Music Trade Review

Issue: 1926 Vol. 82 N. 13

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
Blasius & Sons, Philadelphia's Oldest
Piano Merchants, Closing Out Business
Many Philadelphia Houses Exhibit at Eastern Music Supervisors' Conference—Miessner Pianos to
• i
Be Handled by Weymann & Sons—Greniger Takes the Estey Line
PHILADELPHIA, Pa. ( March 23—While here
the instruction of music in the nation's schools,
and there are reports of fair activities in the
has been acquired by H. A. Weymann & Sons,
piano stores, the majority of the dealers are lin-
1108 Chestnut street. The Miessner Piano Co.,
gering along waiting the arrival of the post-
of Milwaukee, heretofore has handled its locaj
Easter days when business usually assumes a
business entirely through a special represeirfa-
more normal trend. Whatever business is to be
tive, selling direct to the schools. Under the
had in the piano trade is that garnered from
latest innovation the piano department of the
special sales drives now being made to promote
Weymann company, of which A. C. Weymann,
an interest in the various makes of the popular-
of the firm, is manager, will feature this instru-
priced instruments or in the higher grade types
ment with exclusive sales rights for Philadelphia
which are always movable stocks at any season
county,
of the year.
Steinway Mechanism Displayed
Closing Out Blasius & Sons Business
The inner works and mechanism of the Stein-
When the accounts of the oldest of Philadel-
way grand piano, which were used by William
phia's piano houses are settled there will dis-
Braid White, Technical Editor of The Review,
appear from the trade its landmark of the pio-
to demonstrate the construction of the mechani-
neer days of piano manufacturing—the house of
cal arrangement of a piano at the recent meet-
Blasius & Sons, now located at 40 South Six-
ing of the American Society of Mechanical En-
teenth street. Since the first of the year all pianos
gineers in this city under the auspices of the
have been removed from the floor and the offices
Wood Industries Division, have been featured
have been concerned with cleaning up the ac-
in special window trim by N. Stetson & Co.,
counts so as to wind up the business.
The
1111 Chestnut street, the Quaker City distribu-
house of Blasius & Sons dates back to 1855,
tors of the Steinway. The display was so ar-
when the firm was one of the leading piano
ranged in the window that the entire inner con-
manufacturers in this part of the country, pro-
struction was visible to the pedestrians on
ducing its own make of instruments. The Phila-
Chestnut street and it attracted many interested
delphia headquarters at that time were located
spectators.
at 1101-1119 Chestnut street, in the heart of
Morsback Exends Lines
Piano Row. The factory, sold in 1918 to the
Louis P. Morsback, head of the stores bearing
Belber Bag & Trunk Co., was located in Wood-
bury, N. J.
Blasius & Sons was founded by Charles
Blasius and the business is now handled by two
of the old-time employes, Charles Keat, for
thirty years with the firm, and George Baker,
Brunswick Shop, of Holyoke, Mass., Wins
for thirty-five years associated with its business.
Plaudits at Demonstration Unique in Its
Both have been active in winding up the com-
Scope
pany's affairs.
Exhibit at Supervisors' Conference
A remarkably successful demonstration of the
Various dealers specializing in or handling
Brunswick Panatrope was given recently by the
musical instruments and publications adapted
Brunswick Shop, of Holyoke, Mass., in con-
for the education of the youth of the nation in
nection with a home talent show which was
public or private schools and colleges were rep-
resented at the Eastern Music Supervisors' Con-
ference held in Atlantic City last week. Among
those who made the Ambassador Hotel, where
the Conference was held, their headquarters
with displays featured while the meetings were
in course were the Victor Talking Machine Co.,
Camden, N. J.; the Oliver Ditson Co., Boston,
Mass.; Ginn & Co., Boston; New York Music
Bureau, New York; C. C. Birchard, Boston;
Aeolian Co., New York; Carl Fischer, New
York; Charles H. Ditson & Co., New York; the
Starr Piano Co., Richmond, Ind., and the Edu-
cational Bureau, Chicago, 111., which repre-
sented several of the larger publishers and
manufacturers of the country.
