Music Trade Review

Issue: 1926 Vol. 83 N. 21

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
NOVEMBER 20, 1926
^rr-rWh
Go
Wrong
Fox Issues Band and
Orchestra Instructions
New Series Designed Especially for Bands and
Orchestras Composed of Students in Ele-
mentary and High Schools
Realizing the increased interest and great
progress that is being made in school bands and
orchestras, the Sam Fox Publishing Co., of New
York and Cleveland, Ohio, after a thorough
preparation has arranged a new series of student
music for such musical combinations.
The Fox organization had the idea that much
of the music and the arrangements for the in-
struction of band and orchestras composed of
young people was along old-fashioned methods
that in most cases was unappropriate for the
present-day type of coming musicians. Under
its new series known as "Fox Progressive Ele-
mentary Series for Band and Orchestra" in-
struction and education are carried out in three
parts and through this new method a more
direct system is attained. This is said to speed
up interest and more quickly develop the mu-
sical faculties of the students.
One of the main conceptions of this new
series is to make the instruction more enter-
taining. The melodies used are all original and
avoid rote playing, which is apt to result from
the use of familiar tunes. Altogether there
are eighty-five studies, each with an arrange-
ment for every instrument. Thus the entire
student organization is simultaneously under-
going instruction and practice. There are ex-
planatory introductions telling the beginner how
to hold the instruments, how to tune and how
to play and care for them.
Supplementing this is a manual containing
teachers' instructions for the specific use of
text. This is short, clear and complete. The
entire series is a most thorough instruction
program and without doubt embodies an ad-
vance method of carrying out band and or-
chestra school music activities. The fact that
the authors have had the material in prepara-
tion over many years and each is especially
equipped for this particular type of instruction
should assist materially in arousing interest and
favorable response.
The authors of the "Fox Progressive Series
for Band and Orchestra" are John Hawkins,
teacher of instrumental music, Huntington Park
High School, Los Angeles, Cal.; Carmine Lan-
franchi, professional arranger and synchro-
nizer, Hollywood, Cal., and J. S. Zamecnik, the
well-known composer and editor, who super-
vised the completed work.
Named After "Jerry"
Jerry Vogel, who handles the sheet music de-
partment of the Plaza Music Co. since the be-
ginning of that firm seventeen years ago, has
been paid a tribute on several occasions of hav-
ing either songs dedicated to him or named
after him. The latest of these is a song called
"My Pal Jerry." This number has been on
the counters for the past few months and has
achieved quite an active sale and shows possi-
bilities of continuing its popularity.
Monte Austin Appointed
Portland Feist Man
Well-known Tenor to Represent Leo Feist
Catalog in Portland and Surrounding Terri-
tory
PORTLAND, ORE., November 13.—Monte Austin,
famous tenor, has been appointed Portland rep-
resentative of the Feist catalog and will have
charge of that firm's professional offices here.
This was a great surprise to the musical pub-
lic of Po-tland, who had come to look upon
Austin and Remick as synonymous names, as
Monte has been plugging Remick hits for the
past five years. Before that time, however,
Monte was connected with Feist, having
started in his musical career with it in San
Francisco in 1915, coming to Portland to rep-
resent it here in 1917, and remaining until 1921,
when he joined forces with Remick. The Feist
numbers have received a decided boost since
Monte has started plugging them, singing them
all over the city at the prominent theatres and
dance halls, using among other numbers,
"That's Why I Love You," "Where Did You
Get Those Eyes," "Hello Aloha," "Katinka,"
"Barcelona' and "Precious."
William Arms Fischer
New Vice-President of the Oliver Ditson Co.
exploitation of a very active catalog including
two novelty numbers, "He Knows His
Groc'ries" and "If My Baby Cooks as Good as
She Looks," as well as two ballads, "Silver
Song Bird" and "Oh! What I'd Give to Bring
You Back."
Breau New Professional
Manager of Marks Go. Sam Fox Issues Two
Loose-Leaf Collections
Succeeds George Ramoy, Who Becomes the
Pacific Coast Manager of the Company
Louis Breau, one of the best-known popular
song writers, who has been associated with sev-
eral of the leading music publishing organiza-
tions, recently joined the staff of the Edward B.
Marks Music Co. as professional manager. Mr.
Breau succeeds George Ramoy, who goes to
California to take charge of the Marks activities
on the Pacific Coast, where he will make his
headquarters in Los Angeles.
Along Broadway Breau is known to hun-
dreds of performers and others as "Lou." He
has had a varied and successful experience in
the music field. He came to New York from
Chicago in 1920 and quickly made a name for
himself as the writer of unusual songs. Among
these are "Humming" and "I Want My
Mammy."
For a time Mr. Breau was in business in asso-
ciation with Charles Tobias under the firm
name of Breau & Tobias and more recently he
has been a free lance.
In his new Marks activities he takes over the
Orchestral Collections Include Selection of
Sousa's Marches and "Select Song Gems"
The Sam Fox Publishing Co. has just issued
a loose-leaf collection of Sousa's marches
arranged for modern orchestras. The num-
bers include some of the latest and most popu-
lar of those compositions, including such offer-
ings as "Sesqui-Centennial Exposition," "The
Gridiron Club," "The Black Horse Troop,"
"The National Game," "Ancient and Honorable
Artillery Co.," "Nobles of the Mystic Shrine,"
"The Gallant Seventh," "On the Campus,"
"Comrades of the Legion" and "Sabre and
Spurs."
At the same time the Sam Fox Co. makes
available for orchestras a loose-leaf collection
of its "Select Song Gems." These include "In
the Heart of the Hills," "My Song of Love For
You," "Neapolitan Nights," "Parting Kiss,"
"Little Bluebird of My Heart," "Indian Dawn,"
