a
series of dance tunes that will be published by
I he Irving Berlin Standard Music Corp.
The company has also taken over the exclu-
sive publishing rights for tenor banjo, piano,
mandolin and guitar of "Russian Rag," and
"Some of These Days," previously published by
Will Rossiter of Chicago. These numbers will
be arranged for tenor banjo by Roy Smeck and
will be added to the banjo catalog of the Irving
Berlin Standard Music Corp. The John Philip
Sousa marches for tenor banjo and piano will
be released early in June.

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