Music Trade Review

Issue: 1927 Vol. 84 N. 1

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with T support
from namm.org
H 5 NEVT YORK
PUBLIC LIBRARY
338144A
ASTOH, LENOX AND
THE
RLVIFW
J1UJIC TIRADE
VOL. LXXXIV. No. 1
Published Every Saturday. Edward Lyman Bill, Inc., 383 Madison Ave., New York, N.Y., Jan. 1, 1927
Single Copies 10 Cents
$3.00 Per Year
Bring Back a Reply From the Debtor
in Each Step of Collecting
A Series of Letters Used- by a Baltimore Music Dealer Which Has Succeeded in Doing This Very Thing
—A Dun Is Just as Disagreeable to the Retail Merchant as It Is to the Man Who Owes This
Money and This Dealer Stresses That Fact — An Article by Fred E. Kunkel
OT everybody can sit down and write col-
lection letters which collect, but anybody
can use tried and proven plans which
have brought home the bacon for others. Here
is a method which has proven quite successful
for one music trade dealer in wiping out some
of the old overdue accounts. He got tired of
carrying a lot of accounts well in arrears, so he
decided to clean them up with a sweeping col-
lection system, placing them in suit, or charging
them off to profit and loss.
"In the modern age of the budget plan, the
instalment sale and the deferred payment idea,
or whatever guise extended credit may parade,"
says this retailer, "it is becoming increasingly
more difficult to collect .overdue coin.
"More people are buying houses to-day than
ever before, and automobiles. And so long as
we are living in an age of 'credit' it becomes
necessary to adjust the yardstick of collections
accordingly. I would like to do an all-cash
business, but, of course, selling pianos, that is
impossible.
"So since every extension of credit involves
its necessary percentage of risk, I found it neces-
sary to inaugurate and keep in good running
order a good plan for collecting the past due.
In fact, a successful collection policy is a para-
mount necessity if you want to keep old ac-
counts cleaned up.
"I used to rack my brains and scratch my
head for just the right kind of an entering
wedge into the pocketbook of this minority. So
one day when I was hard pressed for ideas I
got together everything I had ever used in the
way of catching old accounts on the wing and
bringing them down to earth. I sifted this ma-
terial until I had what I conceived to be the
best plans for winning results.
"Each step in my collection chain is aimed at
drawing fire from tie debtor, either in the form
of a promise to pay soon or a partial payment,
or some tangible evidence on which to predicate
future action. The first step in the chain is to
make the statement-of-account in triplicate just
as soon as it runs behind. Then, instead of wait-
ing fifteen days or a month, I get busy on my
delinquents just as regularly as clockwork.
"The original of those triplicates is first sent
out, with a statement typed on it: 'Haven't you
forgotten something? We have certainly missed
N
it at this end—'that check to cover this account!
How about you?'
"If no response comes in ten days out goes
carbon copy No. 1 with another typewritten
statement: 'This is your second reminder. The
r
HE silence of inertia is perhaps the
greatest obstacle which the retail music
merchant has to overcome in bringing his
past due accounts up to date. Here is a sys-
tem used by a Baltimore music merchant
ivhich has been eminently successful in
bringing returns from the past due accounts
on his books. It makes the debtor know that
dunning is as disagreeable to the merchant
as it is to the man who receives the duns—
and it has brought home the bacon as a
result.—EDITOR.
--*
£;.
original reached you ten days ago. What do
you say to sending us a check in full or at least
on account right away?'
"If no response comes to this in another ten
days, out goes carbon copy No. 2, with this type-
written statement: 'This account is becoming
mouldy in my ledgers. How about a check and
starting a clean sheet?'
"Any one of this chain of go-getters can gen-
erally be counted on for some results, but sup-
posing all three statements are disregarded,
which happens in about 40 per cent of past-due
cases. It is apparent that more drastic action
is required when the customer ignores these
direct overtures at settlement.
,"Now I begin my 'reasonable excuse' letter,
which gives the customer an opportunity to pay
by hiding behind a logical excuse and without
other embarrassment. I try to warm the patient
up and to keep the account from getting chilled,
so ten days later out goes this letter:
" 'Perhaps you have been sick! Or you may
have been in Florida or California for pleasure!
Or any number of things might have happened!
" 'If so, won't you please tell us about it, so
we may know why our statements of account
mailed you in the last thirty days have been so
neglected.
" 'A check—in whole or in part—will answer
my purpose, but I must get this account cleaned
up soon, or at least headed in the direction of
an early settlement.
" 'May we count on that check, be it large or
small—by return mail?'
"Generally, this brings a response from the
remaining 40 per cent. Seldom does this letter
go unanswered from that sheaf of stale accounts,
for the debtor is given a cloak under which to
hide his delinquency. Any reasonable excuse
will suffice. What we want is the cash along
with it. And if that does not come we keep the
debtor warmed up again when the next ten-day
period rolls around, those who still fail to re-
spond getting this letter:
" 'Sending you statements of account—
" 'Writing you letters asking for money—
" 'It's out of my line—I'm a business man, not
a lawyer or a collection agency. I don't like it
at all, any more than you like to receive them,
but something has got to be done about this ac-
count. Either you have to pay it up or I have
to pocket the loss—and I'm certainly not going
to do that without taking the matter to court.
" 'Why not save me this disagreeable task of
writing you letters or driving me to making
actual threats. I don't want to do it. It's not
good business. But you are driving me to it!
" 'Now naturally I'm going to do one of two
things—but you can save all that by sending me
a check now in whole or in part. What do you
say?'
"If no response is received—yet here again we
always get a percentage of replies—the time is
now shortened to five-day periods, in order to
cut down on the psychological paying resistance
