Music Trade Review

Issue: 1926 Vol. 83 N. 12

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
REVIEW
VOL. LXXXIII. No. 12 P.blished Every Saturday. Edward Lyman Bill, Inc., 383 Madison Ave., New York, N. Y., Sept. 18, 1926
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Seventeenth Annual Convention of
Ohio Ass'n in Columbus
Association Goes on Record in Favor of Carrying Charge as Substitute for Interest System in Time Pay-
ments—Asks Manufacturers to Adopt National Prices for Products With Sufficient Margin for
Dealers — Musical Instrument Revue Proves Big Success With Columbus Public
OLUMBUS, O., September 14.—After a
number of preliminary meetings held on
Monday, September 13, to plan programs
of the sessions for Tuesday and Wednesday,
the seventeenth annual convention of the Music
C
the keys of the jail. John R. King, prosecuting
attorney for Franklin County, was the next
speaker, and was followed by Governor Victor
Donahey of Ohio, who offered many statistics
to show the progress and wealth of the Buckeye
State.
The bright spot of the entertainment was the
arrest of E. R. Laughead by a traffic cop for
violation of traffic laws. The culprit was tried
at the speakers' table before Judge Rex. Heyer,
the county prosecutor conducting the case for
the State. Mr. Laughead was convicted, but
escaped because of his pull with the governor,
who pardoned him. A quartet of negro con-
victs from the State Penitentiary sang during
the luncheon.
Charles H. Yahrling, vice-president of the
National Association of Music Merchants, was
suddenly called home by illness in his family
but the action to be taken by the Ohio Asso-
ciation regarding affiliation with the National
Association of Music Merchants was the prin-
cipal topic of interest.
doing whatever we could for our industry, been
too altruistic by furthering the interest in music
rather than in pianos? These are the problems
now confronting us and it is my earnest hope
that our Ohio Association at its convention in
First Session
Otto C. Muehlhauser
Merchants' Association of Ohio was formally
opened at noon to-day with an official luncheon
at which the attendance was over 200 members
and guests, a striking indication of the large
attendance at the meeting.
Tuesday morning was largely devoted by the
visiting dealers to an inspection of over half a
hundred exhibits of musical instruments of
all types and lines. The interest which deal-
ers showed was strongly indicated by the
actual orders placed with exhibiting manufac-
turers, and was also indicative of the healthy
tone of the retail trade in the section of the
country they represent.
At the luncheon the dealers were welcomed
by Chief of Police Harry French, who was
introduced by W. V. Crow, chairman of the
convention committee. The chief stated he had
brought the keys of the city with him and also
The first business session opened Tuesday
afternoon immediately after the luncheon with
the reading of the minutes of the meetings held
during the past year, including the report of the
visit to Detroit to study the piano-playing con-
test in that city.
The report of the president and secretary
were presented in written form and are as fol-
lows:
President's Report
"It is generally conceded to-day that our
industry requires some sort of stimulant to
revive it to its former status. Almost uni-
versally the statement is made that because of
the automobile, the radio, electric refrigerators,
etc., the piano industry is slowly but surely
dying a lingering death. Whatever the cause
of the lack of interest in the buying of pianos,
let us not forget that this condition may have
been brought about by our own indiscretions.
"Have we always considered the good of the
industry as a whole in trying to market our
goods? Have we considered the fact that to
sell our merchandise it is necessary, first, to
create a market for the same, or have we, in
Rexford C. Hyre
Columbus in September will bring about some
sound and practical ideas.
"At our council meeting in February, which
was well attended, it was decided unanimously
not to affiliate with the National Association
of Music Merchants unless certain by-laws were
altered which would permit us to affiliate in a
way to continue with our Ohio Association as
in the past. It was also decided to adopt a
carrying charge schedule which all the members
have no doubt received by this time. The crea-
tion of a fund through charging for a stamp for
each piano shipped into Ohio for the purpose
of advertising through the medium of billboards
was also recommended.
"Secretary Hyre and myself attended the con-
vention of the National Association of Music
Merchants in New York in June for the pur-
(Continued on page 7)
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
Advertising and Selling the Grand
Piano in the Period Case
Barker Bros., of Los Angeles, Who Feature the Sohmer Piano, Create Steady Volume of Sales for This In-
strument in Its Period Models Through Steady and Consistent Advertising—Linking the
Period Case to the Scheme of Home Decoration a New Selling Approach
T
H E outstanding success achieved by a
number of retail piano houses in the sale
of instruments in period cases is in direct
proportion as a general rule to the intelligence
injected into the selling effort, whether that
