Music Trade Review

Issue: 1928 Vol. 86 N. 17

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
News Number
THE
REVIEW
VOL. 86. No. 17 Published Weekly. Federated Business Publications, Inc., 420 Lexington Aye., New York, N. Y., April 28,1928
"-jlfflS &g~ to
Class Piano Teaching Endorsed
by Music Supervisors
Music Supervisors' National Conference in Chicago Recommends
to Educational Authorities Investigation and Instal-
lation of Piano Classes in the Schools
HICAGO, April 21.—The Music Supervisors' National Conference, at its meeting here this
week, officially endorsed the establishment of class piano instruction in the public schools
of America, in adopting unanimously the report of the Committee on Instrumental
Affairs, at one of its final sessions. The section of this committee report directly dealing
with piano class instruction reads as follows:
"The committee recommends to all school boards the study and investigation of group-
C
it no progress could be made in a practical
manner. The appointment of a special piano
committee by the National Supervisors was
due largely to the steady work of C. M. Tre-
maine, whose constant effort in this direction
met with many obstacles. Chief among these
was the fact that endorsement of class piano
instruction, it was considered by the super-
visors, would entail an endorsement of a cer-
tain method of instruction to which they were
naturally opposed. Mr. Tremaine overcame this
objection by urging the endorsement of group
instruction in principle only, leaving the choice
of method to the individual supervisor or the
Piano Section of the Committee on Instrumental Affairs. Music Supervisors' National Conference
Reading from left to right: J. E. Maddy, Chairman; Otto Miessner, C. M. Tremaine. Secretary; Osbourne McConathy; T. P. Giddings, Helen Curtis, and V. \.. F. Kebmann,
a member of the Instrumental Affairs Committee
piano teaching with a view to inaugurating it
in their schools. It approves the manual pre-
pared by the Piano Section of the Committee
for the guidance of school superintendents, mu-
sic supervisors and class-piano teachers, and
approves the policy of the Piano Section not to
advocate any particular method, but to leave
this to the selection of the individual teacher
and school system. Furthermore, it regards as
a notable achievement the fact that the mem.-
bers of the Piano Section, each working from
his own background, were able to collect and
organize so valuable a common fund of infor-
mation and suggestions, and this without touch-
ing upon the details of any individual method
or course."
In the opening paragraph of his report Chair-
man J. E. Maddy stated:
"This report marks the conclusion of six
years of activity on the part of the Committee
on Instrumental Affairs, in which time the sub-
ject of instrumental music has grown from an
experiment to a regular subject in many of the
school systems of America. The success of the
committee is due in a large measure to the
whole-hearted support and cooperation of the
National Bureau for the Advancement of Music,
through the untiring efforts of Mr. C. M. Tre-
maine, director of the Bureau and secretary of
the committee. The Bureau has been able to
get adequate financial support for the projects
of the committee with the result that construc-
tive policies have biiti undertaken and carried
out."
Behind this endorsement of class piano in-
struction in the schools from the music super-
visors of the country lies an interesting story
of vital interest, since the endorsement of the
National Conference is undoubtedly the most
important step which has been taken in the
campaign to place piano instruction within the
reach of every child in the country, for without
educational authorities concerned. Any move
connected in any way with any particular
method would have directly defeated the meas-
ure.
Throughout the campaign, which has ended
by this action on the part of the supervisors,
the work was badly handicapped through lack
of funds on the part of the piano industry and
trade The appropriations which support the
Bureau for the Advancement of Music do not
permit the use of any of its funds for direct
propaganda in favor of any one type of musi-
cal instrument. After the committee on piano
instruction had been appointed by the super-
visors there were no funds available to bring
lhe committee members together for a first
conference. This was overcome by the action
of the National Association of Music Mer-
chants, which, at a cost of approximately $600,
brought the members to New York in Febru-
(Continued on page 4)
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
ary, at the time of the meeting of the National