of that particular debtor. It is only another ag-
gravated case of constant dripping wears away
a stone. And it's all done in this same pressing
vein—no hard-boiled collection method—no
severe businesslike tone to it—only friendly
conversation, aimed to getting under the skin of
that debtor and making him come across.
"The trouble with most business men is that
they lose patience, grow exasperated and wax
eloquently profane, with the net result that not
only does the collection letter fail to bag its
{Continued on page 4)
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
Baldwin Piano Co. Opens New Sales
and Demonstration Rooms in Louisville
Located at Third and Broadway, They Are in the Center of the Most Prominent Retail Section of
the City—Event Celebrated With Banquet to the Employees
I" OU1SVILLE, KY. ( December 27.—The
"^ Baldwin Piano Company recently opened
new sales and demonstration rooms at Third
and Broadway, one of the most prominent cor-
ners in the new business section of the city.
tlicit-'faith in Baldwin policies and future."
O. P. Hazzard has been associated with the
growth of the Baldwin business in Louisville
for forty-eight years.
The new Baldwin store, already a center for
The Baldwin Piano Co. in Louisville, Key.
The new salesrooms were open for inspection the musical life of the city, gives promise of a
all during the official opening day and many future business development in keeping with the
were the beautiful floral gifts and telegrams traditions of the past.
received. Five musical programs were given
during the day and evening in the recital hall
for the entertainment of guests in which the
leading artists and musicians of Louisville took
part.
(Continued from page 3)
Following the musical programs in the eve-
ning an informal supper was given in the new game quietly, persistently and consistently, but
Brown Hotrl for the employes, wives and it loses a valuable customer—more frequently
guests at which Thomson DeSerisy, of Cin- than it brings home the mustard. And so now
cinnati, vice-president of the Baldwin Co., pre- out goes collection letter No. 3:
" 'I like to see you coming here regularly to
sided. Following addresses by E. J. Racker,
manager of the Louisville Division, and several make purchases, but I see by your account that
others, the following telegram, in reply to a you have stopped buying here.
" 'Now, I don't want you to do that, but I do
telegram of congratulation and best wishes re-
ceived, was sent to G. VV. Armstrong, Jr.: want you to settle up your account as quickly
"Friends and employes of Louisville division, on as possible, either by large payments or smaller
occasion of dedication of their new home, ones, but do it regularly, and get started right
send you greeting and best wishes for continued away. The sooner the better.
'' 'Frankly speaking, I don't like the collection
good health and happiness and pledge anew
Bring Back a Reply
From the Debtor
JANUARY 1, 1927
end of this business. I like to see you make
purchases and pay as promptly as you can. Tele-
phone me why you can't pay and I'll make all
reasonable allowances, or send me a check in
part with a promise to pay the balance—and
when.
" 'That will make you feel better—and me
too!'
"This sob letter, as it might be called, gen-
erally makes the customer most apologetic for
the delinquency and secures the necessary
promise which enables me to shelve the ac-
count temporarily until the date set for further
payments. Invariably I secure a small check,
plus a promise.
"At this point many others would no doubt
use the belaying pin on the heads of the debtors,
instead of using subtle psychology to drive home
the idea of paying and 'paying now.' And so
they rile the debtor, ruffle his feathers, and in-
stead of paying the debtor becomes a fighting
cock or a stubborn mule, as the case may be.
All the debtor can see is red, and the writer of
that letter is gored and impaled on the horns
of a further dilemma—suit or charging off the
debt.
"However, for those still failing to reply, this
letter now goes out five days later:
" 'Back in the Stone Age records were carved
on a stone slab. When the debt was due Mr.
Creditor presented the account in a very polite
fashion—iholding the slab in one hand, while in
the other h.e carried his stone mallet. The
debtor had no alternative.
" 'To-day there are the courts, quick judg-
ments, a seizure of property.
" 'What a penalty to have hanging over one's
head simply from letting an account grow stale!
" 'Frankly, I'm getting to the end of my rope
now. Will you compel me to sue or will you
now answer my letters and pay something on
your account? You have until next Tuesday to
attend to this matter. I'm not going to write
you any more letters.'
"This method generally gets what it goes
after. Radical treatment is now clearly essential.
1 must pull the tooth out by the roots—just
simply eradicate that account from my books
or put it in litigation. And so this letter con-
cludes the final ceremonies. Generally, by that
time I'm down to rock bottom anyhow and have
only a few dozen accounts left out of a big
stack.
"This is, of course, the final straw, which
breaks the camel's back and to court we go if
it is worth the struggle.
"By continuous pressure and shortening up
the gap in collections, I find that I can bring
up my curve of collections to a surprising de-
gree, and my system might be said to be just
about 89 per cent successful in getting accounts
paid up or partial payments made, and in the
remaining cases—well, it was just another bum
credit risk, and we haul him into court and let
him tell it to the judge."
Harry G. Groves, Inc., Has
$30,000 Fire Damage
Blaze of Undetermined Origin Destroys Stock
of Phonographs and Records of Well-known
Washington Concern—Has Temporary Quar-
ters
WASHINGTON, D. C, December 24.—Fire of un-
known origin swept through the three-story
building at 1210 G street, this city, and in ad-
dition to causing other damage, destroyed the
stock of phonographs and records of Harry C.
Groves, Inc., on the first floor of the building.
Mr. Groves estimated his loss at $30,000. The
Groves business has been housed in temporary
quarters in the store of the Homer L. Kitt
Piano Co., at 1330 G street.
Consult the Universal Want Directory of
The Review. In i'; advertisements are inserted
free of charge for men who desire positions.

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