Music Trade Review

Issue: 1926 Vol. 83 N. 13

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
52
The Music Trade Review
I Ain't Got Nobody And
NOBODY.
BU7Y0U
FOX
TROT SONG
LEWIS and YOUNG
anS, ABEL BAER,
if
SEPTEMBER 25, 1926
in
RAYMOND B. EGAN
STEVEN PASTERNACK
oi nd
RICHARD A. WHITING
Popular Music Business on Upward
Trend According to the Jobbers
September Sales Proving Greatly in Excess of Those of Corresponding Months of 1925—Situa-
tion Creates Optimism Regarding Fall Possibilities
into the early Fall with a normal season ahead,
is a most encouraging situation.
This renewed activity is reflected in the plans
of most publishers for the Fall season. The
arrangements for Fall campaigns are generally
under way and these are marked by a feeling of
assurance in the months to come. Practically
all of the publishers announce the addition of
Fall releases to their catalogs and in every in-
stance these are accompanied by plans to fur-
ther the exploitation of these selected offerings.
There is much other evidence of the return
of unusual interest in popular music. The
manufacturers of popular records all announce
substantial increases in sales. One chain of
syndicate stores increased its popular record
sales during the month of August 40 per cent
over the previous month. This is a huge in-
crease and represents something other than a
mere sales spurt. The increase is so large that
with the usual allowance for sale fluctuations
the gain will still be tremendous.
Many Interesting Publications in
Feist Catalog for Fall Promotion
Comedy Songs, Ballads and Production Numbers All Represented in the Catalog Developed by
That Prominent Publishing House for Coming Activities
I" EO FEIST, Inc., has just issued a comedy
•'—'song by Gus Kahn and Ted Fiorito called
"My Girl Has Eye Trouble." This number was
recently tried out in vaudeville and the response
was so enthusiastic that the professional depart-
ment of the Feist organization immediately ar-
ranged a campaign to further its interests.
, Other Feist numbers that are being used in
opening up the Fall campaign for that house
include "Just a Bird's-eye View" (Of My Old
Kentucky Home), another number by Gus Kahn
and music by Walter Donaldson. This is the
type of song that has achieved fame for Donald-
son and it bears all the earmarks of duplicating
the popularity of some of his earlier successes.
Donaldson is also responsible for "It Made You
Happy When You Made Me Cry." In this case
the composer has contributed both the words
and music.
A dramatic waltz balled called "I've Lost All
My Love For You" is also among the early Fall
offerings. This number is by Lewis and Young,
Harry Akst and Al Piantadosi, all sure-fire
writers. Lewis and Young, together with
Mabel Wayne, are also responsible for "In a
Little Spanish Town" (On a Night Like This).
A popular standard ballad by John Golden
!!«
FOX TROT SONG
WRONG = WITIi^ANY
POPULAR publishers, like other producers of
*• goods, are naturally enthusiastic over the
sales possibilities of their products. They must
be optimists because they are dealing in goods
of uncertain quantities, for there is no way for
them to tell, other than through public response,
just how large a sale particular offerings will
have.
. The jobber of popular music is, because of his
position, the best judge of the sales situation as
it affects the entire industry. While none of the
larger publishers are given to exaggeration it is
quite possible during specific periods that one
specific house would be operating along more
successful lines than would some of its con-
temporaries.
To have, then, every jobber in the industry
state that the September sales of this year are
far exceeding the sales of 1925 is good evidence
that there is distinct revival in sales of popular
music. This renewed activity in sales was felt
in the late Summer months and, continuing over
WHILE THE
TEARS GO
and Raymond Hubbell called "Your Heart
Looked Into Mine" also is in the Feist new list.
This song will not only be heard in vaudeville,
but from present plans it will be heard fre-
quently as an encore number in concert pro-
grams.
Two other numbers are on the Feist sched-
ule for exploitation. One is a new mother
song of original type entitled "Calling Me
Home" and the other is entitled "Beside a Gar-
den Wall," a melodious fox-trot song.
The above activities on new issues in the
Feist catalog, following the close of the Sum-
mer season by that house which established a
new record in sales, assures unusual activity to
the professional and sales department of the
organization.
