Music Trade Review

Issue: 1926 Vol. 83 N. 3

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
22,000 Spectators Hear Twenty-Four
Pianos Presented in a Single Concert
Piano Ensemble Achieves Striking Success in Hollywood Bowl, in Concert Under the Direction
of Adolph Tandler, Director of the Little Symphony
T OS ANGELES, CAL., July 8.—One of the
•*—' most spectacular and novel events held at
the opening of the Hollywood Bowl, on the
night of J u n e 22, was the ensemble of twenty-
four pianists playing on the stage at the same
which was placed on wheels, and after the Con-
certo with the orchestra of nearly 100 pieces in
which two pianos were used had finished, the
platform on which the orchestra was playing
moved to one side and the platform on which
JULY 17, 1926
graph, Inc., has arrived in New York from S\.
Louis, Mo. He is away from his desk at the
St. Louis branch of the Columbia Phonograph
Co. on a well-earned vacation which he will
spend in the East.
W. H. Swartz, vice-president of Columbia
Wholesalers, Inc., in Baltimore, Md., also visited
the New York offices last week on a short busi-
ness trip.
Knabe Ampico Featured in
Asheville, N. C , Theatre
Series of Concerts Given Daily for a Week
Under the Auspices of Dunham's Music
House, Ampico Representative in That City
The Knabe Ampico was featured most effec-
tively recently by Dunham's Music House, which
for a week conducted a series of Ampico con-
certs at the Imperial Theatre in Asheville, N. C.
Miss Frances Burr Mitchell, dramatic soprano,
well known as soloist with the Boston Sym-
phony and other orchestras, Miss Maria-Elise
Johnson, violinist, and Walter Bischoff, pianist
and accompanist, appeared with the Ampico
three times daily in the theatre.
The Ampico aroused particular enthusiasm
in several solo numbers, although it was also
used as accompanying instrument. The concerts
attracted wide attention, were well attended and
received generous comment in the local news-
papers.
time. The ensemble
Tandler, conductor of
was selected by Abby
The performance of
Twenty-four Pianos in a Single Concert
was directed by Adolph the twenty-four pianos were placed was moved
the Little Symphony, and
in its place, all of which took one minute to ac-
De Avirett.
complish. In all, at the Hollywood Bowl that
Schubert's "Marche Mili- evening, there were twenty-six grand pianos
A Window Display That
Sold the Instrument
(Continued from page 3)
erness and the triumphant youngster out of
the warerooms.
All of which shows what can be done to help
create a vogue for new styles in pianos. We
have had the revived small upright with us for
about two years and its popularity is on the
increase. The innovation of enameled cases in
pastel shades for these instruments was a happy
thought on the part of the manufacturers to
supply a touch of novelty to their lines. The
piano industry, of course, needs plenty of sta-
bility, cleaving to the unchanging tastes of the
public at large, but to avoid fallling into a
groove it can also supply an occasional novelty
as well. And if novelties are to be provided
let us hope they are presented as novelties with
all the trimming that befit them so that the
message will be carried.
Story & Clark in Brooklyn
The Hollywood Bowl
taire" and MacDowell's "To a Water Lily," was used, thirteen of which were Knabes, six Chick-
given, and rewarded by the enthusiastic plau- erings, three Mason & Hamlins, two Steinways
dits of the 22,000 spectators who filled the Bowl and two Sohmers.
to capacity.
The piano ensemble had experienced a sen-
sational success in New York City and San
Francisco, but the Hollywood Bowl had the
honor of presenting the first great American
"Chorus" of pianos given out of doors.
W. J. Brown, of Atlanta; George Fuhri, of St.
The artists who participated were selected
Louis, and W. H. Swartz, of Baltimore, Call
from the leading pianists of Los Angeles and
at New York Headquarters
vicinity and included Alice Batchelder, Ger-
trude Cleophas, Bess Daniels, Pauline Farquhar,
A vacationist in and around tropical New
Will Garroway, Homer Grunn, Hague Kinsey, York last week was W. J. Brown, assistant
Alexander Kosloff, Adelaide Lee, Helen Lewyn, manager of the Atlanta branch of Columbia
Francis Martin, Ann McDowell, Raymond Mc- Phonograph, Inc. While in town Mr. Brown
Feeters, Claire Mellonino, Elizabeth O'Neil, visited the executive offices of the company at
Gertrude Riese, Adelaide Perry, Oscar Rasbach, 1819 Broadway and made a trip to the factory
Homer Simmons, Harold Smyth, Violet Stall- at Bridgeport. Mr. Brown- returned to Atlanta
cup, Toska Tolces, Phillip Tronitz and Morris on Tuesday, July 13.
