Music Trade Review

Issue: 1927 Vol. 85 N. 26

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
REVIEW
VOL. 85. No. 26 Published Weekly. Federated Business Publications, Inc., 420 Lexington Ave., New York, N. Y., Dec. 24,1927
Sln
'£.£°&"£.?"'"
Selling the Radio in
The Retail Music Store
C. J. Roberts, President of the National Association
of Music Merchants, Defines Music Merchants' Atti-
tude to Radio Before Radio Manufacturers' Association
C. J. Roberts
AT a luncheon of the Radio Manufacturers'
jCA Association, held at the Hotel Commodore,
New York, on December 16, the guest of
honor and principal speaker zvas C. J. Roberts,
president of the National Association of Music
Merchants, tvho talked on the music merchant as
the ideal distributor for radio products, and how
the relations between the radio manufacturer and
the music merchant might be strengthened. Ozving
to his official status Mr. Roberts' remarks carry
special zveight, and he found occasion to point
out to the radio men a number of their weaknesses
as well as their virtues. 1 he salient points of
his talk are presented herewith.—EDITOR'S NOTE.
it A T Mr. Geddes', your vice-president's invi-
•^•tation, I appear before you in an effort,
such as I can make, to strengthen the relations
.between you and such music merchants as now
transact business together, and to assist in
establishing relations between you and other
music merchants who are not yet selling your
products.
"My interest primarily is in the welfare of
music merchants, for I am a music merchant
in that I am connected with Chas. M. Stieff,
Inc., of Baltimore, who operate a number of
retail stores as well as manufacture pianos, and
a member of the National Association of Music
Merchants. I wish to see music merchants
more prosperous than they now are. My com-
pany is experiencing its best year since 1923,
and this is due in an important degree to the
fact that we have during the last year handled
radio and phonographs in addition to pianos.
"I do not possess the knowledge that would
enable me to discuss your main product, the
radio, in a technical way, and I shall, therefore,
confine my remarks mainly to the value of the
radio to the music merchant and the value of
the music merchant to the manufacturer.
"This marvelous instrument, the properties
and capabilities of which became known to the
world such a shoYt time ago, has made such
astounding progress that it has been difficult
for even those most interested to keep up with
its advancement. The radio, even in its earliest
infancy, and a thousandfold more to-day, was
and is such an extraordinary medium for the
reception and transmission of sound that it
staggers thought and transcends imagination.
Radio a Musical Instrument
"Regardless of its wonder, general usefulness,
and the utilitarian purposes that it serves, it is
in my thought, and for my greatest interest,
a musical instrument. In the consciousness of
the public it is primarily a musical instrument.
It is used with marvelous success as a life-
saving agent, a disseminator of useful informa-
tion, a general entertainer, and is even now the
greatest force for education in the world, but
to the ordinary man, woman or child, it is first
of all a musical instrument.
"When radio sets were first put upon the gen-
eral market among the first outlets that were
sought were music merchants, for it was even
then anticipated that the radio would be re-
garded as a musical instrument. The early in-
struments had mainly their wonder to command
them, just as the first phonographs had. Gener-
ally, from a musical standpoint, they were hor-
rible. Some music merchants attempted to
handle them. Almost without exception such
pioneer merchants were stung.
Early Difficulties
"The outfits disgusted their customers for
many reasons, and merchants made enemies in-
stead of friends. Changes in models and styles
rapidly succeeded each other. A machine was
hardly on the market before it was obsolete, or,
at least, obsolescent. This was due mainly, of
course, to the improvements which were con-
stantly being made and which were necessary
in such a young industry. Manufacturers were
more or less arbitrary. Perhaps they felt that
they had to be. From the retailers' standpoint
ihe manufacturers did not bear their just part
of the losses sustained through experimentation
and improvement in their products.
What
money was made in the early history of radio
was made by the manufacturers, and not by
ihe retailers, who, almost without exception,
lost heavily.
"Trade discounts did not allow nearly enough
mark-up to enable the merchant to make a
profit even if he had not been obliged to stand
losses resulting from imperfections in the in-
struments. Service was almost non-existent.
A medium-sized city was fortunate to have even
one service man who knew anything of con-
sequence about his business.
"Repairs and adjustments which are now
readily made by a much larger number of
service men were then matters of opinion and
disagreement among those who claimed to be
experts. Everyone was disgusted. Discrimina-
tory trade discounts were made whereby the
small merchant was put out of the radio busi-
ness by the larger merchant who could take
advantage of the sliding scale of volume dis-
counts. This practice still prevails, I am told,
and, if it is necessary, which I do not believe,
it should not be in such a measure as to cripple
seriously a small merchant while enriching a
large one. If such practices continue the manu-
facturer will pay and pay and pay ultimately
by reducing the number of his outlets, which
by his own actions he will choke off. I am
informed that the trade discounts of certain
manufacturers are now more favorable to the
dealer. The discounts of certain other manu-
facturers are not large enough to enable a
dealer to show a profit. I am told that dis-
counts now range from 35 to SO per cent, some
of the best manufacturers quoting 40, or 40 and
10. Discounts should not be less than 40 and
10, even if retail prices have to be increased
to make this possible, for a dealer cannot show
(Continued on page 4)
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
any profit on a smaller discount. Very care-
fully worked out .selling costs of several im-
portant dealers, including one of the largest
retailers in New York, show that the actual
cost of selling radio figures around 36 per
cent. It is, therefore, obvious that discounts
of 40 and 10 are necessary if music mer-
chants are to continue to push the sale of radio.