Panatrope Demonstrated
Before Audience of 1600
Elaborate Starr Co. Display
From the Philadelphia headquarters of the
Starr Piano Co., the Witlin Musical Instrument
Co., 904 Walnut street, there were shipped to
the Ambassador Hotel in Atlantic City during
the recent Eastern Music Supervisors' Confer-"
ence several of the Starr pianos and the Starr
school phonograph.
The Starr Co. occupied
the sun porch of the Ambassador for its exhi-
bition and demonstration. President Ben Wit-
lin, of the company, motored down to the shore
to personally supervise and direct the exhibit.
Among the instruments shown were the Starr
grand and miniature upright pianos and the
especially made school Starr phonograph. Upon
his return trip to the city President Witlin im-
mediately left for Washington, D. C, where he
is to close a big deal with one of the leading
music houses of the Capital City for the sale of
the Starr instruments, announcement to be
made of firm involved at a later date.
Miessner Pianos for Weymann & Sons
Sole Philadelphia distribution of the well-
known Miessner pianos, used extensively for
MARCH 27, 1926
his name at Broad street and Snyder avenue and
Sixteenth street and Snyder avenue, who has
been sojourning in Florida resorts for several
weeks, is back at his desk ready for the Spring
drive for the various instruments which the firm
carries. The firm now has pianos in addition to
the Victor talking machines, formerly handled
exclusively in the Snyder avenue and Broad
street store. There also is carried a complete
assortment of string and band instruments, in-
cluding the Buescher and other well-known
makes.
Rihl Bros., 424 East Girard avenue, has passed
into the hands of the remaining associates of
Albert Rihl, whose death occurred last January,
following a brief illness from pneumonia. The
present owners of the business are Harry Rihl
and his widow, Mrs. Albert Rihl, who will con-
tinue to conduct the business along the same
lines as formerly and plan to extend the sheet
music department. The firm now handles the
Q R S and Imperial music rolls, with a line of
string instruments and the recently added
Atwater Kent and Radiola lines.
Takes on Estey
The Estey pianos have been added to the lines
of Curtis E. Greniger, 6014 Haverford avenue,
who has acquired the music store of Arthur
W. Davidson, at this address, which featured the
Victor exclusively. Since acquiring the busi-
ness Mr. Greniger has extended the lines to the
Estey pianos and piano floor lamps.
While
Mr. Greniger is a newcomer to the music trade,
he has back of him to guide his business the
advice of his son, Charles E. Greniger, long
identified with the industry as manager of the
Linton Store, in South Fifty-second street.
The audience was exceptionally
enthusiastic
over the instrument, as well as in the short talk
describing its features given by H. Emerson
Yorke, special Chicago representative of the
phonograph division of the Brunswick-Balke-
Collender Co.
Havre Piano Go. Opens
HAVRE, MONT., March 19.—The new music store
of the Havre Piano Co. has been opened in the
Joseph Valedon Building, this city, with Miss E.
Panatrope
Demonstrated
Before. 1600 in
Holyoke, Mass.,
by Brunswick
Shop
attended by more than 1,600 persons. Henry
Pueschel, proprietor of the local Brunswick
Shop, spared neither effort nor expense to make
the affair a success, and as a result many hun-
dreds were turned away, due to the limited
capacity of the hall.
A carefully planned program included vocal
selections by Viora M. Dubray, soprano; Nor-
man Dash, baritone, with Marjorie Malcom
Shaw as accompanist. As an interesting variety
the pupils of Miss Hilberger, dancing instructor,
gave several beautiful interpretive dances. The
Brunswick Panatrope opened and closed the
program with a group of well-chosen records.
H. Farmer in charge. The concern will feature
a complete line of Baldwin pianos, as well as
phonographs, music rolls and records.