"The Day When My Dreams Come True,"
"Magnolia Bloom," "I'll Give the World For
You" and "Magic Love."
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
48
The Music Trade Review
NOVEMBER 20, 1926
The "Hit" Number and the Publicity
Which It Gives the Musical Production
A Striking Example in the Latest Edition of Earl Carroll's "Vanities" and the Numbers Which
Are Used Therein from the Robbins - Engel Catalog
Jnspii'ation
Heart
oftic
A S an example of what may be done for
"^^ the success of a musical show by the care-
ful selection of musical numbers that have hit
possibilities apart from their being in a musical
production, has been proven by the present
song successes in Earl Carroll's latest "Van-
ities."
Here is a musical production for which num-
bers were selected regardless of who the com-
posers were or their publishers. They were
already released, giving the Eai! Carroll "Van-
ities" additional publicity, proving again that
Mr. Carroll has the right idea.
The importance of hit musical numbers in
a show of this type cannot be overestimated.
Many musical productions running on Broad-
way are only known throughout the country
by their hit songs, so that a careful selection
of numbers is most vital to the producer of the
service.
The Robbins-Engel Corp. has been extremely
successful in picking songs which are played
by orchestras in all parts of the country. They
have a reputation for catchy orchestra arrange-
ments and their entry into the production field
will undoubtedly prove very profitable to them
along with those producers whom they may
interest hereafter.
Congressional Library Wants
Old American Compositions
Music Division Especially Interested in Early
Americana—The Scope of This Division's
Work
y
America's
Beloved Composer
Dorotlr
j
Obiter of
\ \ One Fleetinq Hour
Published In Three Keys
With Violin And
Cello Obbligato - .
Also As Vocal Duets
And For Men's, Mixed
And Women's Quartets
SamFox^PubCo
The Music Division of the Library of Con-
gress is interested in acquiring old American
compositions. No doubt many music stores
throughout the country have rare but unsalable
works that would be most fitting additions to
the government's music library. Any one inter-
ested in seeing the completion of the present
Earl Carroll
chosen because of their hit possibilities and collections should address Carl Engel, chief of
secondly because of their stage presentation the Music Division of the Library of Congress,
Washington, D. C.
value.
This music library has one of the largest col-
Earl Carroll, who is one of the best-known
theatrical figures and is credited as being one lections extant and has in recent years been
of the shrewdest of showmen, began hunting supplemented substantially by gift collections
for songs simultaneously with planning the new from prominent music lovers.
The library, through a provision of the copy-
"Vanities." About that time Jack Robbins, of
the Robbins-Engel Corp., submitted a collection right law, automatically receives copies of cur-
of songs of the type that would appeal to the rent copyrights and these in themselves make
masses for their melody alone with material up a very large collection.
While great stress is laid by the library on
of many possibilities for elaborate stage pres-
the
collection of early Americana music for its
entation.
artistic
and historical value, it does not confine
Mr. Carroll, unlike other producers, was will-
its
collections
wholly to American works. In-
ing to be shown. The result was that out of
the songs Mr. Robbins had submitted Mr. deed its collection of international compositions
Carroll selected three, which have been popular- and manuscripts of past masters rivals in impor-
ized by the Robbins-Engel concern throughout tance one of the best collections of Europe,
the country in less than thirty driy.^ after the which, of course, had a much earlier start in this
"Vanities" opened. The songs are "Climbing direction.
The government's music library is already an
Up the Ladder of Love," "Hugs and Kisses,"
attraction for visiting Americans with musical
and "Alabama Stomp."
inclinations. Its importance is constantly be-
For the first time in the history of the
ing added to and undoubtedly in future years it
"Vanities" its songs are known and played from
will be the Mecca of all who are interested in
coast to coast, resulting in a great amount oi
music.
publicity that the "Vanities" heretofore lost.
This feature of Washington is alone worth a
The result of Earl Carroll selecting outside
visit
and, with the propaganda which has been
songs for his new "Vanities" should be suf-
quite
forceful in recent years to subsidize an
ficient food for thought to other production
American
conservatory of music, the national
managers who are not often fortunate in get-
capital
promises
in years to come to be the
ting songs that have commercial value plus
musical
center
of
the
nation both from an artis-
production value. The wisdom of Earl Carroll
tic
and
research
standpoint.
selecting such songs that had hit possibilities,
as is indicated by "Climbing Up the Ladder of
Love," "Hugs and Kisses" and "Alabama
Stomp" and others, is a fair presumption that
The new novelty song recently added to the
other producers will follow the same course.
The result of these numbers being popular catalog of Jack Mills, Inc., called "When Banana
from coast to coast has given this edition of Skins Are Falling" (I'll Come Sliding Back to
the Earl Carroll "Vanities" more publicity You) is proving one of the most successful
than any of his previous reviews. Whenever offerings this firm has issued in several months
"Climbing Up the Ladder of Love" or "Hugs and promises to rival its song "I Don't Mind
and Kisses" are sung or played on the radio Being All Alone" in popularity.
in cities all over the country, the Earl Carroll
Consult the Universal Want Directory of
"Vanities" is mentioned with the title. Each
song is making good on its merit, having been The Review. In it advertisements are inserted
recorded on every record and music roll and free of charge for men who desire positions.
New Novelty Number

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