Music Trade Review

Issue: 1927 Vol. 85 N. 16

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
OCTOBER 15, 1927
Ludwig & Ludwig Issue
New Banjo Catalog
Booklet Gives Full and Illustrated Description
of the Entire Ludwig & Ludwig Banjo Line
CHICAGO, I I I . , October 8.—One of the most at-
tractive catalogs that perhaps have ever been
prepared by Ludwig & Ludwig, drum and banjo
makers, who in the past have issued some un-
usually attractive literature, is the new Ludwig
banjo catalog.
The catalog emphasizes the care and thought
that is taken for placing in the hands of the
dealer a powerful sales aid and at the same
time give the banjoist some instructive in-
formation on the banjo in a booklet of real
value.
An original and distinctive cover design is
secured by showing an exact reproduction of
part of a Ludwig gold-plated banjo. The upper
part of the cover is deep blue, carrying the
inscription "Ludwig Banjos," while the balance
carries the reproduction of the instrument,
showing the edge of the walnut resonator
joined to the neck, decorated with inlay figure
and the gold-plated flaredge that extends from
shell to resonator. The balance of the cover
is plain white, resembling the banjo head, with
the four strings and bridge reproduced.
The front of the catalog has a discussion of
the relative merits of the tenor and plectrum
banjos, the features of the Ludwig banjo ob-
tained by means of skilled workmanship, testing
and the years of experimental work, and a
discussion of the question, "What Shall We
Do With the Banjo?"
The complete Ludwig line is then shown,
beginning with the "Big Chief." The models
arc handsomely illustrated, bringing out the
beautiful inlay work, the gold flaredge and the
finish of the various models. Several pages are
given over to "The New Hall of Fame," promi-
nent banjoists who use the Ludwig banjo, as
well as the various orchestras featuring Ludwig
banjos and drums.
The latter part of the catalog has an ex-
haustive description of the features of Ludwig
banjos, including the Ludwig banjo-action regu-
lator, choice selection of Ludwig heads, Lud-
wig "Planet" banjo peg and the Ludwig shell
p.nd scale. A page devoted to "Tips for the
Banjoist" also contributes practical and valuable
information to the musician.
Leopold Auer Violin
Outfits in Demand
Carl Fischer, Inc., Announces Steady Increase
in Popularity for This Item
Leopold Auer violin outfits are becoming very
popular with students of the violin, it is reported
by music dealers. Carl Fischer, Inc., is dis-
tributing this violin outfit with the famous name
BACON
BANJOS
Played by Leading
Musicians and Orchestras
Sold by Representative
Music Merchants
BACON BANJO CO., Inc.
GROTON, CONN.
The Music Trade Review
and is placing some- good advertising behind
it and the combination of this advertising and
the fame and prestige of the Leopold Auer name
is making this a big selling item with dealers
right in the midst of the reopening of music
classes for the Fall and Winter.
"It is just a year ago that we made our first
public announcement regarding the Leopold
Auer violin outfits," declared a Carl Fischer, Inc.,
official to The Review. "Since that time we have
seen these remarkable outfits attain a popular-
ity among violinists with a swiftness for which
the history of our industry offers no precedent."
Here's an Old-Time Band
MEDINA, O., October 12.—A band, no instru-
ment in which is less than 100 years old, and
one which is 250 years old, was heard at a
recent pioneers' picnic here. The Goldwood
band played. It is in its third generation
since its founding in 1848 by John Goldwood,
Sr. Members of the Goldwood and Scarlcs
families make up the present band, many of
them having played together for fifty-five years.
One drum was played through the French and
Indian war, the Revolution and the War of
1812, and two drums were played in the Civil
War.
To Distribute Wolf Banjos
CHICAGO, I I I . , October 10.—The Milton G.
Wolf quality supreme banjo heads, recently in-
troduced to the trade by Milton G. Wolf, will
be distributed by the Standard Musical Special-
ties Co., 1527 Kimball avenue, this city. The
new heads are merchandised in attractive car-
tons and can be used on all standard makes of
banjos.
