Music Trade Review

Issue: 1926 Vol. 82 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
FEBRUARY 6,
THE MUSIC TRADE
1926
set forth a program of work for the year 1926.
This included, among other things, the project
of a complete survey of the principles of tone
production in the piano and a thorough discus-
sion of methods of design and construction.
During the coming year this project will be car-
ried out and will furnish one of the great divis-
ions of the editorial work. It is proposed to
take at regular intervals (1) large scientific
problems of design and construction; (2) prac-
tical factory problems in production, costing and
management; (3) practical and scientific prob-
lems pertaining to tuning and service; (4) prob-
lems related to the accessory trades after a
fashion calculated to draw out the close but
oft-neglected relation in which these trades
stand to the manufacture of good pianos.
This last point should by no means be passed
over hurriedly. The makers of plates, bass
strings, wire, hammers, keys, actions, player ac-
tions, veneers, varnish, soundboards, tuning
pins and hardware have always been regarded
too much as if they were outside interests com-
ing in to make difficulty for the piano manufac-
turers. Actually, of course, all good supply men
desire, above everything, to be in the confidence
of manufacturers and to understand the latters 1
tonal and mechanical problems. There is no
hammer man, for instance, who would not much
rather deal on scientific bases with the piano
men, if only such bases could be erected. And
the same is true of the action men, the player
men and all the rest of them. It is high time,
for the best interests of a piano industry sorely
beset by formidable competition, that all men
should cease from their ancient quarrels, be-
come friends again and work in concert for the
common good. This new and more compre-
hensive Technical Department will do its best
to forward a consummation so much to be de-
sired.
That is not all, of course. Piano manufac-
turers are only slowly coming to see that the
problems of one factory are, in general, the
problems of all, and that the old policy of ex
clusiveness and of secrecy is no longer practi-
cal. Yet they are coming to see this gradually,
and so long as this is so one can only be happy
in forwarding, to the best of one's ability, more
discussion of the great problems now beset-
ting the production men of the industry. These
problems have to do with the reduction of over-
head by the adoption of better methods, espe-
cially methods which shall permit the steady
substitution of unskilled or semi-skilled for the
rapidly dying skilled labor, which is not being
replaced. It is hoped that discussions of mat-
ters within the above classifications may be had
hereafter at frequent intervals.
Inside and Outside Men
And it is my hope, too, that in this way there
may be brought about gradually a better un-
derstanding between the inside and outside
technical rfien. A year ago the president of the
Technicians' Association appeared at the con-
vention of the Tuners' Association and held
forth formally the hand of friendship. As one
result of his proffer the two associations are
now working, through committees, on a pro-
gram of common action and are jointly engaged,
with manufacturers and supply men, in the la-
bors of the committee on standardization of
technical terms. It is evident that the old-time
animosity between inside and outside, compa-
rable only to the Town and Gown warfare of
the old university cities, is dying out. What-
ever can be done not only to kill it completely
but to bring forth in its place a spirit of co-op-
eration and friendship, practically expressed in
FAUST SCHOOL
OF TUNING
Standard of America
Alumni of 2000
P U B * Tonne, Pip* and Read Ort«o
i x l PUr«r Piano. Year Book Frte.
27-29 Gainsboro Street
BOSTON, MASS.
REVIEW
practical results, shall by this department hence-
forth be done.
To the Tuners
The tuners, who have, during past years, so
staunchly supported my efforts, will not, I am sure,
look the less favorably upon them now that
they must find here a more catholic treatment of
great technical questions and a wider view of
editorial responsibilities.
They themselves,
mostly out of touch with factories and often
domiciled in places remote from the large in-
terests of the industry, have always to face the
probability of falling into stolidity and self-com-
placency, shutting their eyes and ears to the
note of progress and discovery. It has always
been my desire to keep these good men awake
to new ideas and alive to new conditions. In
the future this ought to be easier, rather than
harder, for those who read this department
week by week should expect to find a larger
variety of subjects and a wider view. Thus the
benefit should be general and mutual.
No Rabbits From Hats
I hope that these words will not produce an-
ticipations which cannot be realized. The new
Technical Department can only be as good as
the trade of which it treats and as the man who
conducts it. I can only answer personally, of
course, for the latter, and in so answering shall
have to confess that I have no rabbits up my
sleeve to be produced from a hat by any leger-
demain. It is not so much, I think, in the ap-
pearance of things as in their treatment and
the view taken of the editor's responsibility, that
the new department will be more interesting
and more valuable. It will be a case of trying,
for the first time in the history of piano trade
journalism, to bring all the technical interests
under one heading, entrusting their treatment to
one who may, I suppose, be called a specialist.
