Music Trade Review

Issue: 1927 Vol. 85 N. 3

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
JULY 16, 1927
27
The Technical and Supply Department—(Continued from page 25)
tor, is once recognized its existence may al-
ways be allowed for, so that the results ob-
tained from it may be accepted as they stand,
since the distortion will be constant and there-
fore may be ignored in practice.
Bass Strings
Nor is this all. No practical scientific-minded
reader of this department will be disposed to
deny that among the various elements in tone
production with which we have to deal the
bass string presents problems insistently call-
ing for better investigation. This may be said
with all respect to the makers of bass strings,
who have struggled most successfully to pro-
duce good tonal results in the face of de-
mands from piano manufacturers who do not
know what they really want. The point is,
however, that here we have a great many vari-
ables, and that we must not let slip any oppor-
tunity to eliminate some of them, at least. The
more we can substitute ascertained constants of
physical property and behavior for the pres-
ently existing variables, the better off we shall
be. And this to an extent can certainly be
done. To take a single example, it is highly de-
sirable to ascertain just where and when a
string ceases to vibrate as a string and begins
to vibrate as a rod, owing to excessive load-
ing as compared with length and pitch. From
a practical standpoint this is not a question of
vast importance in connection with large grand
pianos, but in connection with the small in-
struments which are now so very popular, and
the still smaller ones which are likely to ap-
pear, it becomes extremely pressing, being
then in fact a matter of vital interest. Some-
how we must work out satisfactory scalings for
bass strings on very small instruments, nor can
we afford, in these times, to spend some years
in turning out one failure after another, in the
confident expectation of some day finding a
solution. The matter calls and calls insistently
for immediate investigation. If and when such
an investigation shall have been pushed to a
successful conclusion, no one will be better
pleased than the bass string makers, who in-
deed have every reason to feel that their work
has been too long hampered by poor and hap-
hazard specification. In fact it would not
be stretching the truth too much to say that in
general the bass string maker has to do his
own specifying in all respects save that of
vibrating lengths. And this, we shall all agree,
is not as it should be.
It would be easy to multiply the number of
possible problems for investigation by the vis-
ual and photographic method. I shall mention
here just one more.
Striking Points
We need more light on the question of strik-
ing points. Acoustic investigation until now
has given contradictory results where no con-
tradition could have been anticipated. Young's
theorem can no longer be held, in the light of
the experiments conducted by Ellis and Hip-
kins. That is to say, we can no longer assume
that a blow upon any nodal point of a string
blots out the partials which arise at that point.
The hypothesis in this simple form was very
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convenient, and offered a simple set of rules for
determining the best striking point for each
string on a pianoforte; but its validity has been
successfully called in question and we are
again left to conjecture.
Evidently then the study of these matters is
no longer to be considered as remote from
practical realities.
And I think that during the next two or
three years I shall be able to show some
worth-while results proceeding from studies
conducted on these subjects and in these ways.
Piano Scale Making
Albert B. Vant, of 543 Academy street, New
York, has published, under the title "Piano
Scale Making," a set of reduced drawings and
some useful pages of measurements and direc-
tions, detailing the practical steps to be taken
in drafting the scale of a small grand piano
and in laying out the plate pattern, the case
patterns, the measurements for action housing
and all other matters of similar import. The
drawings are well made and the directions in
general clear, although there are some re-
grettable slips in language, due perhaps to the
author's expressed intention to write very
plain, omitting unfamiliar scientific and tech-
nical terms. On the whole, the book would,
I think, have been more valuable if the author
had not been so anxious not to appear "tech-
nical." As a matter of fact, one cannot write of
a technical subject save in technical language.
Actually Mr. Vant has written in very tech-
nical language, which only an expert factory
workman of the all-round type can understand.
Need for More Men
Nevertheless I congratulate Mr. Vant heartily
on his book, and wish that more men of his
stamp and of his all-round knowledge in prac-
tical factory work were among us to-day.
Correspondence
is solicited and should be addressed to William
Braid White, 5149 Agatite avenue, Chicago.
United States Department of Labor
Developing Industrial Safety Codes
Representative of Department Confers With the American Engineering Standards Com-
mittee at Meeting in New York—Codes Applicable to Piano Industry
'117'ASHINGTON, D. C, July 11.—Ethelbert
Stewart, Commissioner of Labor Statis-
tics, returned recently from New York, where
he spent' several days in conference with rep-
resentatives of the American Engineering
Standards Committee, preparing and distribut-
ing industrial safety codes. Mr. Stewart
offered many suggestions at this conference
for shortening the time required for formulat-
ing and distributing these codes. Mr. Stew-
art's report is, in part, as follows:
"The American Engineering Standards Com-
mittee is composed of the principal asso-
ciations, organizations and combinations of
manufacturers, together with organizations of
professional men, such as the American So-
ciety of Mechanical Engineers. Its work is
divided between the construction of standard
materials or technical standards and the con-
struction of safety codes. It is in this latter
field that the Department of Labor is mainly
interested.