It might be pointed out also besides having
one of the feature songs "Adorable" in this sea-
son's "Vanities," and with the musical show
"Castles in the Air" playing both New York and
Chicago, and several productions on the road
for which Feist published the music, the com-
pany's activities are to be added to through the
early opening on Broadway of several other
musical comedies which give every promise of
scoring a success.
BY
FOX: rao«r SONG
GUS -^KAHN
axd JOE BURKE
"FEIST'^SOKG"
Irving Berlin, Inc., Have
Large Catalog for Season
"How Many Times" Proving Particularly
Successful, but Several Other Numbers Are
Setting Interesting Popularity Records
Irving Berlin's fox-trot, "How Many Times,"
is one of the most popular numbers of the sea-
son, in both song and dance form, and its sales
have been steadily increasing. Despite the fact
that "How Many Times" is only one of the
many numbers in the Irving Berlin, Inc., catalog
that are helping sales, it would appear from
present indications to be one of this company's
outstanding numbers this Fall.
Other popular numbers in the Berlin catalog
which are having unusual activity are "When
the Red, Red Robin Comes Bob, Bob, Bobbin'
Along," "Trudy," "Tonight's My Night With
Baby," "And Then I Forgot," "Old-fashioned
Sal" and "Pretty Cinderella."
New Publishing House
The State of New York has granted a cer-
tificate of incorporation to the Lewis Music
Publishing Co. The incorporators are B. Roth-
enberg and L. Van Pelt. No capitalization is
given.
"I Don't Mind Being All Alone," a new song
published by Jack Mills, Inc., of 148 West
Forty-sixth street, New York, has developed
into an overnight success judging by the sale
of copies of sheet music. The number was
introduced over the radio and scored big.
School, Lodge and
Assembly Marches
March Victorious
(Mabel Metzser-Wrlffht)
Pacific Patrol
(Mabel Metzger-Wrljht)
Reliance March
(Clifford)
Victorious Eagle
(Roiey)
American Beauty March
(Williams)
Knights of Columbus March
(Clifford)
Valiant Volunteers
(Mabel Metzrer-Wrlg-ht)
Order Through Jobber or Direct
Hinds, Hayden & Eldredge, Inc.
Publishers
New York City
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
SEPTEMBER 25, 1926
HOOK-UP
Century's Advertising
Plus Your
Co-operation
Means $
to You
STOCK-UP
Century Music Pub. Go.
235 West 40th St.
New York
glorified vaudeville and elaborate girl shows.
This is not to say that there is no further room
for this type of offering. There are several
productions in this category that are American
institutions and doubtless these can be contin-
ued but hardly with many profitable additions
to the ranks.
Tlie success of the operetta type of show
brings back to the musical comedy two distinct
values. First, a libretto which leaves something
that can be remembered and, secondly, some out-
standing vocal gems. The first has an educa-
tional value, appeals to the mentality and makes
for an evening well spent, or at least not a
total loss, and the second would indicate that
we have reached a period of higher musical
taste, the public demanding something more
than a current topical song as its musical food.
As far as the music publisher is concerned
and the trade in general the new type of musical
comedy brings the larger returns. The songs
last much longer, making possible wider inter-
est and larger gross sales. The productions
themselves have a longer life, as witness the
continuance of "Blossom Time," which has been
a huge money-maker for all concerned. This
show really was the cause of the renewed inter-
est in the operetta, as its unusual success
through road shows touring every town in the
country in extended bookings in every city
aroused the interest of other producers and
justified investments in this type of offering.
Musical Comedies Again
Coming Into Their Own Weymann Features "Dawn"
Announcements of Four New Productions Indi-
in Special Window Display
cate a Revival of Interest in Operettas and
Better Classes of Musical Shows
Philadelphia Concern Makes an Effective Tie-
up With Presentation of Successful Pallma
Number by Benjamin Franklin Orchestra
A critic in one of the New York Sunday
papers recently remarked that of the opening
of the new Fall productions the musical shows
PHILADELPHIA, PA., September 20.—H. A. Wey-
were of a better standard than the dramatic mann & Son, Inc., of this city, recently fea-
productions. Viewing the musical successes of tured "Dawn" in a special window display,
last year and those already open and scheduled and tied up with the presentation of the num-
for early presentation, it can be readily seen
that there is a new era for the musical comedy
in America. It is true that some of these are of
the operetta type with foreign background, but
modernized sufficiently to meet American tastes.
