Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
News Number
THE
REVIEW
fflJJIC TIRADE
VOL. 86. No. 20
Published Weekly. Federated Business Publications, Inc., 420 Lexington Ave., New York, N. Y., May 19,1928
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Through AudioGraphic Music the door to a new treasureland
of beauty and enjoyment is opened.
oAudioQraphic cTMusic
for the DUO-ART PIANO
O simple a child understands and
enjoys it, so authentic and enlighten-
ing, that the world's greatest musi-
cal institutions have adopted and
are using it, AudioGraphic Music has
opened the way to greater musical enjoyment.
Music educators everywhere are acclaiming
AudioGraphic Music. And rightly, for who
could question the authenticity of the an-
notations of Wagner's works by his own
son Siegfried, of Sir Alexander Mackenzie's
comments on Beethoven, of Ashton Jonson's
expositions of Chopin, or Ravel's explana-
tions of his own compositions? These and
over three hundred of the world's foremost
musical authorities have collaborated in
preparing AudioGraphic Music. Inspired
by its tremendous importance, they have
taken part in the work with a united enthu-
siasm such as has never before been accorded
to any movement connected with the fine arts.
Paderewski, Hofmann, Bauer, Gabrilowitsch
and scores of other great artists have con-
tributed their playing to AudioGraphic
Music. Is it any wonder then that this un-
usual presentation of music has been received
as a revolutionary means of music apprecia-
tion?
COMPANT
EXCLUSIVE PUBLISHERS AND DISTRIBUTORS OF AUDIOGRAPHIC MUSIC HERE AND ABROAD
AEOLIAN HALL
LONDON
—
PARIS — BERLIN
—
NEW YORK
MADRID
— MELBOURNE
—
SYDNEY
•>
Entered as second-class matter September 10, 1892, at the post office at New York, N. Y., under the act of Congress of March 3, 1879.