Music Merchants' Share
"I am much gratified to learn that, contrary
to what 1 had previously been informed, from
35 to 45 per cent of from $300,000,000 to $400,-
000,000 gross retail radio business in this coun
try this year has been distributed through
music merchants. Dependable statistics are
hard to obtain. A very considerable portion
of this business has, of course, been due to
the sale of radio in combination with phono-
graphs. The store of the music merchant is
the natural outlet for radio. All stores of
music merchants, including music departments
of general stores, should carry radio. Music
merchants and their organizations and activ-
ities are entitled to the support of radio manu-
facturers.
"The music merchant has the knowledge and
experience necessary to sell radio properly. He
and his sales force are accustomed to selling
merchandise, not merely accepting orders for
it, even to the extent of doing so through
house-to-house canvassing. He is an experi-
enced instalment collector, if he is a successful
merchant. He is a specialist. Radio should
be handled by a specialist. A large percentage
of radio sales are made on a partial payment
plan of some kind. That is one reason why a
substantial mark-up is necessary.
"Radio manufacturers should co-operate in
assisting such reputable and energetic music
merchants as require such assistance in estab-
lishing advantageous relations with reliable
discount or finance companies. They are highly
necessary factors in producing great volume in
legitimate instalment business. They under-
stand the instalment business whereas the ma-
jority of banks do not.
"Good instalment paper securing sales of
long-lived merchandise is the best collateral in
the financial market to-day if properly handled.
Owing to the frequent misunderstandings be-
tween retail customers and merchants in regard
to prices, with or without certain equipment,
accessories, etc., thus encouraging unscrupulous
merchants to cut prices or to appear to do so,
through misleading advertisements, I am cer-
tain that prices specifying certain equipment
should be advertised.
Protecting the Merchant
"Manufacturers should plan to protect mer-
chants in regard to obsolete or discontinued
models or styles, by granting retroactive dis-
counts to dealers on discontinued models
which are to be disposed of at reduced prices.
Merchants should not be called upon to stand
the losses brought about by lack of foresight
and mistakes on the part of manufacturers.
"The occasional practice of some manufac-
turers of demanding that a merchant accept a
certain allotment of undesirable styles on pain
of losing the agency upon refusal to do so
should never again be resorted to. I person-
ally know a number of merchants who have
bitterly resented such tactics and I have great
respect for those merchants who had the cour-
age to give up immediately the agency and
take a competitive one.
"When a reputable music merchant takes on
radio he should receive reasonable protection
from the manufacturer. The present practice
of certain manufacturers of selling at whole-
sale to any hardware store, harness shop or
confectionery emporium, where their instru-
ments are resold at any old prices on any old
terms, by people totally ignorant of installation
or any other part of the business, should be
stopped at once. Such methods only seriously
injure the legitimate merchant, ruin the name
value of the instrument and bring into dis-
repute all concerned with the manufacture and
legitimate distribution of radio. Permit me
lo say that I am assured that this is an actual
condition. If I have been correctly informed
it should receive your careful consideration.
Maintain Fair Prices
"Everything possible should be done by both
manufacturers and merchants to maintain fair
prices. I personally hope that national laws
enabling manufacturers to fix. retail prices will
be enacted and 1 also hope that the radio busi-
ness will finally remain in the hands of such
manufacturers and merchants as will be dis-
posed to endeavor to enforce price maintenance
if it is permitted by law.
"I know it will appear to you that I may
have utilized this opportunity to bring to your
attention a good many complaints of music
merchants. I have diligently tried to ascertain
from merchants just what they most desire
at your hands and I believe that you want to
know the needs of the merchants whether you
are in a position to fully meet them or not. I
shall be just as interested in bringing to the
attention of the merchants your views.
"Many prominent merchants appear to feel
that jobbers in the radio field are superfluous,
reasoning that the direct responsibility of the
manufacturer to the merchant and the mer-
chant to the manufacturer is logical and that
such an arrangement will promote the best in-
terests of both and of the public. Of this, per-
sonally, I am not at all sure, for I realize that
there are problems of primary distribution that
the retailer is not familiar with.
"I think, however, that there is no difference
of opinion among merchants about the jobber-
retailer. This combination, so far as I have
been able to learn, is universally condemned.
