Music Trade Review

Issue: 1927 Vol. 84 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
IN THE WORLD OF MUSIC PUBLISHING
Conducted By V. D. Walsh
Progress of the Public in Musical
Interest and the Publishing Industry
New Conditions Created by the Great Publicity and Propaganda Behind Music Being
Faced in the Industry and a Way Out Found
"VTEVER before in the history of music has
the art been so generally appreciated.
Never before has music been so widely adver-
tised and exploited. Nor is all this mere sur-
face propaganda. It is of the most intensive
character covering most activities of life and,
in many phases, includes a systematized educa-
tional program. Why then should it be that the
"publishers and some other branches of the music
industries are not able to capitalize commer-
cially these activities?
A summation of some of the outstanding fea-
iures of musical exploitation, both from gen-
eral and educational standpoints, will quickly
indicate the tremendous influence music has on
the life of the nation. This phase of music
acceptance can be traced to the activity follow-
ing our entry into the World War. This
brought on a new music era. The Government,
the Army, the Navy, hard-headed manufacturers,
bankers and those heading all other activities,
as well as the rank and file, quickly saw the
power and influence of music.
This started, it was closely followed by the
general public with the advent of the new type
of photoplay house, where large orchestras ca-
tered to the musical needs and desires of
tremendous weekly audiences. In such theatres
music often became the predominant factor in
the entertainment program. In any case, it is
conceded that the musical part of the photoplay
program runs well over 60 per cent of the ap-
peal. Some of this is directly, and that portion
which is played with the exhibition of the pic-
ture proper as a musical theme, supplies the in-
direct influence.
Then, too, following the discharge of our
millions of troops, thousands of boys returned
home with new musical desires influenced by
army life. Clubs, civic societies and many other
organizations, took up community singing. This
too was an after-war effect. Even to-day
gatherings of Rotary and Kiwanis clubs and
many other organizations open with a sing.
Of wider importance have, in recent years,
been the musical programs of radio. Radio cer-
tainly could not take up so many hours of the
set owners' time, if it were not for the diversi-
fied musical programs. These appeal to every
Now Ready
Rudy WiedoeCt's
Modern Saxophone
Method
Includes the Rudy Wiedoeft Photo-
graphic Saxophone Chart, the most
practical device ever invented for
teaching the fingering of the instru-
ment,, and four original saxophone
solos.
The Wiedoeft Method is considered by
all to be the most up-to-date school
for the modern saxophone player.
List price
$3.00
Regular Dealer Discounts
ROBBINS Music CORPORATION •
799 Seventh Avenue,New York
taste and to-day under a program arranged by
Walter Damrosch will, through a great chain of
broadcasting stations, carry on a student edu-
cational campaign.
Some word, too, should be said for the great
work of the National Bureau for the Advance-
ment of Music. This organization has been in-
strumental in encouraging school music, in hav-
ing the daily press give more and more space
to music, and in some instances, issuing a
weekly music page. Of all of the weekly cele-
brations Music Week is probably the only one
that is a permanent annual affair and probably
the only one that does not now border upon
nausea.
Music in the public schools has made de-
cided advances. Credits to pupils for music
studies are winning acceptance everywhere. In
higher branches schools and conservatories and
individual instructors are turning out hosts of
vocalists, instrumentalists and ambitious com-
posers. The musical development and the edu-
cation of the nation have proceeded along rapid
lines.
These are only some of the outstanding fac-
tors working in the cause of music. From these
foundations proceed many other activities, all
making for musical advancement. With all of
this, however, there seem to be only two group
factors of the industry that have succeeded in
developing this enlarged market into sales.
Probably the outstanding of these groups is the
millions of harmonicas that have been sold
which has set a pace for quantity sales that
will hardly be duplicated by other branches.
Primarily, of course, the harmonica's possibili-
ties were, and are, larger, due to the fact of the
small cost. The other group factor that has
been able to cash in on the possibilities of this
new music era are the other small instrument
manufacturers,, including those who produce
saxophones, banjos and other solo and ensemble
instruments.
The publisher of standard music just held his
own throughout the later part of this new musi-
cal era period, but more recently he has even
felt the pinch of lessened demand. As his prod-
ucts are really the basis of all commercial music
activities, this should not ordinarily be the
case. He is undoubtedly going through a period
of readjustment. During such a period to take
no losses in business volume is in itself an
achievement. Following such a period of read-
justment, new gains in the music publication
field will undoubtedly be made. The market has
undoubtedly been enlarged and to arrange
means and plans of capitalizing it is the present-
day problem.