Board of Control in that city, for a first meet-
ing, where a great amount of work was accom-
plished.
In view of what has already been accom-
plished it is now urged that the piano industry
and the merchants interested in the wider de-
velopment of group piano instruction make a
special financial provision for the further finan-
cing of this group-instruction
movement
through the medium of the Bureau for the
Advancement of Music. It must be understood
that other divisions of the music industry make
financial appropriations for the development
of work in which they are specially interested
by the Bureau', an example being in the way
in avhieh the National Band Instrument Manu-
facturers' Association makes special appropria-
tions for carrying on the work in connection
with the national and State school band con-
tests.
The report of the l'iano Section of the Com-
mittee on Instrumental Affairs of the Music
Supervisors' National Conference, which was
prepared by C. M. Tremaine as secretary of
that committee and which was published by
the National Bureau for the Advancement of
Music, covers in detail the practical side of
group piano instruction in the American public-
school. After a general foreword on the part
which piano education should take in the
child's musical education, the aims and prac-
ticability of piano classes and results are dealt
with, followed by some consideration of the
necessary type of teacher and reaction upon
the private teacher in connection with public
instruction.
This is followed by a general plan of organ-
ization for such classes, covering in detail the
preliminary work, the organization within the
school, etc. The next section of the report
is devoted to current practice in schools where
group piano instruction is already being given,
examples being drawn from Rochester, N. Y.;
Dallas, Tex,; Kansas City, Mo.; Birmingham,
APRIL 28, 1928
Ala.; Evanston, 111.; Racine, Wis.; Topeka,
Kan.; Santa Ana, Cal.; Minneapolis, Minn.;
Saginaw, Mich; Cleveland, O.; Lowell, Mass.;
Council Bluffs, la.; Springfield, O.; Milwaukee,
Wis.; South Bend, Ind.; Huntington, W. Va.,
and Marion, 111.
The next section of the report covers class-
room organization, including the room and its
equipment, class routine, seating, taking places
at the piano, technic, relationship of the piano
lesson to the singing lesson, relation to the
rest of the school, home practice and class
records. The final section is devoted to the
piano-playing contest in relation to group in-
struction in the schools.
The conference was attended by C. M. Tre-
maine, as secretary of the committee and as
the director of the National Bureau for the
Advancement of Music, and Delbert M. Loomis,
executive secretary of the National Association
of Music Merchants, who attended all the com-
mittee meetings and sessions of the conference
as a guest of that organization.
Kieselhorst Advertises to
Chinese in Own Language
as follows: "Come here for your Chinese records
and Victrolas. Time payments. Complete stock
carried here. Kieselhorst l'iano Co. Ask for
Miss Moore."
E. A. Kieselhorst, president of the company,
RST
KIE
i
10*7 OUv* St.
•t. touit
Manager Record Department of St. Louis Music
House Goes After the Laundrymen's Trade
in Their Own Hieroglyphics
"Talk to Them In Their Own Language," ap-
pears to be the slogan of Miss Helen Moore,
manager of the record department of the Kiesel-
horst Piano Co., St. Louis, where Brunswick,
Columbia and Victor products are handled with
a full measure of success. Miss Moore has a
number of Chinese customers and some time
ago had one of them lay off "spotting up"
laundry tickets long enough to get up a special
letter with Chinese characters to carry the
Kieselhorst message to the music-hungry celes-
tial. The text of the letter, which is repro-
duced herewith, is translated by Miss Moore
looked over the circular letter, and after care-
ful study determined that the legend at the top
might be translated into English as the "Kiesel-
horst Piano Co.," with the company's address.
Prove Good Real Estaters
BUFFALO, N. Y., April 21.—Neal, Clark & Neal,
Buffalo musical instrument dealers, have just
sold property in Rochester, which they pur-
chased ten years ago as an investment, in
connection with their operation of the Music
Lovers' Shoppe in that city, at a price said to
establish a record for East avenue frontage
in Rochester.
POOLE
Baby Upright
Style 45~3 feet 9 in. High
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A superior "little piano.'
Write for further information
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BOSTON
Factory: CAMBRIDGE, MASS.
MASS.

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