Music Trade Review

Issue: 1927 Vol. 84 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
TECHNICAL^SUPPLY DEPARTMENT
William Braid White, Technical Editor
An Investigation of the Causes for
. Checking or Cracking in Piano Finishes
Most Factors Controlling the Durability of a Finish Beyond the Control of the Manu-
facturer of Finishing Material—Some of the Causes and Remedies
AIR lines, checks, and cracks are so
familiar in finishes on furniture, pianos,
automobiles, and many other objects
that there is little need for a definition or de-
scription of them. Everyone knows a checked
finish when it is seen. Hair lines, checks and
cracks are terms used mostly to describe the
degree of deterioration; when the deterioration
has just started the defects are usually small
and are referred to as hair lines; in the more
advanced stages these hair lines become larger
and more pronounced, running into each other
so as to form a checkered effect and are then
known as checks. When the checks open up
quite wide or the hair lines run in more or less
straight lines that are quite visible the defect is
referred to as cracking. "Alligatoring," "crazing"
and similar terms are also used at times to de-
scribe these defects. All of them usually have
an origin that can be traced back to a few
causes.
It is doubtful if the time will ever come when
absolutely all troubles of this kind are elimi-
nated in finishes. There are many factors that
exert an influence over the durability of a fin-
ish, over which the paint, varnish or lacquer
manufacturer has no control. For example, all
the materials used may be of the very best
quality, yet the finish will not be permanent if
the surface on which they are applied has not
been properly prepared to receive the finish or
if the various coats are not properly applied and
dried. The surface, whether of wood or metal,
must be clear and free from moisture, oil,
grease, dirt, rust and other defects. Wooden
surfaces must have the proper moisture con-
tent, neither too dry nor too wet, otherwise the
subsequent changes of moisture content may
spoil the finish.
Even the best of finishing materials and the
best of workmanship may still fail to give sat-
isfaction in the life of the finish if the ultimate
user of the finished article either purposely or
unknowingly submits the finish to conditions
which promote rapid deterioration. All of these
arc conditions over which the maker of the
finishing materials has no control and it will
be seen that a satisfactory finish depends as
much upon the conditions under which tin
materials are applied, upon the methods of ap-
plication, and upon the treatment of the finish
by the ultimate owner, as upon the quality of
the materials themselves, says a recent article
in Veneers.
The most frequent cause of checking or crack-
ing lies in the soft or not thoroughly dried
undercoats. Even when the utmost care is
used in preparing the surface and in applyinp
the coats, the danger is not entirely eliminated
unlej-s each coat is at least as elastic as the pre-
ceding ones and unless each coat is thoroughly
dried all the way through and not merely on
top.
It is a well-known fact that all paint and var-
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nish materials dry by a combination of the
evaporation of the solvent portions and oxida-
tion of the non-volatile oils and gums. Within
a short time after the material has been applied
the volatile thinners have evaporated to a great
extent and the finish becomes sticky or tacky.
From that point on, the drying proceeds by the
oils and gums absorbing oxygen from the at-
mosphere and thus being converted from a
liquid to a solid form.
Most paint and varnish materials have a ten-
dency to dry from the top down, that is, they
will harden on top within a few hours and yet
be more or less soft underneath, requiring con-
siderable time before they are hardened through
the entire thickness of the coating. If another
coat of finishing material is applied before the
oxidation of the previous coat has proceeded
far enough, the new coat begins to harden from
the top down and soon forms a dense layer
which prevents the oxygen from easily getting
to the bottom of the first coat of only partially
dried material. If the last coat stands long
enough it will harden through and yet the bot-
tom portion of the first coat may not be thor-
oughly dried. If the finish is subjected to a
change in temperature, or if the amount of
moisture in the wood is increased or decreased
there will be an expansion or contraction of
the wood and the finishing, material will have to
contract or expand also. Now the portion of
the finish that is not thoroughly dried will ex-
pand or contract over a greater distance, with
a given change in temperature, than will the
hardened top film without cracking. As a re-
sult the elastic limit of the top film may be ex-
ceeded and checks or cracks will appear.
Regardless of whether any great changes in
temperature or moisture content take place,
there is danger of checking or cracking develop-
ing under the above conditions, due solely to
the fact that as the undried portion of the film
becomes dry it will change in volume. Since
the top film is hard and already under a strain,
similar to that of a rubber band drawn tightly
over a wooden surface, it may not be elastic-
enough to change shape with the underneath
portion of the film and will be broken in pieces
;is the underneath portion chances in volume.
EASY TO REPAIR
DAMAGED FINISHES
OU can easily repair the damage
to varnished surfaces through fol-
lowing the instructions given in our
book "How to Repair Damage to Var-
nished Surfaces." Dealers everywhere
are enthusiastic over the ease with
which this is done—and the losses
which have been eliminated. A copy
will be sent to you free upon request.