While popular music publishers, too, have
suffered some losses in demand they have, from
the evidence at hand, been able to take ad-
vantage of the present situation in a greater
measure than have the standard contemporaries.
With all of this, however, the volume of sales
is not as large as heretofore.
So from this resume of the situation now
faced by the music industry it would appear
that music is being sufficiently exploited and is
getting a tremendous volume of publicity.
Whether all of this publicity is of the proper
kind and the most beneficial may be open to
question. Possibly some of it should be di-
rected to entirely different channels, but hav-
103
Songs that Sell
Russian Lullaby
by Irving Berlin
What Does It Matter
by Irving Berlin
Blue Skies
by Irving Berlin
Sweet Marie
Where the Wild Wild
Flowers Grow
Rosy Cheeks
Me and My Shadow
Put Your Arms Where
They Belong
Love and Kisses
Yankee Rose
My Sunday Girl
That's My Hap-Hap-Happiness
That's My Idea of Heaven
1 Never See Maggie Alone
C'est Vous
Because I Love You
BOOKS THAT SELL
New Universal Dance Folio No. 13
Irving Berlin's Saxophone Folio No. 1
Paul Ash Novelty Piano Folio
Al Jolson's Song Hit Folio
Petersen's Ukulele Method
World's Favorite Songs
Tiddle De Ukes
Strum It With Crumit (Comic Uku-
lele Song Book)
IRVING BERLIN I,
1607 Broadway New York City
ing it and not finding means to corral the vol-
ume of sales that should legitimately result
therefrom is a weakness that almost borders
upon the mysterious. Possibly we need a spe-
cial appropriation to unravel the mystery, or
better yet, the industry might find it advisable
to hire a modern "Sherlock Holmes." More
seriously, the problem is really being faced.
These new conditions are being met. While it
is impossible to make any overnight plans to
meet the new order of things, those who have
built up great business structures can and are
being depended upon to bring order out of
things that now border on the chaotic.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
104
Arthur A. Penn WHtes
a New "Modern Spiritual"
With Any'FEIST' Song"
Salute The New Hi
SA-LU-TA
Gus Kahns Clever Lyric
and Walter Donaldson's 0
unique Italian % Fox Trot /
Melody made this a r
speedy and spontaneous
kr
HIT/
mde-Awake
K FOX
TROT SONG
SING ME A
BABY SONG
Jbv GUS KAHNai/id
WALTER^

te.. DONALDSOW
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HONOLULU
MOON'
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FR.ED LAWRENCE
7 S A M ,
Many Selections by Noted Composer Featured
in Concert Sponsored by Society of Com-
posers, Authors and Publishers
A DIFF RENT
DONALDSON /
NOVELTY/
Idle, Indolent.
Indigo Fox Trot Son£
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WEATHER
loy
Jo' Trent and
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Peter De Rose

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LEO. FEIST. Inc,
FEIST
BLDG
Arthur A. Penn has just added a new num-
ber to his long string of ballad successes which
is unlike anything else with which his name has
been hitherto associated. He calls the new song,
the name of which is "Across the River," a
"modern spiritual," and that seems about as
good and accurate a description as can be
imagined. In construction it bears a very recog-
nizable resemblance to the negro tunes and
themes that are so popular nowadays, and it
has a richness of melody and harmony that
stamps it with the Penn trade-mark.
Mr. Penn, who has recently taken up his
abode in a charming old New England farm-
house on Block Island, R. I., which he has had
made over into a beautiful and permanent home,
got the idea of "Across the River" on that
island. He believes the little song will be a
runner-up for his famous song success, "Smilin'
Through."
M. Witmark & Sons, publishers of Mr. Penn's
song successes, have just issued "Across the
River," and they report that singers are in-
stantly interested in it. The song was hardly
off the press when Redfern Hollinshed, who is
with the Atwater Kent concerts for the next
eight weeks, seized on it, and at once decided
to make it his feature number. The Silver
Masked Tenor followed immediately with a
similar determination, and others are rapidly
becoming acquainted with this very unusual and
attractive Penn number. The publishers are
so impressed with the reception of the song
that they have planned an extensive campaign
for it, and propose to make it one of the really
prominent Black and White Series numbers.
Annual Victor Herbert
Memorial Program Given
THE O L D
ACCORDION MAN
:
Novelty should have/
<
" > hy Benny Davis, Harry Akst
t and L. Wolfe Gilbert-
"Across the River" an Unusual Number That
Resembles the Negro Spiritual but Has a
Rich Melody
231-235 W.4O9 1 ST,
The annual Victor Herbert memorial program,
arranged by the American Society of Com-
posers, Authors and Publishers, was held in
the Crystal Room of the Ritz-Carton Hotel on
Wednesday evening of. this week. The program,
commencing at 10 o'clock, was broadcast
through station W E A F and a number of the
members of its chain.