Tom Brown 'Topics
A group of exceptionally valuable and inter-
esting articles for the musician appears in the
latest issue of Tom Brown Topics, published
by the Tom Brown Music Co., 32 West Lake
street, Chicago. The articles include "An In-
troduction to the Study of Harmony," "Learn-
ing to Play the Clarinet," "The Elements of
Tone Production" and others.
Bands and Orchestras
Ashland, Wis., "The Snappy Six" Orchestra,
Stanley Stangle.
Council Bluffs, la., The Meadow Larks, Don-
ald Anderson.
Ord, Nebr., Ladies' Orchestra.
Greenwood, Nebr., Greenwood Community
Band, Jack Dulik.
Storm Lake, la., Juvenile Band, Alfred Lar-
son.
Humboldt, la., The Municipal Band, Harry
Strong.
Fullerton, Nebr., The Municipal Band, Lewis
G. Kremer.
Holstein, la., High School Band, Conrad
Clausen.
Americus, Ga., Americus Brass Band, Harry
Williams.
Lowell, O., Lowell High School Band, P. E.
Kidd.
Mt. Blanchard, O., Mt. Blanchard Band.
Banjo and Drum Heads
Genuine Rogers "Quality brands"
were given Medal and highest
awards over all others.
Five grades to select from, cheapest
to the very best.
White calf in thin, medium and
heavy.
Joseph Rogers, Jr., St Son
N. J.
31
Baxter & Northup Move
The Baxter & Northup Co., located for the
past ten years at 339 South Hill street, Los
Angeles, has moved to new quarters at 837
South Olive street. This company specializes
in wood-wind instruments and uses the slogan,
"Orchestra and Band Instruments Exclusively."
It represents William S. Haynes flutes, King
band instruments, Selmer wood-winds and Roth
violins. The new store has a large repair shop
and practice and teacher studios. Harry Bax-
ter and Ray Northup are the partners and
Carroll Camborn is advertising manager.
Heberlein Violin Ads
National advertising in professional magazines
has created a demand for Henrich Th. Heber-
iein, Jr., violins that is making these instruments
a popular seller, according to music dealers.
With the exception of the priceless old masters,
many dealers report that more Heberlein violins
are to be found in the hands of the best profes-
sional violinists than any other and the steady
advertising of the distributors of these instru-
ments is keeping up this demand. These instru-
ments are distributed in the United States and
Canada by the following firms: Carl Fischer,
Inc., New York, Rudolph Wurlitzer Co., Cin-
cinnati, and the J. W. Jenkins Sons Music Co.,
Kansas City, Mo.
New Arm Rest for Banjos
Arm Rest for Banjos. Albert D. Grover, New
York, and Louis H. Bertram, Long Island City,
N. Y. Patent No. 1,642,811.
An arm rest for a banjo having spaced strain-
ing screws disposed about the head, comprising
an integral plate for the edge of the instrument,
and means attachably connecting the plate to
the straining screws and capable of peripheral
adjustment with respect to the head to accom-
modate the spacing between screws.
More Musical Burglars
ITHACA, N. Y., October 10.—Musical instru-
ments valued at over $700 were taken by bur-
glars from the Doylemarx Music Shop, 105 North
Aurora street, this city, recently. The loss in-
cluded six banjos and two saxophones. Local
police working on the case have been furnished
with only one clue, which was that a man had
spent some time in the store on the day before
the robbery obtaining prices on small instru-
ments.