Y
The M. L. Campbell Co.
1OOS W. sth St.
Kansas City, Mo.
George W. BraunsdorS, Inc.
Direct Manufacturers of
TUNERS' TRADE SOLICITED
William Braid White
Associate, American Society of Mechanical
Engineers; Chairman, Wood Industries
Division, A. S. M. E.; Member, American
Physical Society; Member, National Piano
Technicians' Association.
Consulting Engineer to
the Piano Industry
Tonally and Mechanically Correct Scales
Tonal and Technical Surreys of Product
Tonal Betterment Work in Factories
References
to manufacturer! of unquestioned
position in industry
For particulars,
address
209 South State Street, CHICAGO
Piano Tuners
Also—Felts and
Cloths, Furnished
In Any Quantity
Woodside, L. I., N. Y.
27
Any condition which causes a portion of the.
undercoats to be softer or more elastic than
the top coats, usually results in cracking. Im-
properly dried coats will cause cracking, as men-
tioned above. If the coats are heavier in some
spots than others, much the same effect will be
produced in those same spots. If the top coat
of varnish or paint contains less oil or is
"shorter in oil" or less elastic than the bottom
coats, exactly the same condition exists.
Cracking or checking can be traced, many
times, to a desire to apply the finishing mate-
rial too heavily. It is better, from the durability
standpoint, to apply three thin coats of mate-
rial than to put on two heavy ones. Where a
heater is used on the spray booth for warming
the varnish before it is applied there is often
:i tendency to apply the varnish too heavily. In
either case, the varnish is likely not to harden
through properly and as it drie^ out thoroughly
later on may develop checking and cracking. A
lack of proper drying conditions, such as the
proper temperature and relative humidity, may
prevent the coating from hardening through and
give trouble later.
Improperly dried veneer is sometimes found
to be the cause of checking or cracking. If the
veneer is too dry at the time it is finished it may
absorb more moisture from the air after the
finished article is put in use. On the other
hand, if the veneer is not dry enough at the
time of finishing it will lose some of its mois-
ture later. In either case there will be a change
in relative volume with the change in moisture
content and this change may be sufficient to
disrupt the hardened finish and cause checking
or cracking. Likewise unprotected edges of
wooden panels may absorb enough moisture
during the rubbing process to cause checking,
or the wood may take on moisture from damp
cellars or other sources through unprotected
edges of the wood, after the finished article is
in the home. In this case, however, the check-
ing or cracking usually extends only a short
distance back from the unprotected edges and
the center of the panels may remain unchanged.
Regardless of how good the finishing material
may be or how carefully it is applied and dried,
hair lines are often caused by sudden changes'
in temperature. The outer film of the finish
becomes cold first and consequently shrinks in
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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
28
JANUARY 22, 1927
The Technical and Supply Department—(Continued from page 27)
volume and becomes less elastic. As the bot-
tom portion of the film becomes cold it also
shrinks in volume and may cause the varnish
to show hair-line cracks. If the changes of tem-
perature are sufficiently severe, or if they are
repeated frequently enough, the hair lines may
develop into checks or cracks.
This is the reason that a heavily varnished
article, such as a piano, should be carefully pro-
tected with a cotton-flannel cover, newspapers,
or some such material to protect the finish from
sudden changes in temperature during ship-
ment in cold weatiier. The finished article
should be moved gradually from one tempera-
ture to another, that is, it should not be sub-
jected to any extreme change in temperature in
a short space of time. Care should be taken in
transferring the finished product from a warm
factory or warehouse to a cold shipping plat-
form or box car. Equal care should be taken in
bringing the article into a warm room from a
cold atmosphere, to prevent condensation of
moisture on the cold surface.
I'ianos and similar objects should not be
placed directly next to a cold outside wall in the
home, because of the danger of sudden changes
in temperature. Neither should they be left in
;i r oo ni that is heated only occasionally, as the
finish will become quite cold when the room is
unheated and will quickly warm up again when
the room is heated. Particularly is this condi-
tion bad on the finish if the room is heated by
means of a stove or open grate, which may al-
low the heat rays to strike the finished surface
directly. Exposure to the hot rays of the sun
may also help promote checking or cracking.
It is these repeated changes in temperature or
moisture content that start the finish on the
road to deterioration, in many cases. The first
time the finish undergoes a change of tempera-
ture there are probably no visible ill effects.
After a few repetitions, however, hair lines may
begin to form in the finish while it is cold and
apparently disappear when it is warmed up
again. In reality, these hair lines are slill
present, but the expansion of the finish under
the influence of heat has reduced their size and
made them invisible to the naked eye. They
become visible again when the finish becomes
cold and after several repeated changes they
may finally develop into large checks and
cracks.