The fact that one leading talking machine
manufacturer abolished that arrangement be-
cause of the great dissatisfaction that it caused
when it existed is pointed to as an outstanding
example.
The Service Problem
"Radio instruments have been so greatly im-
proved that service is no longer the problem
that it was. People who formerly hated the
radio as a musical instrument are now realizing
its wonderful possibilities. Types and styles
should be moderately standardized as soon as
possible. As to cases or cabinets, attractive
'periods' which will never die, should be
adopted, when possible, even if modified.
"As many service men as possible should re-
ceive instructions as rapidly as it can be given.
Merchants should be freely supplied with such
information as possible regarding simple re-
pairs and adjustments.
"The player-piano was a failure until certain
manufacturers, particularly one prominent one,
took measures to see that every intelligent and
ambitious piano tuner in the country was in-
structed regarding repairs and adjustments of
player actions. The same can be said of re-
producing piano actions. Even now traveling
schools are maintained by our leading manu-
facturers. The real piano tuner is an artist
in his line. It takes about as long to become
an artistic piano tuner as it does to become
a lawyer or a doctor. Their earnings are, on
an average, almost the same. The high-grade
piano tuner is an ideal man for you to instruct
as to ordinary radio repairs and adjustments.
The best of them can be reached through their
National Association or through music mer-
chants.
Interrelation of Lines
"I am anxious for every music merchant in
the country to sell radio. I am anxious for
every radio merchant in the country to sell
other musical instruments—particularly pianos
—the basic musical instrument. I am willing to
say that, if two men of equal ability, both prop-
erly financed, should start in business in any
city or community, one handling pianos only,
and the other not only pianos but all other
musical instruments, including radio—'every-
thing musical,' in fact, that the general music
store would within a reasonable length of time
DECEMBER 24, 1927
put the exclusive piano merchant out of busi-
ness.
"I wish to say that the National Association
of Music Merchants at their convention at
Chicago last year, recognizing the radio as a
great musical instrument, adopted an interpre-
tative resolution qualifying radio merchants
and executives for membership in the Asso-
ciation. I would like that information to reach
all radio dealers who are not now members of
the National Association of Music Merchants.
"I would like to see at the next convention of
the Music Merchants' Association, which will
be held at New York early in June, as many
radio dealers and manufacturers as possible,
whether they are members or not, but prefer-
ably as members in the case of dealers. It is
my intention to endeavor to give radio a promi-
nent part on the convention program. I invite
all radio merchants to become members of the
National Association of Music Merchants. Our
Association has done a great deal for the cause
of music. Music is the basis of your broad-
casting. Our membership includes merchants
and executives in every field of the music in-
dustry, but the backbone of the whole proposi-
tion is the piano. Activities which have had
far-reaching effects have been promoted and
sustained by not only the music merchant han-
dling pianos, but equally by the manufacturers
of pianos. Again 1 say that the piano is the
basic musical instrument. Funds have been
raised for the promotion of music in its every
phase in this country, as far as organized pro-
motion is concerned, by piano merchants and
manufacturers. The National Bureau for' the
Advancement of Music that has done so very
much for the cause of music in our country
under the direction of a man whom 1 regard
as possessing genius—C. M. Tremaine—has
been financed mainly, directly or indirectly, by
contributions from the piano merchants and
manufacturers. The piano industry has borne
the burden.
Home Entertainment
"The price range of radios makes it possible
for any family, in any living circumstances at
all, to possess a radio. Music merchants spe-
cializing in the sale of pianos should not dis-
courage the sale of radios, but on the con-
trary, should encourage the sale.
"The piano business, in recent years, has not
advanced as rapidly as has some other busi-
nesses or industries. The main cause of this
is very clear to anyone giving the matter any
consideration. The home life of American
people has changed very radically. Automobiles,
picture shows and other forms of amusement
taking people away from their homes have made
it less necessary to provide for home entertain-
ment. The piano has always been the center
of home entertainment. My point is that radio
is doing more right now than almost any other
agency to re-establish American home life. Peo-
ple do not go out on lonely country lanes, nor
to the city, to hear radio concerts—they remain
at home and invite their friends to visit them
for that purpose.
Get the Habit
"When people again acquire the home enter-
tainment habit, then will more pianos be pur-
chased. A radio does not take the place of
a piano and neither does a piano take the place
of a radio. As long as the human hand, with
its five fingers retain its form; as long as the
natural musical scale, which never has and
never can be improved upon, appeals to the
ear, and as long as the keyboard invented to
accommodate these creations of the Almighty
exist pianos will be made. Thank God, there
is no 'static' in a good piano, though some
of the poor ones, or the very old ones, when
played upon omit sounds frightfully reminiscent
of the performances of a poor radio set under
most unfavorable conditions. The radio cannot,
in its musical instrument capacity, be said to
be a purveyor of 'canned music' as Mr. Sousa
once said of the phonograph or the player-
piano.

Download Page 3: PDF File | Image

Download Page 4 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.