Music Trade Review

Issue: 1927 Vol. 84 N. 13

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
45
The Music Trade Review
MARCH 26, 1927
"1 have not really invented anything," he ex-
plaineu i his arrival. "I wanted to express
American industry and American architecture
and found that 1 could not do that with the
conventional music, so 1 proceeded to develop
new forms. Where the ordinary orchestra
builds up its music on the basis of strings, 1
build up my music by the use of percussion.
Every sound is caused by something hitting
something else and will fall roughly into one
of three categories. These are steel, wood and
8 INDA*
rubber. 1 feel that I have added something to
AT SUNDOWN
HONOLULU MOON
music, because music must develop as new
THINKING OF YOU
sounds are added to its repertory. The addition
IF YOU SEE SALLY
WISTFUL AND BLUE
of the pedal to the piano made possible, for in-
I'VE GOT THE GIRL
stance, a man like Chopin."
HE'S THE LAST WORD
I LOVE THE MOONLIGHT
Among the pieces which will be played by
1 STILL BELIEVE IN YOU
IN A LITTLE SPANI8H TOWN
Antheil will be the "Ballet Mechanique,"
HUM YOUR TROUBLES AWAY
which caused a riot when first played in Paris.
PAL OF MY LONESOME HOURS
SAM, THE OLD ACCORDION MAN
Men and women cheered and hissed and in
IF I DIDN'T KNOW YOUR HUSBAND
some cases actually fought when it was played.
TAKE IN THE SUN, HANG OUT THE
MOON
The same thing happened later when it was
I'D RATHER BE THE GIRL IN YOUR
given in Berlin.
ARMS
IT MADE YOU HAPPY WHEN YOU
The principal instrument in the "Ballet
MADE ME CRY
Mechanique" is a player-piano, and ten ordinary
JUST A BIRD'S-EYE VIEW OF MY
OLD
KENTUCKY HOME
pianos are required for its performance in addi-
tion to the bells, airplane propellers and other
Writm for Dmalmr*' Price
sound-producing devices.
Antheil has spent the last six years abroad,
living mainly in Paris, where he has identified
himself with the group of American writers
living there. He was lost once for two months
in the Sahara Desert. When he emerged he
brought with him comprehensive notes on the Buddy," "Since I Lost My Gal," "Oh! Don't
native music. He will be in this country two You Love It" and "Swing Me High, Swing Me
months and will stay at 17 East Eighty-fourth Low."
street.
Can't Go Wn
[FHST;
GOOD
REASONS
Dealers push "CENTURY EDITION"
because it is Nationally Advertised.
BECAUSE it represents the best value
in sheet music today.
BECAUSE he is protected against loss
through exchange. Copy for copy.
BECAUSE of the 150% profit he makes.
Pretty good reasons at that, don't you
think?
Century Music Pub. Go.
235 W. 40th St.
New York
Eleven Pianos Required
in Antheil Composition
Airplane Propellers, Electric Bells and Other
Mechanical Devices Scored in Orchestration
Carrying with him airplane propellers, with
the machinery for manipulating them, two oc-
taves of electrical bells and other mechanical
devices, instead of the ordinary orchestra in-
struments, George Antheil, the twenty-six-year-
okl American composer who has been called by
foreign critics a creator of new forms, arrived
recently on the Cunard liner "Ascania" to show
his countrymen what their civilization sounds
like when translated into modernistic music.
He was accompanied by his wife, who is a
niece of Arthur Schnitzler, the Viennese writer.
He will play in Carnegie Hall on April 10.
What Shall I Give My Pupil?
To Strengthen the Weaker Fingers—To Develop the Legato
Touch, or the Staccato Touch—To U»e as a Study in Wrist Work.
Octave Work. Left Hand Melody. Crossing the Hands—and
Dozens of Other Problems?
You Will Find the Answer in the List of
MUSIC CLASSIFIED
ACCORDING TO
PIANO TECHNIQUE
From the Newly and Thoroughly Revised
M
15C
-
kv/iJ 141 tm All' Ltlllsi
EDITION OF
jg c
STANDARD •»»-
TEACHING MUSIC
LEO
New Spring Releases
of the Triangle Go.