Silvio Hein, himself a noted composer and an
officer of the society, arranged the program,
and the participants included such famous con-
ductors and artists as John Philip Sousa, Max
Bendix, Nathan Franko, Raymond Hubbell,
Louis Edlin, the Atwater Kent Orchestra,
Ethyl Hayden, Greek Evans, Anita Lowell,
Yasha Bunchuk, Celia Turrill, Gladys Rice,
Harry Van Duzee, Marion Keller, Waldo Mayo,
Orville Harrold, Forrest Yarnall, Werner Jans-
sen, Adam Carroll, Mario Valle and the Russian
Cathedral Choir. S. L. Rothafel, the well-known
"Roxy", conducted the orchestra in Herbert
compositions.
This tribute to Victor Herbert is an annual
affair, the third of a series under the auspices
of the American Society, and the musicians pre-
viously in Herbert's own orchestra predomi-
nated in the orchestral organizations participat-
ing.
Gene Buck, president of the American Society,
acted as master of ceremonies, and paid a glow-
ing tribute to the late composer, who, by the
way, was one of the founders of the society.
Among the Victor Herbert compositions
heard were "Badinage," played by the Atwater
Kent Orchestra; "When You're Away," from
"The Only Girl"; selection from "Eileen"; "The
Toy March," from "Babes in Toyland"; "Kiss
MAY 28, 1927
Me Again," "Yester Thoughts," "Dream Melody,"
from "Naughty Marietta"; selections from "The
Fortune Teller"; "The Street Song," "Pan
Americana," "Butterfly Waltz," from "Babette";
"Indian Summer," "I'm Falling in Love With
Someone," "Gypsy Love Song," "Habanera,"
"Al Fresco" and others.
Carl Fischer, Inc., Offer
New Selection for June
Interesting Array of Standard and Novelty
Numbers Presented by Publishers in Current
Monthly Announcement
The second of the little pamphlet known as
"New Issues and Announcements," issued by
Carl Fischer, Inc., has just been forwarded to
the trade. This publication, which gives brief
and appropriate descriptions of novelties and
other monthly issues, can readily be used as
an order blank by the retailer. The latest issue
is dated June and contains two songs by
Charles Wakefield Cadman, "Rapture," a
melodious number with distinctly appealing
lyric, particularly suitable for encore. "Shepherd
Fantasy," the other Cadman number, issued for
high and low voice. It is described as a truly
delightful and original song.
Oscar J. Fox again contributes one of his
cowboy songs. This number is entitled "Old
Paint." These cowboy offerings are unusually
interesting and are gaining in favor, and Mr.
Fox presents them with all of their original
atmosphere.
There are also new octavo choruses, mostly
of the sacred type and in addition to the Carl
Fischer School Chorus Edition. Victor Her-
bert is represented with piano solo arrangement
of his famous band number "America Fan-
tasia." This arrangement is by Robert Bieder-
man. There are numerous offerings for the
violin and piano and Book 3 of "Progressive
Studies for the Snare Drum," and a number of
issues for orchestras and bands.
Harling's "Jazz Concert"
Featured at Roxy Theatre
Composition Written On Order of S. L. Rotha-
fel Principal Music Feature of the Week's
Program
Frank Harling's "Jazz Concerto" was used
as -a musical feature in last week's program
at the Roxy Theatre, New York City. S. L.
Rothafel, known as "Roxy," commissioned Mr.
Harling to compose this' work especially for his
theatre. He has in mind a plan to encourage
serious American music, and with the opportuni-
ties to present it at this theatre, and by way of
radio it should stimulate the interest and in-
spiration of American composers.
Mr. Harling is composer of "A Light From
St. Agnes," which was sung with great success
at the Chicago Opera Co. He was also com-
poser of the recent American opera "Deep
River." His "Jazz Concerto," now being heard,
is unusual and most modern and contains a
cadenza for the accordion and one for the banjo
in the score.
To Revive "Casey Jones"
The old success, "Casey Jones," has been taken
over for exclusive sale by Bibo,. Bloedon &
Lang, 1595 Broadway, New York City. This
number is owned by the Southern California
Music Co. There are indications that "Casey
Jones" will be revived. Several of the talking
machine record and player roll companies are
re-issuing it, and it is heard frequently on the
air.
Consult the Universal Want Directory of
The Review. In it advertisements are inserted
free of charge for men who desire positions.

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