Music Trade Review

Issue: 1927 Vol. 85 N. 13

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
31
The Music Trade Review
SEPTEMBER 24, 1927
The Technical and Supply Department — (Continued from page 29)
ought properly to be considered only in respect
of its function as a supporter to the soundboard.
It should be constructed solely in view of this
duty, and every effort should be made to avoid
any development of vibratory properties in it.
That the wooden structure will vibrate is evi-
dent; but its vibrations are to be taken as
merely incidental and without any acoustical
value.
The Upright
The casing and framing of the upright piano-
forte must now be considered. Here we have
the difference that the "back," as it is called,
consists of a wooden framing carrying the wrest
plank and the entire supporting structure for
the soundboard, plate and strings. To this the
outside case is fastened, the two large sides
being glued on,' and the other parts, such as
keybed, top and cabinet work in general, being
merely screwed in place. The back of the up-
right pianforte is in fact effectively the complete
instrument, and could very easily be built up
and assembled into playing order before the
sides, top and cabinet work had been put on
at all. In fact, this is now actually being done
by the house of Broadwood in London, under
the Collen patents. Metal braces cast in the
iron plate support the keybed, and when this
is put in place and a further arrangement car-
ried out to support the pedal work the whole
instrument may be fitted with its action and
keys, regulated, tuned and tone regulated. When
thus complete it may be put into any style
of outer case. The resulting economies can be
realized at once by the practical manufacturer
who knows the great cost of carrying large
numbers of slow-moving styles of case, which,
nevertheless, must be held in readiness at all
limes.
Meanwhile it is necessary to point out that
the iron plate of the upright pianoforte acts as
a binder and stiffener to the back, of such
potency that even very poor back construction
usually lasts pretty well. On the other hand, it
is evident that the overmastering function of
the upright back is to support soundboard and
strings rigidly, and this means, above everything
else, that the heavy rail or bar which carries the
wrest plank at the top and the other heavy bar
to which the plate is fastened at the bottom
must be bound together by strong posts or
braces, especially at the right and left-hand,
where the ornamental wooden sides are glued
in place. In fact, the upright back needs above
all to be a well-knitted rectangle of strong wood
01 of metal. Lane, of Holland, Mich., however,
encloses some of his upright soundboards in
a heavy rim built up in ply construction, just
like the inner rim of the grand case. He be-
lieves that in this way he gains greater rigidity
of the soundboard, and to that extent he is
quite likely right. This rim, which he shapes
exactly like the rim of a small grand, so that
the soundboard and plate take the same shape,
he then encloses in a back consisting of top,
Hottom and side rails only. Similar methods
have been used by others.
Wrest Planks
It would be wrong to leave this subject with-
FAUST SCHOOL
OF TUNING
Standard of America
Alumni of 2000
Piano Tuning, Pipe and Reed
Organ and Player Piano
YEAR BOOK FREE
27-29 Gainsboro Street
BOSTON, MASS.
Tuners and Repairers
Our new illustrated catalogue of Piano and
Player Hardware Felts and Tools is now
ready. If you haven't received your copy
please let us ^now.
OTTO R. TREFZ, JR.
1305-7-9 No. 27th St.
Phila., Pa.
out considering one more matter of the utmost
importance. The whole value of the pianoforte
as a musical instrument rests, .of course, upon
its ability to stand in tune. Among the factors
contributing to such a desideratum, none exceeds
in importance the construction and housing of
the "wrest plank" or tuning pin block into which
are driven the tuning pins. Modern American
p.actice usually fastens the wrest plank of the
grand pianoforte directly to the underside of
the iron plate, with whatever number of screws
may be thought to be sufficient, providing a
flange cast into the plate to resist the tendency
of the plank to pull forward under the influence
of the stretched strings. On the other hand,
still greater rigidity can be obtained by building
the wrest plank into the two wooden sides of
the case first, and then fastening the plate down
on it with the needed number of screws. The
latter method is, of course, more expensive, but
it is undoubtedly more secure.
Upright pianofortes have the advantage that
in them the wrest plank forms part of the heavy
back, which greatly improves their qualities of
stiffness and rigidity.
On the question of the construction of the
wrest plank it is necessary to remark that the
prime necessity is to interpose the maximum
amount of frictional resistance to the turning
of the pin. Plywood construction is absolutely
necessary under modern conditions, and the only
wood that will suffice is maple or one of its
hardwood equivalents.
turers in the Middle Western states. His route
will be through Albany, Buffalo, Toronto, back
to Buffalo, on to Cleveland, Detroit, Chicago,
Milwaukee, back to Chicago and returning to
New York via Cincinnati and Baltimore. Mr.
Oetting expects that the trip will require five or
six weeks.