"Whenever it is proposed to construct a
safety code for the workers in any particular
industry or in any branch of industry—or it
may be even the workers operating a particular
type of machine—The American Engineering
Standards Committee organizes the machinery
for the development of such code. A com-
mittee is named from the workmen who
operate the machines or are subject to the
hazards incident to the industry, manufacturers
who produce the machines and appliances used,
employes who use the machines in production,
Federal and State labor organizations, insur-
ance interests and qualified specialists.
"It is in the first fieid that the Department
of Labor becomes the principal agency. It is
the province of the Department of Labor to
name on these committees the men who are
best able to judge of what a safety code should
be by reason of the fact that they actually
operate these machines in the factories in
which they are employed."
The list of codes, which the Bureau of Labor
Statistics has aready published, includes the
following of particular interest to factory ex-
ecutives in the piano industry: Bulletin No.
378, Safety Code for Woodworking plants;
Bulletin No. 433, Safety Codes for the Preven-
tion of Dust Explosions, and Bulletin No. 331,
Code of Lighting Factories, Mills, etc.
Superintendents' Outing
American Steel Working
on Rust-proof Wire
to Be Held August 4
The Superintendents' Club of the New York
Piano Manufacturers' Association will hold an
outing on Thursday, August 4. at Duer's Park
and Pavilion, Whitestone Landing, L. I. E.
M. Reulbach, secretary of the club, is arrang-
ing for a large motor bus to transport most
of those making the trip from New York.
The remainder will travel to the resort in pri-
vate cars. Each superintendent will be pro-
vided with three tickets and will invite his
employer to the affair. Bathing and other
sports will be participated in and several spe-
cialties have been arranged. Full details of the
superintendents' picnic will be mailed to mem-
bers this week by the committee, which con-
sists of the following: Henry Fry, chairman,
Joseph Miller and E. M. Reulbach.
The tenth booklet on tropical woods of the
series published by Yale University School of
Forestry is now off the press and contains in-
formation on several Central American woods.
The book may be obtained from Samuel J.
Record, 205 Prospect street, New Haven, Conn.
Number of Pianos Strung With New Product
Now in Process of Investigation
Extensive experimentation with rustless
music wire is being conducted at the present
time by the American Steel & Wire Co. in
an attempt to achieve a rust-proof wire which
will conform to all of the company's standards
of tone. Several pianos have been strung with
some of the new rustless wire in a large
Eastern piano factory and others have been
equipped with this wire in the laboratory of
William Braid White, acoustic engineer of the
company, in Chicago. The results of these
tests are being carefully noted, according to
Fred Connell, general sales manager of the
music wire department of the American Steel
& Wire Co. in New York. Mr. Connell stated
that encouraging reports from both sources of
experimentation have been received.
Consult the Universal Want Directory of
The Review. In it advertisements are inserted
free of charge for men who desire positions.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
IN THE WORLD OF MUSIC PUBLISHING
Conducted By V. D. Walsh
Two Piano Arrangements Grow in Favor
in the Presentation of Popular Music
immediately taken up by Al Jolson and fea-
tured as one of the hits in "Big Boy." It is
also understood that Ben Bernie and His Or-
chestra is making a Brunswick record of this
same number. Besides Nat Vincent, who is
Piano Duos Featured in Both Productions and Over the Radio as Well as in Moving president and general manager of the new
publishing company, Dean Gross, first vice-
Picture Theatres—Wide Variety of Effects Obtainable
president and professional
manager, and
A FORM of presentation of popular num- young ladies, Constance Mering and Muriel Blanche Franklyn, secretary and treasurer, the
bers which during the past season has Pollack, in "Rio Rita." The former team had company has associated with it many of the
reached a new point of popularity is the piano previously been heard on Ampico rolls and the leading orchestra leaders in Pacific Coast ter-
duo as exemplified by nearly half a dozen latter on the Duo-Art and combined technical ritory and some of the most important Coast
teams of pianists featured in the orchestra pits accuracy and synchronization quite as clever organists.
of the leading musical comedy successes. The as that of Ohman and Arden.
use of specially arranged numbers for four
Following their engagement with "Queen
hands is a practice older than jazz itself and High," Fairchild and Rainger put on a spe-
originated many years ago in the recording cialty for two pianos on the stage of the
studios of the pioneers in music roll making. Capitol Theatre, in New York, for an entire
Since that time, with the development of the week. Their act was one of the most popular Formerly With M. Witmark & Sons, He Suc-
ceeds the Late Otto Jordan With Harms
augmented dance orchestra, the employment numbers on the bill and could have played
of two pianos has followed the trend of the half a dozen encores had time allowed.
