Music Trade Review

Issue: 1925 Vol. 81 N. 3

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
JULY 18, 1925
43
'Yhu> Can't Go WronQ.
With Any FEIST' Song'
WOULDNT
KIDS n
LOVE YOU*!
PARADE
1 ^IM TIRED
Berniy Davis «
New/ Different! BMI!A
TOO
GOTTA
.Joe Buike^ New
OF EVERYTHING'
Hit/
KNOW HOW' BUT YOU* WANT YOU
[ALL FOR ME.
FOXTROT
A Great
Ballad
FOX TROT
FOX TROT
% GUS KAHN
^WALTER. DONALDSON
A New Comedy Idea
.Gus Kah/JWalter
Frank Pallma to Go
on Trip to the Coast
Will Represent Pallma Music Publishers, Har-
old Flammer, Inc., and Gamble-Hinged Music
Co. While on His Extended Travels
Frank Pallma, Jr., who recently organized
Pallma Music Publishers, whose executive of-
ices are at 509 South Wabash avenue, Chicago,
Frank Pallma, Jr.
111., will shortly leave on a trip to the Coast.
On his first trip West Mr. Pallma will intro-
duce five or six numbers *with which he has
opened his catalog. In addition he will repre-
sent Harold Flammer, Inc., and the best of the
Luckhardt & Belder catalog recently taken over
by the Flammer concern. Mr. Pallma has also
closed arrangements with the Gamble-Hinged
Music Co. whereby he will be able to offer
Gamble-Hinged publications on his coming tour.
The Pallma Music Publishers have associated
with them Rudolph George Kopp as music edi-
tor and Alfred Golding, the well-known music
dealer and advertising specialist of Canada, will
look after the advertising for the firm. Mr.
Pallma and Mr. Golding need no introduction to
the trade. A few words regarding Mr. Kopp,
however, should be found interesting.
Rudolph George Kopp was born March 22,
THIMOMPOPUUR
HOMl SONCS
FOXTROT
iJfith a Fascinating Rhythm,
ISHAM#ONES
A Popular Ballad
(FOXTROT)
CHESTE^ COHN
MARK FISHER.^
NED MILLEF
1887, in Hungary, of Viennese parents. When Cliff Edwards Signs With
six years old he appeared in concert. He be-
came a student of the conservatory when six-
Robbins-Engel Exclusively
teen years old, and studied violin with Pro-
fessor Karl Prill, harmony with Hermann "Ukulele Ike," Known All Over the Country for
Graedener and composition with Robert Fuchs.
Work With That Instrument, to Publish
While in the conservatory he was concert mas-
Through This House
ter and assistant conductor of one of the eleven
military orchestras in Vienna. After graduat-
Herewith is presented the duke of all ukists—
ing he joined the orchestra of the Folks Opera Ukulele Ike—christened Cliff Edwards. He is
in Vienna. After coming to the United States portrayed being congratulated by his publisher,
he settled in California. Shortly after the Los
Angeles Symphony was reorganized he became
the solo violin player of this orchestra and ap-
peared for two seasons as soloist in the reg-
ular concerts.
In 1918 he was appointed musical director of
V. Grauman's Million Dollar Theatre in Los
Angeles, later confining his activities to teaching
Ukulele Ike (Cliff Edwards) and Harry Engel
Harry Engel, of Robbins-Engel, Inc., after he
had placed his signature to a contract granting
that firm the exclusive publishing rights to all
his ukulele compositions from now on. A large
advance cash consideration was involved in the
deal.
The Robbins-Engel firm is publishing Ukulele
Ike's (Cliff Edwards') two novelty folios, enti-
tled "Ukulele Ike's Comic Songs for the Ukulele."
The response, from trade and public alike, on
this book has been heavy and the publishers
plan to release, shortly, a series of sequels to
Rudolph G. Kopp
only. In 1921 he came to Chicago, where he his initial effusions.
