Music Trade Review

Issue: 1926 Vol. 82 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
40
You Can't Go WronQ ,
With these FEIST Smtffs
REVIEW
Art Landray Records
Released by Victor Go.
First Recordings of Well-known Band in East-
ern Territory Were in January Bulletins
Art Landray and His Band, who made an
unusual name for themselves on the Pacific
Coast and who more recently have been fea-
tured attractions at large motion picture houses
in New York, Brooklyn, Philadelphia, Balti-
more and other cities, made their first records
for the Victor Talking Machine Co. in Eastern
territory with the release of several numbers in
January.
The Art Landray combination has proved
itself one of the best drawing cards in the
orchestra field. It is one of the most versatile
bands that has ever been gathered together and
its rendition of popular numbers is porformed
*!g?a
JANUARY 23,
1926
Parrish has traveled in the Witmark interests.
Some years ago he was attached to the Wit-
mark staff and left with all sorts of good wishes
to take up an active position in Kansas City
with J. W. Jenkins Sons. Now Mr. Parrish has
returned to his old firm, and M. Witmark &
Sons and Mr. Parrish are both recipients of
many felicitations over the reunion.
Mellie Dunham Publishes
Henry Ford's Favorite
Carl Fischer, Inc., Releases "Rippling Waves"
as Composed by Maine's Veteran Champion
Fiddler
Mellie Dunham is now being hailed not only
as a fiddler but also as a composer, since the
publication by Carl Fischer, Inc., of his compo-
sition, "Rippling Waves," Henry Ford's favorite
EYES o f BLUE,
HAS ANYBODVi
SEEN MY GIRL/
NOVELTY FOXTROT
WY0UN6 1
AY
TENDERSON
,\p
in a manner that sets it apart from all other
musical aggregations.
Playing one of its late record releases, such
as "Sleepy Time Gal," "Don't Wait Too Long"
or "Five Foot Two, Eyes of Blue," immediately
gives the hearer a treat. One of the features
of their renditions is the fact that they stick to
the melody and while the performance is varied
in treatment it is all done without loss to the
melodic strain. Indeed the melody itself is em-
phasized. Too many modern orchestras in per-
forming orchestral arrangements smother the
melody and at times make it unrecognizable.
To get everything out of a modern orchestra in
the way of solo, combination and obligato effects
without departing from the melody is an
achievement and that is what the Art Landray
Band does.
British Bartender Defines
Alcoholic Melody Content
•4Pu
Says Wagner Drives Hearers to Beer, Strauss
to Spirits, Mendelssohn to Whiskey—Prob-
ably Jazz Sends Up Cocktail Sales
^ 3 ^
'^*«^
•^» f
LONDON, ENG., January 18.—An audience's taste
for alcoholic beverages varies according to the
kind of music it hears. This, at least, is the
judgment of the bartender at Queen's Hall,
who has just been interviewed after thirty years
of dispensing drinks at this center for London's
music lovers.
He said that when a concert of Wagnerian
music is presented the demand for beer is fif-
teen times as great as when a mixed program
is given.
He asserted that Johann Strauss' works cre-
ate a demand for wine, while Richard Strauss
causes the sale of spirits to rise.
Mendelssohn concerts mean more beer and
whiskey.
When Mozart dominates a program very lit-
tle drink is sold.
Parrish Back With Witmark
"Son Caiit GoTOon
WixhAnij FEIST Son
Clarence F. Parrish has recently succeeded
Robert Cole as the representative in the Middle
West and South of the publishing house of M.
Witmark & Sons. He is sure of a warm wel-
come from all his many friends in the sheet
music trade, for this is not the first time Mr.
melody. Henry Ford said of this piece, "He
played one waltz as good, that is, to my liking,
at least, as any I ever heard anywhere in the
world, one of his own creations, 'The Rippling
Waves.'" "Mell," who has kept the country-
side dancing for fifty years with his fiddler
tunes, has created a number of original compo-
sitions, and this waltz of his will now not only
make his own Maine neighbors want to get out
and dance but will go all over the country to
start feet tapping.