Wolfson.
George Fuhri, son of W. C. Fuhri, vice-presi-
The pianos were placed on a huge platform, dent and general manager of Columbia Phono-
Columbia Visitors From
the Out-of-Town Branches
SCARFS
plANo
COVERS and BENCH-CUSHIONS
0. SIMMS MFfi. CO.. 103-5 We«t 14th St.
Announcement was made this week by John
L. Stenger, New York district manager of the
Story & Clark Piano Co., that a new Brooklyn
branch has been opened at 216 Livingston street
with Maynard Allen in charge. Mr. Allen was
formerly manager of the Story & Clark branch
at 25 Flatbush avenue, Brooklyn, which was
closed last season. The quarters have been
remodeled completely for the piano store and
a complete line of Story & Clark pianos has
been placed on display.
Files Bankruptcy Petition
Albert E. Thompson, proprietor of Thomp-
son's Music Store, Portland, Me., has recently
filed a voluntary petition in bankruptcy, listing
his liabilities at $7,853 and his assets at $4,075.
Consult the Universal Want Directory of
The Review. In it advertisements are inserted
free of charge for men who desire positions.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Dollars and Cents Argument in
Closing the Piano Prospect
A Letter, Used Successfully by the Melody Shop, Punxsutawney, Pa., Showing the Financial Value of
Musical Education to the Child and Its Future—An Approach to the Prospect Which Is Not
Often Used, Yet Which Is Direct in Its Appeal and Good in Its Results
NCE in a while a piano dealer or his
salesmen evolves a new form of argu-
ment to convince the prospect of the
wisdom of buying a piano and as a result stands
out prominently from among the great majority
who insist upon doing business along orthodox
lines, endeavoring to overcome sales resistance
with the arguments that through continued use
have taken the form of stock appeals. Not that
the old arguments do not sell pianos, for they
do; and they are used because of their proven
efficiency. But the individual who can think
up a new reason why the piano should be
bought is in a fair way to get some of the busi-
ness that his competitor has not yet succeeded
in garnering.
To offer the piano as a medium for entertain-
ment in the home thereby keeping the family
content and together is sound and logical, as is
the presentation of the educational value of the
instrument and of the fact that it lends distinc-
tion to the home. But there are many of the
hard-boiled variety of prospects who cannot
see the wisdom of putting several hundred or
several thousand dollars into an instrument thai
simply entertains and educates. They view the
purchase of a piano as a direct expenditure
rather than an investment that brings in a
return in entertainment, pleasure and increased
knowledge.
How few dealers, however, have sought to
influence these stubborn prospects by offering
the piano as an investment productive of divi-
dends in dollars and cents, despite the experi-
ence of those who cater to certain foreign ele-
ments in the larger cities where families and
even friends pool their limited resources to pur-
chase a piano of high quality in order that some
girl or boy may develop musical talents under
most favorable conditions and in time profit
sufficiently from those talents to liquidate the
obligations of studenthood and start on the road
to fortune building.
The dollars-and-cents appeal in the presenta-
tion of the piano may go against the grain of
some of the sentimentalists who are prone to
resent too much commercialism in the industry
and prefer to consider and to offer the piano as
a distinctly art product bringing artistic results
alone. However, if a sufficient number of hard-
headed prospects can be convinced of the fact
that the investment in a good piano can be made
to bring cash dividends, there will be opened a
substantial new channel for worth-while sales.
One retail house which has had some gratify-
ing results by appealing to the cupidity of close-
fisted customers through the use of the cash
profts appeal is the Melody Shoppe, Punxsu-
tawney, Pa., of which J. C. Jordan and Sam X.
Jordan are the proprietors. The Melody Shoppe
has followed this practice for some time, and
has evolved an unusual type of letter which, al-
though apparently somewhat long for the pur-
pose intended, nevertheless has brought the re-
sults in sales. It might be that some other
dealers could develop sales arguments along the
same line to the advantage of their cash ac-
counts. The favorite letter of the Melody
Shoppe reads as follows:
"The late Rev. Phillips Brooks was walking
down his street one day when he noticed a little
boy trying without success to reach the knocker
of a neighbor's door. The kindly minister went
to his aid.
"Til knock for you my child,' he said, lifting
O
the brass knocker and giving three smart raps.
" 'Righto,' cried the child. 'Now run like
the devil.'