Henry Spitzer, who for the past eight years
day and the sparkle of special choruses for
But the spread of popularity of the piano
the pianists in skillful teamwork has become due has not ended in the theatre. The radio, has been associated with M. Witmark & Sons,
one of the bright spots of an evening at the too, has developed favorites in four-hand has recently joined the firm of Harms, Inc.,
dance floor or cabaret.
interpretation of the latest hits. Ballin and succeeding the late Otto Jordan.
Mr. Spitzer is one of the most successful of
About three years ago Phil Ohman and Vic- Race, playing over Station W O R a season or
tor Arden, seasoned recording pianists, were so ago, were among the pioneers for this sort the younger generation of music publishing
featured in a specialty in "Lady, Be Good," of thing on the air. The Piano Twins, who executives. His experience covers a wide range
a George Gershwin musical show. This started have become a weekly feature of New York's of activities—popular songs, standard music,
things for the theatrical presentation of piano municipal station WNYC, are also doing their particularly high-class concert numbers and
duos and the same team appeared the follow- bit in presenting popular dance music on two teaching material. He has a host of friends
among professional singers and a wide acquain-
ing year in the pit of the Gershwin show, "Tip keyboards.
tance with the leading orchestra directors.
Toes." Here the effect was more impressive
Perhaps one of the cleverest piano teams of
His many friends wish him every success in
than in the previous engagement, where they them all, Adam Carroll and Ralph Ricken-
his
new association. Joining a company with
had appeared on the stage but only for a short
backer, were heard not so long ago in Wana-
time. In the second show the two pianos maker's auditorium, in New York, exploiting such an important standard catalog and con-
were an integral part of the orchestra during Ampico rolls, for which they recorded a num- siderable specialized music of all kinds, includ-
the entire evening.
ber of "specialties. Mr. Carroll, although adept ing selected vocal numbers, together with the
Anyone susceptible at all to rhythmic and as an arranger for two pianos, possesses, in tact that Harms, Inc., is the largest and most
harmonic effects in popular music will not addition, a weath of invention and "flash" important publisher of production music, gives
soon forget the thrill of hearing the arpeggio technic which enables him to star in single him unusual scope for his thorough training
passages of Phil Ohman on the upper register glory as a soloist. He has, therefore, tem- and qualifications.
of his piano in the number, "That Certain porarily left the duo field and does most of
Feeling," of Gershwin. The pianists had care- his Ampico recording alone.
fully gone over the entire score with the com-
The value of this wave of exploiting of
poser in rehearsals and every place that popular music by means of two pianos should
"Bless Her Little Heart," one of the latest
afforded a pianistic "break" or embellishment be more or less obvious to both publisher releases of the Triangle Music Publishing Co.,
was so treated. The result was a score far and music dealer. As the public's taste for Inc., is in big demand by jobbers and dealers in
more brilliant and individual than is cus- double piano interpretation grows there should all sections of the country. An advertising
tomarily heard from the orchestra pit and a be an increased demand on both rolls and rec- blotter, printed in red, which has been mailed
new custom was started.
ords for the recordings of the well-known to the trade, has done a great deal to give the
In the theatrical season just ended two new pianists. The tendency of the nation's youth number the attention it deserves. The song,
teams of popular pianists made their bow in to imitation, which is responsible for the composed by Paul Denniker as a novelty fox-
musical comedy orchestras and Ohman and development of countless amateur dance or- trot, is meeting with success on rolls and
Arden were engaged again in the current Gersh- chestras, is sure to produce hundreds of
records as well.
win show, "Oh Kay," just closed. The newcom- non-professional piano teams. Through their
ers were Edgar Fairchild and Ralph Rainger, appearances in clubs and homes the appeal
BUY YOUR MUSIC FROM
playing in "Queen High," and two talented and the demand for popular music will be
widened to a material extent.
Henry Spitzer Now
With Harms, Inc.
"Bless Her Little Heart'
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• ROBBINS Music CORPORATION •
799 Seventh Avenue.New York
Nat Vincent, Inc., Formed
Upon the Pacific Coast
New Concern, Headed by Nat Vincent, Opens
National Campaign With Four New Num-
bers
OAKLAND,
CALIF.,
July
8.—A
million-dollar
music publishing enterprise for this city has
been formed with Nat Vincent, composer of
"I'm Forever Blowing Bubbles" and other
successes, under the trade name, Nat Vincent,
Inc. The company will publish music in this
city and will carry on extensive exploitation
activities by way of radio. Among the songs
announced by the new organization are "At
the End of the Redwood Trail," "When the
Sun Goes Down in My Home Town," "It's
You I'm Longing For." Another new novelty
fox-trot also published by the company is
called "Dynamite" (Dinah Might), which was
28
BOSTON
Mlishcrs
Oliver Ditson Company
NEW YORK
BOSTON
Anticipate and Supply Every Requirement of Music
Dealers
ROBERT TELLER SONS & DORNER
Music Engravers and Printers
SEND MANUSCRIPT AND IDEA OF
TITLE FOR ESTIMATE
311 West 43rd Street
New York City
2054W.LAKE5T CHICAGO If t

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