This venerable champion fiddler of Maine,
who has attracted wide attention by winning
the fiddling championship of Maine and being
called to play for Henry Ford, has attained a
fame of which he never dreamed. A few weeks
ago he was just a country fiddler and to-day he
is a headliner at the Hippodrome and other the-
atres of the Keith Circuit. He has had inter-
views with Henry Ford and many notables.
There are prospects of broadcasting and re-
cording for phonograph records. In the mean-
time, he has already been a two weeks' feature
at the New York Hippodrome, with possibili-
ties that he will make a long tour on the Keith
circuit.
New Customs Ruling
A ruling just handed down by the Customs
Board partly sustains and partly overrules a
protest filed in the name of the American Ship-
ping Co., Chicago. According to the record,
the appraiser described the merchandise at issue
as "music in sheets." Duty was assessed there-
on by the collector at the rate of 15 per cent ad
valorem, under the provision in Paragraph 1310,
1922 Act, for "music in books or sheets." The
importers contended for free entry under the
provision in Paragraph 1529 of the same act for
"books and pamphlets printed wholly or chiefly
in languages other than English." As to the
paper-covered books or pamphlets containing
instructions printed in German for playing the
piano, Judge Fischer holds that free entry
should have been accorded under the provisions
of Paragraph 1529. As to the sheet music, the
printed matter therein being in the German lan-
guage, the General Appraiser points out that as
imported they are in form neither books nor
pamphlets, and therefore are not covered by
Paragraph 1529. The protest is therefore sus-
tained as to the former mentioned merchandise
but overruled as to the latter.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
JANUARY 23,
THE
1926
HOOK-UP
Century's Advertising
Plus Your
Co-operation
Means $
to You
STOCK-UP
Century Music Pub. Go.
235 West 40th St.
New York
Pays Fine Tribute to
Fischer "Master Edition"
Portland, Ore., Musician and Teacher Finds
Editing of Well-known Editor Ahead of That
in the Past
A tribute to the "Master Edition" of famous
works, published by Carl Fischer, Inc., was
recently forwarded to that company by Mor-
daunt A. Goodnough, a prominent solo organist
and teacher of Portland, Ore. He takes a most
modern viewpoint in analyzing the compositions
of composers of the past and, whether or not
one thoroughly agrees with him in every phase
of the subject he attempts to treat, his remarks
are certainly worth repetition.
Below is reproduced Mr. Goodnough's letter:
"Carl Fischer, Inr.—I am very particular in
my work as teacher as to which edition I
Me
The \Nay
1o Go Home
HAR
MS.INC. 62
W.
45TH ST.
AMERICAS POPULAR
BALLAD SUCCESSES
ROSES OF PICARDY
INTHEGARDENOF7D-MORR0W
THE SONG OFSONGS
LOVE'S FIRST KISS
SMILETHRU YOUR TEARS
IF WINTER COMES
CHAPPELL-HARMS.INC.
185 MADISON AVE
NEW YORK
NMC.
MUSIC TRADE
41
REVIEW
use. The older editors, such as Czerny, and
later, Bulow, Mikuli and others were standards
in their time, although I consider Mikuli was
very greatly over-rated. But piano playing has
made an enormous advance—the art of finger-
ing, pedaling, phrasing, dynamics, interpreta-
tion as a science, all these features are under-
stood as never before.
"I have discarded elegantly bound volumes
of the masters that were edited in a manner
once considered authoritative, but are now
passe. True, I keep a number of the older
editions as works of reference, but for my own
playing and teaching I want an edition that
embodies the results of the latest scholarship.
"From the foregoing you will understand my
enthusiastic endorsement of the 'Master Edi-
tion.' I already own a considerable number
of this edition and have examined the large
stock your agent displayed for me. I am very
happy to be able to obtain now, in Portland,
Chopin, edited by Friedmen, and Beethoven,
edited by Lamond—in your 'Master Edition.'
Truly the world does move."
New Year Starts Off Well
With Triangle Music Go.
Business for First Week of January Exceeds
Total for December—Some Numbers Tha,t
Are Proving Very Popular
Joe Davis,, head of the Triangle Music Pub-
lishing Co., Inc., predicts that 1926 will be his
banner year. He says that his sheet music
sales for the first week of January exceeded his
total sales for the month of December, 1925.
