Music Trade Review

Issue: 1927 Vol. 85 N. 27

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
27
The Music Trade Review
DECEMBER 31, 1927
The Technical and Supply Department — (Continued from page 25)
Second—It is not reasonable if the plate be vibrations by means of a vacuum tube ampli-
Piano Patents
free from internal strains set up by bad cooling. fier, also of radio type. With this outfit it is
Third—The answer is contained in the answer
to No. 1. Everything depends on the cir-
cumstances. If the piano were tuned even a
tone above A 440 the plate ought not to break,
subject to the condition noted in No. 2.
Oscillograph Experiments
Readers are aware that a Westinghouse "Os-
siso" has recently been set up in my laboratory.
Experiments have been under way for some
little time directed towards the discovery of
the best methods of making use of the powers
which the machine confers upon the acoustic
investigator. A short note on some of these
will- be interesting as indicating the limiting
conditions and the course which experimental
work must take.
Briefly described, the Ossiso is an instru-
ment which gives, visually, or photographically
as desired, a picture of the shape of a sound
wave. The method employed is much the same
as Dr. Miller uses in his Phonodeik, save that
his mechanism acts by direct contact with the
diaphragm on which the sounds at first im-
pinge, while the vibrator of the Ossiso is oper-
ated electrically. The machine consists essen-
tially of a vibrating element which is in effect
a pair of fine silver wires in a magnetic field
excited by a permanent magnet. When current
is passed in opposite directions along each wire,
they move torsionally in opposite directions, so
that a tiny mirror cemented across them par-
takes of a form of vibration which is a resultant
of the opposed motions of the wires. If now
a sound from any source is made to impinge
upon a microphone the vibrating electric cur-
rent set up passes in opposite directions along
the two wires, which vibrate as above said and
cause the mirror in turn to vibrate also. A
beam of light is thrown upon the mirror from
a small straight filament lamp, so that the vi-
brating mirror gives rise to a vibrating spot of
light. This spot of light is then reflected into
a revolving four-sided polygon of mirrors, and
on the principle of persistence of vision, fa-
miliar in the case of the intermittent moving
picture firm, appears to the eye as a continuous
band of light bent, bending this way and that
and giving from moment to moment a com-
plete picture of the shape of the sound wave
transmitted through the atmosphere from the
sounding body. The whole instrument is no
bigger than a commercial portrait or moving
picture camera, and can easily be carried in a
suitcase.
Preliminary Experiments
It is, of course, evident that almost every-
thing concerning the value of the results ob-
tained must depend upon the microphone. For
recording the wave-forms of speech, or of loud
continued sounds, the ordinary telephone trans-
mitter has been found satisfactory enough, but
quite a different condition appears when we
try to record the sounds given out by the piano.
These sounds in fact are extremely evanescent.
\ sound given out by a string-unison in the mid-
lie register of the piano loses about 75 per
cnt of its amplitude within .03 sec. It is cvi-
lent that the stiff diaphragm of the telephone
ransmitter, dealing with these delicate vibra-
ions, will smother some of their elements and
:listort others. Nor will the amplitude of the
vibration forms passed through the transmit-
ter be sufficiently great for satisfactory photo-
graphic results.
In the circumstances, it has been found ad-
visable to make use of a microphone of radio
transmitter type and to amplify the resulting
Tuners and Repairers
Our new illustrated catalogue *f Piane and
Player Hardware F«lta and Tools ii n«w
ready.
If you haren't receired your copy
please let us know.
OTTO R. TREFZ, JR.
1305-7-9 No. 27th St.
Phil*., Pa.
possible to obtain much better pictures con-
taining more of the components of the sounds
;md showing much wider amplitudes of curve.
Preliminary visual experiments are develop-
ing several very interesting facts. For instance,
adjacent unisons on a large grand piano of
high grade show marked differences, corre-
sponding to variations in the tone qualities,
which, however, the ear does not fully, if at all,
perceive. It is evident, as a result of these
experiments, that possibilities hitherto un-
known exist of developing more accurate tone
regulating.