In the new Roxy Theatre, S. L. Rothafel has
a broadcasting studio. Roxy and His Gang
"Night Time Is Love Time," "You Never Get have again returned to the air. The original
Nowhere Holding Hands" and Two New gang has been supplemented by some new
voices. Maurice Jacquet, one of the orchestra
Dances Among Numbers
directors and composer of "The Love Waltz,"
Joe Davis, head of the Triangle Music Pub- the theme melody used in conjunction with the
lishing Co., appears on the programs of a number showing of the new Gloria Swanson picture
of New York radio stations as the "Melody "The Love of Sunya," was introduced by Roxy
Man." Under this same name he has also re- during one of the recent broadcasting pro-
corded two waltz ballads for Brunswick records grams. Incidentally "The Love Waltz" is being
which are to be released shortly. These are used in all these new broadcasting programs
"I'm Only Another to You" and "I'm Longing with the result that Harold Flammer, Inc., the
for My Old Gal Sal." Both numbers are pub- publisher of the number, is getting wide pub-
licity on this musical offering.
lished by the Triangle Music Publishing Co.
Joe Davis also announces that, in conjunction
Consult the Universal Want Directory of
with his success, "Oriental Moonlight," his firm
The
Review.
will open the Spring season with "Night Time
Is Love Time," "You Never Get Nowhere
Holding Hands," two new dance tunes, "White
Some of the
Ghost Shivers" and "My Pretty Girl."
M. Witmark & Sons are returning in a most
active way to the popular song field. Opening
the Spring season they have a quite lengthy list
of popular songs that are being used by well-
known vaudeville performers. In addition the
band and orchestra department of the Witmark
firm is exploiting these on a wide scale. Among
these are "Never Without You," "It's O. K.
Katy With Me," "You'll Be Sorry in the Morn-
ing," "I'll Tell the World I Love You," "Dream
Selected by
Celebrated Teacher, Composer and Concert Pianist,
Well Known Music Critic.
EDITORIAL STAFF of the McKINLEY PUBLICATIONS
Frederick A. Stock (Editor-in-Chief "Music in the Home"
Edition). Anne Shaw Faulkner (Music Chairman. General
Federation of Women's Clubs). Sturkow Ryder, Victor Gar-
wood, Allen Spencer, Clarence Eddy, Arthur Olaf Andersen,
Allen Ray Carpenter, Henry S. Sawyer and Others.
Send for Catalog of "One Thousand and One" Piano Selection*.
McKINLEY MUSIC CO.
CHICAGO, ILL.
1501-1515 E. 5Sth i>t.
Copyright, 1921. by McKinloy Music Co.
BEST
SELLERS
New Witmark Populars
STURKOW RYDER,
and HENRY S. SAWYER,
"Love Waltz" on Air
^CHERIE
ILOYE YOU
H A R M S INC.. 62 W. 45TH ST.N.YC.
In
The Witmark Black & White Series
SECULAR
GYPSY LOVE SONG
KISS ME AGAIN
MY WILD IRISH ROSE
WHEN IRISH EYES ARE SMILING
MY HOUR
WHO KNOWS?
AH1 SWEET MYSTERY OF LIFE
DEAR HEART, WHAT MIGHT HAVE BEEN
JUST AN IVY COVERED SHACK
CAN'T YO' HEAR ME CALLIN', CAROLINE?
MOTHER MACHREE
SMILIN' THROUGH
ASLEEP IN THE DEEP
JUST BEEN WOND'RING, ALL DAY LONG
IN A LITTLE TOWN NEARBY
SUNRISE AND YOU
THE LAMPLIT HOUR
THAT WONDERFUL MOTHER OF MINE
THAT OLD IRISH MOTHER OF MINE
SACRED
TEACH ME TO PRAY
I COME TO THEE
THE SILENT VOICE
GOD SHALL WIPE AWAY ALL TEARS
A LITTLE WHILE
IT WAS FOR ME
O LORD, REMEMBER MB
GRATEFUL, O LORD, AM I
M. WITMARK & SONS, NEW YORK
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
46
The Music Trade Review
BOOSEY & CO., Ltd.
have the pleasure to announce that they have
acquired the American and Canadian Rights
of the extensive English Catalogue of
ENOCH & SONS, Ltd.
Orders for Enoch Publications should hence*
forth be addressed to Boosey & Co., Ltd* at
Steinway Hall, 113 West 57th St., New York.
March 18th,
19X7
Sherman-Clay Numbers
Featured in Detroit
Forster Secures Rights
to Shefte Instructors
First Issues Include "Jazz Bass," "Keyboard
Harmony" and "Jazz Breaks"—Will Also
Publish Future Works
CHICAGO, Iix., March 19. The Forster Music
Publisher. Inc., after several months of negotia-
tion concluded arrangements with Art Shefte
for all rights to the three self-instructing books
on the art of modern jazz piano playing written
by Mr. Shefte. It will also publish his future
writings and compilations.