Twenty-Second Year
The Platt Music Co., of Los Angeles, cele-
brated its twenty-second anniversary last
month
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
TECHNICAL^SUPPLY DEPARTMENT
William BraidWhite,7^/ftf/Editor
Some of the Future Developments That
May Be Expected in the Modern Piano
Excerpt From the Forthcoming "Acoustical and Mechanical Principles of Pianoforte
Construction," by William Braid White, Technical Editor of The Review
T
H E following paragraphs have been taken
from the concluding chapter of a forth-
coming volume upon "The Acoustical and
Mechanical Principles of Pianoforte Construc-
tion." The chapter deals with the future of
the pianoforte and the excerpts given here dis-
cuss specifically the possibility of certain de-
velopments in actions, quarter tone divisions
of the octave, improved keyboards, pedal
boards, etc.
"Greater amplincatory powers for the sound
board or its equivalent, a more flexible action,
more scientific development of steel wire draw-
ing and more accurate adjustment of wire to
the work of the hammer and key, with possibly
a considerable development in the direction of
new shapes and new sizes are among the pos-
sibilities of the future towards which we may
with some confidence look.
The Action of the Future
"Leaving aside the difficult question of im-
proving amplification and the manufacture and
application of steel wire, the action presents
novel possibilities of the most fascinating kind.
The principle of percussion has indeed been
worked out to a considerable degree of ac-
curacy—but it would be wrong to suppose that
no improvement can be made without destroy-
ing this principle, '"or even modifying it seri-
ously. The need of the immediate future is
undoubtedly for a more accurate investigation
of the relations of the moving parts each to
the other, to the end of reducing friction and
facilitating the attainment of more rapid repeti-
tion. The percussion principle probably repre-
sents the best system for exciting the string,
when we consider this, not in the light of the
abstract desirability of a more sustained sound
or of power to swell and diminish at will—
but rather upon the fair assumption that the
characteristic voice of the pianoforte is far too
valuable a tool of musical expression for us
to wish to tamper with it. The percussion tone
has definite and characteristic musical virtues
which no other instrument possesses. Improve-
ment, then, should be directed towards making
the action more nearly perfect mechanically,
which can best be done by more careful study
of the relations of the moving parts. Along
with this should, and may, go an investigation
of the behavior of strings and of amplifying
devices, as discussed above. But the action
alone, in its mechanical details, can be markedly
improved. Its principal present defect is ex-
cessive friction between parts and poor adjust-
ment of leverage relations. All this can be
remedied and long ago would have been the
cause of anxious investigation if there had ever
existed among users of the instruments any
body of expert critical opinion. Lack of such a
critical public opinion has been one of the
principal causes of the technical stagnation
which has characterized the industry.
"Those who can recall the musical activities
Punching!
Washers
Bridle Straps
5814-37 Ik A of the late nineteenth century will remember
the Janko keyboard, which for a time attracted
much attention and seemed destined to revolu-
tionize the technic of pianoforte playing. Its
essential feature lay in the provision of three
finger positions for each key, in place of one,
and in the disposition of these in such a manner
as to produce a six-row keyboard. Tenths,
twelfths and even wider intervals can readily
be reached on this board, while the octave can
be taken with no greater difficulty than now
aHends the spanning of a sixth. There are
many other conveniences in the Janko inven-
tion, but unfortunately the vested interest of
the teachers of pianoforte playing and of the
publishers of fingered sheet music was from the
first against it, and it made no headway at
all. The manifold defects of the accepted
keyboard have been often enough exposed, nor
should we forget that the present division into
seven white and five black keys to each octave
dates from a day long before the introduction
of equal temperament, and is now entirely
illogical, having no longer any intonational
significance. The stage indeed is set for a
keyboard built upon the basis of the equal-
tempered intonation; that is, on the under-
standing that the twelve tempered sounds in
each octave are equidistant peers, no one hav-
ing any advantage over any other.