Another point which comes out very clearly
in connection with the sounds given out by the
piano is that all the partial tones of which the
presence determines the tone quality drop out
(itif by one very rapidly, so that before the
sound has ceased it has become a pure funda-
mental sound, no matter in what region of the
instrument it originally arose. Moreover, in-
spection indicates that the theoretical dropping
out of partials from bass towards treble is cor-
rect, and that the tone quality becomes steadily,
simpler as the pitch increases, until in the upper
treble there is hardly any partial-tone element
left.
I am not suggesting that there is anything
particularly novel about these results. Much
of what is said here has been observed in other
ways. What, however, is interesting is that this
new method of analysis enables us clearly to
obtain experimental verification of theoretical
results, after a fashion remarkable and unusual-
ly convenient and simple.
In due course I shall have more definite and
specific results to se.t forth.
Correspondence
is solicited and should be addressed to William
Braid White, 5149 Agatite avenue, Chicago.
A. H. Nilson Dies
BRIDGEPORT, CONN., December 19.—Axel Hilmer
Nilson, president and treasurer of the A. H.
Nilson Machine Co., of this city, passed away
on Monday, December 12. Mr. Nilson was not
only the chief executive, but the founder of
this company which bears his name, and under
his skilful leadership it grew from humble be-
ginnings to a large manufacturing organization
serving almost every field of commercial en-
deavor and selling its machines in practically
every country on the globe. In the piano in-
dustry the A. H. Nilson Co. is well and favor-
ably known as manufacturers of piano action
machinery and special machines for special pur-
poses.
Felt Customs Decision:
The United States Customs Court handed
down a decision recently applying to various
items, including piano felts, fixing the correct
valuations for tariff purposes on merchandise
shipped to American importers from all parts
of the world. Listed among a large group of
American firms covered by the decision was
Charles Pfriemer, Inc., New York, importing
piano felts from Wilton, England. These rul-
ings, which are technical and much in detail
regarding prices, packing, and freight rates,
etc., are an index of many classes of goods that
are entering into the commerce of the country.
Shailer in New England
W. M. Shailer, vice-president and secretary of
Philip W. Getting & Son, Inc., New York, im-
porters of Weickert piano felts, who returned
recently from a short business trip to Buffalo, is
visiting the piano manufacturing trade in Bos-
ton and New England.
Adjustable Damper-Wire Connection for
Grand Piano Actions. Patent No. 1,653,590. A
damper construction for grand piano actions,
including a damper wire, a damper head, and
means of connection therebetween including a
laterally disposed terminal at the upper end of
the damper wire, a clamping clement engaging
said terminal, the damper head carried by the
clamping element for vertical adjustments
thereon and the clamping element constituting
means for allowing lateral adjustments of the
damper head with respect to the damper head
from said damper wire.
Music roll for Automatic Pianos and the
Like. Franklin G. Dunham, Brooklyn, N. Y.,
assignor to the Aeolian Co., Meridan, Conn.
Patent No. 1,652,003. In combination with a
music-roll for an automatic musical instrument,
a baton-movement indicating diagram appro-
priate to the tempo of the composition; and in-
signia on the roll indicating the beats of the
measures relatively to the music perforations,
said diagram comprising insignia similar to the
foregoing applied to the respective baton move-
ments in said diagram to correlate them with
the respective measure beats to which they
belong
Drying Pad for Pianos. Frederick C. Bill-
ings, Miami, Fla. Patent No. 1,650,004. A dry-
ing pad for pianos comprising an absorbent
member having a spaced apart top and bottom,
reinforcing members interposed between the
top and bottom for stiffening said pad, and a
flap secured to said pad along one of its longi-
tudinal edges.
Piano Action. John T. Rydbcrg, Harrison,
N. ]., assignor by direct and Mesne assignments
to Supreme Player Action Corp., of New Jersey.
Patent No. 1,650,095. A piano player action
formed of cellulose ester plastic, the several
members thereof being joined to form an in-
tegral structure.