Miss
Fanner will be assisted by R. Konopatzke, who
will divide his time as tuner and outside sales-
Orpheus Shop Chartered
The Orpheus Music Shop, New York, has
been granted a charter of incorporation recently
with a capital stock of $30,000. The proprietors
of the business are F. Schildkraut, S. Kanarek
and M. M. Barrett.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
MARCH 27,
1926
THE MUSIC TRADE
REVIEW
Glen Bros.-Roberts Offer Ghickering
as Trophy in State Contest
Ogden, Utah, Firm Sponsors State-Wide Piano Playing Contest With Chickering Grand as Prize—An Inter-
view With George S. Glen, Head of This Firm, by Maurice Richmond, of the Richmond
Music Supply Corp., New York—The Scope of the Contest and Its Aims
O
GDEN, Utah, is a great little town of
about 40,000 people, a bustling business
center, nestling in the Rockies. You
can't get anywhere in this Western region with-
out coming to Ogden. It is the great gateway
where the chief Western railroads and the auto
highways meet the East with the West. It is
only a few hours' ride from the Yellowstone
Park and the Grand Canyon of Arizona; an
hour away from Salt Lake City. Ogden gets
its water from thirty-four artesian wells ISO feet
below the surface. Ogden's water is clear, cool
and 100 per cent pure. It leads in copper, silver
and lead.
Upon my arrival I immediately called on the
Glen Bros.-Roberts Piano Co. and had a nice
visit with Ralph I). Roberts, the secretary-
treasurer. During our conversation Mr. Roberts
stated: "Conditions with us have been much
better for 1925. Our Christmas trade was good,
particularly in our Salt Lake City store." This
firm makes its headquarters at Ogden and
operates Salt Lake as a branch store. Mr.
Roberts seemed very pleasant, the type that
Glenn Frank talks about, stating: "Happiness
cannot be switched on like an electric current
after office hours. If we cannot somehow
manage to find satisfaction in our work, there
is small chance that we will find it outside of
our work."
It was my good fortune that the head of the
firm, George S. Glen, dashed in while I was
talking to Mr. Roberts. I was immediately
introduced and Mr. Glen told me enthusiastically
about his trophy contest for Utah music pupils.
A copy of his talk is now being broadcast
throughout the State of Utah. He gave me this
contest first-hand, which is as follows:
"We believe that everyone who loves music,
and especially those who are interested in the
development of the musical art, will learn with
real pleasure the plan we have worked out for
encouraging a greater interest in the serious
study of the piano.
"We believe that our plan will greatly bene-
fit every teacher of the piano, and will surely
stimulate every serious-minded student to
greater effort. We hope it will encourage all
talented but possibly unenthusiastic students to
a sincerer interest in their work.
Rules Governing the Contest
"Briefly, our plan is to give free of any charge
whatever a beautiful Chickering grand piano,
valued at $1,750, to any student receiving the
highest percentage of points based on musician-
ship, rhythm, freedom of interpretation and tone
color.
"The rules governing our trophy contest are
as follows: The prize to be awarded will be a
Chickering Style I grand piano, valued at $1,750.
A prize consisting of the same style and price
piano will be offered annually, one piano each
year, for three years. Only one contestant from
each teacher school, academy or conservatory
may be entered. All contestants must sign the
application blank in their own handwriting and
the application must bear the endorsement of
the teacher school, academy or conservatory
from which the student comes. No contestant
is eligible who has appeared in public concerts
for which a fee has been received, or who has
given a personal recital for which tickets have
been sold. All selections must be played from
memory. All contestants must be entered with
the Glen Bros.-Roberts Piano Co. by October
1, 1926, on blanks provided for the purpose by
the Glen Bros.-Roberts Piano Co. All applica-
tions to participate in this contest must be sent
to the Educational Division, Glen Bros.-Roberts
Piano Co., Salt Lake City or Ogden, Utah. All
contestants for the Glen Bros.-Roberts Piano
Co. Trophy must have been resident piano-forte
students of the State of Utah for a period of
not less than six months. The contest will be
held the latter part of October, 1926. No win-
ning contestant will be eligible to enter a contest
any succeeding year. Contestants will not be re-
quired to pay an entrance fee of any kind. All
contestants entered will be notified by mail as
to when and where the contest will be held. The
name of the winner will be announced through
the public press. The judges will be screened
from contestants and will call for them by num-
ber. The decision of the judges shall be final.
The judges reserve the right to disqualify any
contestant when, in their opinion, such contes-
tant, for any reason, is not eligible under the
rules of this contest.
"The compositions to be played are: concerto,
A minor (all three movements), Grieg; 'Per-
petual Motion,' rondo from sonata op. 54 Von
Weber, and 'Liebestraum,' Nocturne No. 3,
Liszt.