effort be by the printed word or by direct sales-
eral attractiveness of the case work, combined
with a faithfulness to the style of the period
represented that is impressive. In the Los
Angeles newspapers each Sunday of the year
there appears an advertisement of Barker Bros,
devoted exclusively to the Sohmer instruments,
Queen
Anne
Model
of the
Sohmer
Grand
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man contact. It has not been so many years
ago that the period case was a special order
proposition. This meant that the price, due to
the amount of individual work required, was
prohibitive to the average run of buyers, and,
therefore, sales were limited to the comparative
few who had sufficient money to support their
artistic sense and desire in the matter of case
design. Little wonder then that the volume of
business in this special type of instrument at-
tained no noteworthy proportions.
At the present time the period case has come
into its own as an accepted and regular feature
of the piano lines manufactured by concerns
with vision and artistic sense, combined with
business ability. It is the successful merchan-
dising by competent retailers, however, which
has served to establish the period model piano
in its present place before the discriminating
public. It has been realized that in the worth-
while period model there is found two appeals,
first, the direct appeal to the musical sense,
common in all pianos, and, secondly, the appeal
to the eye, a highly important matter in these
days of artistic home furnishings. It is in cap-
italizing this fact that sales are made.
It would be difficult to find a more prominent
example of successful merchandising of the
period model grand than that offered by the
piano department of Barker Bros, in Los An-
geles, the manager of which, John W. Booth,
is so well known in the trade for his knowledge
of musical instrument selling and his ability
to utilize it. Perhaps it is because Barker Bros,
stand high among the home-furnishing concerns
of the entire country that fits them particularly
well to make the artistic appeal. But the fact
remains that they find it pays handsomely to
advertise and concentrate sales effort on period
models.
In this connection the company pays partic-
ular attention to featuring the Sohmer line of
period instruments, which stands so high in gen-
the advertisements ranging in size from a col-
umn or so to a half-page or more with the
larger spaces predominating.
In each of the advertisements at least one
of the outstanding examples of Sohmer piano
case work is reproduced in black and white, and
in a majority of the announcements several of
the period models are depicted as is shown in
the reproduction of two of the Barker Bros,
advertisements herewith. In the advertising
headed, for instance, "A piano should harmonize
with the home interior," and then went on to
say, "It is not enough to-day that homes' ex-
teriors should be authentic in period trend. In-
teriors as well must be true to type—and surely
the piano—the most significant single object in
the home—should measure up to this require-
ment. This series of period designs—by the
House of Sohmer—answers this demand."
Black and white sketches of a half dozen of
the attractive Sohmer models bordered one side
of the advertisement.
Then again was the advertisement headed:
"A Sohmer—Grand Pianos Are in Period En-
casements to Harmonize With YOUR Home,"
followed by the announcement "There need be
no delay in the acquisition of a period grand
piano that harmonizes with your home's interior,
for Sohmer grand pianos are to be had here
and now in several authentic encasements.
These models carry out detail with absolute
fidelity—the early English, the Florentine, the
Spanish, Louis XVI, Queen Anne encasements,
giving a new dignity and importance to the
piano as a decorative factor in the home."
There is nothing uncertain or confusing about
that presentation of the facts, and that the pres-
entation of the period grand in this manner ap-
peals to the buying sense of the public is shown
by the number of such instruments that are
being sold by Barker Bros., one that increases
steadily each season. Each particular period
has its admirers, but it is significant that in the
vicinity of Los Angeles, where the Spanish
influence is so pronounced in the modern as
well as in the old residences, the Sohmer period
model in the Spanish Renaissance is particularly
popular.
Barker Bros, have put over the period piano
in their territory by convincing the public of
the fact that it not only provides a musical
instrument of quality, which may be considered
Spanish
Renaissance
Model
of the
Sohmer
Grand
copy the attractiveness of the case design is
emphasized quite as strongly as the musical
qualities of the instruments and, in fact, in cer-
tain cases this appeal to the eye and to the
artistic sense in home equipment predominates
to a noticeable degree.
A recent and convincing piece of copy was
an elementary argument, but presents that
instrument encased in a manner that permits
it to harmonize with the furnishings of the
home rather than to disrupt that harmony, thus
being tolerated for its musical qualities alone.
It is the argument that provides the open road
for placing artistically designed pianos in the

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