A piano hammer action having pyroxylin
hammer heads and their shank members formed
of a pyroxylin plastic in tubular formation.
Australian Wool Conditions
WASHINGTON, D. C, December 24.—Half the
current wool clip in Australia has been disposed
of with the closing of the first half of the wool
selling season at Sydney on December 15, ac-
cording to advices received by the Department
of Agriculture from M. R. Lawton, Consul Gen-
eral at Sydney. Competition was particularly
keen from Japan and the Continent.
Consult the Universal Want Directory of
The Review. In it advertisements are inserted
free of charge for men who desire positions.
William Braid White
Associate, American Society of Mechanical
Engineers; Chairman, Wood Industries
Division, A. S. M. E.; Member, American
Physical Society; Member, National Piano
Technicians' Association.
Consulting Engineer to
the Piano Industry
Tonally and Mechanically Correct Scales
Tonal and Technical Surreys of Product
Tonal Betterment Work la Factories
References
to manufacturers of unquestioned
position ! • Industry
For particulars,
mddrett
209 South State Street, CHICAGO
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
IN THE WORLD OF MUSIC PUBLISHING
Past Year Marked With Return to Real
MORE PROFIT 3! DEALER
Popularity of Many Old Compositions
OUR NEW RETAIL PRICE OF
"Down South," "After You've Gone" and "I Ain't Got Nobody—Much" Among the
Old Songs that Become Fast Sellers During the Year that is Closing
A GREAT many music publishers have had
"**• the surprising but highly satisfactory expe-
rience from time to time of having one of their
songs, which had been retired to the firm's
archives after having lived as a hit for a season
or two, suddenly being "reborn" into popularity
through no effort on their part. Often the
lapse of time before the number was reissued
by the publisher holding the copyright has been
as much as ten or fifteen years. The past year
was no exception in this connection and saw a
number of profitable revivals on the part of
different publishers.
There have been no satisfactory explanations
for this characteristic of certain American popu-
lar music. Many feel that the older popular
songs correspond in a way to the folksongs
of the European countries and thus can never
really die because of the strong national appeal.
Conversely, it is probable that the continental
folksongs would last no longer than American
music if subjected to the intensive exploitation
that is meted out to a modern American hit
song.
Others have expressed the belief that the hit
songs of a former year have an appeal when re-
issued ten years later, because there is another,
younger generation, or nearly so, to reach. The
most plausible explanation, however, for this
phenomenon of the music publishing business
is the radio, as many of the regular weekly pro-
grams feature solid hours of the older music.
Certain of the radio acts also use the older
songs as announcement themes at the start
and close of each program.
One of the remarkable revivals during the
past year was Myddleton's "Down South," orig-
inally published as a vocal number for male
voices by the Ed. B. Marks Music Co., New
York. The idea occurred to the heads of the
firm that the number was adaptable to a fox-
trot setting and it was tried out by several
bands with great success. A reissue of "Down
South" as a fox-trot resulted and wrote an-
other chapter in the history of the Marks firm
with reissued numbers. Their greatest previous
success in this line was with "The March of
the Wooden Soldiers," of a few seasons ago,
which had originally been published years be-
f
Announcement
To The Trade
We Are Now the
Exclusive Publishers of
Arthur Lange's Book
of
B
Arranging
For the
Modern Dance Orchestra
The Greatest Book on the Subject

List Price, $5.00
ROBBINS Music CORPORATION
799 Seventh Avenue. New York

lore as a novelette, not intended for dancing.
Another big reissue of the year was "After
You've Gone," published by the Broadway
Music Corp., New York. Will Von Tilzer,
president of the company, had always believed
that the number had been published before its
time and accordingly when certain "hot" dance
orchestras made demands for the song last
Spring, he determined to issue it again with a
modern dance arrangement. It was highly suc-
cessful and was recorded once more on the
leading mechanicals.