Emanual Mo6r
"Meanwhile Emanual Moor has come forward
with his two-banked keyboard, which has al-
ready enjoyed success to some extent in Europe
and may yet spread all over the world. In
bringing forth this improvement, for that is
what it is, Moor has gone back to the harpsi-
chord, the makers of which were accustomed
to build two-banked instruments, usually indeed
with a separate set of strings and actions for
each. Moor, however, uses his upper keyboard
merely to operate one octave higher than the
keyboard below. The two boards are built in
the usual manner, with ordinary white and
black keys. The lower keyboard is, in fact, the
conventional piano manual. The upper one,
placed above and behind it, is also built in
the conventional way, but, by means of a lever
system applied to the action, each of its keys
plays upon the hammer one octave higher than
Magic Scratch Remover
Campbell's Magic Scratch Remover In-
stantly eradicates scratches and scars
from wood finishes. Highly valuable—
In fact. Indispensable, wherever furniture
or musical Instruments are handled. Used
by any employee. Quick, effective—and
very economical.
The cost of Magic Scratch Remover Is
very small, indeed. Housewives gladly
pay a good price.
'
., >.
- • .
..
Your price, y 2 dot., $2.00; dog:,
$3.50. Postpaid. Sent on approval.
. „• " S J
]
THE M. L. CAMPBELL COMPANY
1008 West Eighth Street
Kansas City, Mo.
TUNERS' TRADE SOLICITED
Also—Felts »nd
Cloths, Furnished
la Any Quantity
W* 32
William Braid White
Associate, American Society of Mechanical
Engineers; Chairman, Wood Industries
Division, A. S. M. E.; Member, American
Physical Society; Member, National Piano
Technicians' Association.
Consulting Engineer to
the Piano Industry
Tonally and Mechanically Correct Scales
Tonal and Technical Surreys of Product
Tonal Betterment Work in Factories
Reference* to manufacturers «f unquestioned
position In Industry
For particulars,
address
209 South State Street, CHICAGO
Piano Tuners
George W. BraunsdorE, Inc.
Direct Mmnufmcturfi of
does the key immediately below it on the lower
board. A coupler is also provided whereby the
upper board may be coupled to the lower. The
musician finds in this board many valuable
additions to his technical powers. He can span
an octave with two adjacent fingers and can
build up many otherwise unattainable chord
combinations easily and conveniently.
"The Moor keyboard has been received with
enthusiasm by pianists who have had an op-
portunity to play upon it and it may well have
a future. Certainly it increases the technical
powers of the pianoforte to a marked extent,
without demanding an entirely new fingering.
Pedal Boards
"Pedals for the purpose of increasing com-
mand over the bass region of the pianoforte
have from time to time been added, but no
pianoforte maker has seriously studied the pos-
sibilities of the subject. The appearance and
'succes d'estime' which the Moor keyboard
has already earned should cause pianoforte
manufacturers to pay more attention to the
possibilities of a pedal keyboard. Liszt had
one built for him years ago. Some organists
to-day are using pedal attachments to piano-
fortes, by means of which the bass can be
played organ style, as well as manually. A
combination of the Moor double manual with
a satisfactory pedal board would produce a
pianoforte almost capable of rivaling the tech-
nical virtuosity of the player mechanism.
Quarter-Tones and Third-Tones
"With what has been said above as to tech-
nical improvements, we must by no means
overlook the demand, which will certainly soon
be heard, for a pianoforte capable of giving
the intervals of a quarter-tone or third-tone
scale. Here we enter a region as yet un-
charted, but which holds for the explorer
very much that is interesting and even fascinat-
ing.
"The scales used in Indian, Chinese, Japanese
and Arabian music are quite unlike our own,
to such an extent indeed that it is quite im-
possible to render such music accurately by
means of Occidental musical instruments. The
duodecimal equal division of the octave, which
has been for so long the universal basis of
western music, is contradicted by eastern
scales, which include intervals closer together
and Technicians
are In demand. The trad* n««da tuners, regu-
lator* and repairmen. Practical 8h*p School.
Send for Catalog M
Y. M. C. A. Piano Technicians School
1421 Arch St.
Philadelphia, Pa.

Download Page 31: PDF File | Image

Download Page 32 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.