Music Trade Review

Issue: 1928 Vol. 86 N. 17

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
ary, at the time of the meeting of the National
Board of Control in that city, for a first meet-
ing, where a great amount of work was accom-
plished.
In view of what has already been accom-
plished it is now urged that the piano industry
and the merchants interested in the wider de-
velopment of group piano instruction make a
special financial provision for the further finan-
cing of this group-instruction
movement
through the medium of the Bureau for the
Advancement of Music. It must be understood
that other divisions of the music industry make
financial appropriations for the development
of work in which they are specially interested
by the Bureau', an example being in the way
in avhieh the National Band Instrument Manu-
facturers' Association makes special appropria-
tions for carrying on the work in connection
with the national and State school band con-
tests.
The report of the l'iano Section of the Com-
mittee on Instrumental Affairs of the Music
Supervisors' National Conference, which was
prepared by C. M. Tremaine as secretary of
that committee and which was published by
the National Bureau for the Advancement of
Music, covers in detail the practical side of
group piano instruction in the American public-
school. After a general foreword on the part
which piano education should take in the
child's musical education, the aims and prac-
ticability of piano classes and results are dealt
with, followed by some consideration of the
necessary type of teacher and reaction upon
the private teacher in connection with public
instruction.
This is followed by a general plan of organ-
ization for such classes, covering in detail the
preliminary work, the organization within the
school, etc. The next section of the report
is devoted to current practice in schools where
group piano instruction is already being given,
examples being drawn from Rochester, N. Y.;
Dallas, Tex,; Kansas City, Mo.; Birmingham,
APRIL 28, 1928
Ala.; Evanston, 111.; Racine, Wis.; Topeka,
Kan.; Santa Ana, Cal.; Minneapolis, Minn.;
Saginaw, Mich; Cleveland, O.; Lowell, Mass.;
Council Bluffs, la.; Springfield, O.; Milwaukee,
Wis.; South Bend, Ind.; Huntington, W. Va.,
and Marion, 111.
The next section of the report covers class-
room organization, including the room and its
equipment, class routine, seating, taking places
at the piano, technic, relationship of the piano
lesson to the singing lesson, relation to the
rest of the school, home practice and class
records. The final section is devoted to the
piano-playing contest in relation to group in-
struction in the schools.
The conference was attended by C. M. Tre-
maine, as secretary of the committee and as
the director of the National Bureau for the
Advancement of Music, and Delbert M. Loomis,
executive secretary of the National Association
of Music Merchants, who attended all the com-
mittee meetings and sessions of the conference
as a guest of that organization.
Kieselhorst Advertises to
Chinese in Own Language
as follows: "Come here for your Chinese records
and Victrolas. Time payments. Complete stock
carried here. Kieselhorst l'iano Co. Ask for
Miss Moore."
E. A. Kieselhorst, president of the company,
RST
KIE
i
10*7 OUv* St.
•t. touit
Manager Record Department of St. Louis Music
House Goes After the Laundrymen's Trade
in Their Own Hieroglyphics
"Talk to Them In Their Own Language," ap-
pears to be the slogan of Miss Helen Moore,
manager of the record department of the Kiesel-
horst Piano Co., St. Louis, where Brunswick,
Columbia and Victor products are handled with
a full measure of success. Miss Moore has a
number of Chinese customers and some time
ago had one of them lay off "spotting up"
laundry tickets long enough to get up a special
letter with Chinese characters to carry the
Kieselhorst message to the music-hungry celes-
tial. The text of the letter, which is repro-
duced herewith, is translated by Miss Moore
looked over the circular letter, and after care-
ful study determined that the legend at the top
might be translated into English as the "Kiesel-
horst Piano Co.," with the company's address.
Prove Good Real Estaters
BUFFALO, N. Y., April 21.—Neal, Clark & Neal,
Buffalo musical instrument dealers, have just
sold property in Rochester, which they pur-
chased ten years ago as an investment, in
connection with their operation of the Music
Lovers' Shoppe in that city, at a price said to
establish a record for East avenue frontage
in Rochester.
POOLE
Baby Upright
Style 45~3 feet 9 in. High
v^....
'
*