Together with Edwards' publications, the
was conductor at the Tivoli Theatre and after
an extensive trip to Europe, returned to Chicago Robbins-Engel, Inc., control the output in the
and became associate conductor to Mr. Finston, ukulele line of Hank Linet, one of the most
famous of comedy ukulele song writers. "Hank's
at the Chicago Theatre.
One Hour Course in Ukulele Playing," "Hank's
Comic Camp Songs for the Ukulele," "Hank's
College Ditties" and "Hank's Songs of the
Burrhus Go. Chartered
Sunny South" comprise the edition. W. C.
The Secretary of the State of New York has Handy's famous "Comic Blues for the Ukulele"
issued a certificate of incorporation to a new is likewise a Robbins-Engel issue.
Taken altogether the new arrangement is
publishing firm known as the Burrhus Music Co.
Incorporators are J. W., M. S. and J. Steel. one that must work advantageously to all con-
cerned.
Capitalization $5,000.
The Cultured Taste Will Not Be Satisfied With Any
Music Collections Other Than the
MOST POPULAR
Write for descriptive catalog—Order from jobber or direct from publisher
Hinds, Hayden & Eldredge, Inc., Publishers, New York City
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
44
THE MUSIC TRADE
REVIEW
JULY 18, 1925
L
LINGER
LONGER IN
YOUR ARMS
A fascinating RxTtot
Cliff Friend
and AJoel Baer
Writers of

"JUNE NIGHT*
*You
Can't
Go
Wrong*
With
Any 'FE/ST' Song"
Are Opportunities in Standard Music
Field Being Capitalized to the Limit?
Progress Made in That Branch of Sheet Music Industry During Past Few Years Leads to Belief
That Concerted Effort Should Bring About Still Greater Business Volume
'TpHE healthy strides of progress which the
•*• standard music field has made through the
past few years are indeed remarkable. We take
it that all hands have been so busy in pushing
forward their own publications that they have
not stopped to think that they were only a
small part of a widespread movement for good
music which is reaching huge proportions.
The forces that are making this country not
only,., the greatest as a musical center but a
n&sical nation in which all of the populace in
some manner takes a part are widespread. They
are intensively covering the educational chan-
nels, the entertainment field and they reach the
homes in even the most remote communities.
This nation is not only becoming music loving
but one preponderantly interested in better
music. What is more, with its tremendous pop-
ulation, with a wide variety of musical tastes
and with a general and a per capita wealth
of high average, it can and does absorb pub-
lications of every description. The totals of
good music which will be consumed in the
future cannot be estimated.
Most of the increased volume of sales of
standard music has been obtained without
proper concerted effort on the part of the trade.
Therefore, the peak of sales from the results of
present-day musical activities has not been at-
tained. It is only in some few territories where
volume has increased in proportion to the
widespread advance of better music. States,
municipalities, as well as civic bodies every-
where, are taking a part in the development of
music appreciation.
Music covers so many
diversified channels and, with the success of
musical bodies from the most humble recital
to musical events of national importance, there
should be even larger gains recorded in stand-
ard sales. No other field of commercial activity
has so many forces working in its favor as
music.
With the minimum of retail outlets every
store should be running up larger sales totals.
The facts show that, although retail establish-
ments are prosperous, they are not as a whole
accumulating much reserve. There is need in
many instances of a greater interest on the part
of retailers in local music activities. Where
retail establishments have taken a leadership
in the dissemination of better music, the pro-
prietor is called upon by civic bodies and others
when programs are being arranged for all public
functions. This gives the store prestige and
gives the establishment first-hand knowledge of
the trend of events, placing it in a position of
getting the most out of such functions com-
mercially.
Milton Weil Go. to Move
"Garrick Gaieties" Music
CHICAGO, I I I . , July 11.—The Milton Weil Music
Co., now located at 119 North Clark street, will
move the latter part of this month to larger
quarters at 81 West Randolph street. The pres-
ent building, Cohan's Grand Opera House, is
to be demolished and replaced with a more mod-
ern structure and the sheet music publishers
located there have to seek new quarters.