These books include "Jazz Bass" for piano,
termed the backbone of modern jazz piano play-
ing. The "Keyboard Harmony" is a self-in-
struction book on keyboard harmony and fill-in-
work in popular music. It is said that this har-
mony method has been made so simple in its
presentation that anyone can easily under-
stand it.
The other book, entitled "Jazz Breaks,"
leaches 150 jazz breaks, blues, fill-in embellish-
ments, modulations, fifteen novelty endings,
etc., as used by leading radio and jazz pianists.
This series is used by the American College of
Music, Chicago, for teaching modern jazz piano
playing.
Publisher Names Being
Used Without Authorization
small placard calling attention to the Don Mil-
ler renditions of "Hush-A-Bye." On a far side
of the window a series of the title pages of
"Idolizing" also appeared, although they can-
"Idolizing" and "Hush-A-Bye" Basis of Grin-
nell Window Display With Presentation
Tie-up
The Sherman, Clay & Co. songs, "Idolizing"
and "Hush-A-Bye," which were recently re-
corded by Jean Goldkette and His Orchestra,
have appeared as special releases in records
made by the Victor Talking Machine Co.
Naturally these releases are made in localities
where both of these numbers have previously
won wide popularity in orchestration or sheet
music form. Such was the case in the Detroit
territory, and one of the leading music stores
in that city, the well-known house of Grinnell
Bros., made a special window showing of these
two titles with particular emphasis on "Idol-
izing" shortly after the record releases.
Simultaneously with the release of these Jean
Goldkette records Don Miller, the organist at
the State Theatre, in Detroit, used the Sher-
man-Clay "Hush-A-Bye" number in special pro-
gramming during the same week that the Grin-
nell Store had this window displaying these
two numbers. One view of this Grinnell win-
dow is herewith. It is a particularly attractive
display in which "Idolizing" is emphasized and
attention called to the Goldkette Victor record-
ing orchestra and the records. There is also a
MARCH 26, 1927
Subscription Solicitors to Publication Called
"Popular Songs" Not Authorized by Those
Publishers Who Are Mentioned
In some sections of the Middle West house-
to-house solicitors have appeared selling sub-
scriptions to a magazine known as "Popular
Songs." These solicitors have been using the
name of well-known popular publishing organ-
izations as being the backers of the magazine.
They generally claim to be college students
working their way through college, thus arous-
ing the sympathy of the public. There have
been many complaints received by publishers
whose names have been used with the state-
ment that no delivery of the magazine had been
made. Use of popular music publishing organ-
ization's names as the backers of the magazine
is misleading. Operating from door to door
and not through usual trade channels makes the
perpetrators of this type of fraud almost im-
mune Irom arrest. However, local music mer-
chants may hear of these operations and will
with this knowledge be able to expose them.
Featuring "Idolizing"
not be seen from this reproduced view. Al-
together it was a most timely showing with
unusually good hook-ups with local activities
on the same numbers.
Consult the Universal Want Directory of
The Review.
!^^
CHAPPELL-HARMS, INC
LATEST SUCCESSES
FOR YOU AND ME
COME BACK IN DREAMS
THE FAR-AWAY BELLS
I FOUND YOU AT LAST
THAT LITTLE WORLD IS MINE
Gopeland With Columbia
Martha Copeland, well-known blues singer
now featured with the road show of "Shuffle
Along," has just been signed to make race
records exclusively for the Columbia Phono-
graph Co. All her recordings will be under the
direction of Joe Davis, of the Triangle Music
Publishing Co., who secured the contract for
her. Some of her first releases are "On Decora-
tion Day," "Fortune Teller Blues," "That Black
Snake Moan," "Mine's Just as Good as Yours,"
"Papa if You Can't Do Better" and "Black
Snake Blues."
ROBERT TELLER SONS & DORNER
Music Engravers and Printers
POPULAR SUCCESSES
Roses of Picardy
A Night of Love
World Is Waiting for the Sunrise
In the Garden of Tomorrow
Song of Songs
By My Fireside
A Little Love, A Little Kiss
185 MADISON AVENUE
iy^y^^^
Brown Bird Singing
There's a Song in My Heart
I Look Into Your Garden
I Heard You Singing
Bells of St. Mary's
Thank God for a Garden
Smile Thru Your Tears
NEW YORK CITY
SKXI) M A M S O K I l ' T A M ) I1JKA O F
TITL.K F O R E S T I M A T E
311 West 43rd Street
New York City
CW/vy PUBLISHER. OUR RKFk
oo «~ WRITE FOR PRICKS
2 0 5 4 W.LAKE ST. CHICAGO. ILL

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