"We are likewise knocking at your door, but
we do not have to 'run like the devil,' because
we are bringing you something that should in-
terest you.
"About the lowest price paid to piano teachers
in small towns to-day is 75 cents per forty-five-
minute lesson ($1 per hour). Remember we
are quoting the lowest price. Young ladies
playing the piano in picture theatres in Punxsu-
tawney and nearby towns receive $18 to $60 per
week for playing three to four hours each eve-
ning. Furthermore, there is a big demand for
theatre pianists and this work does not inter-
fere with their teaching during the day. Then,
again, there is a fine opportunity for advance-
ment beyond this if the pianist wishes to take
up pipe-organ playing, which is not so difficult
to accomplish after the piano has been fairly
well mastered. Pipe organists are even in
greater demand and receive from $60 to $125
per week in small cities. The salaries paid in
larger places are much higher than these
figures.
"Let us now consider the stenographers and
bookkeepers. A young lady who has received a
common school diploma and has worked hard
to complete a four-year commercial course in
high school can hold a position as stenographer
and can demand a salary of $10 to $12 per week
in Punxsutawney. Of course, after several
years of practical experience her salary may be
raised to 16 or 18, but seldom ever any higher
than this. If she can qualify as both stenog-
rapher and bookkeeper she may demand about
$12 to $15 per week and after several years of
practice she may be fortunate enough to draw
a salary of $20 to $25 per week. There are
very few lady bookkeepers in this city drawing
more than $25 per week.
"How about the girls clerking in department
stores? There are hundreds of young women
working full time at from $7 to $10 per week.
Fifteen dollars is an exceptional wage for clerks
in Punxsutawney and towns of like size.
"Will you also consider the school teaching
profession? Think of the study required to
qualify for this occupation. A law recently
passed in the State of Pennsylvania requires all
new teachers to have a normal school educa-
tion after next year. Teachers are paid from
$80 to $125 per month and they are idle two or
three months of the year. Even college grad-
uates do not draw high salaries for teaching in
public schools.
"If a little girl begins the study of piano
playing at the age of six to eight years and
practices forty-five minutes each day until she
has completed her common school course and
then, instead of taking up high school, she ap-
plies the same amount of time and study to her
music as would be required in a course of book-
keeping she will be able to teach a class of
beginners and also hold a position as pianist in
a theatre at not less than $30 to $35 per week.
"Consider, Mr. Blank, the future of your little
girl. Compare the music profession with that
of any other occupation for girls. The figures
we have given you are taken from an actual
survey and apply to your own community. The
time to buy a piano for your daughter is now.
Get her started in the study of music and on
the road to future success.
"I trust that you will give this matter your
earnest consideration, and remain."
And, according to this house, this hard dollar-
and-cents argument often brings home the
bacon.
John Gilbert Buys Stieff
Baldwin Go. Gives Prize
Los ANGELES, CAL., July 8.—John Gilbert, well-
known movie star, is one of the most recent
prominent personages to select the Stieff piano
CINCINNATI, O., July 12.—The Paldwin Piano
Co., with a view to furthering the cause of
musical appreciation and training in piano play-
ing, has offered a grand prize of $500 in cash to
the winner of the National Piano Contest to be
held at the next biennial convention of the Na-
tional Federation of Music Clubs in Chicago
next year. It is believed that the contest will
attract many entrants.
Straube Issues Bulletin
Gilbert at His Stieff
for his own use. Mr. Gilbert has appeared in
many feature films, but perhaps is best known
through his appearance in "The Big Parade."
Besides his ability before the camera, Mr. Gil-
bert is a lover of good music. Accordingly he
purchased from Richardson's, Inc., local agent
for Charles M. Stieff, Inc., a Stieff Welte-Mig-
non (Licensee) grand piano, which has been
installed in his residence.
Consult the Universal Want Directory of
The Review.
5
"National advertising creates national accep-
tance," says the bulletin issued by the Dealers
Service Division of the Straube Piano Co. "This
means steadily increasing sales of Straube
pianos for the dealer who realizes the great ad-
vantage of this factor, especially when the
advertising is proven absolutely true to the con-
sumer long after he has made his purchase."
B. & M. Go. Takes Lease
NEWARK, N. J., July 13.—The Broad & Market
Music Co. has taken a twenty-one-year lease of
the property at 831 Broad street, this city, and
will occupy those premises within the next year.
The company also recently leased the new build-
ing at the corner of Broad and Market streets,
this city.

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