It has never been tried before on this scale. It
has been tried on a limited scale more than
once by others, but even on a limited and in-
complete scale it has never been tried contin-
uously save by The Review. If, after the long
trial in a limited form, the decision now comes
to expand and complete, then one must suppose
47
that the subjects to be taken up have become
recognized generally for the essential things to
the industry which we technical men have al-
ways known them to be.
Please wish us good luck in our new efforts
for your benefit.
Correspondence
dealing with any and all branches of the indus-
try is solicited and shall receive attention if ad-
dressed to William Braid White, 209 South
State street, Chicago.
Operates at a Profit
The Brooks Piano Co., Minneapolis, Minn.,
maintains a regular service department the facili-
ties of which are available to the public and which
is operated at a profit with the department
credited for work done for the store. A fixed
schedule of charges is provided which includes
an adequate profit and considerable work is
done on an annual contract basis. Service men
receive credit for sales made to prospects
turned in by them. This store credits fully 50
per cent of its sales to the recommendations of
satisfied customers.
>>•*.
Leather Specially
Tanned for Player*
Pianos and Organs
Also Chamois
Sheepskins, Indias
and Skivers
A Specialty of
Pnmtmm$ie und
Paumk SUm £ * • * « «
T.L.LUTKINSInc
4 0 SPRUCE ST.. NEW YORK.N.Y.
TUNERS
AND
REPAIRERS
Our new catalogue of piano and
Player Hardware, Felts and
Tools is now ready. If you
haven't received your copy
please let us know.
Hammacher, Schlemmer & Co.
New York, Since 1848
4th Ave. and 13th St.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
48
THK
Trade Commission Rule
on Wood Names Used
Trade Practice Submitted to Eliminate Misrep-
resentation in This Practice
The Federal Trade Commission recently
handed down opinions condemning the practice
of furniture retailers in not properly describing
in their advertising matter the articles offered
for sale. Although not specified in words, the
ruling may be taken to apply to pianos, phono-
graphs and radio cabinets. The commission
rules that many statements were misleading. A
trade practice agreement, which has been signed
by the leading retailers in New York City, has
been submitted by the commission as follows:
Rules for the Designation of Furniture Woods
1. Furniture in which exposed surfaces are
of one wood shall be designated by the name
of the wood.
2. Furniture in which the exposed surfaces
are of more than one kind of wood shall be
designated by the names of the principal woods
used.
Interpretation of Rules
1. Exposed surfaces mean those parts of a
piece of furniture which are exposed to view
when the piece is placed in the generally ac-
ception position for use.
2. The exposed surfaces of all furniture or
parts thereof represented as solid shall be of
solid wood of the kind or kinds designated. If
veneered on the same wood, it may be desig-
nated as a wood of that particular kind. If
veneered on a different wood, it shall be de-
scribed as veneered.
3. Cabinet woods, used for decorative pur-
poses where the effect is solely to add to the
artistic value, shall be named as decorations
only.
4. A wood popularly regarded as of lesser
value, if its use is essential to construction, need
not be name under Rule 2, if less than a sub-
stantial amount is used on exposed surfaces.
5. A wood popularly regarded as of higher
value shall not be named under Rule 2 if an un-
substantial amount of that wood is used, ex-
cept as provided in Interpretation 3 above.
6. Designations shall be made in the caption
or body of each particular description without
qualification elsewhere.
7. The word "Finish" to designate color shall
MUSIC TRADE
REVIEW
only be used as a description following the
name of the wood used.
8. Where furniture is catalogued, tagged, la-
beled, advertised or sold by retailers it shall be
in accordance with these Rules and Interpreta-
tions.
9. Where furniture is catalogued, tagged, la-
beled, advertised, invoiced or sold by manufac-
turers, manufacturers' representatives, jobbers
or wholesalers it shall be in accordance with
these Rules and Interpretations.
10. The above Rules need not apply to an-
tique furniture.
Hardware Orders Show
Good Production Ahead
William C. Hess, of American Piano Supply Co.,
States Manufacturers' Orders Are Very Satis-
factory
A promising outlook is in sight for the piano
manufacturing industry in 1926, according to
William C. Hess, vice-president and New York
manager of the American Piano Supply Co.,
Inc., Bristol, Conn., which, being prominent in
the supply field, serves as a fairly accurate
barometer of conditions. "Now that the period
of inventory taking is completed," said Mr.