Although "Honeymoon Waltz" and "Hot Cof-
fee" are the two main songs, the Triangle Mu-
sic Publishing Co., Inc., is working on "Go Back
Where You Stayed Last Night," recently re-
leased on Columbia records, sung by Ethel Wa-
ters, is developing into a seller. "Get It Fixed"
is another very big record song; in fact, the
last two mentioned songs are among the big-
gest sellers to-day in "race" songs.
W. A. Quincke & Go. Opens
Campaign on New Numbers
Los Angeles Music Publishers Offering Interest-
ing New Series of Songs Which Will Be Ex-
ploited Strongly
W. A. Quincke & Co., the Los Angeles pub-
lishers, following their success with such popular
songs as "Mexicali Rose," "Some Day I'll Learn
to Forget You" and "Regular Fellows," have
opened a campaign on a series of new offerings.
These include two new waltz ballads, "Wonder-
ful Drea'ms" and "It's Lonesome in Bluebird
Lane." It also has several standard popular
selections which are being heard in concert and
over the radio. The outstanding of these are
"Thine and Mine Alone," "When I Go Home"
and "Night Has Passed."
Recent reports show that Quincke & Co. have
developed a popular catalog which adds to the
importance to the Pacific Coast as a source of
current hits.
Can't Go Wr<
IT * £ *
YOU AND I
SWEET MAN
MIGHTY BLUB!
FLAMIN' MAMIE
I MISS MY SWISS
IT MUST BE LOVE
LANTERN OF LOVE
DON'T WAKE ME UP
TEACH ME TO SMILE
THE COUPLE UPSTAIRS
THE MIDNIGHT WALTZ
PAL OF MY CRADLE DAYS
BE ON THE LEVEL WITH MOTHER
FIVE FOOT TWO, EYES OF BLUE
I'M SITTING ON TOP OF THE WORLD
I'M TIRED OF EVERYTHING BUT
YOU
WHEN THE ONE YOU LOVE LOVES
YOU
TOO MANY PARTIES AND TOO MANY
PALS
WHEN I DREAM OF THE LAST
WALTZ WITH YOU
ALL THAT SHE IS IS AN OLD FASH-
IONED GIRL
I F WE CAN'T BE THE SAME OLD
SWEETHEARTS
\ Write
or Dealers'^ Price
LEO
of Ireland," "Songs of England" and "Songs of
Scotland." Altogether there will be thirteen
subjects released at the rate of one every four
weeks. First deliveries will be "Songs of Ire-
land," available February 7.
Pathe Exchange, Inc., which distributed the
"Music Master Series," will also distribute the
"Famous Melody Series." Each subject em-
bodies a tale of romantic interest interwoven
with famous melodies of the country in which
the story is laid. Complete orchestrations for
as many as sixty-five pieces will be supplied to
the exhibitor with each of the releases, thus
assuring musical entertainment of a high order
with the screen versions of the songs.
Peggy Shaw, formerly of "Ziegfeld Follies"
and who is known as the famous melody girl,
plays the lead in these single-reel subjects.
Mr. Fitpatrick also takes a leading part.
The Music Shoppe, of Savannah, Ga., has been
reopened at 409 Liberty street, in attractive
new quarters under the management of O. R.
Rabun.
. ¥EST of the
GREAT DIVIDE
>L ERNEST R. BALL'S
"r-LATEST AND GREATEST BALLAD
H ? ^
Liiric l)u G L - O R C H WHITING
RIGHT
NOW
5
Songs of All Lands
in New Picture Series
Pathe Exchange Bringing Out New Series Fea-
turing Famous Melodies—Orchestrations Sup-
plied
James Fitzpatrick, who has produced a highly
entertaining series of musical picturizations for
photoplays, including his "Music Master Series,"
presenting incidents in the lives of noted com-
posers which already proved successful, recently
gave a first showing of the "Famous Melody
Series." These are single-reel subjects, pre-
senting musical picturizations of the songs of
many lands. The initial subjects were "Songs
TRADC MARK RCGISTCRED
STOCK UP
M.WITMARK & S O N S
1650
BROADWAY
NKW YORK

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