Music Trade Review

Issue: 1926 Vol. 83 N. 12

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
IN THE WORLD OF MUSIC PUBLISHING
Conducted By V. D. Walsh
Death of Clarence A. Woodman Removes
One of the Outstanding Figures in the Trade
Entered the Great House of Ditson in 1874, Completing More Than Half a Century of Service
at the Time of His Death—One of the Big Men of the Industry
HpHE sudden death of C. A. Woodman, man-
•*• aging director of the Oliver Ditson Co., on
Thursday of last week, was a decided shock to
his many friends and to the entire sheet music
industry. Mr. Woodman to all appearances at
the time of his death was hale and hearty and
it seemed that he had many years of fruitful
work before him.
Mr. Woodman was a figure in the industry.
He was one of the last of the old school music
publishers, who in recent years have been pass-
ing away all too frequently. He was a man of
rare and thoroughly constructive business
acumen with all the tendencies of the past gen-
eration to be conservative while healthily pro-
gressive. He was an ideal citizen and a repre-
sentative of the best type of the American
gentleman. None could know the man without
loving him. His passing leaves a void and is an
irreparable loss.
Mr. Woodman had held a prominent position
in the music business through fifty-two years
of active service. He entered the great house of
Ditson when a lad in 1874. He was a native of
Braintree, Mass., and came on both sides of
old New England stock, being a direct descend-
ant of John Alden.
Several years ago George Edgar Oliver, of
Albany, N. Y., a music critic, published a tribute
to his friend Clarence Woodman, and inasmuch
as it is known that Mr. Woodman remarked
that the tribute would make a good obituary we
appropriately repeat it:
"Men who accomplish great results in the
business world and add to the wealth and pros-
perity of the country may be divided into two
classes. The first includes those who have a
THE LITTLE RED
SCHOOL HOUSE
AND THE
World-Famous
McKINLEY
* MUSIC «*
are staple American institutions. Both
have won and hold the implicit confidence
of the American people through merit
alone.
50 NEW NUMBERS FOR 1927
NOW READY, Piano Solos, Piano Duets and
Violin and Piano
Salable Copyrights! Best Reprints!
New Catalogs Free with Stock Orders
Mr. Dealer: If you do not carry this "BIG
PROFIT" line, write for Samples and Liberal
Sales Plan Today!
McKINLEY MUSIC CO.
1501-1515 E. 55th Street, CHICAGO
love of publicity and seek the limelight. Much
is heard of these and their activities. But on
the other hand, there is another and even
greater class, who quietly build up big busi-
nesses and yet prefer to remain virtually in the
background and let their accomplishments tell
SONGS THAT SELL

At Peace With The World (Irving Berlin)
Always (Irving Berlin)
How Many Times? (Irving Berlin)
Remember (Irving Berlin)
When The Red, Bed Robin Comes Bob, Bob,
Bobbin' Along:
Trudy
I'd Climb The Highest Mountain (If I knew
I'd Find You)
I Never Knew What the Moonlight Could
Do
I'd Iiove To Meet That Old Sweetheart of
Mine
Let's Make Up
But I Do, You Know I Do
Who Wouldn't?
In the Middle of the Night
Blue Bonnet You Make Me Feel Blue
Oh If I Only Had You
Roses Remind Me Of You
To-night's My Night With Baby
Put Your Arms Where They Belong
Poor Papa
Gimme A Little Kiss, Will "Ya" Huh?
Say It Again
If You Miss Me As I Miss You
Oh Boy How It Was Raining
And Then I Forget