Hess, "we are compiling the estimated requisi-
tions sent in by our customers and find them
very satisfactory.
"In general, stocks of piano hardware mate-
rials were exhausted during the Fall season pre-
ceding the holidays and most plants are ordering
heavy during February and March to keep on
the safe side. In my various talks with manu-
facturers and superintendents I understand that
practically each factory has one or two espe-
cially popular styles which cannot be turned out
fast enough to meet the dealers' demands, and
the demand for the standard models is more
than normal for this time of year."
Concentrating on New York
CHICAGO, I I I . , January 30.—The National-Amer-
ican Wholesale Lumber Association has de-
cided to transfer its Chicago office activities to
New York, according to announcement just
made public. The Chicago office has been de-
voted almost exclusively to the handling of arbi-
trations.
FEBRUARY 6, 1926
Standard 440 A Forks
to Be Made by Miller
Master Instruments to Be Deposited With
Associations and Certified Duplicates to Be
Available to the Industry
CHICAGO, I I I . , January 30.—Dr. Dayton Miller,
president of the American Physical Society and
member of the Standard Pitch Committee of the
Music Industries Chamber of Commerce, was
in Chicago this week conferring with William
Braid White, secretary.
The committee announces that arrangements
have been made for the manufacture of the
standard master tuning forks which are to be
deposited in the United States Bureau of Stand-
ards, the Music Industries Chamber of Com-
merce, the National Piano Manufacturers Asso-
ciation and National Association of Piano
Tuners, Inc., respectively. Practically all of the
piano and musical instrument factories have
adopted the new 440 A pitch and all duplicate
forks will be from the master tuners.
Dr. Dayton Miller is undertaking the ex-
tremely delicate task of rating the forks to one
one-hundredth* of one vibrant per second and in
his work will make use of the improved clock
fork originally invented by the famous Dr.
Koenig, of Paris, and his own Phonodeik, which
is now recognized the world over as the stand-
ard instrument for the photographing of sound
waves.
When these forks are completed the music
industries of the United States will be in pos-
session of the most accurate set of standards
for pitch which has ever been produced. It
will be possible to attain certified duplicates of
these forks, it is announced by the committee,
for all purposes of musical instrument manufac-
turing without the slightest difficulty and at very
small expense.
Chevalier With Wickham Co.
The Wickham Piano Plate Co., Springfield,
O., has announced the appointment of George
Chevalier as Eastern representative for that
company. Mr. Chevalier has had long success-
ful experience in the supply trade, and was most
recently connected with the Superior Foundry
Co. looking after the interests of that concern
in the East.
ISAAC LCOLE&SON JULIUS BRECKWOLDT & SON, Inc., w+SEn.Y
Manafactonr*
•fADKkdsof
Manufacturers of Sounding Boards, Bars, Backs, Bridges, Mandolin and Guitar Tops, Etc.
Monarch Tool &Mfg.Co.
MAKE A SPECIALTY OF
PIANO CASE VENEERS
FACTORY AND WAREROOMS
Foot 8th St., E. R.
New York
Wall ltexM, Manila* SUt B M H ,
O*la Slides, B«r«U Maealnai, Monay
B « H , P u n t . Tmmm Hardware. Sa«-
•lal aartt Mad* U Ord«r.
Ul
CINCINNATI, O.
F. RAMACCI0TT1, Inc. PIANO ACTION MACHINERY
Designer! and Buildcn of
PIANO BASS STRINGS
421-423 W. 2Sth S t . > e a r Ninth Ave.
NEW YORK
Special Machines for Special Purposes
THE A. H. NILSON MACHINE CO.
BRIDGEPORT
CONN.
O. S. KELLY CO.
PIANO PLATES
The Highest Grade of Workmanship
For
Service
Price
Quality
Reliability
Foundries: SPRINGFIELD, OHIO
Continuous Hinges
Grand Hinges
Pedals and Rods
Bearing Bars
Casters, etc., etc.
THE OHIO VENEER
COMPANY
Quality Selections in
Foreign and Domestic Veneers
and
Hardwood Lumber
Importer! sad Muafaetnren
Mtlli u d Mkln Oficw;
Extern Office: 405 LazlnatsB A M
Cindn»«rJ. Ohio
ml 42nd Street. New York
FAIRBANKS
PIANO
PLATES
A QUALITY PRODUCT
CHAS. RAMSEY
CORP.
THE FAIRBANKS CO
KINGSTON, N. Y.
SPRINGFIELD, O.

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