Brown Mahogany
Satin Finish
New Style 45—Upright, 45 inches high
For two generations the name POOLE has stood for the finest New England
ideals in piano building.
The new Style 45 harmonizes real POOLE Quality with the present day vogue of
small pianos.
A superior "little piano.'
Write for further information
POOLE PIANO CO.
BOSTON
Factory: CAMBRIDGE, MASS.
MASS.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
APRIL 28, 1928
New Knabe Warerooms
Imposing Decorative Plan
Give Over 30,000 Square Feet for Display of American Piano
Co. Lines in Ampico Tower Building, Forty-Seventh
Street and Fifth Avenue, New York City
("HARMING and elegant simplicity, so characteristic of the Georgian period of the late
eighteenth century English decorative art, is the dominant motif of the new Knabe Ware-
rooms, which have been recently opened in the Ampico Tower Building, on the north-
west corner of Forty-seventh street and Fifth avenue, New York. The building itself, which
lias just achieved completion, is the work of Warren & Wetmore, and is a splendid addition
to that long row of business structures which in the past few years have made this section of
A
struments which it contains appear to their best
advantage.
In the rear of the main warerooms is a stair-
way in Travatine stone with wrought-iron bal-
ustrades inlaid with gold leading to the base-
ment showrooms and Ampico department. The
lobby of this, which is finished with Travertine
stone and tile, is decorated in Italian Renais-
sance, with beamed and hand-pressed plastered
ceiling, painted in a characteristic design in
pastel colors. A number of Ampico demon-
stration rooms are placed here, with the Am-
pico record department in the front. Special
ventilating apparatus has been installed.
The second floor warerooms, reached by pri-
vate elevators, are decorated in French gray
with contrasting draperies. The main decora-
tive feature of this room are two copies of the
famous Fragonard panels of the Morgan Col-
lection in the Metropolitan Museum in New
York. The glowing color of these makes a
charming contrast with the walls, a contrast
Interior Views of the New Knabe Warerooms in NewYork
Fifth avenue the leading shopping thorough- trusive through their entire harmony with the which is enhanced by several eighteenth cen-
fare of the United States, if not of the world. general decorative scheme. Two Flemish tury commodes in Chinese lacquer that are
Its location is ideal, being directly in the cen- tapestry panels, of the school of Brussels of
scattered about the room. The third, floor is
ter of this section.
the eighteenth century, from the famous Sam- practically a replica of the second. However,
Faced by large display windows directly upon son Series, showing Samson at Gaza and Sam- it contains front and rear display rooms with
Fifth avenue and which provide an uninter- son and Delilah, similar to the world-famous a consolidated collection office which has a di-
rupted view from the street of the entire first- series now in the Hapsburg Collection in rect entrance through the Brentano Building
floor warerooms, these have been decorated in Vienna, decorate the walls. A painting of Maria at 1 West Forty-seventh street.
The new Knabe Warerooms have over 30,000
pale green and gold laid over red lacquer with Theresa, of Spain, the first wife of Louis XIV
square feet of display space, and are equipped
dark rugs, providing a beautiful background of France, by Mignard, the court painter of
for the display of the instruments. The fur- that period, is also there. The general impres- with every modern facility for the adequate
nishings have been specially designed for this sion received from the room is a restful and display of the various lines that are handled.
room, being for the most .part replicas of genu- harmonious simplicity, charming in its general The interior decorative scheme was carried out
ine eighteenth century pieces, and are unob- effect and beautifully designed to make the in- by the J. G. Valiant Co., Baltimore, Md.
NEWARK N. J.
ESTABLISHED 18O2
ONE OF AMERICA'S
Z""
GRANDS
FINE PIANOS
UPRIGHTS
THE LAUTER-HUMANA

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