I Found A Round-a-bout Way To Heaven
Pining For You
Up And Down the Eight Mile Road
Trying To Forget
That's Annabelle
Take This Rose
No More Worryin'
Old Fashioned Sal
Pretty Cinderella
Clarence A. Woodman
the story. Such a man was Clarence A. Wood-
man.
"The Oliver Ditson Co., the oldest and one
of the largest music publishing houses in the
United States, was founded in 1835 by the late
Oliver Ditson, who by acute vision and progres-
sive methods built up a large and prosperous
business, with important branch houses in New
York, Philadelphia and Chicago. His death oc-
curred in 1888 and by that time the young Clar-
ence Woodman had absorbed Mr. Ditson's view-
points and comprehended his ideals. Mr. Wood-
man's many merits as an administrator were
recognized by Charles H. Ditson, who suc-
ceeded his father, and after many rapid promo-
tions Mr. Woodman in 1907 was made general
manager of the house. From that time forward
he was indefatigable in his efforts to make the
House of Ditson one of the greatest music
publishing houses in the world. He kept in
close touch with the many activities of the
whole establishment and yet in his quiet and
charming way he always found time to greet
visitors in his office and to keep in touch with
the heads of his many departments. He pos-
sessed the loyal support of every employe and
each one could look on Mr. Woodman as a
personal friend."
Following the church service the body was
taken to Mt. Auburn Cemetery, accompanied
by the two clergymen, where the last words of
committal were read.
Throughout this week one of the windows of
the Tremont street store of the Ditson Co.
carries a memorial of Mr. Woodman in the
shape of a photograph of the dead managing
director with a large sheaf of white gladioli
lying in front, and a card bearing the date of
42
BOOKS THAT SELL
X