John Murray Anderson, the well-known pro-
ducer, is quite enthusiastic over the music in
the Theatre Guild's new show "Garrick Gaie-
ties." In a letter to Larry Hart, the writer of
the lyrics of the show, he announces that they
are the best offerings since Gilbert and Sulli-
van's day. Outstanding songs are "Manhattan,"
"Sentimental Me," "April Fool," and "On With
the Dance." The dance orchestrations of these
numbers are by Arthur Lange and the music is
published by the Edward B. Marks Music Co.
To Sell Halliday Numbers
Phil Ponce Publications has been appointed
sole selling agent for "At Sunset," a waltz, and
"When I'm Alone," a fox-trot, both by M. B
Halliday, writer of several standard successes.
The Ponce firm has also added to its catalog a
new fox-trot called "Siberia."
Annabell McMahon has written the words
and Harry Jay the music for "Mother Tra-Lee"
(Hum Your Gaelic to Me). It is an American-
Irish ballad with wide possibilities. The pub-
lisher is Annabell McMahon, Tribune Annex
Building, Minneapolis, Minn.
New Ballads by Callahan
J. Will Callahan, writer of "Smiles" and other
numerous past successes, has in recent years
devoted practically all of his time to popular
ballads of the better type. He recently placed
with the new ballad department of Jack Mills,
Inc., the following songs: "Returning," "Give
Me the Right to Call You Dearest" and "Just
A Dream of a Waltz With You." Mr. Calla-
han spends his Winters in New Smyrna, Fla.,
and Summers in Bay View, Mich.
New Book for Mixed Voices
Issued by Oliver Ditson Go.
Music Particularly Designed for Use of Choirs
Without Soloists—New Folio of Four^hand
Pieces by Antiga
The Oliver Ditson Co. has issued a new book
for mixed voices called "Easy Anthems With
Simple Solos," edited by Charles H . Morse.
This publication is particularly for ttie u s e of
choirs which, have few or no solo ^voices, but
desire impressive and beautiful devotional mu-
sic. The compilation has close to thirty num-
bers with sufficient variety to lend themselves
to various settings.
The Oliver Ditson Co. has also released a
new folio containing five four-hand pieces, by
Jean Antiga. The titles are "Do N^dJ Forget
Me," "Gavotte in Ancient Style," "Imptressions
of Savoy," "Souvenir of Spain" and ''Spanish
Serenade."
"I Miss My Swiss" Shows
Much Promise of Success
Song Hit of Paris Edition of "Chauve Souris"
to Be Exploited Strongly in this Country by
Feist
"I Miss My Swiss" (My Swiss Miss Misses
Me), a new song by L. Wolfe Gilbert and Abel
Baer, originally introduced in Balieff's "Chauve
Souris" at its recent opening in Paris and where
it proved the song sensation of the show, will
undoubtedly repeat its success here. The plans
of the publishers, Leo Feist, Inc., call for ex-
ploitation of this unusual offering on an inten-
sive and national scale. Work along this line
by the various Feist branch offices and repre-
sentatives throughout the country is already
under way and "I Miss My Swiss" will undoubt-
edly be one of the reigning favorites on dance
floors during the coming weeks.
"Hello Bill" Scores
PORTLAND, ORE., July 9.—"Hello, Bill," a march
song written by Ernest M. Nordstrom, of this
city, and dedicated to the Elks, has been placed
on the sheet music counters of the city and
good sales are already accorded the number, ac-
cording to the dealers. The song was written
for the Sixty-first Grand Lodge convention of
the B. P. O. E., which will be held in Portland
July 13 to 18, at which time the visiting Elks
will be in the city with their bands and drum
corps from every State in the Union. W. A.
McDougall, the leader of the Portland Elks
band of seventy-five pieces, proposes to feature
the number on every opportunity, and it is sure
to become very popular with the visiting musi-
cians of Elkdom. ' .

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