Wm. Merriam Returns
SOUTH ACTON, MASS., September 14.—William
Merriam of the A. Merriam Co., of this city,
manufacturer of piano stools and benches, re-
turned to headquarters after a month's trip
through New York State and Pennsylvania.
"Will," as he is popularly known in trade circles,
states that he found a better general feeling in
the trade than on previous recent visits. He is
optimistic about the demands for the coming
year for piano benches of period design which
are said to be having a good reception in all
parts of the country.
P. A. Hayward Appointed
WASHINGTON, D. C, September 17.—The ap-
Wood Industries Section
of A. S. M. E. Meeting
pointment of Phillips A. Hayward, lumber
specialist, to the technical staff of the National
Committee on Wood Utilization of the Depart-
ment of Commerce has been announced re-
cently by Axel H. Oxholm, director of the
committee. Mr. Hayward is a graduate of the
New York State College of Forestry, Syracuse,
N. Y., and has lately held the position of
instructor in wood utilization in that institution.
He has had extensive experience in manufac-
turing and retailing both softwoods and hard-
woods in the South and Lake States region.
Mr. Hayward will devote a great deal of his
time to various industrial projects, with par-
ticular reference to small-dimension stock and
.short-length lumber.
Two-Day Gathering to Be Held at Grand
Rapids, Mich., With Technical Program
Wool Clip Decreases
Correspondence
is solicited and should be addressed to William
Braid White, 5149 Agatite Avenue, Chicago.
The Wood Industries Division of the Ameri-
can Society of Mechanical Engineers will hold
its 1927 national meeting at Grand Rapids, Mich.,
on October 17 and 18, making its headquarters
at the Hotel Pantlind, that city. Paul H. Bilhu-
ber, factory executive of Steinway & Sons, New
York, and secretary of the Wood Industries Di-
vision, will be among those representing the
piano industry at the meeting. Mr. Bilhuber,
in sending out the" official notice of the conven-
tion, stated that non-members of the engineering
society are cordially invited to attend and ex-
pressed the belief that many of the Western
piano manufacturing executives and superintend-
ents will be on hand.
William Braid White, technical editor of The
Review, and chairman of the Wood Industries
Division, has sent out program announcements
in detail to members. The program on Mon-
day, the opening day, will include registration at
the Hotel Pantlind at 9:30 o'clock, followed by
plant inspection tours through the balance of the
morning. The afternoon will be devoted to an
interesting technical session, held in the Italian
Room of the Hotel. The Division's informal
dinner and business session will be held Mon-
day evening in the Colonial Room of the hotel.
Tuesday morning will be devoted to another ex-
tensive technical session in which various papers
on the quality and properties of wood, finishing
materials, etc., will be read by various nTetnbers.
WASHINGTON, D. C, September 17.—A decrease
of approximately 7 per cent in the wool clip
of Australia, New Zealand, the United King-
dom and the United States is indicated by the
preliminary estimates available to the Depart-
ment of Agriculture. These countries in 1926
produced roughly a little less than half of the
estimated world's wool production. The 7 per
cent decrease in the countries mentioned is due
entirely to the smaller wool clip forecast for
Australia, the decrease being estimated at ap-
proximately 15 per cent.
The shortage in the coming Australian clip,
as compared with last year, is estimated to be
approximately 126,500,000 pounds instead of
250,000 bales, or approximately 79,500,000
pounds as indicated at a conference between the
Australian Woolgrowers' Council and the Na-
tional Council of Woolselling Brokers, held in
Adelaide at an earlier date.
While the number of mature sheep to be
shorn will probably be slightly larger, due to
the large increase in sheep in New South Wales
last season, a decrease in the weight of the
fleece of 1% pounds per head is by no means
excessive, judging by the conditions of skins.
Opens Biological Section
ls
MADISON, W - ( September 17.—The Forest
Products Laboratory has recently installed a
biological section, a department which has been
considered by the laboratory for some time.
The field covered will be such phases of forest
Philip G. Oetting, president and treasurer of research as wood structure, relation of wood
Philip W. Oetting & Son, Inc., New York, sole structure and wood properties in general to
agent for Weickert piano felts, started this week tree physiology and to growing conditions,
on an extensive business trip through the Mid- forest tree morphology, physiology and bio-
dle West. He will make the entire trip by chemistry, forest soils, light and atmospheric
motor, accompanied by Mrs. Oetting, and will factors, genetics, and the development of spe-
cover virtually all of the leading piano manufac- cial instruments for research.
P. G. Oetting in West
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
IN THE WORLD OF MUSIC PUBLISHING
Dignified Presentation of Spirituals
in Bamberger Display Increases Sales
Unusually Effective Window Treatment for the Presentation of This Class of Selec-
tion Offered by Newark, N. J. Department Store
A MOST effective display of "My Spirituals"
' * • was used recently in one of the large show
windows of the store of L. Bamberger & Co.,
Newark, N. J., doing much to boost the sales
of this attractive book in the sheet music de-
partment of the store, where an appropriate dis-
play was also set up, tying up with the window.