New Universal Dance Folio
No. 11
Edition Extraordinary—Just Out
Peterson's Ukulele Method
World's Favorite Songs
Tiddle De Ukes
Strum It With Crumlt
Irving Berlin's Song Gems
From the Musical Comedy Sensation
"THE COCOANUTS"
Ting-aling the Bell'll Ring
Why Do You Want to Know Why?
Florida By the Sea
The Monkey Doodle Doo
Lucky Boy
We Should Care
IRVING BERLIN, Inc.
1607 Broadway, New York
his death. The entire window is draped in
black.
A meeting was held at the Oliver Ditson Co.'s
directors' room on Saturday morning when
William Arms Fisher was appointed chairman
of a committee to draw up suitable resolutions
on the death of Mr. Woodman.
The funeral of Clarence A. Woodman was
held Sunday afternoon from St. Luke's Episco-
pal Church, Allston, not far from the Wood-
man home. There was a large outpouring of
business associates and family friends, who were
seated by the two ushers, Charles F. Manney
and Leslie A. Martell, of the Ditson house.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
SEPTEMBER 18, 1926
There was a large number of floral pieces, these
coming from the Ditson Co. collectively, and
men in the organization individually and from
the Music Publishers' Association of the United
States, the Boston Music Publishers' Associa-
tion, the family and many relatives and friends.
The Episcopal service was conducted by Rev.
Marcus H. Carroll, of Hanover, who is a com-
poser of church music, who had long had a close
association with the Ditson house. He was as-
sisted by Rev. Charles W. Duffield, a former
rector of the Allston parish. The music, with
Harris Shaw at the organ, was furnished by
the Pilgrim Quartet, whose members sang Mr.
Woodman's favorite hymns, "Lead, Kindly
Light," "Peace, Perfect Peace" and "Now the
Day Is Over."
The honorary pallbearers were Harry B.
Crosby, of the Arthur P. Schmidt Co.; Charles
W. Homeyer, of Charles W. Homeyer & Co.;
W. Deane Preston, Jr., of the R. F. Wood Music
Co.; H. B. McCoy, of the Theodore Presser
Co. of New York; Joseph Priaulx, of Charles
H. Ditson Co. of New York, and William Arms
Fisher, representing the Oliver Ditson Co.
Others present from a distance at the services
were Messrs. O'Meara and Glassmacher, of
Charles H. Ditson & Co.; W. L. Coghill, of
John Church Co.; Michael Keane, of Booscy &
Co.; Richard Powers, of Chappell & Co., and
Mr. J. T. Roach, of Hinds, Hayden & Eldredge,
all of New York, and Mr. Blaetz, of Theodore
Presser Co., of Philadelphia.
Popular Music in Stores
of Retail Music Dealers
Methods Which the Music Dealers Can Use to
Develop the Sales of Popular Prints in Their
Warerooms
In recent years the sales of popular music
by the legitimate music dealer have been
steadily mounting. In conjunction with the
activity of the popular sales counters in such
stores, a growing business has also been built
up in popular orchestrations.
In localities
where the legitimate dealer has no syndicate
store competition, the sales of popular music
naturally are comparatively larger. In either
event it is the legitimate dealer that gets or-
chestration sales. There are several reasons
for this, among them being that all popular
music is not sold to musicians, whereas or-
chestrations are, and it is only natural that the
young orchestra member should go to a source
for his orchestrations where he can get his
other supplies. Also he finds that the legiti-
mate music store is familiar with his needs and
can talk his language.
Popular music does to a great extent sell
itself. Its real prime need, so far as the re-
tailer is concerned, is display. Counters that
show the titles, self-serving racks and window
showings are the important aids in creating
volume sale of such prints.
There is another important method of in-
creasing popular sales, but one which most
legitimate dealers do not indulge in. That is
the demonstration of the goods. There are
many drawbacks to a proper carrying out of
demonstration activities, the outstanding ob-
stacle being the fact that the legitimate music
store caters to really two classes of people,
those interested in standard music and those
interested in popular prints. The purchaser of
standard music includes the musician, the
teacher and the pupil. In this category, of
course, are found many tastes, each with in-
dividual requirements; and much of the standard
material to meet these tastes is selected with
care. It includes every instrument, every voice,
and the scope of these tastes covering every
phase of music endeavor makes necessary a
tremendous stock of standard music.
Now it can be readily seen that the presenta-
tion of standard music is in a way a more
laborious undertaking than the simple activities
(Continued on page 46)
43
The Music Trade Review
EXTRA!
SPECIAL!
Five Hundred Dollars in Cash Prizes to
be Divided Among Winners of
Window Display Contest on
*
DOROTHY LEE'S
FAMOUS SONQS
CONTEST BEGINS AT ONCE AND ENDS ON DECEMBER 15th
An open invitation is extended to every dealer in sheet music, records or player rolls
to compete in a country-wide window display contest featuring songs by America's he-
loved composer, Dorothy Lee.
The songs selected for the contest include two of this composer's most famous suc-
cesses—"ONE FLEETING HOUR" and "OUT OF THE DUSK TO YOU." Both have
become universal favorites and have spread the fame of Dorothy Lee.
The third song is "IN THE HEART OF THE HILLS," a beautiful new gem by this
inspired composer. Words, melody and title form an ideal combination that will per-
petuate the song in the hearts of all music lovers.
Now, about the contest—
The display may include all three songs, "IN THE HEART OF THE HILLS," "OUT
OF THE DUSK TO YOU" and "ONE FLEETING HOUR," or only the new ballad, "IN
THE HEART OF THE HILLS."
It is only necessary to use the title pages and display signs which will be supplied
to contestants and are now available.
Dealers in Sheet Music, or Records, or Player Rolls may compete.
Three non-interested judges will select the winners; they are, Mr. V. D. Walsh, of
the Music Trade Review, Mr. B. W. McClelland, of the Music Trades, and Mr. Adrian
F. Boylston, of the Music Trade News. All have been in touch with the music trade
over a period of years and are, therefore, competent to act justly in their awards. Dis-
plays will be judged on the basis of artistic and effective arrangement.
The contest is now open and photographs will be accepted until December 15, 1926.
Photographs should be addressed to Sam Fox Publishing Co., The Arcade, Cleveland,
Ohio, attention of Dorothy Lee Contest Manager.
Displays will be judged for their Originality, Attractiveness and Selling Value.
The following valuable prizes will be awarded winners:
First Prize—$200; Second Prize—$100; Third Prize—$75; Fourth Prize—$50; Fifth
Prize—$25; Sixth, Seventh, Eighth, Ninth and Tenth Prizes—$10, each. A grand total
of Five Hundred Dollars in prizes. Every effort will be made to select the winners so
they will receive checks by Christmas.
DON'T DELAY YOUR DISPLAY—GET IT IN EARLY
Send for free title pages and attractive window cards
SAM FOX PUBLISHING CO,
CLEVELAND, OHIO
The Arcade
NEW YORK, N. Y.
158*160 West 45th St.

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