The Triangle Music Publishing Co., New
York, has had a similar experience with "I
Ain't Got Nobody—Much," which dates back
considerably before the war, and was originally
a comedy song. Blues numbers particularly
seem to possess lasting qualities, the most per-
sistent of these songs being "The St. Louis
Blues," which has been recorded on many more
mechanicals and in more ways during the past
twelve months than in any time since it was
originally published before the war.
Bernie Grossman Heads
Marks' Chicago Office
Well-Known Song Writer in Charge of Marks
Interests in Middle West—Firm Begins Big
Popular Campaign
The Edward B. Marks Music Co. announces
that after the first of the year its Chicago office
will be in charge of Bernie Grossman, one of
the best known music men in the Middle West.
Thi<- is not Grossman's first contact with the
old "House of Hits," as he was with it as a staff
writer for several years after the war. During
the years he wrote for the firm, then known
as Stern & Co., such successes as "When a
Feller Needs a Friend," "You Didn't Want Me
When You Had Me," and "Let's Help the Irish
Now." Since then Grossman has spent most
of his time in and about Chicago where he
numbers among his acquaintances every dealer,
leader, organist and professional of any stand-
ing whatsoever. While he has been exploiting
songs he has found time to write a number
of hits himself, the latest thing being "After I
Call You Sweetheart." Just a few of the others
have been "I Wonder If She's Lonely," "Tell
Her at Twilight," "Linger Longer Letty,"
"Everybody's Buddy," and "Wherever You Go,
What Ever You Do."
Grossman made a special trip to New York
before Christmas to interview E. B. Marks and
the various heads of departments of the firm
before he began his actual duties. The new
policy of the firm—"more standard popular
songs and more popular standard songs," was
impressed upon him and he left for Chicago
imbued with the idea of putting across many
great hits for the old firm in his territory. The
Marks concern is about to start work imme-
diately upon the best of the newer Grossman
compositions, "To-morrow Is To-morrow,"
"Playing Hide and Go Seek," and "I'm Getting
Used To It Now," written in collaboration with
Arthur Sizemore and Sam Kaufman. With these
three songs as a nucleus along with "Down
South" and "A Kiss Before the Dawn" Gross-
28
TWENTY CENTS PER COPY
Shows a Profit of
Nearly 2 0 0 % !
OUR LINE GROWS BETTER AND SELLS
BETTER EACH YEAR!
SEND IN YOUR ORDER FOR 50 NEW
NUMBERS AND 20c CATALOGS TODAY
SKINLEY

MUSIC CO.CH
CHICAGO
man believes that he is starting in with a cata-
log that will win the attention of every im-
portant music name in the West.
Stanley Warner On
Visit to Eastern Trade
Executive of Pallma, Inc., Making Initial Trip
in New Connection—Has Some Interesting
Offerings
CHICAGO, 111., December 24.—Stanley Warner,
an executive member of Pallma, Inc., is making
his initial Eastern trip, calling O n the trade in
Eastern Canada and New England in the inter-
est of the Pallma catalog. Mr. Warner hails
from the West and while he is new to the
Eastern trade he has always kept in touch
with musical activities. His father, John E.
Warner, was one of the most prominent the-
atrical managers in America and abroad. He
managed such stars as Sarah Bernhardt, Rich-
ard Mansfield, Sothern and Marlowe, Mrs.
Eiske, Henry Irving and Ellen Terry, James
K. Hackett and many of the great stars of his
time.
Mr. Warner will have many things of interest
to present to the trade. Among them, "When
Twilight Comes," a ballad recorded on Victor
records by John McCormack, on the Brunswick
by Marie Morrisey and Columbia by Paul Gil-
vin. This ballad has proved very popular and
a special Robert Bruce scenic motion picture
film, bearing the same title, is being released by
Educational Picture Corp., especially made for
the song. Another popular number in the Pall-
ma catalog is the new setting of "Just for
To-day," by Blanche Ebert Seavcr, which is
being featured by John McCormack on his
present concert tour and recorded by him for
Victor records. It is also recorded for Bruns-
.vick record by Marie Morrisey.

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