"My Spirituals" is a book of ninety-six pages,
published by the Robbins Music Corp., New York,
and containing a group of Negro Spirituals, com-
piled by Eva A. Jessye. Miss Jessye has col-
lected these songs at first hand, having learned
them during her childhood, and among them
are sixteen hitherto unpublished Negro spirit-
uals.
The songs portray in a beautiful manner the
mysticism and spirit-
ual fervor of the Ne-
gro, retaining always
the naivete and gay-
ety typical of the best
Negro spirituals. The
flavor of the mel-
odies has been care-
fully preserved in the
a c c o m p a n i m ents,
which in every case
will be found simple
a n d effective. "My
Spirituals" is a splen-
did example of art in
book ma n u f a c t u r e
with its text edited by
Gordon Whyte, and
music revised and ar-
ranged by Hugo Frey,
of the professional
staff of the Robbins
Music Corp.
The display given
the book in the Bam-
berger window obtained unusual emphasis
through its simplicity. There was no attempt
to crowd the window and "My Spirituals" was
the only item shown. Copies of the book were
thrown open to some of the more striking pages,
SONCS
Important Notice!
More Profit for the Dealer!
The Retail Catalog Price of World-Famous
McKinley Music
Now 15 Cents Per Copy, Will Advance November 1, 1927
THAT HIT THC MARK!
BLUE SKIES
IS IT POSSIBLE?
WHAT DO WE DO ON A DEW
DEW DEWY DAY?
SWEET YVETTE
HAVANA
MISS ANNABELLE LEE
IT'S A MILLION TO ONE YOU'RE
IN LOVE
ARE YOU LONESOME TONIGHT?
SOMEBODY AND ME
PRETTY LITTLE BOM BOM
FROM BOMBAY
WHERE THE WILD, WILD
FLOWERS GROW
ROSY CHEEKS
SWEET MARIE
LOVE AND KISSES
C'EST VOUS
YANKEE ROSE
MY SUNDAY GIRL
PUT YOUR ARMS WHERE THEY
BELONG
MY IDEA OF HEAVEN
THAT'S MY HAP, HAP HAPPI-
NESS
BOOKS THAT SELL
NEW UNIVERSAL DANCE FOLIO
No. 13
IRVING BERLIN SAXOPHONE
No. 1
AL JOLSON SONG HIT FOLIO
SO BLUE
PETERSON'S UKULELE METHOD
WORLD'S FAVORITE SONGS
BABY FEET GO FITTER PATTER
TIDDLE DE UKES
STRUMIT WITH CRUMIT
(Comic Ukulele Song Book)
I'LL BE LONELY
SOUTH
7 Cents Per Copy
ME AND MY SHADOW
Mix the Lot—What Have You Got?
MAGNOLIA
Does She Love Me?
POSITIVELY—ABSOLUTELY !
On the Same Date, November 1st, 1927, the Price of McKinley
Music to Dealers Who Carry Our Complete Line with
Catalogs Will Advance to
RUSSIAN LULLABY
WHAT DOES IT MATTER?
PAUL ASH NOVELTY PIANO
FOLIO
Here Am I—
BROKEN HEARTED
IT AM, DEPENDS ON YOU
To 2 0 Cents Per Copy
Songs that Sell
WIND
WHO'S THAT KNOCKIN' AT MY DOOR?
SWEETHEART MEMORIES
IRVING BERLIN Im
MY HAWAIIAN SONG OF LOVE
Sonjf Hits from the Collegiate Musical
Comedy
•'GOOD
N E W S '
,1607 Broadway New York City
GOOD NEWS
To Dealers Not Carrying the Complete Line and on All Orders for
Lets Than Five Copies of McKinley Music Alone,
the Price Charged Will Be
10 Cents Per Copy
THE VARSITY DRAG
1,1'ORY IN LOVE
THE BEST THINGS IN LIFE ARE
FREE
HAPPY DAYS
JUST
IMAGINE
BIG
SELLERS
IN
FOLIOS
SAXOPHOLIO
All Stock Orders Received After November 1st
Will Be Charged at the New Rate
Me KIN LEY MUSIC CO.
OII BANJO FOLIO
(Each containing: fifteen great so rips)
^ tbliskers
HENDERSONJINC.
7«5 SEVENTH AVENUE NEVYOBK
32
informing both the music lover and discriminat-
ing reader that here was a work to suit his taste.
The display needed no background and was set
oft with a simple, haunting painting, suggestive
of the Southern landscape, which has served as
inspiration for so much of Negro music.
The Orchestra Leaders' Music Library was
recently incorporated as a new publishing house.
The company has a capital stock of $5,000 and
is headed by D. A. Shirk, 225 Broadway, New
York, as incorporator.

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