"We contemplate closing the contest in Oc-
tober, thus giving ample time for preparation
and allowing sufficiently for an elimination con-
test in each teacher's, school's or institution's
piano department.
"The board of judges will be made up of
people eminently qualified and will number about
fifteen. Wle are inviting such people as the musi-
cal critics of the press, musical supervisors of
the public schools, and well-known music lovers
to serve as judges, but, of course, no teachers
who have students in the contest.
"We propose making this an annual contest,
giving a fine Chickering grand each year, so the
student of to-day who is not far enough ad-
vanced to compete this year can look forward
to the next or even to the third contest, thus
keeping alive a constant interest in the study.
"To get the best results we must have the
whole-hearted co-operation of the teachers of
our State. We are doing this for the teachers
and their students, and our desire is to build up
to even a higher degree an interest and appre-
ciation of the art of music. We want to help
make Utah the most musical State in the Union.
"We love music and want the greatest pos-
sible number of people to share our pleasure in
more good music. Give More Thought To
Music."
A good description of Mr. Glen. He displays
a great deal of vigor. Keenly, alive, with a fine,
swinging step, he is gifted with the power of
expressing his knowledge, a strong character,
brimming over with new ideas. He thoroughly
believes in the power of true faith. It was a deep
saying of Coleridge that: "Nothing great was
ever done without enthusiasm." The most fertile
of forces is enlightened faith. The American
philosopher, William James, tells of two men
with the same muscular equipment facing the
same chasm over which it was necessary to
jump in order to be saved. One believed he
would fall; the other believed he would succeed.
Both were right for the belief created the fact,
look that over.
Thomas J. Holland, a director of the firm
as well as general manager, is well pleased with
its musical instrument business, particularly
saxophones and ukuleles and general merchan-
dise and sheet music, which are doing nicely.
He is a hustler, that is a known fact. I really
don't know whether he is of a religious type but
he stated: "The religion of some people consists
of praying that the Lord will provide, and many
a man is too busy reading the Bible to help his
wife with the dishes. Opportunity is around the
corner and is there waiting for you." The sheet
music department looked neat and Miss Kath-
eryne Fisher recently was put in charge. She
is a charming young lady, displaying Glen's
service. Politeness and courtesy go with it.
This Fisher maiden will make good in her work,
being willing to learn, alert and extremely ac-
tive, all of which will no doubt make her an
asset to the institution.
Want Stamps or Coins
to Honor Stephen Foster
another step towards better preparation of pub-
lic school staffs through specialization. Under
the direction of Prof. Richard W. Grant, now
head of the college department of music, the
new institute will offer courses approved by the
State Department of Public Instruction. They
meet certification requirements for Pennsylvania
and most other States, and more than seventy
credits of music will be offered. Advanced
students will be able to earn a Bachelor of Arts
degree in the School of Education. The insti-
tute will open July 5 and continue for six weeks.
Dr. Will Earhart, director of Music in the Pitts-
burgh Public Schools, will head the faculty.
Raymond A. Miller, who for many years was
the head of the Miller Organ Co., of Lebanon,
Pa., was killed in an automobile accident near
that city on March 21, when the automobile
crashed into a tree, through a mistake made by
the man at the wheel.
The fight of American musicians and enter-
tainers to force a wedge into England, where
they have been prohibited, was described by
Paul Specht, orchestra leader, at the meeting of
the Shrine Luncheon Club in the William Penn
Hotel.
Chamber of Commerce of Pittsburgh Urges
Recognition of Composer—Death of Raymond
A. Miller
PITTSBURGH, PA., March 23.—Music merchants
here are in full accord with the action of the
Chamber of Commerce of Pittsburgh adopting a
resolution asking the Congress to authorize the
issue of postage stamps bearing a photograph
of Stephen C. Foster, the composer. The Cham-
ber suggested as an alternative that if postage
stamps cannot be issued a coin be stricken
off with Foster's bust in place of that of the
usual Goddess of Liberty.
To better meet the demand of public school
teachers for instruction that will qualify them
for teachers and supervisors of school music,
the Pennsylvania State College will launch a
new feature in the coming Summer session to
be known as the Institute of Music Education.
This institute is regarded by Dean W. G.
Chambers, director of the Summer session, as

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