There is some sign of the passing of the
musical revues which were in a measure only
A REAL BIT Of MELODY
yCHERIE
I LOVE YOU
Can't Go Wr<
TFEIST;
HORSES
ADORABLE
BARCELONA
GEOBOIANNA
WHAT A MAN •
8ITTIN' AROUND
SYMPATHY YVAL.TZ
HI DIDDLE DIDDLE
SOMEBODY'S LONELY
MY CASTLE IN SPAIN
PRETTY LITTLE BABY
AFTER I SAY I'M SORRY
THAT'S WHY I LOVE YOU
BY THE SIGN OF THE ROSE
NOBODY WORRIES 'BOl'T ME
YOU NEED SOMEONE TO LOVE
WHAT GOOD IS GOOD MORNING?
LET'S TALK ABOUT MY SWEETIE
HELLO, ALOHA. HOW ARE YOU?
WHERE'D YOU GET THOSE EYES
SHE'S A CORN FED INDIANA GIRL
I'M WALKING AROUND IN CIRCLES
LEAVE ME 8OMETHING TO REMEM-
BER
I NEVER KNEW HOW WONDERFUL
YOU WERE
I WONDER WHERE MY BUDDIES
ARE TO-NIGHT
Write",for Dealers''Price
LEO
"The Ramblers" Scores
"The Ramblers," a new musical comedy in
two acts and ten scenes, opened at the Lyric
Theatre, New York City, on Monday night of
this week. The book is by Guy Bolton, Bert
Kalmar and Harry Ruby with lyrics and music
by Bert Kalmar and Harry Ruby. The musical
numbers are arranged by Sammy -Lee, the book
staged by John Harwood and produced by
Philip Goodman.
There is no question about this being one
of the outstanding new attractions of the Fall,
for no other than the comedy firm of Clark
and McCullough are the stars. Bobby Clark and
Paul McCullough, original successes in bur-
lesque and later seen in featured positions in
one of Irving Berlin's Music Box shows, have
reached the stage where they are starred.
Probably the outstanding song is "All Alone
Monday." There are several other good tunes
including "You Smile at Me," "Whistle," "Cali-
fo-n : a Skies," "I,ike You Do" and "We Won't
Charleston." Harms, Inc., publish the score.
MY HOUR
Latest Son^ Triumplv
H A R M S INC.. 62 W 45TH ST..N.YC.
k^ERNEST R.BALL i
[,YR1C BY
AMERICAS POPULAR
BALLAD SUCCESSES
ROSES OF PICARDY
MWDRLDISWAUINGS?SUNR1S
INTHE 6ARDENOF7D-M0RR0W
THE SONG OFSONGS
LOVE'S FIRST KISS
SMILETHRU YOUR TEARS
IF WINTER COMES
CHAPPELL-HARMS.INC.
185 MADISON AVE
NEW YORK
A Window That Attracted
her by the Stanley Theatre, of this city, as well
as the Benjamin Franklin Concert Orchestra,
broadcasting from Station WFI, and other local
musical organizations which featured the son). 1 .
As a background for the window, the title
page of the song was represented in color. The
huge oil painting was twelve feet in height and
framed with copies of the number, while in the
foreground there was a border of the covers
of the song. The display was arranged be-
cause of the growing popularity of "Dawn" in
Philadelphia and it proved so effective that it
was continued for three consecutive weeks and
constantly aroused interest.
Credit for the window is given to Elmer A.
Naylor, manager of the sheet music department
of H. A. Weymann & Son. "Dawn," published
by the Pallma Music Publishers, Chicago, is
one of the most successful of the art songs at
present, and is being featured throughout the
country.
CORDON JOHNSTON
Everybody Worth While
both in
CONCERT AND VAUDEVILLE
Is Singing It
M.WITMARK & SONS
1650
BROADWAY
^IEW YORK

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