Another condition which might cause check-
ing, is the use of an improper polish or clean-
ing compound on the finished article after it is
in the home. This might cause a softening of
the film or might rob the finish of its elasticity
and cause checking or cracking with changes of
temperature or moisture content.
In spite of all precautions, it is well to re-
member that no finish or finishing material will
last forever. Finishing materials are applied to
wood and metal surfaces to protect and beautify
them. These protective coatings must fight the
elements constantly to give immunity to the
wood or metal on which they are applied. In
carrying on this fight, naturally, the protective
coating must be affected to a certain extent be-
cause it must rebuff the destructive agencies
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2110 Fairmount ATC.
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which otherwise would destroy the wood or
metal itself. Naturally, it cannot survive for-
ever in this deadly battle unless it is reinforced
occasionally.
Now that lacquers and durable enamels have
been perfected, they come nearer to lasting for-
ever than any finishing materials heretofore
used. Especially are lacquers well suited in pre-
venting checking and cracking. As they dry by
evaporation alone there is very little chemical
change in the structure of their film with age.
Under severe conditions similar to some of
those mentioned above, however, even lacquers
have been known to crack.
Almost ever since varnish has been used for
finishing furniture and other wooden objects,
there have beer, various formulae tor making
so-called "crack amalgamators" for removing
checks and cracks which may appear in the
finish, due to exposure to extreme cold, to ab-
sorption of moisture or other causes which re-
sult in checking and cracking Some of the
crack amalgamators work quite satisfactorily,
others are practically of no use.
Since the advent of heavy body clear wood
lacquers, it has been found possible to apparently
entirely remove these checks and cracks so that
they do not come back again. Almost all manu-
facturers of pianos and furniture have a cer-
tain number of checked or cracked pieces which
are returned to them from time to time to be re-
finished. The only safe method heretofore for
doing this has been to entirely remove the old
finish, scraping down the work carefully and
completely refinishing as though the object had
never been finished before. The trouble with
this system has been that it was necessary to
restain the work or at least retone it, which
often resulted in the color of the finish not be-
ing an exact match for the original color, which
in some instances is not satisfactory to the cus-
tomer.
Checked and cracked panels have been re-
finished with lacquer in the following manner:
First dip a cloth in lacquer reducer and go over
the cracked surface, applying just enough of
the reducer to thoroughly wet the surface, but
not enough to cause it to raise and blister up
as though paint and varnish remover had been
applied. Let this stand for several moments
until thoroughly dry. Then sand the checks and
cracks with fine sandpaper, to clean up the work
thoroughly and partially remove some of the
checks and cracks. Then apply three or four
coats of wood lacquer, reducing the first coat
slightly to aid it in drying faster and thus pre-
venting it from softening up the old finish un-
derneath and acting as a paint and varnish re-
mover. The following coats after the first one
should be used full body. As the work is being
refinished with lacquer the cracks and checks
would still be evident, but as the lacquer dries it
contracts and pulls the checks and cracks to-
gether so that they gradually disappear. After
the last coat of lacquer has dried overnight," the
work can be rubbed and polished if desired, to
reproduce the original finish.
This method of removing checks and cracks
does not disturb the original color of the work,
does not necessitate the removing of the old
finish and apparently produces a durable finish
which does not later show up the old checks
and cracks. In fact, panels have been treated
by this method and exposed to alternate cold
weather and room temperature for several days
without any signs of these checks and cracks
reappearing. As a general rule, however, it is
better to completely remove the old finish if it
is badly cracked, as this is the only really sure
method of curing this trouble and preventing it
from recurring once the piano has required re-
finishing.
Under date of January, 1927, the National
Hardwood Lumber Association has issued an
eighty-five-page pocket edition of rules for the
measurement and inspection of hardwood lum-
ber, cypress, veneers, thin lumber and plywood.
Copies may be had from association headquar-
ters, 2008 Straus Bldg., Chicago, 111.
Tuners Carrying Case
LIGHT—COMPACT—SERVICEABLE
Weighs Only 6 Pounds
Outside measurements 15j^ inches long, 7
inches wide, 8 inches high.
No. 150—Covered with seal grain imitation
leather. Each $13.00
No. 200—Covered with genuine black cow-
hide leather. Each $20.00 F.O.B. New York.
When closed the aluminum
trays nest together over the large
compartment, which measures
13£/ 8 " x 6" x 4". The two left hand
trays measure 13^8" x 2%" x \y%
and the two right hand trays 137/g"
x 3y 4 " x \y%. The partitions in
right hand trays are adjustable or
may be removed. Case is fitted
with a very secure lock and solid
brass, highly nickel-plated hard-
ware.
We have a separate Department to take care of special requirements
of tuners and repairers. Mail orders for action parts, repair materials,
also tuning and regulating tools are given special attention.
Hammacher, Schlemmer & Co.
Piano and Player Hardware, Felts and Tools
New York Since 1848
4th Ave- at 13 th St.

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